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76768 Search Results for medieval or gothic or late medieval

Vasco da Lucerna presenting his history of Alexander to Charles the Bold, miniature by Liedet Loyset (1470), manuscript, France 15th Century.
Vasco da Lucerna presenting his history of Alexander to Charles the Bold, miniature by Liedet Loyset (1470), manuscript, France 15th Century.

DGA500596: Vasco da Lucerna presenting his history of Alexander to Charles the Bold, miniature by Liedet Loyset (1470), manuscript, France 15th Century. / Bridgeman Images

ID: DGA500596

Vasco da Lucerna presenting his history of Alexander to Charles the Bold, miniature by Liedet Loyset (1470), manuscript, France 15th Century.

The Passion of Christ and King Solomon, detail from the Stories of the New Testament, 1072-1078, Byzantine-Campanian school frescoes, left side of the nave of Basilica of Sant'Angelo in Formis, Sant'Angelo in Formis, Campania. Italy, 11th century.
The Passion of Christ and King Solomon, detail from the Stories of the New Testament, 1072-1078, Byzantine-Campanian school frescoes, left side of the nave of Basilica of Sant'Angelo in Formis, Sant'Angelo in Formis, Campania. Italy, 11th century.

DGA763890: The Passion of Christ and King Solomon, detail from the Stories of the New Testament, 1072-1078, Byzantine-Campanian school frescoes, left side of the nave of Basilica of Sant'Angelo in Formis, Sant'Angelo in Formis, Campania. Italy, 11th century. / Bridgeman Images

ID: DGA763890

The Passion of Christ and King Solomon, detail from the Stories of the New Testament, 1072-1078, Byzantine-Campanian school frescoes, left side of the nave of Basilica of Sant'Angelo in Formis, Sant'Angelo in Formis, Campania. Italy, 11th century.

Illuminated initial capital letter M, portraying the sacrament of Confirmation, Turone, ca1360, manuscript, Italy 14th Century.
Illuminated initial capital letter M, portraying the sacrament of Confirmation, Turone, ca1360, manuscript, Italy 14th Century.

DGA512368: Illuminated initial capital letter M, portraying the sacrament of Confirmation, Turone, ca1360, manuscript, Italy 14th Century. / Bridgeman Images

ID: DGA512368

Illuminated initial capital letter M, portraying the sacrament of Confirmation, Turone, ca1360, manuscript, Italy 14th Century.

King John's body was taken to Worcester Cathedral for burial, in accordance with his wishes. This later medieval image shows the funeral procession, with two men bearing the coffin on their shoulders to the city's gate. The coffin is draped with an orange-red cloth, and the cathedral, towards which the pall-bearers are making their way, is the building with the brown roof standing before the tower. The anonymous author of the accompanying poem, written in Anglo-Norman French, described the occasion in garbled form, mistaking the place where John was buried: 'a Wincestre esteit porte/ a grant honur ensepelee' (he was borne to Winchester, and was buried with great honour). The poem itself makes no direct reference to Magna Carta, stating simply 'En temps le roi ont grant guere / Par entre les barons d'Engleterre' (In the time of this king there was a great war with the barons of England).
King John's body was taken to Worcester Cathedral for burial, in accordance with his wishes. This later medieval image shows the funeral procession, with two men bearing the coffin on their shoulders to the city's gate. The coffin is draped with an orange-red cloth, and the cathedral, towards which the pall-bearers are making their way, is the building with the brown roof standing before the tower. The anonymous author of the accompanying poem, written in Anglo-Norman French, described the occasion in garbled form, mistaking the place where John was buried: 'a Wincestre esteit porte/ a grant honur ensepelee' (he was borne to Winchester, and was buried with great honour). The poem itself makes no direct reference to Magna Carta, stating simply 'En temps le roi ont grant guere / Par entre les barons d'Engleterre' (In the time of this king there was a great war with the barons of England).

BL3299784: King John's body was taken to Worcester Cathedral for burial, in accordance with his wishes. This later medieval image shows the funeral procession, with two men bearing the coffin on their shoulders to the city's gate. The coffin is draped with an orange-red cloth, and the cathedral, towards which the pall-bearers are making their way, is the building with the brown roof standing before the tower. The anonymous author of the accompanying poem, written in Anglo-Norman French, described the occasion in garbled form, mistaking the place where John was buried: 'a Wincestre esteit porte/ a grant honur ensepelee' (he was borne to Winchester, and was buried with great honour). The poem itself makes no direct reference to Magna Carta, stating simply 'En temps le roi ont grant guere / Par entre les barons d'Engleterre' (In the time of this king there was a great war with the barons of England). / Bridgeman Images

ID: BL3299784

King John's body was taken to Worcester Cathedral for burial, in accordance with his wishes. This later medieval image shows the funeral procession, with two men bearing the coffin on their shoulders to the city's gate. The coffin is draped with an orange-red cloth, and the cathedral, towards which the pall-bearers are making their way, is the building with the brown roof standing before the tower. The anonymous author of the accompanying poem, written in Anglo-Norman French, described the occasion in garbled form, mistaking the place where John was buried: 'a Wincestre esteit porte/ a grant honur ensepelee' (he was borne to Winchester, and was buried with great honour). The poem itself makes no direct reference to Magna Carta, stating simply 'En temps le roi ont grant guere / Par entre les barons d'Engleterre' (In the time of this king there was a great war with the barons of England).

OBSTETRICAL CHAIR A woman giving birth with the aid of midwives and an obstetrical chair. Woodcut, 15th century.
OBSTETRICAL CHAIR A woman giving birth with the aid of midwives and an obstetrical chair. Woodcut, 15th century.

GCL3152108: OBSTETRICAL CHAIR A woman giving birth with the aid of midwives and an obstetrical chair. Woodcut, 15th century. / Bridgeman Images

ID: GCL3152108

OBSTETRICAL CHAIR A woman giving birth with the aid of midwives and an obstetrical chair. Woodcut, 15th century.

Orlando Innamorato by Matteo Maria Boiardo
Orlando Innamorato by Matteo Maria Boiardo

XLA3760228: Orlando Innamorato by Matteo Maria Boiardo / Bridgeman Images

ID: XLA3760228

Orlando Innamorato by Matteo Maria Boiardo

Ms 557 f.35v Historiated initial 'O' depicting Aegidius (St. Giles) (d.c.700) enthroned surrounded by angels, from 'Messale di Sant'Egidio', illuminated by Bartolomeo di Fruosino (1366-1441) 1421 (vellum) (detail of 87898)
Ms 557 f.35v Historiated initial 'O' depicting Aegidius (St. Giles) (d.c.700) enthroned surrounded by angels, from 'Messale di Sant'Egidio', illuminated by Bartolomeo di Fruosino (1366-1441) 1421 (vellum) (detail of 87898)

AII78865: Ms 557 f.35v Historiated initial 'O' depicting Aegidius (St. Giles) (d.c.700) enthroned surrounded by angels, from 'Messale di Sant'Egidio', illuminated by Bartolomeo di Fruosino (1366-1441) 1421 (vellum) (detail of 87898), Italian School, (15th century) / Bridgeman Images

ID: AII78865

Ms 557 f.35v Historiated initial 'O' depicting Aegidius (St. Giles) (d.c.700) enthroned surrounded by angels, from 'Messale di Sant'Egidio', illuminated by Bartolomeo di Fruosino (1366-1441) 1421 (vellum) (detail of 87898)

Italian School, (15th century)

Icon of St Nicholas and stories of his life, 13th century Byzantine art. Church of Virgin Hodegetria, Arediou, Cyprus.
Icon of St Nicholas and stories of his life, 13th century Byzantine art. Church of Virgin Hodegetria, Arediou, Cyprus.

DGA772265: Icon of St Nicholas and stories of his life, 13th century Byzantine art. Church of Virgin Hodegetria, Arediou, Cyprus. / Bridgeman Images

ID: DGA772265

Icon of St Nicholas and stories of his life, 13th century Byzantine art. Church of Virgin Hodegetria, Arediou, Cyprus.

Bathsheba bathing (chromolitho)
Bathsheba bathing (chromolitho)

LLM964341: Bathsheba bathing (chromolitho), French School, (19th century) / Bridgeman Images

ID: LLM964341

Bathsheba bathing (chromolitho)

French School, (19th century)

Various costumes of 12th and 13th century France (chromolitho)
Various costumes of 12th and 13th century France (chromolitho)

LLM964140: Various costumes of 12th and 13th century France (chromolitho), French School, (19th century) / Bridgeman Images

ID: LLM964140

Various costumes of 12th and 13th century France (chromolitho)

French School, (19th century)

Lute player
Lute player

XLE3752824: Lute player / Bridgeman Images

ID: XLE3752824

Lute player

Ms.Fr.118 f.190 Lancelot lifts the stone off his own predestined grave and learns his name and parentage, from the 'Livre de Messire Lancelot du Lac' (vellum)
Ms.Fr.118 f.190 Lancelot lifts the stone off his own predestined grave and learns his name and parentage, from the 'Livre de Messire Lancelot du Lac' (vellum)

COB62883: Ms.Fr.118 f.190 Lancelot lifts the stone off his own predestined grave and learns his name and parentage, from the 'Livre de Messire Lancelot du Lac' (vellum), French School, (15th century) / Bridgeman Images

ID: COB62883

Ms.Fr.118 f.190 Lancelot lifts the stone off his own predestined grave and learns his name and parentage, from the 'Livre de Messire Lancelot du Lac' (vellum)

French School, (15th century)

An illustration of a Jewish wedding (woodcut) (b/w photo)
An illustration of a Jewish wedding (woodcut) (b/w photo)

XJF113445: An illustration of a Jewish wedding (woodcut) (b/w photo), Jewish School / Bridgeman Images

ID: XJF113445

An illustration of a Jewish wedding (woodcut) (b/w photo)

Jewish School

Hyu-Chen, wife of Genghis Khan, from 'Receuil des Estampes, representant les Rangs et les Dignites, suivant le Costume de toutes les Nations existantes', published 1780 (hand coloured engraving)
Hyu-Chen, wife of Genghis Khan, from 'Receuil des Estampes, representant les Rangs et les Dignites, suivant le Costume de toutes les Nations existantes', published 1780 (hand coloured engraving)

STC206815: Hyu-Chen, wife of Genghis Khan, from 'Receuil des Estampes, representant les Rangs et les Dignites, suivant le Costume de toutes les Nations existantes', published 1780 (hand coloured engraving), Duflos, Pierre (1742-1816) / Bridgeman Images

ID: STC206815

Hyu-Chen, wife of Genghis Khan, from 'Receuil des Estampes, representant les Rangs et les Dignites, suivant le Costume de toutes les Nations existantes', published 1780 (hand coloured engraving)

Duflos, Pierre (1742-1816)

Early Bourgeois Revolution in Germany, 1983-87 (mixed media on panel)
Early Bourgeois Revolution in Germany, 1983-87 (mixed media on panel)

XPH311181: Early Bourgeois Revolution in Germany, 1983-87 (mixed media on panel), Tuebke, Werner (1929-2004) / Bridgeman Images

ID: XPH311181

Early Bourgeois Revolution in Germany, 1983-87 (mixed media on panel)

Tuebke, Werner (1929-2004)

Segovia, Segovia Province, Spain. Medieval stone lifting device on display in the cathedral cloister. (photo)
Segovia, Segovia Province, Spain. Medieval stone lifting device on display in the cathedral cloister. (photo)

KW3470910: Segovia, Segovia Province, Spain. Medieval stone lifting device on display in the cathedral cloister. (photo) / Bridgeman Images

ID: KW3470910

Segovia, Segovia Province, Spain. Medieval stone lifting device on display in the cathedral cloister. (photo)

A COURT FOOL, 1552 Woodcut form Sebastian Munster's 'Cosmographia Universalis,' Basel, Switzerland, 1552.
A COURT FOOL, 1552 Woodcut form Sebastian Munster's 'Cosmographia Universalis,' Basel, Switzerland, 1552.

GCL3128539: A COURT FOOL, 1552 Woodcut form Sebastian Munster's 'Cosmographia Universalis,' Basel, Switzerland, 1552. / Bridgeman Images

ID: GCL3128539

A COURT FOOL, 1552 Woodcut form Sebastian Munster's 'Cosmographia Universalis,' Basel, Switzerland, 1552.

Harley MS 3647 f.29 from 'De Sphaera' by Johannes de Sacro Bosco, from an 'Astronomical Miscellany', c.1300 (ink & colour on vellum)
Harley MS 3647 f.29 from 'De Sphaera' by Johannes de Sacro Bosco, from an 'Astronomical Miscellany', c.1300 (ink & colour on vellum)

BL3738230: Harley MS 3647 f.29 from 'De Sphaera' by Johannes de Sacro Bosco, from an 'Astronomical Miscellany', c.1300 (ink & colour on vellum), French School, (14th century) / Bridgeman Images

ID: BL3738230

Harley MS 3647 f.29 from 'De Sphaera' by Johannes de Sacro Bosco, from an 'Astronomical Miscellany', c.1300 (ink & colour on vellum)

French School, (14th century)

Cotton MS Claudius B IV f.25r Abraham's men pursue captors, page from the 'Old English Hexateauch',
Cotton MS Claudius B IV f.25r Abraham's men pursue captors, page from the 'Old English Hexateauch',

BL3482415: Cotton MS Claudius B IV f.25r Abraham's men pursue captors, page from the 'Old English Hexateauch', , English School / Bridgeman Images

ID: BL3482415

Cotton MS Claudius B IV f.25r Abraham's men pursue captors, page from the 'Old English Hexateauch',

English School

The measure and transport of coal, from 'Ordonnances Royaux de la Juridiction de la Prevote des Marchands de la Ville de Paris', 1528 (w/c & gouache on paper)
The measure and transport of coal, from 'Ordonnances Royaux de la Juridiction de la Prevote des Marchands de la Ville de Paris', 1528 (w/c & gouache on paper)

CHT166500: The measure and transport of coal, from 'Ordonnances Royaux de la Juridiction de la Prevote des Marchands de la Ville de Paris', 1528 (w/c & gouache on paper), Verard, Antoine (1450-1519) (attr. to) / Bridgeman Images

ID: CHT166500

The measure and transport of coal, from 'Ordonnances Royaux de la Juridiction de la Prevote des Marchands de la Ville de Paris', 1528 (w/c & gouache on paper)

Verard, Antoine (1450-1519) (attr. to)

Reliquary chasse depicting the martyrdom of Thomas Becket, Limoges, c.1210 (copper alloy & enamel over wood core)
Reliquary chasse depicting the martyrdom of Thomas Becket, Limoges, c.1210 (copper alloy & enamel over wood core)

ALM283431: Reliquary chasse depicting the martyrdom of Thomas Becket, Limoges, c.1210 (copper alloy & enamel over wood core), French School, (13th century) / Bridgeman Images

ID: ALM283431

Reliquary chasse depicting the martyrdom of Thomas Becket, Limoges, c.1210 (copper alloy & enamel over wood core)

French School, (13th century)

National Wallace Monument (photo)
National Wallace Monument (photo)

HGP362701: National Wallace Monument (photo) / Bridgeman Images

ID: HGP362701

National Wallace Monument (photo)

Portrait Of King Henry I Of England (Henri I Beauclerc) (1068-1135) (oil on wood)
Portrait Of King Henry I Of England (Henri I Beauclerc) (1068-1135) (oil on wood)

FIA5406135: Portrait Of King Henry I Of England (Henri I Beauclerc) (1068-1135) (oil on wood), Anonymous / Bridgeman Images

ID: FIA5406135

Portrait Of King Henry I Of England (Henri I Beauclerc) (1068-1135) (oil on wood)

Anonymous

IO Islamic 3442 f.64v Fatḥ ʻAlī Shāh, enthroned in a garden on the Takht-i Nādirī, with two princes in attendants, receiving presents from Mīrzā Riz̤ā Qulī Munshī al-Mamālik, from the 'Shāhanshāhanāmah' by Ṣabā, Fatḥ ʻAlī ibn Muḥammad, 1225 (ink & colour on vellum)
IO Islamic 3442 f.64v Fatḥ ʻAlī Shāh, enthroned in a garden on the Takht-i Nādirī, with two princes in attendants, receiving presents from Mīrzā Riz̤ā Qulī Munshī al-Mamālik, from the 'Shāhanshāhanāmah' by Ṣabā, Fatḥ ʻAlī ibn Muḥammad, 1225 (ink & colour on vellum)

BL3708079: IO Islamic 3442 f.64v Fatḥ ʻAlī Shāh, enthroned in a garden on the Takht-i Nādirī, with two princes in attendants, receiving presents from Mīrzā Riz̤ā Qulī Munshī al-Mamālik, from the 'Shāhanshāhanāmah' by Ṣabā, Fatḥ ʻAlī ibn Muḥammad, 1225 (ink & colour on vellum), Persian School, (13th century) / Bridgeman Images

ID: BL3708079

IO Islamic 3442 f.64v Fatḥ ʻAlī Shāh, enthroned in a garden on the Takht-i Nādirī, with two princes in attendants, receiving presents from Mīrzā Riz̤ā Qulī Munshī al-Mamālik, from the 'Shāhanshāhanāmah' by Ṣabā, Fatḥ ʻAlī ibn Muḥammad, 1225 (ink & colour on vellum)

Persian School, (13th century)

Harley MS 3647 f.43 from 'De Sphaera' by Johannes de Sacro Bosco, from an 'Astronomical Miscellany', c.1300 (ink & colour on vellum)
Harley MS 3647 f.43 from 'De Sphaera' by Johannes de Sacro Bosco, from an 'Astronomical Miscellany', c.1300 (ink & colour on vellum)

BL3738252: Harley MS 3647 f.43 from 'De Sphaera' by Johannes de Sacro Bosco, from an 'Astronomical Miscellany', c.1300 (ink & colour on vellum), French School, (14th century) / Bridgeman Images

ID: BL3738252

Harley MS 3647 f.43 from 'De Sphaera' by Johannes de Sacro Bosco, from an 'Astronomical Miscellany', c.1300 (ink & colour on vellum)

French School, (14th century)

DANCE OF DEATH, 1538 'Death and the Peddler.' Woodcut by Hans Holbein the Younger, from 'The Dance of Death,' published in 1538.
DANCE OF DEATH, 1538 'Death and the Peddler.' Woodcut by Hans Holbein the Younger, from 'The Dance of Death,' published in 1538.

GCL3139566: DANCE OF DEATH, 1538 'Death and the Peddler.' Woodcut by Hans Holbein the Younger, from 'The Dance of Death,' published in 1538. / Bridgeman Images

ID: GCL3139566

DANCE OF DEATH, 1538 'Death and the Peddler.' Woodcut by Hans Holbein the Younger, from 'The Dance of Death,' published in 1538.

The annual fair held outside the church of St Denis, Paris, during the reign of the Carolingians (colour litho)
The annual fair held outside the church of St Denis, Paris, during the reign of the Carolingians (colour litho)

LAL2816385: The annual fair held outside the church of St Denis, Paris, during the reign of the Carolingians (colour litho), Howat, Andrew (20th Century) / Bridgeman Images

ID: LAL2816385

The annual fair held outside the church of St Denis, Paris, during the reign of the Carolingians (colour litho)

Howat, Andrew (20th Century)

Add 29433 f.56 Nativity, from a Book of Hours, c.1407 (vellum) (see also 16338 & 16339)
Add 29433 f.56 Nativity, from a Book of Hours, c.1407 (vellum) (see also 16338 & 16339)

BL66801: Add 29433 f.56 Nativity, from a Book of Hours, c.1407 (vellum) (see also 16338 & 16339), Master of the Brussels Initials, (c.1390-1410) / Bridgeman Images

ID: BL66801

Add 29433 f.56 Nativity, from a Book of Hours, c.1407 (vellum) (see also 16338 & 16339)

Master of the Brussels Initials, (c.1390-1410)

Road to Camelot (oil on canvas)
Road to Camelot (oil on canvas)

WGL191517: Road to Camelot (oil on canvas), Boughton, George Henry (1833-1905) / Bridgeman Images

ID: WGL191517

Road to Camelot (oil on canvas)

Boughton, George Henry (1833-1905)

Dartford Priory, Kent (engraving) (b/w photo)
Dartford Priory, Kent (engraving) (b/w photo)

XJF283102: Dartford Priory, Kent (engraving) (b/w photo), English School / Bridgeman Images

ID: XJF283102

Dartford Priory, Kent (engraving) (b/w photo)

English School

Effigies of Knight Templars (engraving)
Effigies of Knight Templars (engraving)

XJF311221: Effigies of Knight Templars (engraving), English School / Bridgeman Images

ID: XJF311221

Effigies of Knight Templars (engraving)

English School

Title page of Phaenomena, by Euclid (323-286 BC), Latin translation
Title page of Phaenomena, by Euclid (323-286 BC), Latin translation

DGA766932: Title page of Phaenomena, by Euclid (323-286 BC), Latin translation / Bridgeman Images

ID: DGA766932

Title page of Phaenomena, by Euclid (323-286 BC), Latin translation

Provand's Lordship, 1840s (w/c on paper)
Provand's Lordship, 1840s (w/c on paper)

GLS219871: Provand's Lordship, 1840s (w/c on paper), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: GLS219871

Provand's Lordship, 1840s (w/c on paper)

Simpson, William 'Crimea' (1823-99)

Philip V (1293-1322) King of France in 1314-1322, engraving colourized document
Philip V (1293-1322) King of France in 1314-1322, engraving colourized document

XRH1727518: Philip V (1293-1322) King of France in 1314-1322, engraving colourized document / Bridgeman Images

ID: XRH1727518

Philip V (1293-1322) King of France in 1314-1322, engraving colourized document

AESOP: DOG & HIS SHADOW Woodcut from 'Les Subtile Fables D' Esope,' Lyon, 1484.
AESOP: DOG & HIS SHADOW Woodcut from 'Les Subtile Fables D' Esope,' Lyon, 1484.

GCL3160150: AESOP: DOG & HIS SHADOW Woodcut from 'Les Subtile Fables D' Esope,' Lyon, 1484. / Bridgeman Images

ID: GCL3160150

AESOP: DOG & HIS SHADOW Woodcut from 'Les Subtile Fables D' Esope,' Lyon, 1484.

Ms 139/1363 fol.17v The Last Supper and the Gathering of the Manna, from 'Le Miroir de l'Humaine Salvation' (vellum)
Ms 139/1363 fol.17v The Last Supper and the Gathering of the Manna, from 'Le Miroir de l'Humaine Salvation' (vellum)

CND18894: Ms 139/1363 fol.17v The Last Supper and the Gathering of the Manna, from 'Le Miroir de l'Humaine Salvation' (vellum), Flemish School, (15th century) / Bridgeman Images

ID: CND18894

Ms 139/1363 fol.17v The Last Supper and the Gathering of the Manna, from 'Le Miroir de l'Humaine Salvation' (vellum)

Flemish School, (15th century)


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