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41998 Search Results for medieval or gothic or late medieval

Joan of Arc (1412-1431) lodged at the hotel of “l'asne raye” in Reims during the celebrations of the coronation of Charles VII (1403-1461) gets served a net of Daguet. Engraving in “” La cuisine des familles”” from 1905-1908.
Joan of Arc (1412-1431) lodged at the hotel of “l'asne raye” in Reims during the celebrations of the coronation of Charles VII (1403-1461) gets served a net of Daguet. Engraving in “” La cuisine des familles”” from 1905-1908.

XEE4133700: Joan of Arc (1412-1431) lodged at the hotel of “l'asne raye” in Reims during the celebrations of the coronation of Charles VII (1403-1461) gets served a net of Daguet. Engraving in “” La cuisine des familles”” from 1905-1908., Unknown Artist, (20th century) / Bridgeman Images

The Battle of Agincourt in 1415, illustration from 'France: Son Histoire' by Georges Montorgueil, 1896 (colour litho)
The Battle of Agincourt in 1415, illustration from 'France: Son Histoire' by Georges Montorgueil, 1896 (colour litho)

XEE4137212: The Battle of Agincourt in 1415, illustration from 'France: Son Histoire' by Georges Montorgueil, 1896 (colour litho), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

Court of the King's Henry VI of England, c.1460 (illumination)
Court of the King's Henry VI of England, c.1460 (illumination)

XLA3766988: Court of the King's Henry VI of England, c.1460 (illumination), English School, (15th century) / Bridgeman Images

Dress (Robe) of the reign of Edward V and Richard III, 1483-1485. She wears a tall headdress with long veil, a furtrimmed mantle with wide collar over a striped dress. Seated in a medieval carved chair with lions on the arms. Based on portraits of Elizabeth Woodville, queen of Edward IV, description of the dress of Anne Neville, queen of Richard III, illuminated Royal manuscript 16F2, and effigy of Lady Peyton, Isleham Church, Cambridgeshire. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Dress (Robe) of the reign of Edward V and Richard III, 1483-1485. She wears a tall headdress with long veil, a furtrimmed mantle with wide collar over a striped dress. Seated in a medieval carved chair with lions on the arms. Based on portraits of Elizabeth Woodville, queen of Edward IV, description of the dress of Anne Neville, queen of Richard III, illuminated Royal manuscript 16F2, and effigy of Lady Peyton, Isleham Church, Cambridgeshire. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594617: Dress (Robe) of the reign of Edward V and Richard III, 1483-1485. She wears a tall headdress with long veil, a furtrimmed mantle with wide collar over a striped dress. Seated in a medieval carved chair with lions on the arms. Based on portraits of Elizabeth Woodville, queen of Edward IV, description of the dress of Anne Neville, queen of Richard III, illuminated Royal manuscript 16F2, and effigy of Lady Peyton, Isleham Church, Cambridgeshire. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

King Richard III of England, Duke of Gloucester, 1452-1485, or his father Richard, Third Duke of York 1411-1460. He wears a crown, a suit of armour with a globular breastplate and engraved plates, fingered gauntlets, and holds a two-handed sword. From a stained glass window in Trinity Hall, Cambridge. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
King Richard III of England, Duke of Gloucester, 1452-1485, or his father Richard, Third Duke of York 1411-1460. He wears a crown, a suit of armour with a globular breastplate and engraved plates, fingered gauntlets, and holds a two-handed sword. From a stained glass window in Trinity Hall, Cambridge. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678450: King Richard III of England, Duke of Gloucester, 1452-1485, or his father Richard, Third Duke of York 1411-1460. He wears a crown, a suit of armour with a globular breastplate and engraved plates, fingered gauntlets, and holds a two-handed sword. From a stained glass window in Trinity Hall, Cambridge. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

Edward I (litho)
Edward I (litho)

IL956282: Edward I (litho), English School, (20th century) / Bridgeman Images

Mars with the zodiac signs of scorpion and belier. Downstairs, the battle scenes. Miniature made by Cristoforo de Predis (v. 1440-v. 1486) - in “” De Sphaera””” d'Este. Around 1470. Biblioteca Estense, Modene.
Mars with the zodiac signs of scorpion and belier. Downstairs, the battle scenes. Miniature made by Cristoforo de Predis (v. 1440-v. 1486) - in “” De Sphaera””” d'Este. Around 1470. Biblioteca Estense, Modene.

MPH5028161: Mars with the zodiac signs of scorpion and belier. Downstairs, the battle scenes. Miniature made by Cristoforo de Predis (v. 1440-v. 1486) - in “” De Sphaera””” d'Este. Around 1470. Biblioteca Estense, Modene., Predis, Cristoforo de (1440-86) / Bridgeman Images

Striking Architectural Features and Historic Interest bring a House Valuable Publicity (b/w photo)
Striking Architectural Features and Historic Interest bring a House Valuable Publicity (b/w photo)

LLM5990166: Striking Architectural Features and Historic Interest bring a House Valuable Publicity (b/w photo), English Photographer, (20th century) / Bridgeman Images

Terrace Scene, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving) (engraving)
Terrace Scene, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving) (engraving)

LLM3649303: Terrace Scene, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving) (engraving), Dore, Gustave (1832-83) (after) / Bridgeman Images

The Armorial Bearings (colour litho)
The Armorial Bearings (colour litho)

LLM2798978: The Armorial Bearings (colour litho), English School, (20th century) / Bridgeman Images

King Arthur reading the Letter of Elaine, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving)
King Arthur reading the Letter of Elaine, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving)

LLM3649289: King Arthur reading the Letter of Elaine, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving), Dore, Gustave (1832-83) (after) / Bridgeman Images

Edyrn with his Lady and Dwarf journey to Arthur's Court, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving)
Edyrn with his Lady and Dwarf journey to Arthur's Court, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving)

LLM3649300: Edyrn with his Lady and Dwarf journey to Arthur's Court, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving), Dore, Gustave (1832-83) (after) / Bridgeman Images

Tomb effigy of Henry VII by Pietro Torrigiano (1472-1528) (bronze)
Tomb effigy of Henry VII by Pietro Torrigiano (1472-1528) (bronze)

BAL7772: Tomb effigy of Henry VII by Pietro Torrigiano (1472-1528) (bronze), Torrigiano, Pietro (1472-1528) / Bridgeman Images

Joan of Arc
Joan of Arc

LTI7147889: Joan of Arc, Lonati, Alessandro (b.1980) / Bridgeman Images

The battle of Agincourt (engraving)
The battle of Agincourt (engraving)

LLM653996: The battle of Agincourt (engraving), English School, (19th century) / Bridgeman Images

The Battle of Agincourt AD1415, 1920's (litho)
The Battle of Agincourt AD1415, 1920's (litho)

IL832981: The Battle of Agincourt AD1415, 1920's (litho), Payne, Henry A. (Harry) (1868-1940) / Bridgeman Images

Men playing Renaissance instruments
Men playing Renaissance instruments

XLE3760439: Men playing Renaissance instruments / Bridgeman Images

Panel of a Book Cover (chromolitho)
Panel of a Book Cover (chromolitho)

LLM668131: Panel of a Book Cover (chromolitho), French School, (19th century) / Bridgeman Images

MS 83-1972 f.3r Outline designs for capital letters showing 'P','H' and 'K' from a Model Book of Initials, Italian, c.1200 (vellum)
MS 83-1972 f.3r Outline designs for capital letters showing 'P','H' and 'K' from a Model Book of Initials, Italian, c.1200 (vellum)

FIT89535: MS 83-1972 f.3r Outline designs for capital letters showing 'P','H' and 'K' from a Model Book of Initials, Italian, c.1200 (vellum) / Bridgeman Images

View of Alnwick Castle, from 'The English Country House' (b/w photo) (see 306363)
View of Alnwick Castle, from 'The English Country House' (b/w photo) (see 306363)

CLF306275: View of Alnwick Castle, from 'The English Country House' (b/w photo) (see 306363), English Photographer, (20th century) / Bridgeman Images

Detail from the Entry into Jerusalem: Zacchaeus (stained glass)
Detail from the Entry into Jerusalem: Zacchaeus (stained glass)

SMF358921: Detail from the Entry into Jerusalem: Zacchaeus (stained glass), English School, (16th century) / Bridgeman Images

Evan Of Wales assassinated before Morman-Sur-Mer (coloured engraving)
Evan Of Wales assassinated before Morman-Sur-Mer (coloured engraving)

LLM3642480: Evan Of Wales assassinated before Morman-Sur-Mer (coloured engraving), English School, (19th century) / Bridgeman Images

Conventional leaves and flowers from an illuminated manuscript. Chromolithograph by Francis Bedford from Owen Jones' The Grammar of Ornament, Quaritch, London, 1868.
Conventional leaves and flowers from an illuminated manuscript. Chromolithograph by Francis Bedford from Owen Jones' The Grammar of Ornament, Quaritch, London, 1868.

FLO4987864: Conventional leaves and flowers from an illuminated manuscript. Chromolithograph by Francis Bedford from Owen Jones' The Grammar of Ornament, Quaritch, London, 1868. / Bridgeman Images

Illustration for The Cloister and the Hearth by Charles Reade (litho)
Illustration for The Cloister and the Hearth by Charles Reade (litho)

LLM6020455: Illustration for The Cloister and the Hearth by Charles Reade (litho), Hewerdine, Matt Bede (1868-1909) / Bridgeman Images

The Doubting St Thomas with the resurrected Christ and the Apostles (stained glass)
The Doubting St Thomas with the resurrected Christ and the Apostles (stained glass)

PC3501620: The Doubting St Thomas with the resurrected Christ and the Apostles (stained glass), French School, (14th century) / Bridgeman Images

Louis X (1289-1316) french king in 1314-1316, engraving
Louis X (1289-1316) french king in 1314-1316, engraving

PVD1688766: Louis X (1289-1316) french king in 1314-1316, engraving / Bridgeman Images

A King at Court, c.1460-70 (tempera, gold leaf, paint and ink on parchment)
A King at Court, c.1460-70 (tempera, gold leaf, paint and ink on parchment)

XOS5242317: A King at Court, c.1460-70 (tempera, gold leaf, paint and ink on parchment), French School, (15th century) / Bridgeman Images

Gentilhomme (coloured engraving)
Gentilhomme (coloured engraving)

LLM6016004: Gentilhomme (coloured engraving), European School, (19th century) / Bridgeman Images

Bourgeois (coloured engraving)
Bourgeois (coloured engraving)

LLM6016071: Bourgeois (coloured engraving), European School, (19th century) / Bridgeman Images

Henri, Seigneur Du Mez (coloured engraving)
Henri, Seigneur Du Mez (coloured engraving)

LLM6016086: Henri, Seigneur Du Mez (coloured engraving), European School, (19th century) / Bridgeman Images

Portrait of Michel Nostradamus, 1503-66. Born at St Remy de Provence. French apothecary and seer. Author of The Prophecies.
Portrait of Michel Nostradamus, 1503-66. Born at St Remy de Provence. French apothecary and seer. Author of The Prophecies.

HLR3262684: Portrait of Michel Nostradamus, 1503-66. Born at St Remy de Provence. French apothecary and seer. Author of The Prophecies. / Bridgeman Images

Ms 65/1284 fol. 45r Pslam 1, David chanting the psalms, Très Riches Heures du Duc de Berry (vellum)
Ms 65/1284 fol. 45r Pslam 1, David chanting the psalms, Très Riches Heures du Duc de Berry (vellum)

CND898633: Ms 65/1284 fol. 45r Pslam 1, David chanting the psalms, Très Riches Heures du Duc de Berry (vellum), Colombe, Jean (c.1430-c.93) / Bridgeman Images

Imber Church, c.1867 (pencil & w/c on paper)
Imber Church, c.1867 (pencil & w/c on paper)

SSW347079: Imber Church, c.1867 (pencil & w/c on paper), Kemm, Robert (1837-95) / Bridgeman Images

The Knight's Bridal (oil on canvas)
The Knight's Bridal (oil on canvas)

HTL226372: The Knight's Bridal (oil on canvas), Smetham, James (1821-89) / Bridgeman Images

Saint John of Nepomuk, by Jan Brokoff, Charles Bridge, Prague, Czech Republic (photo)
Saint John of Nepomuk, by Jan Brokoff, Charles Bridge, Prague, Czech Republic (photo)

STF810520: Saint John of Nepomuk, by Jan Brokoff, Charles Bridge, Prague, Czech Republic (photo) / Bridgeman Images

Ms. Lat. Q.v.I.126 fol. 29v Samuel calls on the Lord, from the 'Book of Hours of Louis d'Orleans', 1490 (vellum)
Ms. Lat. Q.v.I.126 fol. 29v Samuel calls on the Lord, from the 'Book of Hours of Louis d'Orleans', 1490 (vellum)

XJL197015: Ms. Lat. Q.v.I.126 fol. 29v Samuel calls on the Lord, from the 'Book of Hours of Louis d'Orleans', 1490 (vellum), Colombe, Jean (c.1430-c.93) / Bridgeman Images


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