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41947 Search Results for medieval or gothic or late medieval

Joan of Arc (1412-1431) before King Charles VII (1403-1461) in Chinon, answers the prelates who question him, February 1429.
Joan of Arc (1412-1431) before King Charles VII (1403-1461) in Chinon, answers the prelates who question him, February 1429.

XEE4167452: Joan of Arc (1412-1431) before King Charles VII (1403-1461) in Chinon, answers the prelates who question him, February 1429., French School, (20th century) / Bridgeman Images

ID: XEE4167452

Joan of Arc (1412-1431) before King Charles VII (1403-1461) in Chinon, answers the prelates who question him, February 1429.

French School, (20th century)

ichard III (The Life and Death of Richard the Third) - Illustration in “” Completes de William Shakespeare””” 1866 - The illustrations and general form of this edition are borrowed from Cassell's illustrated Shakespeare, published in London, 1865.
ichard III (The Life and Death of Richard the Third) - Illustration in “” Completes de William Shakespeare””” 1866 - The illustrations and general form of this edition are borrowed from Cassell's illustrated Shakespeare, published in London, 1865.

XEE4157838: ichard III (The Life and Death of Richard the Third) - Illustration in “” Completes de William Shakespeare””” 1866 - The illustrations and general form of this edition are borrowed from Cassell's illustrated Shakespeare, published in London, 1865., English School, (19th century) / Bridgeman Images

ID: XEE4157838

ichard III (The Life and Death of Richard the Third) - Illustration in “” Completes de William Shakespeare””” 1866 - The illustrations and general form of this edition are borrowed from Cassell's illustrated Shakespeare, published in London, 1865.

English School, (19th century)

Shakespeare's King Richard III: Richard III, The Battle (litho)
Shakespeare's King Richard III: Richard III, The Battle (litho)

LLM6023878: Shakespeare's King Richard III: Richard III, The Battle (litho), English School, (19th century) / Bridgeman Images

ID: LLM6023878

Shakespeare's King Richard III: Richard III, The Battle (litho)

English School, (19th century)

Advertisement (litho)
Advertisement (litho)

LLM6023881: Advertisement (litho), English School, (19th century) / Bridgeman Images

ID: LLM6023881

Advertisement (litho)

English School, (19th century)

Shakespeare's King Richard III: George, Duke of Clarence (litho)
Shakespeare's King Richard III: George, Duke of Clarence (litho)

LLM6023883: Shakespeare's King Richard III: George, Duke of Clarence (litho), English School, (19th century) / Bridgeman Images

ID: LLM6023883

Shakespeare's King Richard III: George, Duke of Clarence (litho)

English School, (19th century)

Shakespeare's King Richard III: Lord Hastings (litho)
Shakespeare's King Richard III: Lord Hastings (litho)

LLM6023894: Shakespeare's King Richard III: Lord Hastings (litho), English School, (19th century) / Bridgeman Images

ID: LLM6023894

Shakespeare's King Richard III: Lord Hastings (litho)

English School, (19th century)

Shakespeare's King Richard III: Earl of Surrey (litho)
Shakespeare's King Richard III: Earl of Surrey (litho)

LLM6023895: Shakespeare's King Richard III: Earl of Surrey (litho), English School, (19th century) / Bridgeman Images

ID: LLM6023895

Shakespeare's King Richard III: Earl of Surrey (litho)

English School, (19th century)

Shakespeare's King Richard III: Sir Thomas Vaughan (litho)
Shakespeare's King Richard III: Sir Thomas Vaughan (litho)

LLM6023897: Shakespeare's King Richard III: Sir Thomas Vaughan (litho), English School, (19th century) / Bridgeman Images

ID: LLM6023897

Shakespeare's King Richard III: Sir Thomas Vaughan (litho)

English School, (19th century)

Shakespeare's King Richard III: Earl Rivers, Brother to Queen Elizabeth (litho)
Shakespeare's King Richard III: Earl Rivers, Brother to Queen Elizabeth (litho)

LLM6023900: Shakespeare's King Richard III: Earl Rivers, Brother to Queen Elizabeth (litho), English School, (19th century) / Bridgeman Images

ID: LLM6023900

Shakespeare's King Richard III: Earl Rivers, Brother to Queen Elizabeth (litho)

English School, (19th century)

Shakespeare's King Richard III: A Chaplain (litho)
Shakespeare's King Richard III: A Chaplain (litho)

LLM6023902: Shakespeare's King Richard III: A Chaplain (litho), English School, (19th century) / Bridgeman Images

ID: LLM6023902

Shakespeare's King Richard III: A Chaplain (litho)

English School, (19th century)

Shakespeare's King Richard III: Daughter of the Duke of Clarence (litho)
Shakespeare's King Richard III: Daughter of the Duke of Clarence (litho)

LLM6023910: Shakespeare's King Richard III: Daughter of the Duke of Clarence (litho), English School, (19th century) / Bridgeman Images

ID: LLM6023910

Shakespeare's King Richard III: Daughter of the Duke of Clarence (litho)

English School, (19th century)

Shakespeare's King Richard III: Lord Mayor of London (litho)
Shakespeare's King Richard III: Lord Mayor of London (litho)

LLM6023912: Shakespeare's King Richard III: Lord Mayor of London (litho), English School, (19th century) / Bridgeman Images

ID: LLM6023912

Shakespeare's King Richard III: Lord Mayor of London (litho)

English School, (19th century)

Shakespeare's King Richard III: A Citizen (litho)
Shakespeare's King Richard III: A Citizen (litho)

LLM6023921: Shakespeare's King Richard III: A Citizen (litho), English School, (19th century) / Bridgeman Images

ID: LLM6023921

Shakespeare's King Richard III: A Citizen (litho)

English School, (19th century)

Shakespeare's King Richard III: A Gentleman (litho)
Shakespeare's King Richard III: A Gentleman (litho)

LLM6023925: Shakespeare's King Richard III: A Gentleman (litho), English School, (19th century) / Bridgeman Images

ID: LLM6023925

Shakespeare's King Richard III: A Gentleman (litho)

English School, (19th century)

Shakespeare's King Richard III: Second Murderer (litho)
Shakespeare's King Richard III: Second Murderer (litho)

LLM6023933: Shakespeare's King Richard III: Second Murderer (litho), English School, (19th century) / Bridgeman Images

ID: LLM6023933

Shakespeare's King Richard III: Second Murderer (litho)

English School, (19th century)

Shakespeare's King Richard III: Man-at-Arms (litho)
Shakespeare's King Richard III: Man-at-Arms (litho)

LLM6023934: Shakespeare's King Richard III: Man-at-Arms (litho), English School, (19th century) / Bridgeman Images

ID: LLM6023934

Shakespeare's King Richard III: Man-at-Arms (litho)

English School, (19th century)

Portrait of King Stephen of England, illustration from 'Portraits and Characters of the Kings of England, from William the Conqueror to George the Third', 1830 (colour engraving)
Portrait of King Stephen of England, illustration from 'Portraits and Characters of the Kings of England, from William the Conqueror to George the Third', 1830 (colour engraving)

FLO6339113: Portrait of King Stephen of England, illustration from 'Portraits and Characters of the Kings of England, from William the Conqueror to George the Third', 1830 (colour engraving), Armstrong, Cosmo (fl.1800–36) / Bridgeman Images

ID: FLO6339113

Portrait of King Stephen of England, illustration from 'Portraits and Characters of the Kings of England, from William the Conqueror to George the Third', 1830 (colour engraving)

Armstrong, Cosmo (fl.1800–36)

Sir John Cheney or Cheyne, the Vigorous Knight, Master of the Horse to King Edward IV, bodyguard to Henry VII, 1442-1499. In suit of plate armour with tiles, chainmail apron, helmet, and holding the banner of Henry VII, a red dragon on green and white field. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Sir John Cheney or Cheyne, the Vigorous Knight, Master of the Horse to King Edward IV, bodyguard to Henry VII, 1442-1499. In suit of plate armour with tiles, chainmail apron, helmet, and holding the banner of Henry VII, a red dragon on green and white field. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678525: Sir John Cheney or Cheyne, the Vigorous Knight, Master of the Horse to King Edward IV, bodyguard to Henry VII, 1442-1499. In suit of plate armour with tiles, chainmail apron, helmet, and holding the banner of Henry VII, a red dragon on green and white field. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678525

Sir John Cheney or Cheyne, the Vigorous Knight, Master of the Horse to King Edward IV, bodyguard to Henry VII, 1442-1499. In suit of plate armour with tiles, chainmail apron, helmet, and holding the banner of Henry VII, a red dragon on green and white field. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Portrait of actor William Smith in the role of Richard III (play by William Shakespeare (1564-1616). He is a fencing guard, wearing panties and stockings, puffy sleeves and bare head. Smith led his career from 1753 to 1788 in London and was renowned for his delicate and sensitive interpretations of a refined gentleman. Engraving in “” Bell's Shakespeare”” by John Bell, London (England, 1776 to 1785.
Portrait of actor William Smith in the role of Richard III (play by William Shakespeare (1564-1616). He is a fencing guard, wearing panties and stockings, puffy sleeves and bare head. Smith led his career from 1753 to 1788 in London and was renowned for his delicate and sensitive interpretations of a refined gentleman. Engraving in “” Bell's Shakespeare”” by John Bell, London (England, 1776 to 1785.

FLO4568609: Portrait of actor William Smith in the role of Richard III (play by William Shakespeare (1564-1616). He is a fencing guard, wearing panties and stockings, puffy sleeves and bare head. Smith led his career from 1753 to 1788 in London and was renowned for his delicate and sensitive interpretations of a refined gentleman. Engraving in “” Bell's Shakespeare”” by John Bell, London (England, 1776 to 1785. / Bridgeman Images

ID: FLO4568609

Portrait of actor William Smith in the role of Richard III (play by William Shakespeare (1564-1616). He is a fencing guard, wearing panties and stockings, puffy sleeves and bare head. Smith led his career from 1753 to 1788 in London and was renowned for his delicate and sensitive interpretations of a refined gentleman. Engraving in “” Bell's Shakespeare”” by John Bell, London (England, 1776 to 1785.

The
The

SBL7146388: The "Madonna del parto" crowned by angels, 1330-35 circa, (tempera on panel), Daddi, Bernardo (fl.1327-d.1348) (workshop of) / Bridgeman Images

ID: SBL7146388

The "Madonna del parto" crowned by angels, 1330-35 circa, (tempera on panel)

Daddi, Bernardo (fl.1327-d.1348) (workshop of)

Maria Bonciani, 1489 circa, (oil on panel)
Maria Bonciani, 1489 circa, (oil on panel)

SBL7146421: Maria Bonciani, 1489 circa, (oil on panel), Master of the Baroncelli Portraits, (c.1475-1500) / Bridgeman Images

ID: SBL7146421

Maria Bonciani, 1489 circa, (oil on panel)

Master of the Baroncelli Portraits, (c.1475-1500)

Humorous caricature of an actor portraying Richard III in Shakespeare's HENRY VI. The caption reads, An actor of quick conceptions. Of one or both of us, the time is come. Cackle, cackle! 1790
Humorous caricature of an actor portraying Richard III in Shakespeare's HENRY VI. The caption reads, An actor of quick conceptions. Of one or both of us, the time is come. Cackle, cackle! 1790

EVB2933825: Humorous caricature of an actor portraying Richard III in Shakespeare's HENRY VI. The caption reads, An actor of quick conceptions. Of one or both of us, the time is come. Cackle, cackle! 1790 / Bridgeman Images

ID: EVB2933825

Humorous caricature of an actor portraying Richard III in Shakespeare's HENRY VI. The caption reads, An actor of quick conceptions. Of one or both of us, the time is come. Cackle, cackle! 1790

Edwin Forrest (1806-1872), American actor, as Shakespeare's Richard III. 1855
Edwin Forrest (1806-1872), American actor, as Shakespeare's Richard III. 1855

EVB2933765: Edwin Forrest (1806-1872), American actor, as Shakespeare's Richard III. 1855 / Bridgeman Images

ID: EVB2933765

Edwin Forrest (1806-1872), American actor, as Shakespeare's Richard III. 1855

The presentation of the Cardinal of Mies to the Virgin, c.1444 (oil on wood)
The presentation of the Cardinal of Mies to the Virgin, c.1444 (oil on wood)

IBE5389829: The presentation of the Cardinal of Mies to the Virgin, c.1444 (oil on wood), Witz, Konrad (1400/10-44/6) / Bridgeman Images

ID: IBE5389829

The presentation of the Cardinal of Mies to the Virgin, c.1444 (oil on wood)

Witz, Konrad (1400/10-44/6)

Scene of Nativity from in “The Book of Hours of Leonor de la Vega”, 1465-1470, by Willem Vrelant (1410-1481) (illumination)
Scene of Nativity from in “The Book of Hours of Leonor de la Vega”, 1465-1470, by Willem Vrelant (1410-1481) (illumination)

IBE5351887: Scene of Nativity from in “The Book of Hours of Leonor de la Vega”, 1465-1470, by Willem Vrelant (1410-1481) (illumination), Vrelant, Willem (1410-80) / Bridgeman Images

ID: IBE5351887

Scene of Nativity from in “The Book of Hours of Leonor de la Vega”, 1465-1470, by Willem Vrelant (1410-1481) (illumination)

Vrelant, Willem (1410-80)

King Charles VII of France, known as the Victorious (1403-1461), standing before an angel kneeling holding his coat of arms, according to the diary of the Knights of Ehingen of the Stuttgart Library (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, handicrafts, and instruments from the Middle Ages to the End of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
King Charles VII of France, known as the Victorious (1403-1461), standing before an angel kneeling holding his coat of arms, according to the diary of the Knights of Ehingen of the Stuttgart Library (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, handicrafts, and instruments from the Middle Ages to the End of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643947: King Charles VII of France, known as the Victorious (1403-1461), standing before an angel kneeling holding his coat of arms, according to the diary of the Knights of Ehingen of the Stuttgart Library (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, handicrafts, and instruments from the Middle Ages to the End of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

ID: FLO4643947

King Charles VII of France, known as the Victorious (1403-1461), standing before an angel kneeling holding his coat of arms, according to the diary of the Knights of Ehingen of the Stuttgart Library (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, handicrafts, and instruments from the Middle Ages to the End of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

King Arthur discovering the Skeletons of the Brothers, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving)
King Arthur discovering the Skeletons of the Brothers, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving)

LLM3649281: King Arthur discovering the Skeletons of the Brothers, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving), Dore, Gustave (1832-83) (after) / Bridgeman Images

ID: LLM3649281

King Arthur discovering the Skeletons of the Brothers, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving)

Dore, Gustave (1832-83) (after)

Borromeo Book of Hours, 15th century (vellum)
Borromeo Book of Hours, 15th century (vellum)

MEV5049636: Borromeo Book of Hours, 15th century (vellum), Predis, Cristoforo de (1440-86) / Bridgeman Images

ID: MEV5049636

Borromeo Book of Hours, 15th century (vellum)

Predis, Cristoforo de (1440-86)

'The Soldier', plaque depicting an illustration from Shakespeare's 'Seven Ages', Minton ware, Staffordshire, 1874 (enamelled earthenware)
'The Soldier', plaque depicting an illustration from Shakespeare's 'Seven Ages', Minton ware, Staffordshire, 1874 (enamelled earthenware)

MSC141936: 'The Soldier', plaque depicting an illustration from Shakespeare's 'Seven Ages', Minton ware, Staffordshire, 1874 (enamelled earthenware), Marks, Henry Stacy (1829-98) (after) / Bridgeman Images

ID: MSC141936

'The Soldier', plaque depicting an illustration from Shakespeare's 'Seven Ages', Minton ware, Staffordshire, 1874 (enamelled earthenware)

Marks, Henry Stacy (1829-98) (after)

Buttons of La cathedrale Notre Dame de Paris, Paris 4. Construction from 1160, rehabilitation by Viollet Le Duc, 19th century.
Buttons of La cathedrale Notre Dame de Paris, Paris 4. Construction from 1160, rehabilitation by Viollet Le Duc, 19th century.

DCR4553372: Buttons of La cathedrale Notre Dame de Paris, Paris 4. Construction from 1160, rehabilitation by Viollet Le Duc, 19th century. / Bridgeman Images

ID: DCR4553372

Buttons of La cathedrale Notre Dame de Paris, Paris 4. Construction from 1160, rehabilitation by Viollet Le Duc, 19th century.

La cathedrale Notre Dame de Paris, Paris 4. Construction from 1160, rehabilitation by Viollet Le Duc, 19th century.
La cathedrale Notre Dame de Paris, Paris 4. Construction from 1160, rehabilitation by Viollet Le Duc, 19th century.

DCR4553375: La cathedrale Notre Dame de Paris, Paris 4. Construction from 1160, rehabilitation by Viollet Le Duc, 19th century. / Bridgeman Images

ID: DCR4553375

La cathedrale Notre Dame de Paris, Paris 4. Construction from 1160, rehabilitation by Viollet Le Duc, 19th century.

La cathedrale Notre Dame de Paris, Paris 4. Construction from 1160, rehabilitation by Viollet Le Duc, 19th century.
La cathedrale Notre Dame de Paris, Paris 4. Construction from 1160, rehabilitation by Viollet Le Duc, 19th century.

DCR4553389: La cathedrale Notre Dame de Paris, Paris 4. Construction from 1160, rehabilitation by Viollet Le Duc, 19th century. / Bridgeman Images

ID: DCR4553389

La cathedrale Notre Dame de Paris, Paris 4. Construction from 1160, rehabilitation by Viollet Le Duc, 19th century.

Poland, Gdansk, Town Hall, 14th century, Tower, Night view (photo)
Poland, Gdansk, Town Hall, 14th century, Tower, Night view (photo)

TRK3116682: Poland, Gdansk, Town Hall, 14th century, Tower, Night view (photo) / Bridgeman Images

ID: TRK3116682

Poland, Gdansk, Town Hall, 14th century, Tower, Night view (photo)

The Lady with the Unicorn, late 15th Century (colour litho)
The Lady with the Unicorn, late 15th Century (colour litho)

LLM3097055: The Lady with the Unicorn, late 15th Century (colour litho), French School, (19th century) / Bridgeman Images

ID: LLM3097055

The Lady with the Unicorn, late 15th Century (colour litho)

French School, (19th century)

Pierre IV Of Aragon Dit Le Ceremonieux - Peter IV (1319-1387), King Of Aragon, 1427 (tempera on panel)
Pierre IV Of Aragon Dit Le Ceremonieux - Peter IV (1319-1387), King Of Aragon, 1427 (tempera on panel)

FIA5400419: Pierre IV Of Aragon Dit Le Ceremonieux - Peter IV (1319-1387), King Of Aragon, 1427 (tempera on panel), Mateu, Jaume (Jaime) (1382-1452) / Bridgeman Images

ID: FIA5400419

Pierre IV Of Aragon Dit Le Ceremonieux - Peter IV (1319-1387), King Of Aragon, 1427 (tempera on panel)

Mateu, Jaume (Jaime) (1382-1452)

The Norman Invasion of Britain in 1066, illustration from 'Pegs of History: A Picture Book of World Dates', 1943 (litho)
The Norman Invasion of Britain in 1066, illustration from 'Pegs of History: A Picture Book of World Dates', 1943 (litho)

XLF3784474: The Norman Invasion of Britain in 1066, illustration from 'Pegs of History: A Picture Book of World Dates', 1943 (litho), Busoni, Rafaello (1900-62) / Bridgeman Images

ID: XLF3784474

The Norman Invasion of Britain in 1066, illustration from 'Pegs of History: A Picture Book of World Dates', 1943 (litho)

Busoni, Rafaello (1900-62)


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