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41915 Search Results for medieval or gothic or late medieval

Two 15th century fully armoured knights fighting with swords and shields, from 'Les Arts au Moyen Age', published 1873 (litho)
Two 15th century fully armoured knights fighting with swords and shields, from 'Les Arts au Moyen Age', published 1873 (litho)

KWE415606: Two 15th century fully armoured knights fighting with swords and shields, from 'Les Arts au Moyen Age', published 1873 (litho), French School, (19th century) / Bridgeman Images

ID: KWE415606

Two 15th century fully armoured knights fighting with swords and shields, from 'Les Arts au Moyen Age', published 1873 (litho)

French School, (19th century)

Bowl with Bird of Prey, 11th–13th century (engraved slipware)
Bowl with Bird of Prey, 11th–13th century (engraved slipware)

XOS5901701: Bowl with Bird of Prey, 11th–13th century (engraved slipware), Byzantine / Bridgeman Images

ID: XOS5901701

Bowl with Bird of Prey, 11th–13th century (engraved slipware)

Byzantine

Cathedrale Notre Dame de Paris. (engraving, ca. 1850)
Cathedrale Notre Dame de Paris. (engraving, ca. 1850)

CCI5975550: Cathedrale Notre Dame de Paris. (engraving, ca. 1850), French School, (19th century) / Bridgeman Images

ID: CCI5975550

Cathedrale Notre Dame de Paris. (engraving, ca. 1850)

French School, (19th century)

The West Prospect of Knole, from 'Thirty Six Different Views of Noblemen and Gentlemen's Seats, in the County of Kent', engraved by I. Kip, c.1750 (engraving)
The West Prospect of Knole, from 'Thirty Six Different Views of Noblemen and Gentlemen's Seats, in the County of Kent', engraved by I. Kip, c.1750 (engraving)

STC170686: The West Prospect of Knole, from 'Thirty Six Different Views of Noblemen and Gentlemen's Seats, in the County of Kent', engraved by I. Kip, c.1750 (engraving), Badeslade, Thomas (1718-50) (after) / Bridgeman Images

ID: STC170686

The West Prospect of Knole, from 'Thirty Six Different Views of Noblemen and Gentlemen's Seats, in the County of Kent', engraved by I. Kip, c.1750 (engraving)

Badeslade, Thomas (1718-50) (after)

Panel from the exterior of the left shutter of the Ghent Altarpiece, 1432 (oil on panel)
Panel from the exterior of the left shutter of the Ghent Altarpiece, 1432 (oil on panel)

LAF472385: Panel from the exterior of the left shutter of the Ghent Altarpiece, 1432 (oil on panel), Eyck, Hubert (c.1370-1426) & Jan van (1390-1441) / Bridgeman Images

ID: LAF472385

Panel from the exterior of the left shutter of the Ghent Altarpiece, 1432 (oil on panel)

Eyck, Hubert (c.1370-1426) & Jan van (1390-1441)

St. John the Baptist, from the exterior of the left wing of The Ghent Altarpiece, 1432 (oil on panel)
St. John the Baptist, from the exterior of the left wing of The Ghent Altarpiece, 1432 (oil on panel)

LAF472389: St. John the Baptist, from the exterior of the left wing of The Ghent Altarpiece, 1432 (oil on panel), Eyck, Hubert (c.1370-1426) & Jan van (1390-1441) / Bridgeman Images

ID: LAF472389

St. John the Baptist, from the exterior of the left wing of The Ghent Altarpiece, 1432 (oil on panel)

Eyck, Hubert (c.1370-1426) & Jan van (1390-1441)

Batu Khan (c.1207-55), Mongol ruler, 1871 (engraving)
Batu Khan (c.1207-55), Mongol ruler, 1871 (engraving)

XJF486332: Batu Khan (c.1207-55), Mongol ruler, 1871 (engraving) / Bridgeman Images

ID: XJF486332

Batu Khan (c.1207-55), Mongol ruler, 1871 (engraving)

Portrait of King Henry II of England (engraving)
Portrait of King Henry II of England (engraving)

FLO6339114: Portrait of King Henry II of England (engraving), Armstrong, Cosmo (fl.1800–36) / Bridgeman Images

ID: FLO6339114

Portrait of King Henry II of England (engraving)

Armstrong, Cosmo (fl.1800–36)

Rebuilding of St Mark's Basilica in Venice after burning, 978 ca (engraving)
Rebuilding of St Mark's Basilica in Venice after burning, 978 ca (engraving)

ELD7210709: Rebuilding of St Mark's Basilica in Venice after burning, 978 ca (engraving) / Bridgeman Images

ID: ELD7210709

Rebuilding of St Mark's Basilica in Venice after burning, 978 ca (engraving)

Dante and Beatrice in heaven, 1936 (chromo)
Dante and Beatrice in heaven, 1936 (chromo)

XEE4174384: Dante and Beatrice in heaven, 1936 (chromo), Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4174384

Dante and Beatrice in heaven, 1936 (chromo)

Unknown Artist, (20th century)

Battle of Courtrai, July 11, 1302 between French armies and Flemish, engraving
Battle of Courtrai, July 11, 1302 between French armies and Flemish, engraving

XRH1736593: Battle of Courtrai, July 11, 1302 between French armies and Flemish, engraving / Bridgeman Images

ID: XRH1736593

Battle of Courtrai, July 11, 1302 between French armies and Flemish, engraving

Nova 2644 fol.37v Cutting Sage, from 'Tacuinum Sanitatis' (vellum)
Nova 2644 fol.37v Cutting Sage, from 'Tacuinum Sanitatis' (vellum)

FAF182605: Nova 2644 fol.37v Cutting Sage, from 'Tacuinum Sanitatis' (vellum), Italian School, (14th century) / Bridgeman Images

ID: FAF182605

Nova 2644 fol.37v Cutting Sage, from 'Tacuinum Sanitatis' (vellum)

Italian School, (14th century)

An Olive Merchant at Market and in his Shop (vellum)
An Olive Merchant at Market and in his Shop (vellum)

FAF264701: An Olive Merchant at Market and in his Shop (vellum), Master of the Biadaiolo Codex (fl.1325-50) / Bridgeman Images

ID: FAF264701

An Olive Merchant at Market and in his Shop (vellum)

Master of the Biadaiolo Codex (fl.1325-50)

Ms 426 fol.48 Sifting grain, from 'Le Miroir de la Nature' by Vincent de Beauvais (vellum)
Ms 426 fol.48 Sifting grain, from 'Le Miroir de la Nature' by Vincent de Beauvais (vellum)

XIR347306: Ms 426 fol.48 Sifting grain, from 'Le Miroir de la Nature' by Vincent de Beauvais (vellum), French School, (13th century) / Bridgeman Images

ID: XIR347306

Ms 426 fol.48 Sifting grain, from 'Le Miroir de la Nature' by Vincent de Beauvais (vellum)

French School, (13th century)

Lat 1 f.386v The conversion of St. Paul and scenes of him preaching
Lat 1 f.386v The conversion of St. Paul and scenes of him preaching

BCC69943: Lat 1 f.386v The conversion of St. Paul and scenes of him preaching / Bridgeman Images

ID: BCC69943

Lat 1 f.386v The conversion of St. Paul and scenes of him preaching

Byzantium is dedicated to the Emperor as Constantinople
Byzantium is dedicated to the Emperor as Constantinople

KWE7132015: Byzantium is dedicated to the Emperor as Constantinople / Bridgeman Images

ID: KWE7132015

Byzantium is dedicated to the Emperor as Constantinople

Music. Joan of Arc and Charles VII of France. Illustration by Printz in: The Maid of Orleans (1881), opera by Piotr Ilitch Tchaikovski (inspired by the play: Die Jungfrau von Orleans, by Friedrich von Schiller), Austria, c.1905 Coll. Part. (postcard)
Music. Joan of Arc and Charles VII of France. Illustration by Printz in: The Maid of Orleans (1881), opera by Piotr Ilitch Tchaikovski (inspired by the play: Die Jungfrau von Orleans, by Friedrich von Schiller), Austria, c.1905 Coll. Part. (postcard)

CCI3433990: Music. Joan of Arc and Charles VII of France. Illustration by Printz in: The Maid of Orleans (1881), opera by Piotr Ilitch Tchaikovski (inspired by the play: Die Jungfrau von Orleans, by Friedrich von Schiller), Austria, c.1905 Coll. Part. (postcard) / Bridgeman Images

ID: CCI3433990

Music. Joan of Arc and Charles VII of France. Illustration by Printz in: The Maid of Orleans (1881), opera by Piotr Ilitch Tchaikovski (inspired by the play: Die Jungfrau von Orleans, by Friedrich von Schiller), Austria, c.1905 Coll. Part. (postcard)

China: Collecting Fruits for the Great Khan, c.1420 (illumination)
China: Collecting Fruits for the Great Khan, c.1420 (illumination)

PFH3432006: China: Collecting Fruits for the Great Khan, c.1420 (illumination) / Bridgeman Images

ID: PFH3432006

China: Collecting Fruits for the Great Khan, c.1420 (illumination)

Meanwhile, Tostig and Harold Hardrada are victorious and receive the submission of the City of York, illustration from 'The Norman Conquest', 1866 (litho)
Meanwhile, Tostig and Harold Hardrada are victorious and receive the submission of the City of York, illustration from 'The Norman Conquest', 1866 (litho)

LLM456982: Meanwhile, Tostig and Harold Hardrada are victorious and receive the submission of the City of York, illustration from 'The Norman Conquest', 1866 (litho), Maclise, Daniel (1806-70) (after) / Bridgeman Images

ID: LLM456982

Meanwhile, Tostig and Harold Hardrada are victorious and receive the submission of the City of York, illustration from 'The Norman Conquest', 1866 (litho)

Maclise, Daniel (1806-70) (after)

Fantastic Depiction of the Solar System (woodcut) (b/w photo)
Fantastic Depiction of the Solar System (woodcut) (b/w photo)

XJF133928: Fantastic Depiction of the Solar System (woodcut) (b/w photo), French School, (19th century) / Bridgeman Images

ID: XJF133928

Fantastic Depiction of the Solar System (woodcut) (b/w photo)

French School, (19th century)

Heinrich IV/ Henry IV in Canossa
Heinrich IV/ Henry IV in Canossa

XLA3758774: Heinrich IV/ Henry IV in Canossa / Bridgeman Images

ID: XLA3758774

Heinrich IV/ Henry IV in Canossa

Triptych, Madonna and Child Enthroned flanked by scenes from the Life of Christ (tempera & gold leaf on panel)
Triptych, Madonna and Child Enthroned flanked by scenes from the Life of Christ (tempera & gold leaf on panel)

CRS225634: Triptych, Madonna and Child Enthroned flanked by scenes from the Life of Christ (tempera & gold leaf on panel), Simone, Puccio di (fl.1375) / Bridgeman Images

ID: CRS225634

Triptych, Madonna and Child Enthroned flanked by scenes from the Life of Christ (tempera & gold leaf on panel)

Simone, Puccio di (fl.1375)

Ibn Tulun Mosque, view of the courtyard, the minaret and the fountain (photo)
Ibn Tulun Mosque, view of the courtyard, the minaret and the fountain (photo)

IBE5343500: Ibn Tulun Mosque, view of the courtyard, the minaret and the fountain (photo) / Bridgeman Images

ID: IBE5343500

Ibn Tulun Mosque, view of the courtyard, the minaret and the fountain (photo)

Saint Denis gives the oriflamme to Clement, Marechal de Metz (stained glass)
Saint Denis gives the oriflamme to Clement, Marechal de Metz (stained glass)

XIR365048: Saint Denis gives the oriflamme to Clement, Marechal de Metz (stained glass), French School, (13th century) / Bridgeman Images

ID: XIR365048

Saint Denis gives the oriflamme to Clement, Marechal de Metz (stained glass)

French School, (13th century)

Diseases of dogs and their cure, after a miniature in the manuscript of Gaston de Foix (litho) (b/w photo)
Diseases of dogs and their cure, after a miniature in the manuscript of Gaston de Foix (litho) (b/w photo)

STC214453: Diseases of dogs and their cure, after a miniature in the manuscript of Gaston de Foix (litho) (b/w photo), French School, (14th century) (after) / Bridgeman Images

ID: STC214453

Diseases of dogs and their cure, after a miniature in the manuscript of Gaston de Foix (litho) (b/w photo)

French School, (14th century) (after)

View of the ancient Pont-au-Change (engraving) (b/w photo)
View of the ancient Pont-au-Change (engraving) (b/w photo)

PER287367: View of the ancient Pont-au-Change (engraving) (b/w photo), Dupre, Louis (1789-1837) (after) / Bridgeman Images

ID: PER287367

View of the ancient Pont-au-Change (engraving) (b/w photo)

Dupre, Louis (1789-1837) (after)

THE CRUCIBLE, from left, Simone Signoret, Mylene Demongeot, Yves Montand, 1957
THE CRUCIBLE, from left, Simone Signoret, Mylene Demongeot, Yves Montand, 1957

EVC5968323: THE CRUCIBLE, from left, Simone Signoret, Mylene Demongeot, Yves Montand, 1957 / Bridgeman Images

ID: EVC5968323

THE CRUCIBLE, from left, Simone Signoret, Mylene Demongeot, Yves Montand, 1957

The Procession of the Flitch of Bacon, 1828 (w/c & b/c on paper)
The Procession of the Flitch of Bacon, 1828 (w/c & b/c on paper)

WLM354033: The Procession of the Flitch of Bacon, 1828 (w/c & b/c on paper), Wright, John Massey (1777-1876) / Bridgeman Images

ID: WLM354033

The Procession of the Flitch of Bacon, 1828 (w/c & b/c on paper)

Wright, John Massey (1777-1876)

Early Bourgeois Revolution in Germany, 1983-87 (mixed media on panel)
Early Bourgeois Revolution in Germany, 1983-87 (mixed media on panel)

XPH311174: Early Bourgeois Revolution in Germany, 1983-87 (mixed media on panel), Tuebke, Werner (1929-2004) / Bridgeman Images

ID: XPH311174

Early Bourgeois Revolution in Germany, 1983-87 (mixed media on panel)

Tuebke, Werner (1929-2004)

The 3 fishs and the fisherman, arab miniature from
The 3 fishs and the fisherman, arab miniature from

PVD1689983: The 3 fishs and the fisherman, arab miniature from "Kalila va dimna", 13th century / Bridgeman Images

ID: PVD1689983

The 3 fishs and the fisherman, arab miniature from "Kalila va dimna", 13th century

The Walls of Derry (Londonderry)
The Walls of Derry (Londonderry)

XLF3788980: The Walls of Derry (Londonderry) / Bridgeman Images

ID: XLF3788980

The Walls of Derry (Londonderry)

Ms 269 Fol.108 Aristotle (384-322 BC) instructs Alexander the Great (356-323 BC) in morals and in the disdain of women, from 'Le Livre du Tresor' by Brunetto Latini (1220-94) (vellum)
Ms 269 Fol.108 Aristotle (384-322 BC) instructs Alexander the Great (356-323 BC) in morals and in the disdain of women, from 'Le Livre du Tresor' by Brunetto Latini (1220-94) (vellum)

XIR165175: Ms 269 Fol.108 Aristotle (384-322 BC) instructs Alexander the Great (356-323 BC) in morals and in the disdain of women, from 'Le Livre du Tresor' by Brunetto Latini (1220-94) (vellum), Italian School, (14th century) / Bridgeman Images

ID: XIR165175

Ms 269 Fol.108 Aristotle (384-322 BC) instructs Alexander the Great (356-323 BC) in morals and in the disdain of women, from 'Le Livre du Tresor' by Brunetto Latini (1220-94) (vellum)

Italian School, (14th century)

Tapestry of the Three Coronations, 1476-1488 (wool silk threads of gold and silver)
Tapestry of the Three Coronations, 1476-1488 (wool silk threads of gold and silver)

ITR7110380: Tapestry of the Three Coronations, 1476-1488 (wool silk threads of gold and silver) / Bridgeman Images

ID: ITR7110380

Tapestry of the Three Coronations, 1476-1488 (wool silk threads of gold and silver)

Pont Valentre, Cahors, South Side, 1936 (w/c on paper)
Pont Valentre, Cahors, South Side, 1936 (w/c on paper)

XBM115513: Pont Valentre, Cahors, South Side, 1936 (w/c on paper), Southall, Joseph Edward (1861-1944) / Bridgeman Images

ID: XBM115513

Pont Valentre, Cahors, South Side, 1936 (w/c on paper)

Southall, Joseph Edward (1861-1944)

Erythraean Sibyl and the Cumaean Sibyl, from the exterior of the left wing of the Ghent Altarpiece, 1432 (oil on panel)
Erythraean Sibyl and the Cumaean Sibyl, from the exterior of the left wing of the Ghent Altarpiece, 1432 (oil on panel)

LAF1631457: Erythraean Sibyl and the Cumaean Sibyl, from the exterior of the left wing of the Ghent Altarpiece, 1432 (oil on panel), Eyck, Hubert (c.1370-1426) & Jan van (1390-1441) / Bridgeman Images

ID: LAF1631457

Erythraean Sibyl and the Cumaean Sibyl, from the exterior of the left wing of the Ghent Altarpiece, 1432 (oil on panel)

Eyck, Hubert (c.1370-1426) & Jan van (1390-1441)

Portrait of King William I the Conqueror, illustration from 'Portraits and Characters of the Kings of England, from William the Conqueror to George the Third', 1830 (colour engraving)
Portrait of King William I the Conqueror, illustration from 'Portraits and Characters of the Kings of England, from William the Conqueror to George the Third', 1830 (colour engraving)

FLO6339105: Portrait of King William I the Conqueror, illustration from 'Portraits and Characters of the Kings of England, from William the Conqueror to George the Third', 1830 (colour engraving), Armstrong, Cosmo (fl.1800–36) / Bridgeman Images

ID: FLO6339105

Portrait of King William I the Conqueror, illustration from 'Portraits and Characters of the Kings of England, from William the Conqueror to George the Third', 1830 (colour engraving)

Armstrong, Cosmo (fl.1800–36)


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