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41998 Search Results for medieval or gothic or late medieval

Portraits of the kings of Henry Tudor (Henry VII, 1457-1509) on the left, Henry VI King of England (1422-1471) in the center, and the Duke and Duchess of Suffolk (behind). Colour engraving.
Portraits of the kings of Henry Tudor (Henry VII, 1457-1509) on the left, Henry VI King of England (1422-1471) in the center, and the Duke and Duchess of Suffolk (behind). Colour engraving.

NWI4946324: Portraits of the kings of Henry Tudor (Henry VII, 1457-1509) on the left, Henry VI King of England (1422-1471) in the center, and the Duke and Duchess of Suffolk (behind). Colour engraving. / Bridgeman Images

ID: NWI4946324

Portraits of the kings of Henry Tudor (Henry VII, 1457-1509) on the left, Henry VI King of England (1422-1471) in the center, and the Duke and Duchess of Suffolk (behind). Colour engraving.

Henry V, King of England, from 'Old England: A Pictorial Museum', 1847 (engraving)
Henry V, King of England, from 'Old England: A Pictorial Museum', 1847 (engraving)

KWE3736216: Henry V, King of England, from 'Old England: A Pictorial Museum', 1847 (engraving), English School, (19th century) / Bridgeman Images

ID: KWE3736216

Henry V, King of England, from 'Old England: A Pictorial Museum', 1847 (engraving)

English School, (19th century)

Joan of Arc (1412-1431) lodged at the hotel of “l'asne raye” in Reims during the celebrations of the coronation of Charles VII (1403-1461) gets served a net of Daguet. Engraving in “” La cuisine des familles”” from 1905-1908.
Joan of Arc (1412-1431) lodged at the hotel of “l'asne raye” in Reims during the celebrations of the coronation of Charles VII (1403-1461) gets served a net of Daguet. Engraving in “” La cuisine des familles”” from 1905-1908.

XEE4133700: Joan of Arc (1412-1431) lodged at the hotel of “l'asne raye” in Reims during the celebrations of the coronation of Charles VII (1403-1461) gets served a net of Daguet. Engraving in “” La cuisine des familles”” from 1905-1908., Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4133700

Joan of Arc (1412-1431) lodged at the hotel of “l'asne raye” in Reims during the celebrations of the coronation of Charles VII (1403-1461) gets served a net of Daguet. Engraving in “” La cuisine des familles”” from 1905-1908.

Unknown Artist, (20th century)

The Battle of Agincourt in 1415, illustration from 'France: Son Histoire' by Georges Montorgueil, 1896 (colour litho)
The Battle of Agincourt in 1415, illustration from 'France: Son Histoire' by Georges Montorgueil, 1896 (colour litho)

XEE4137212: The Battle of Agincourt in 1415, illustration from 'France: Son Histoire' by Georges Montorgueil, 1896 (colour litho), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

ID: XEE4137212

The Battle of Agincourt in 1415, illustration from 'France: Son Histoire' by Georges Montorgueil, 1896 (colour litho)

Job, pseudonym for Onfray de Breville, Jacques (1858-1931)

Court of the King's Henry VI of England, c.1460 (illumination)
Court of the King's Henry VI of England, c.1460 (illumination)

XLA3766988: Court of the King's Henry VI of England, c.1460 (illumination), English School, (15th century) / Bridgeman Images

ID: XLA3766988

Court of the King's Henry VI of England, c.1460 (illumination)

English School, (15th century)

Dress (Robe) of the reign of Edward V and Richard III, 1483-1485. She wears a tall headdress with long veil, a furtrimmed mantle with wide collar over a striped dress. Seated in a medieval carved chair with lions on the arms. Based on portraits of Elizabeth Woodville, queen of Edward IV, description of the dress of Anne Neville, queen of Richard III, illuminated Royal manuscript 16F2, and effigy of Lady Peyton, Isleham Church, Cambridgeshire. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Dress (Robe) of the reign of Edward V and Richard III, 1483-1485. She wears a tall headdress with long veil, a furtrimmed mantle with wide collar over a striped dress. Seated in a medieval carved chair with lions on the arms. Based on portraits of Elizabeth Woodville, queen of Edward IV, description of the dress of Anne Neville, queen of Richard III, illuminated Royal manuscript 16F2, and effigy of Lady Peyton, Isleham Church, Cambridgeshire. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594617: Dress (Robe) of the reign of Edward V and Richard III, 1483-1485. She wears a tall headdress with long veil, a furtrimmed mantle with wide collar over a striped dress. Seated in a medieval carved chair with lions on the arms. Based on portraits of Elizabeth Woodville, queen of Edward IV, description of the dress of Anne Neville, queen of Richard III, illuminated Royal manuscript 16F2, and effigy of Lady Peyton, Isleham Church, Cambridgeshire. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

ID: FLO4594617

Dress (Robe) of the reign of Edward V and Richard III, 1483-1485. She wears a tall headdress with long veil, a furtrimmed mantle with wide collar over a striped dress. Seated in a medieval carved chair with lions on the arms. Based on portraits of Elizabeth Woodville, queen of Edward IV, description of the dress of Anne Neville, queen of Richard III, illuminated Royal manuscript 16F2, and effigy of Lady Peyton, Isleham Church, Cambridgeshire. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

King Richard III of England, Duke of Gloucester, 1452-1485, or his father Richard, Third Duke of York 1411-1460. He wears a crown, a suit of armour with a globular breastplate and engraved plates, fingered gauntlets, and holds a two-handed sword. From a stained glass window in Trinity Hall, Cambridge. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
King Richard III of England, Duke of Gloucester, 1452-1485, or his father Richard, Third Duke of York 1411-1460. He wears a crown, a suit of armour with a globular breastplate and engraved plates, fingered gauntlets, and holds a two-handed sword. From a stained glass window in Trinity Hall, Cambridge. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678450: King Richard III of England, Duke of Gloucester, 1452-1485, or his father Richard, Third Duke of York 1411-1460. He wears a crown, a suit of armour with a globular breastplate and engraved plates, fingered gauntlets, and holds a two-handed sword. From a stained glass window in Trinity Hall, Cambridge. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678450

King Richard III of England, Duke of Gloucester, 1452-1485, or his father Richard, Third Duke of York 1411-1460. He wears a crown, a suit of armour with a globular breastplate and engraved plates, fingered gauntlets, and holds a two-handed sword. From a stained glass window in Trinity Hall, Cambridge. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Edward I (litho)
Edward I (litho)

IL956282: Edward I (litho), English School, (20th century) / Bridgeman Images

ID: IL956282

Edward I (litho)

English School, (20th century)

Mars with the zodiac signs of scorpion and belier. Downstairs, the battle scenes. Miniature made by Cristoforo de Predis (v. 1440-v. 1486) - in “” De Sphaera””” d'Este. Around 1470. Biblioteca Estense, Modene.
Mars with the zodiac signs of scorpion and belier. Downstairs, the battle scenes. Miniature made by Cristoforo de Predis (v. 1440-v. 1486) - in “” De Sphaera””” d'Este. Around 1470. Biblioteca Estense, Modene.

MPH5028161: Mars with the zodiac signs of scorpion and belier. Downstairs, the battle scenes. Miniature made by Cristoforo de Predis (v. 1440-v. 1486) - in “” De Sphaera””” d'Este. Around 1470. Biblioteca Estense, Modene., Predis, Cristoforo de (1440-86) / Bridgeman Images

ID: MPH5028161

Mars with the zodiac signs of scorpion and belier. Downstairs, the battle scenes. Miniature made by Cristoforo de Predis (v. 1440-v. 1486) - in “” De Sphaera””” d'Este. Around 1470. Biblioteca Estense, Modene.

Predis, Cristoforo de (1440-86)

Striking Architectural Features and Historic Interest bring a House Valuable Publicity (b/w photo)
Striking Architectural Features and Historic Interest bring a House Valuable Publicity (b/w photo)

LLM5990166: Striking Architectural Features and Historic Interest bring a House Valuable Publicity (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: LLM5990166

Striking Architectural Features and Historic Interest bring a House Valuable Publicity (b/w photo)

English Photographer, (20th century)

Terrace Scene, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving) (engraving)
Terrace Scene, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving) (engraving)

LLM3649303: Terrace Scene, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving) (engraving), Dore, Gustave (1832-83) (after) / Bridgeman Images

ID: LLM3649303

Terrace Scene, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving) (engraving)

Dore, Gustave (1832-83) (after)

The Armorial Bearings (colour litho)
The Armorial Bearings (colour litho)

LLM2798978: The Armorial Bearings (colour litho), English School, (20th century) / Bridgeman Images

ID: LLM2798978

The Armorial Bearings (colour litho)

English School, (20th century)

King Arthur reading the Letter of Elaine, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving)
King Arthur reading the Letter of Elaine, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving)

LLM3649289: King Arthur reading the Letter of Elaine, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving), Dore, Gustave (1832-83) (after) / Bridgeman Images

ID: LLM3649289

King Arthur reading the Letter of Elaine, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving)

Dore, Gustave (1832-83) (after)

Edyrn with his Lady and Dwarf journey to Arthur's Court, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving)
Edyrn with his Lady and Dwarf journey to Arthur's Court, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving)

LLM3649300: Edyrn with his Lady and Dwarf journey to Arthur's Court, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving), Dore, Gustave (1832-83) (after) / Bridgeman Images

ID: LLM3649300

Edyrn with his Lady and Dwarf journey to Arthur's Court, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving)

Dore, Gustave (1832-83) (after)

Tomb effigy of Henry VII by Pietro Torrigiano (1472-1528) (bronze)
Tomb effigy of Henry VII by Pietro Torrigiano (1472-1528) (bronze)

BAL7772: Tomb effigy of Henry VII by Pietro Torrigiano (1472-1528) (bronze), Torrigiano, Pietro (1472-1528) / Bridgeman Images

ID: BAL7772

Tomb effigy of Henry VII by Pietro Torrigiano (1472-1528) (bronze)

Torrigiano, Pietro (1472-1528)

Joan of Arc
Joan of Arc

LTI7147889: Joan of Arc, Lonati, Alessandro (b.1980) / Bridgeman Images

ID: LTI7147889

Joan of Arc

Lonati, Alessandro (b.1980)

The battle of Agincourt (engraving)
The battle of Agincourt (engraving)

LLM653996: The battle of Agincourt (engraving), English School, (19th century) / Bridgeman Images

ID: LLM653996

The battle of Agincourt (engraving)

English School, (19th century)

The Battle of Agincourt AD1415, 1920's (litho)
The Battle of Agincourt AD1415, 1920's (litho)

IL832981: The Battle of Agincourt AD1415, 1920's (litho), Payne, Henry A. (Harry) (1868-1940) / Bridgeman Images

ID: IL832981

The Battle of Agincourt AD1415, 1920's (litho)

Payne, Henry A. (Harry) (1868-1940)

Rose window (photo)
Rose window (photo)

XPC341129: Rose window (photo) / Bridgeman Images

ID: XPC341129

Rose window (photo)

Bodiam Castle, Sussex, 1777 (coloured engraving)
Bodiam Castle, Sussex, 1777 (coloured engraving)

USB392808: Bodiam Castle, Sussex, 1777 (coloured engraving), Hooper, S. (fl.1777) (after) / Bridgeman Images

ID: USB392808

Bodiam Castle, Sussex, 1777 (coloured engraving)

Hooper, S. (fl.1777) (after)

The staircase to the south range, Beverston Castle, Gloucestershire, from 'Country Houses of the Cotswolds' (b/w photo)
The staircase to the south range, Beverston Castle, Gloucestershire, from 'Country Houses of the Cotswolds' (b/w photo)

CLF320658: The staircase to the south range, Beverston Castle, Gloucestershire, from 'Country Houses of the Cotswolds' (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: CLF320658

The staircase to the south range, Beverston Castle, Gloucestershire, from 'Country Houses of the Cotswolds' (b/w photo)

English Photographer, (20th century)

1488.5 The Visitation, from a Book of Hours printed by Philippe Pigouchet for Simon Vostre, 1498 (vellum)
1488.5 The Visitation, from a Book of Hours printed by Philippe Pigouchet for Simon Vostre, 1498 (vellum)

LAM134205: 1488.5 The Visitation, from a Book of Hours printed by Philippe Pigouchet for Simon Vostre, 1498 (vellum), French School, (15th century) / Bridgeman Images

ID: LAM134205

1488.5 The Visitation, from a Book of Hours printed by Philippe Pigouchet for Simon Vostre, 1498 (vellum)

French School, (15th century)

Castillo de San Marcos (photo)
Castillo de San Marcos (photo)

KW198168: Castillo de San Marcos (photo), Spanish School, (13th century) / Bridgeman Images

ID: KW198168

Castillo de San Marcos (photo)

Spanish School, (13th century)

Quillion dagger (metal)
Quillion dagger (metal)

AMR2646912: Quillion dagger (metal), European School, (15th century) / Bridgeman Images

ID: AMR2646912

Quillion dagger (metal)

European School, (15th century)

Towers of Khanse [Caucasus] c.1900-30 (etching)
Towers of Khanse [Caucasus] c.1900-30 (etching)

ASF3474184: Towers of Khanse [Caucasus] c.1900-30 (etching) , Unknown photographer, (20th century) / Bridgeman Images

ID: ASF3474184

Towers of Khanse [Caucasus] c.1900-30 (etching)

Unknown photographer, (20th century)

Medieval sundial, Meknes, Morocco.
Medieval sundial, Meknes, Morocco.

LNO3861669: Medieval sundial, Meknes, Morocco. / Bridgeman Images

ID: LNO3861669

Medieval sundial, Meknes, Morocco.

Ms Hunter 229 f.3v Weeding in the fields, from the Hunterian Psalter, c.1170 (pen & ink and tempera on vellum) (detail)
Ms Hunter 229 f.3v Weeding in the fields, from the Hunterian Psalter, c.1170 (pen & ink and tempera on vellum) (detail)

GUL51383: Ms Hunter 229 f.3v Weeding in the fields, from the Hunterian Psalter, c.1170 (pen & ink and tempera on vellum) (detail), English School, (12th century) / Bridgeman Images

ID: GUL51383

Ms Hunter 229 f.3v Weeding in the fields, from the Hunterian Psalter, c.1170 (pen & ink and tempera on vellum) (detail)

English School, (12th century)

Pavement depicting a hunting scene (mosaic)
Pavement depicting a hunting scene (mosaic)

MAE172539: Pavement depicting a hunting scene (mosaic), French School, (12th century) / Bridgeman Images

ID: MAE172539

Pavement depicting a hunting scene (mosaic)

French School, (12th century)

Crucifixion (photo)
Crucifixion (photo)

EDS346738: Crucifixion (photo) / Bridgeman Images

ID: EDS346738

Crucifixion (photo)

Philippe Villiers de l'Isle-Adam, from 'Portraits des grands hommes, femmes illustres, et sujets memorables de France', published 1787-92 (colour litho)
Philippe Villiers de l'Isle-Adam, from 'Portraits des grands hommes, femmes illustres, et sujets memorables de France', published 1787-92 (colour litho)

STC619469: Philippe Villiers de l'Isle-Adam, from 'Portraits des grands hommes, femmes illustres, et sujets memorables de France', published 1787-92 (colour litho) , French School, (18th century) / Bridgeman Images

ID: STC619469

Philippe Villiers de l'Isle-Adam, from 'Portraits des grands hommes, femmes illustres, et sujets memorables de France', published 1787-92 (colour litho)

French School, (18th century)

General view and Benezech or Benezet Bridge, Avignon, Provence, France, c.1890-c.1900
General view and Benezech or Benezet Bridge, Avignon, Provence, France, c.1890-c.1900

XOS1128958: General view and Benezech or Benezet Bridge, Avignon, Provence, France, c.1890-c.1900 / Bridgeman Images

ID: XOS1128958

General view and Benezech or Benezet Bridge, Avignon, Provence, France, c.1890-c.1900

Wine-growing, 15th century, engraving after the
Wine-growing, 15th century, engraving after the

PVD1688964: Wine-growing, 15th century, engraving after the "chroniques de Froissard" / Bridgeman Images

ID: PVD1688964

Wine-growing, 15th century, engraving after the "chroniques de Froissard"

Dijon, Burgundy: the Philippe le Bon tower or Bar tower built in 1365
Dijon, Burgundy: the Philippe le Bon tower or Bar tower built in 1365

PVD1690146: Dijon, Burgundy: the Philippe le Bon tower or Bar tower built in 1365 / Bridgeman Images

ID: PVD1690146

Dijon, Burgundy: the Philippe le Bon tower or Bar tower built in 1365

Oval pendant jewel showing St. George slaying the dragon, North European, c.1600; Pendant jewel in the form of a bust of Minerva, South German, c.1570
Oval pendant jewel showing St. George slaying the dragon, North European, c.1600; Pendant jewel in the form of a bust of Minerva, South German, c.1570

CH5447: Oval pendant jewel showing St. George slaying the dragon, North European, c.1600; Pendant jewel in the form of a bust of Minerva, South German, c.1570 / Bridgeman Images

ID: CH5447

Oval pendant jewel showing St. George slaying the dragon, North European, c.1600; Pendant jewel in the form of a bust of Minerva, South German, c.1570

The Meeting, 1913 (oil on cardboard)
The Meeting, 1913 (oil on cardboard)

SRM96534: The Meeting, 1913 (oil on cardboard), Naumov, Pavel Semenovich (1884-1942) / Bridgeman Images

ID: SRM96534

The Meeting, 1913 (oil on cardboard)

Naumov, Pavel Semenovich (1884-1942)

View of the west facade (photograph)
View of the west facade (photograph)

XIR162690: View of the west facade (photograph), French School / Bridgeman Images

ID: XIR162690

View of the west facade (photograph)

French School


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