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76768 Search Results for medieval or gothic or late medieval

Fol.68v Turks and Moors Regaining their Land, from the 'Cantigas de Santa Maria' (vellum)
Fol.68v Turks and Moors Regaining their Land, from the 'Cantigas de Santa Maria' (vellum)

XIR201663: Fol.68v Turks and Moors Regaining their Land, from the 'Cantigas de Santa Maria' (vellum), Spanish School, (13th century) / Bridgeman Images

Ms 282/491 fol.240v The Four Cardinal Virtues, from 'Compendium Historial' by Henri Romain (vellum)
Ms 282/491 fol.240v The Four Cardinal Virtues, from 'Compendium Historial' by Henri Romain (vellum)

CND234187: Ms 282/491 fol.240v The Four Cardinal Virtues, from 'Compendium Historial' by Henri Romain (vellum), French School, (15th century) / Bridgeman Images

The Changing Centuries (linocut)
The Changing Centuries (linocut)

GWA417426: The Changing Centuries (linocut), Wallington, Gloria / Bridgeman Images

ROGER II OF SICILY (1095-1154). Count and first king of Sicily 1130-54. Coronation mantle of Roger II, decorated with horses and camels.
ROGER II OF SICILY (1095-1154). Count and first king of Sicily 1130-54. Coronation mantle of Roger II, decorated with horses and camels.

GCL3397738: ROGER II OF SICILY (1095-1154). Count and first king of Sicily 1130-54. Coronation mantle of Roger II, decorated with horses and camels. / Bridgeman Images

Birth of the Virgin, Gradual, f.76 (ink, tempera & gold leaf on parchment)
Birth of the Virgin, Gradual, f.76 (ink, tempera & gold leaf on parchment)

DTR6368867: Birth of the Virgin, Gradual, f.76 (ink, tempera & gold leaf on parchment), French School, (15th century) / Bridgeman Images

Add MS 49622, f.128r, page from the from The Gorleston Psalter, 1310-24 (vellum)
Add MS 49622, f.128r, page from the from The Gorleston Psalter, 1310-24 (vellum)

BL6040697: Add MS 49622, f.128r, page from the from The Gorleston Psalter, 1310-24 (vellum), English School, (14th century) / Bridgeman Images

St. Catherine and St. Agnes (chromolitho)
St. Catherine and St. Agnes (chromolitho)

LLM668134: St. Catherine and St. Agnes (chromolitho), French School, (19th century) / Bridgeman Images

Jokhang c.1290, Grand Temple of Buddha, Lhasa, 1903 (print)
Jokhang c.1290, Grand Temple of Buddha, Lhasa, 1903 (print)

BAL34674: Jokhang c.1290, Grand Temple of Buddha, Lhasa, 1903 (print) / Bridgeman Images

Royal 14. CVII, f.10 Inverted arms of Harold with a crown indicating his death, and the arms of William the Conqueror with a crown, indicating his accession to the English throne, illustration from 'Historia Anglorum', 1250-1259 (vellum)
Royal 14. CVII, f.10 Inverted arms of Harold with a crown indicating his death, and the arms of William the Conqueror with a crown, indicating his accession to the English throne, illustration from 'Historia Anglorum', 1250-1259 (vellum)

BL3727381: Royal 14. CVII, f.10 Inverted arms of Harold with a crown indicating his death, and the arms of William the Conqueror with a crown, indicating his accession to the English throne, illustration from 'Historia Anglorum', 1250-1259 (vellum), English School, (13th century) / Bridgeman Images

Pogrom of Jewish people in England: religious leader, Rabbi Yomtob, proposed an act of collective suicide to avoid being killed by the mob, and the castle of York was set on fire to prevent their bodies being mutilated after their deaths, Castle of York, 1190) Engraving from “History of the world” by Ridpath 1885 Private Collection Â
Pogrom of Jewish people in England: religious leader, Rabbi Yomtob, proposed an act of collective suicide to avoid being killed by the mob, and the castle of York was set on fire to prevent their bodies being mutilated after their deaths, Castle of York, 1190) Engraving from “History of the world” by Ridpath 1885 Private Collection Â

ELD4932266: Pogrom of Jewish people in England: religious leader, Rabbi Yomtob, proposed an act of collective suicide to avoid being killed by the mob, and the castle of York was set on fire to prevent their bodies being mutilated after their deaths, Castle of York, 1190) Engraving from “History of the world” by Ridpath 1885 Private Collection  / Bridgeman Images

The Council of Nicea in 325, from the Codex Albeldense, 976 (illuminated miniature)
The Council of Nicea in 325, from the Codex Albeldense, 976 (illuminated miniature)

IBE5336703: The Council of Nicea in 325, from the Codex Albeldense, 976 (illuminated miniature) / Bridgeman Images

Blessing of the marriage bed (woodcut)
Blessing of the marriage bed (woodcut)

LLM7201501: Blessing of the marriage bed (woodcut), German School, (16th century) (after) / Bridgeman Images

A view in Indian ink, of Prudhoe Castle, in the parish of Ovingham (indian ink on paper)
A view in Indian ink, of Prudhoe Castle, in the parish of Ovingham (indian ink on paper)

BL9246938: A view in Indian ink, of Prudhoe Castle, in the parish of Ovingham (indian ink on paper), Grimm, Samuel Hieronymous (1733-94) / Bridgeman Images

Seated angels with orbs in their hands, by Guariento (active 1338-1367 or 1370), tempera on panel
Seated angels with orbs in their hands, by Guariento (active 1338-1367 or 1370), tempera on panel

DGA569816: Seated angels with orbs in their hands, by Guariento (active 1338-1367 or 1370), tempera on panel, Arpo, Guariento di (fl.1350-1400) / Bridgeman Images

Four Homes from Four Centuries
Four Homes from Four Centuries

LAL295364: Four Homes from Four Centuries, Escott, Dan (1928-87) / Bridgeman Images

Hunting scene, detail from a Saxon sarcophagus (photo)
Hunting scene, detail from a Saxon sarcophagus (photo)

HGP424929: Hunting scene, detail from a Saxon sarcophagus (photo) / Bridgeman Images

Ms 1476/1943 fol.78v Judas Maccabeus giving money towards sacrifices for the dead, from the 'Hours of Constable Anne de Montmorency', 1549 (vellum)
Ms 1476/1943 fol.78v Judas Maccabeus giving money towards sacrifices for the dead, from the 'Hours of Constable Anne de Montmorency', 1549 (vellum)

CND251018: Ms 1476/1943 fol.78v Judas Maccabeus giving money towards sacrifices for the dead, from the 'Hours of Constable Anne de Montmorency', 1549 (vellum), French School, (16th century) / Bridgeman Images

Ms 680/1389 fol.22 Fishing with a Net, from 'The Fables of Bidpai', c.1480 (w/c on paper)
Ms 680/1389 fol.22 Fishing with a Net, from 'The Fables of Bidpai', c.1480 (w/c on paper)

CND179604: Ms 680/1389 fol.22 Fishing with a Net, from 'The Fables of Bidpai', c.1480 (w/c on paper), German School, (15th century) / Bridgeman Images

Ms 522/1878 Marguerite de Valois (1492-1549) meeting three sorrowful ladies, from 'La Coche ou le Debat d'Amour', 1540 (vellum)
Ms 522/1878 Marguerite de Valois (1492-1549) meeting three sorrowful ladies, from 'La Coche ou le Debat d'Amour', 1540 (vellum)

CND183353: Ms 522/1878 Marguerite de Valois (1492-1549) meeting three sorrowful ladies, from 'La Coche ou le Debat d'Amour', 1540 (vellum), French School, (16th century) / Bridgeman Images

France, Paris, Chateau de Vincennes, a military museum, chateau with chimney stacks and a tower in the background.
France, Paris, Chateau de Vincennes, a military museum, chateau with chimney stacks and a tower in the background.

UDK837806: France, Paris, Chateau de Vincennes, a military museum, chateau with chimney stacks and a tower in the background. / Bridgeman Images

Vazhniya Important Filtered Cigarettes from Bogdanov of St Petersburg
Vazhniya Important Filtered Cigarettes from Bogdanov of St Petersburg

UIG2904317: Vazhniya Important Filtered Cigarettes from Bogdanov of St Petersburg / Bridgeman Images

MS Egerton 1139, f.12r Koimisis of the Virgin, page from The 'Melisende Psalter', 1131-1143 (vellum)
MS Egerton 1139, f.12r Koimisis of the Virgin, page from The 'Melisende Psalter', 1131-1143 (vellum)

BL3482859: MS Egerton 1139, f.12r Koimisis of the Virgin, page from The 'Melisende Psalter', 1131-1143 (vellum), Byzantine, (11th Century) / Bridgeman Images

The Sleep of King Arthur in Avalon 1881-98 (oil on canvas) (detail)
The Sleep of King Arthur in Avalon 1881-98 (oil on canvas) (detail)

MH11895: The Sleep of King Arthur in Avalon 1881-98 (oil on canvas) (detail), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

Isolde the Fair attempts to kill herself, from 'The Story of Tristan and Isolde', William Morris & Co. (stained glass)
Isolde the Fair attempts to kill herself, from 'The Story of Tristan and Isolde', William Morris & Co. (stained glass)

BRA76577: Isolde the Fair attempts to kill herself, from 'The Story of Tristan and Isolde', William Morris & Co. (stained glass), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

JOHN PECKHAM ( c.1230-1292) Archbishop of Canterbury, theologian, and scholar of optics and astronomy. Portrait of Peckham from a 1504 edition of his book, 'Perspectiva Communis.'
JOHN PECKHAM ( c.1230-1292) Archbishop of Canterbury, theologian, and scholar of optics and astronomy. Portrait of Peckham from a 1504 edition of his book, 'Perspectiva Communis.'

GCL3416361: JOHN PECKHAM ( c.1230-1292) Archbishop of Canterbury, theologian, and scholar of optics and astronomy. Portrait of Peckham from a 1504 edition of his book, 'Perspectiva Communis.' / Bridgeman Images

Charlemagne oversees the construction of the Palatine Chapel, miniature from the Great Chronicles of France manuscript, France 14th Century.
Charlemagne oversees the construction of the Palatine Chapel, miniature from the Great Chronicles of France manuscript, France 14th Century.

DGA500584: Charlemagne oversees the construction of the Palatine Chapel, miniature from the Great Chronicles of France manuscript, France 14th Century. / Bridgeman Images

The Deploration of Christ (Lamentation of the Dead Christ), detail. Among the characters represented: Joseph of Arimathea and Nicodemus hold the shroud, Saint John supports the Virgin Mary who faints, Saint Mary Magdalene heals the wounds of Jesus with ointment and Saint Francis of Assisi recognizable by his stigmata. Most of them have tears on their cheeks and cry. In the background, the city of Avignon. Anonymous painting from the Avignon school, undated. altarpiece. Oil on wood. Collegiate Church of Pignans, Var.
The Deploration of Christ (Lamentation of the Dead Christ), detail. Among the characters represented: Joseph of Arimathea and Nicodemus hold the shroud, Saint John supports the Virgin Mary who faints, Saint Mary Magdalene heals the wounds of Jesus with ointment and Saint Francis of Assisi recognizable by his stigmata. Most of them have tears on their cheeks and cry. In the background, the city of Avignon. Anonymous painting from the Avignon school, undated. altarpiece. Oil on wood. Collegiate Church of Pignans, Var.

JEB4859779: The Deploration of Christ (Lamentation of the Dead Christ), detail. Among the characters represented: Joseph of Arimathea and Nicodemus hold the shroud, Saint John supports the Virgin Mary who faints, Saint Mary Magdalene heals the wounds of Jesus with ointment and Saint Francis of Assisi recognizable by his stigmata. Most of them have tears on their cheeks and cry. In the background, the city of Avignon. Anonymous painting from the Avignon school, undated. altarpiece. Oil on wood. Collegiate Church of Pignans, Var. / Bridgeman Images

William raises his helmet to signal he is still alive, copy of the Bayeux Tapestry (pen & ink with w/c on paper)
William raises his helmet to signal he is still alive, copy of the Bayeux Tapestry (pen & ink with w/c on paper)

EPL6792731: William raises his helmet to signal he is still alive, copy of the Bayeux Tapestry (pen & ink with w/c on paper) / Bridgeman Images

Charles Clary as King Arthur in a film adaptation of Mark Twain's 'A Connecticut Yankee in King Arthur's Court,' 1921 (film still)
Charles Clary as King Arthur in a film adaptation of Mark Twain's 'A Connecticut Yankee in King Arthur's Court,' 1921 (film still)

GCL3364034: Charles Clary as King Arthur in a film adaptation of Mark Twain's 'A Connecticut Yankee in King Arthur's Court,' 1921 (film still), American School, (20th century) / Bridgeman Images

Representation of Eustace of Luxeuil (Eustasius), early 20th century (print)
Representation of Eustace of Luxeuil (Eustasius), early 20th century (print)

LRI4629132: Representation of Eustace of Luxeuil (Eustasius), early 20th century (print) / Bridgeman Images

Portrait of St John the Evangelist, c.1150-75 (parchment)
Portrait of St John the Evangelist, c.1150-75 (parchment)

BL7242967: Portrait of St John the Evangelist, c.1150-75 (parchment), Greek School, (12th century) / Bridgeman Images

Umayyad Mosque or Great Mosque of Damascus, early 8th century (photo)
Umayyad Mosque or Great Mosque of Damascus, early 8th century (photo)

TRK831366: Umayyad Mosque or Great Mosque of Damascus, early 8th century (photo) / Bridgeman Images

Nativity, detail from Sagars Altarpiece, 12th century, tempera on panel
Nativity, detail from Sagars Altarpiece, 12th century, tempera on panel

DGA503180: Nativity, detail from Sagars Altarpiece, 12th century, tempera on panel / Bridgeman Images

Marco Polo, 1477 (woodcut)
Marco Polo, 1477 (woodcut)

XEE4409761: Marco Polo, 1477 (woodcut), Unknown Artist, (19th century) / Bridgeman Images

Portrait of Queen Catherine de Valois (colour engraving)
Portrait of Queen Catherine de Valois (colour engraving)

ELD4901566: Portrait of Queen Catherine de Valois (colour engraving), English School, (19th century) / Bridgeman Images

The Madness of Sir Tristan, from 'The Story of Tristan and Isolde', William Morris & Co. (stained glass)
The Madness of Sir Tristan, from 'The Story of Tristan and Isolde', William Morris & Co. (stained glass)

BRA76578: The Madness of Sir Tristan, from 'The Story of Tristan and Isolde', William Morris & Co. (stained glass), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images


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