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41915 Search Results for medieval or gothic or late medieval

Portrait of Philip I (Felipe) the Handsome (1478-1506), Anonymous artist (painting)
Portrait of Philip I (Felipe) the Handsome (1478-1506), Anonymous artist (painting)

IBE5378116: Portrait of Philip I (Felipe) the Handsome (1478-1506), Anonymous artist (painting) / Bridgeman Images

Joan of Arc (1412-1431) and the French Dauphin future King  Charles VII in Chinon, 1429, engraving
Joan of Arc (1412-1431) and the French Dauphin future King  Charles VII in Chinon, 1429, engraving

XRH1733882: Joan of Arc (1412-1431) and the French Dauphin future King Charles VII in Chinon, 1429, engraving / Bridgeman Images

Lindisfarne Priory, Holy Island, Northumberland (colour photo)
Lindisfarne Priory, Holy Island, Northumberland (colour photo)

LLM3094980: Lindisfarne Priory, Holy Island, Northumberland (colour photo), English Photographer, (20th century) / Bridgeman Images

Reconstruction of a wall a painting originally in St. Stephen's Chapel, depicting Queen Philippa (c.1314-69) and her daughters
Reconstruction of a wall a painting originally in St. Stephen's Chapel, depicting Queen Philippa (c.1314-69) and her daughters

BBC211004: Reconstruction of a wall a painting originally in St. Stephen's Chapel, depicting Queen Philippa (c.1314-69) and her daughters, Tristram, Professor Ernest (1892-1952) / Bridgeman Images

St. Stephen (see also 75868)
St. Stephen (see also 75868)

BAL35650: St. Stephen (see also 75868), Sassetta (Stefano di Giovanni di Consolo) (c.1392-1450) / Bridgeman Images

Ms 1-2005, f.1r: St. Edmund, miniature from the Macclesfield Psalter, Use of Sarum, East Anglia, c.1330 (vellum)
Ms 1-2005, f.1r: St. Edmund, miniature from the Macclesfield Psalter, Use of Sarum, East Anglia, c.1330 (vellum)

FIT276987: Ms 1-2005, f.1r: St. Edmund, miniature from the Macclesfield Psalter, Use of Sarum, East Anglia, c.1330 (vellum), English School, (14th century) / Bridgeman Images

Portal of the Last Judgment, Notre Dame de Paris (litho)
Portal of the Last Judgment, Notre Dame de Paris (litho)

LLM3097072: Portal of the Last Judgment, Notre Dame de Paris (litho), French School, (19th century) / Bridgeman Images

National Almanac of Joan of Arc, 1891 (colour litho)
National Almanac of Joan of Arc, 1891 (colour litho)

CHT420077: National Almanac of Joan of Arc, 1891 (colour litho), French School, (19th century) / Bridgeman Images

Military Orders. 12th century. From left to right:  Knights Templar, Alcantara, Calatrava and Order of Santiago. 19th Century Engraving. Colored.
Military Orders. 12th century. From left to right:  Knights Templar, Alcantara, Calatrava and Order of Santiago. 19th Century Engraving. Colored.

TRK697374: Military Orders. 12th century. From left to right: Knights Templar, Alcantara, Calatrava and Order of Santiago. 19th Century Engraving. Colored. / Bridgeman Images

Virgin and Child (gold plated walnut)
Virgin and Child (gold plated walnut)

NUM321612: Virgin and Child (gold plated walnut), French School, (12th century) / Bridgeman Images

Aubrey de Vere - male costume of 13th century
Aubrey de Vere - male costume of 13th century

XLF3780416: Aubrey de Vere - male costume of 13th century / Bridgeman Images

Dome of the Creation and Human Prehistory, by Unknown Artist, 1220 - 1240, 13th Century, mosaic
Dome of the Creation and Human Prehistory, by Unknown Artist, 1220 - 1240, 13th Century, mosaic

MEP943529: Dome of the Creation and Human Prehistory, by Unknown Artist, 1220 - 1240, 13th Century, mosaic / Bridgeman Images

Boniface I, pope in 418-422 (print)
Boniface I, pope in 418-422 (print)

PVD1698858: Boniface I, pope in 418-422 (print) / Bridgeman Images

'Once More Roland Blew His Ivory Horn', plate from 'The Story of France' by Mary MacGregor, 1920 (coloured litho)
'Once More Roland Blew His Ivory Horn', plate from 'The Story of France' by Mary MacGregor, 1920 (coloured litho)

STC292428: 'Once More Roland Blew His Ivory Horn', plate from 'The Story of France' by Mary MacGregor, 1920 (coloured litho), Rainey, William (1852-1936) (after) / Bridgeman Images

The River of Paradise, column capital, early 12th century (stone)
The River of Paradise, column capital, early 12th century (stone)

PWI110879: The River of Paradise, column capital, early 12th century (stone) / Bridgeman Images

Geoffrey Plantagenet, illustration from 'The History of England' (litho)
Geoffrey Plantagenet, illustration from 'The History of England' (litho)

XLF3779192: Geoffrey Plantagenet, illustration from 'The History of England' (litho), English School / Bridgeman Images

Griffin of Pisa, 10th or 11th century (bronze)
Griffin of Pisa, 10th or 11th century (bronze)

IBE5377935: Griffin of Pisa, 10th or 11th century (bronze) / Bridgeman Images

Ulrich von Hutten (1488-1523). Engraving. Colored.
Ulrich von Hutten (1488-1523). Engraving. Colored.

TRK879991: Ulrich von Hutten (1488-1523). Engraving. Colored. / Bridgeman Images

'The Parson's Tale'
'The Parson's Tale'

XLA3775854: 'The Parson's Tale' / Bridgeman Images

Joan of Arc (colour litho)
Joan of Arc (colour litho)

LLM3099038: Joan of Arc (colour litho), Backhouse, G. W (20th century) / Bridgeman Images

Damasus 1st, pope in 366-384 (print)
Damasus 1st, pope in 366-384 (print)

PVD1698851: Damasus 1st, pope in 366-384 (print) / Bridgeman Images

A typical house
A typical house

PVD1698345: A typical house "la maison des Tetes (1532) Valence, c.1900 Postcard / Bridgeman Images

Portal from the monastery, c.1100 (photo)
Portal from the monastery, c.1100 (photo)

KW141261: Portal from the monastery, c.1100 (photo) / Bridgeman Images

Inferno, Canto 22 : Alichino and Calcabrina grapple above the pitch, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 22 : Alichino and Calcabrina grapple above the pitch, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745689: Inferno, Canto 22 : Alichino and Calcabrina grapple above the pitch, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Arms of Margaret Beaufort, St. John's College, Cambridge, UK (photo)
Arms of Margaret Beaufort, St. John's College, Cambridge, UK (photo)

HGP399341: Arms of Margaret Beaufort, St. John's College, Cambridge, UK (photo) / Bridgeman Images

Inferno, Canto 34 : Virgil and Dante ascend to the upper world, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 34 : Virgil and Dante ascend to the upper world, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745681: Inferno, Canto 34 : Virgil and Dante ascend to the upper world, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 29 : Virgil reproves Dante's curiosity, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 29 : Virgil reproves Dante's curiosity, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745684: Inferno, Canto 29 : Virgil reproves Dante's curiosity, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Purgatorio, Canto 13 : Sapia cleanses his guilty life, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 13 : Sapia cleanses his guilty life, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745656: Purgatorio, Canto 13 : Sapia cleanses his guilty life, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 5 : Minos judges the transgressions and dispatches the souls, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 5 : Minos judges the transgressions and dispatches the souls, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745729: Inferno, Canto 5 : Minos judges the transgressions and dispatches the souls, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Abelard welcoming Heloise at Paraclete, illustration from 'Lettres d'Heloise et d'Abelard', volume I, 1795 (engraving)
Abelard welcoming Heloise at Paraclete, illustration from 'Lettres d'Heloise et d'Abelard', volume I, 1795 (engraving)

XIR346154: Abelard welcoming Heloise at Paraclete, illustration from 'Lettres d'Heloise et d'Abelard', volume I, 1795 (engraving), Moreau, Jean Michel the Younger (1741-1814) (after) / Bridgeman Images

Departure of Edward I (1239-1307) and Eleanor of Castile (1246-90) to the Holy Land (engraving) (b&w photo)
Departure of Edward I (1239-1307) and Eleanor of Castile (1246-90) to the Holy Land (engraving) (b&w photo)

XJF106650: Departure of Edward I (1239-1307) and Eleanor of Castile (1246-90) to the Holy Land (engraving) (b&w photo), English School, (19th century) / Bridgeman Images

The meeting of the North and South Wales Chieftains at the Breiddyn Hills, on their way to Bosworth-field, pub. 19th century (steel engraving)
The meeting of the North and South Wales Chieftains at the Breiddyn Hills, on their way to Bosworth-field, pub. 19th century (steel engraving)

STC955603: The meeting of the North and South Wales Chieftains at the Breiddyn Hills, on their way to Bosworth-field, pub. 19th century (steel engraving), English School, (19th century) / Bridgeman Images

The reconquest of Granada by the armies of Isabella of Castile (or Isabella the Catholic, 1451-1504), capitulation text bearing the signature of Boabdil (Mohammed ben Abi al Hasan Ali, nicknamed Az Zughbi or El Chico or El Moro, 1459-1532 or 1533), emir of Granada, signed at Anadarax, 8 July 1492 (manuscript on parchment)
The reconquest of Granada by the armies of Isabella of Castile (or Isabella the Catholic, 1451-1504), capitulation text bearing the signature of Boabdil (Mohammed ben Abi al Hasan Ali, nicknamed Az Zughbi or El Chico or El Moro, 1459-1532 or 1533), emir of Granada, signed at Anadarax, 8 July 1492 (manuscript on parchment)

IBE5384774: The reconquest of Granada by the armies of Isabella of Castile (or Isabella the Catholic, 1451-1504), capitulation text bearing the signature of Boabdil (Mohammed ben Abi al Hasan Ali, nicknamed Az Zughbi or El Chico or El Moro, 1459-1532 or 1533), emir of Granada, signed at Anadarax, 8 July 1492 (manuscript on parchment) / Bridgeman Images

Edmund Kean in Richard the Third, Act IV, Scene IV, by William Shakespeare (1564-1616) engraved by C. Turnerby (litho)
Edmund Kean in Richard the Third, Act IV, Scene IV, by William Shakespeare (1564-1616) engraved by C. Turnerby (litho)

KWE315688: Edmund Kean in Richard the Third, Act IV, Scene IV, by William Shakespeare (1564-1616) engraved by C. Turnerby (litho), Halls, John James (1776-1853) (after) / Bridgeman Images

Canto of prince Oleg the Wise, 1899 (watercolour on paper)
Canto of prince Oleg the Wise, 1899 (watercolour on paper)

FIA5339046: Canto of prince Oleg the Wise, 1899 (watercolour on paper), Vasnetsov, Victor Mikhailovich (1848-1926) / Bridgeman Images

Charles the VII, King of France (engraving)
Charles the VII, King of France (engraving)

LLM3649920: Charles the VII, King of France (engraving), English School, (18th century) / Bridgeman Images


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