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41916 Search Results for medieval or gothic or late medieval

Window depicting Mary Magdalene (stained glass)
Window depicting Mary Magdalene (stained glass)

XPC344933: Window depicting Mary Magdalene (stained glass), English School, (15th century) / Bridgeman Images

ID: XPC344933

Window depicting Mary Magdalene (stained glass)

English School, (15th century)

Floral tracery light window (stained glass)
Floral tracery light window (stained glass)

XPC344941: Floral tracery light window (stained glass), English School, (15th century) / Bridgeman Images

ID: XPC344941

Floral tracery light window (stained glass)

English School, (15th century)

South transept window (stained glass)
South transept window (stained glass)

XPC220827: South transept window (stained glass), French School, (14th century) / Bridgeman Images

ID: XPC220827

South transept window (stained glass)

French School, (14th century)

Carved lintel depicting a pastoral scene, c.1450 (oak)
Carved lintel depicting a pastoral scene, c.1450 (oak)

JBT160336: Carved lintel depicting a pastoral scene, c.1450 (oak), English School, (15th century) / Bridgeman Images

ID: JBT160336

Carved lintel depicting a pastoral scene, c.1450 (oak)

English School, (15th century)

The Altarpiece in the Collegiate Church (photo)
The Altarpiece in the Collegiate Church (photo)

KW198666: The Altarpiece in the Collegiate Church (photo), Spanish School, (15th century) / Bridgeman Images

ID: KW198666

The Altarpiece in the Collegiate Church (photo)

Spanish School, (15th century)

View of the south transept (stained glass)
View of the south transept (stained glass)

PC1279202: View of the south transept (stained glass), French School / Bridgeman Images

ID: PC1279202

View of the south transept (stained glass)

French School

Window depicting the Second Coming of Christ (stained glass)
Window depicting the Second Coming of Christ (stained glass)

PC1279329: Window depicting the Second Coming of Christ (stained glass), French School, (15th century) / Bridgeman Images

ID: PC1279329

Window depicting the Second Coming of Christ (stained glass)

French School, (15th century)

Coronation of the Virgin by the Trinity
Coronation of the Virgin by the Trinity

PC1279369: Coronation of the Virgin by the Trinity / Bridgeman Images

ID: PC1279369

Coronation of the Virgin by the Trinity

Coronation of the Virgin by the Trinity
Coronation of the Virgin by the Trinity

PC1279371: Coronation of the Virgin by the Trinity / Bridgeman Images

ID: PC1279371

Coronation of the Virgin by the Trinity

North Facade: Left Hand Portal
North Facade: Left Hand Portal

PC1278906: North Facade: Left Hand Portal / Bridgeman Images

ID: PC1278906

North Facade: Left Hand Portal

Crucifixion, late 12th century (ivory on bronze gilt & enamel)
Crucifixion, late 12th century (ivory on bronze gilt & enamel)

XBP391877: Crucifixion, late 12th century (ivory on bronze gilt & enamel), Spanish School, (12th century) / Bridgeman Images

ID: XBP391877

Crucifixion, late 12th century (ivory on bronze gilt & enamel)

Spanish School, (12th century)

Purgatorio, Canto 29 : Charity, Hope, and Faith, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)
Purgatorio, Canto 29 : Charity, Hope, and Faith, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

GIA745643: Purgatorio, Canto 29 : Charity, Hope, and Faith, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: GIA745643

Purgatorio, Canto 29 : Charity, Hope, and Faith, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

Dore, Gustave (1832-83)

Purgatorio, Canto 23 : The souls of the gluttonous, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)
Purgatorio, Canto 23 : The souls of the gluttonous, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

GIA745648: Purgatorio, Canto 23 : The souls of the gluttonous, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: GIA745648

Purgatorio, Canto 23 : The souls of the gluttonous, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

Dore, Gustave (1832-83)

Purgatorio, Canto 9 : Twilight, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)
Purgatorio, Canto 9 : Twilight, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

GIA745662: Purgatorio, Canto 9 : Twilight, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: GIA745662

Purgatorio, Canto 9 : Twilight, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

Dore, Gustave (1832-83)

Inferno, Canto 18 : Virgil shows Dante the shade of Thais, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)
Inferno, Canto 18 : Virgil shows Dante the shade of Thais, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

GIA745708: Inferno, Canto 18 : Virgil shows Dante the shade of Thais, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: GIA745708

Inferno, Canto 18 : Virgil shows Dante the shade of Thais, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

Dore, Gustave (1832-83)

Inferno, Canto 1 : The panther at the beginning of the ascent, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)
Inferno, Canto 1 : The panther at the beginning of the ascent, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

GIA745741: Inferno, Canto 1 : The panther at the beginning of the ascent, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: GIA745741

Inferno, Canto 1 : The panther at the beginning of the ascent, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

Dore, Gustave (1832-83)

Inferno, Canto 1 : The she-wolf appears, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)
Inferno, Canto 1 : The she-wolf appears, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

GIA745743: Inferno, Canto 1 : The she-wolf appears, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: GIA745743

Inferno, Canto 1 : The she-wolf appears, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

Dore, Gustave (1832-83)

Basinet, North Italy, late 14th century (metal)
Basinet, North Italy, late 14th century (metal)

AMR424722: Basinet, North Italy, late 14th century (metal), Italian School, (14th century) / Bridgeman Images

ID: AMR424722

Basinet, North Italy, late 14th century (metal)

Italian School, (14th century)

Paradiso, Canto 19 : The blessed souls form an eagle in the sky , illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)
Paradiso, Canto 19 : The blessed souls form an eagle in the sky , illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

GIA745613: Paradiso, Canto 19 : The blessed souls form an eagle in the sky , illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: GIA745613

Paradiso, Canto 19 : The blessed souls form an eagle in the sky , illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

Dore, Gustave (1832-83)

Paradiso, Canto 18 : Dante and Beatrice translated to the sphere of Jupiter, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)
Paradiso, Canto 18 : Dante and Beatrice translated to the sphere of Jupiter, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

GIA745620: Paradiso, Canto 18 : Dante and Beatrice translated to the sphere of Jupiter, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: GIA745620

Paradiso, Canto 18 : Dante and Beatrice translated to the sphere of Jupiter, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

Dore, Gustave (1832-83)

Purgatorio, Canto 18 : The multitude of the slothful, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)
Purgatorio, Canto 18 : The multitude of the slothful, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

GIA745647: Purgatorio, Canto 18 : The multitude of the slothful, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: GIA745647

Purgatorio, Canto 18 : The multitude of the slothful, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

Dore, Gustave (1832-83)

Inferno, Canto 3 : Virgil and Dante at the gates of Hell, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)
Inferno, Canto 3 : Virgil and Dante at the gates of Hell, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

GIA745723: Inferno, Canto 3 : Virgil and Dante at the gates of Hell, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: GIA745723

Inferno, Canto 3 : Virgil and Dante at the gates of Hell, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

Dore, Gustave (1832-83)

Inferno, Canto 5 : Minos judges the transgressions and dispatches the souls, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)
Inferno, Canto 5 : Minos judges the transgressions and dispatches the souls, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

GIA745728: Inferno, Canto 5 : Minos judges the transgressions and dispatches the souls, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: GIA745728

Inferno, Canto 5 : Minos judges the transgressions and dispatches the souls, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

Dore, Gustave (1832-83)

Dryburgh Abbey, poster advertising British Railways (colour litho)
Dryburgh Abbey, poster advertising British Railways (colour litho)

CH336191: Dryburgh Abbey, poster advertising British Railways (colour litho), Patrick, James McIntosh (1907-98) / Bridgeman Images

ID: CH336191

Dryburgh Abbey, poster advertising British Railways (colour litho)

Patrick, James McIntosh (1907-98)

Cortege of Charles V (1500-58) (colour litho)
Cortege of Charles V (1500-58) (colour litho)

CHT212764: Cortege of Charles V (1500-58) (colour litho) / Bridgeman Images

ID: CHT212764

Cortege of Charles V (1500-58) (colour litho)

Composite Icon with the Virgin and Child Enthroned (egg tempera & gold leaf on panel)
Composite Icon with the Virgin and Child Enthroned (egg tempera & gold leaf on panel)

BNK258163: Composite Icon with the Virgin and Child Enthroned (egg tempera & gold leaf on panel), Rico, Andreas (c.1421-92) (attr. to) / Bridgeman Images

ID: BNK258163

Composite Icon with the Virgin and Child Enthroned (egg tempera & gold leaf on panel)

Rico, Andreas (c.1421-92) (attr. to)

Sir Edward Coke, engraved by Thomas Trotter, 1792 (engraving)
Sir Edward Coke, engraved by Thomas Trotter, 1792 (engraving)

XJF349791: Sir Edward Coke, engraved by Thomas Trotter, 1792 (engraving), Jansen, Cornelius (1585-1638) (after) / Bridgeman Images

ID: XJF349791

Sir Edward Coke, engraved by Thomas Trotter, 1792 (engraving)

Jansen, Cornelius (1585-1638) (after)

Foundation of a Minster
Foundation of a Minster

XLF3787797: Foundation of a Minster / Bridgeman Images

ID: XLF3787797

Foundation of a Minster

The arrival of Margaret, Maid of Norway, in the Orkney Islands on her way to Scotland, 1290 (colour litho)
The arrival of Margaret, Maid of Norway, in the Orkney Islands on her way to Scotland, 1290 (colour litho)

LLM5996252: The arrival of Margaret, Maid of Norway, in the Orkney Islands on her way to Scotland, 1290 (colour litho), Robinson, Thomas Heath (1869-1954) / Bridgeman Images

ID: LLM5996252

The arrival of Margaret, Maid of Norway, in the Orkney Islands on her way to Scotland, 1290 (colour litho)

Robinson, Thomas Heath (1869-1954)

King Edgar the Peaceable
King Edgar the Peaceable

XLF3783266: King Edgar the Peaceable / Bridgeman Images

ID: XLF3783266

King Edgar the Peaceable

General View of the Lists (pencil, w/c and bodycolour on paper)
General View of the Lists (pencil, w/c and bodycolour on paper)

AJV341204: General View of the Lists (pencil, w/c and bodycolour on paper), Nixon, James Henry (1802-57) / Bridgeman Images

ID: AJV341204

General View of the Lists (pencil, w/c and bodycolour on paper)

Nixon, James Henry (1802-57)

Christopher Columbus' letter, 1493 (print)
Christopher Columbus' letter, 1493 (print)

XLF3780952: Christopher Columbus' letter, 1493 (print) / Bridgeman Images

ID: XLF3780952

Christopher Columbus' letter, 1493 (print)

Anselm made Archbishop of Canterbury by William II, 1093, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho)
Anselm made Archbishop of Canterbury by William II, 1093, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho)

STC984733: Anselm made Archbishop of Canterbury by William II, 1093, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho), Doyle, James William Edmund (1822-92) / Bridgeman Images

ID: STC984733

Anselm made Archbishop of Canterbury by William II, 1093, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho)

Doyle, James William Edmund (1822-92)

Relief from the south portal, west side (photo)
Relief from the south portal, west side (photo)

MAE340692: Relief from the south portal, west side (photo) / Bridgeman Images

ID: MAE340692

Relief from the south portal, west side (photo)

Childebert I (c
Childebert I (c

FLO6338866: Childebert I (c, Villain (19th century) / Bridgeman Images

ID: FLO6338866

Childebert I (c

Villain (19th century)

Foundation of a Minster: Translation of Relics
Foundation of a Minster: Translation of Relics

XLF3787796: Foundation of a Minster: Translation of Relics / Bridgeman Images

ID: XLF3787796

Foundation of a Minster: Translation of Relics


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