1. Home
  2. Search "medieval or gothic or late medieval"

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

41915 Search Results for medieval or gothic or late medieval

Japan / Ryukyu Islands: Children at a mission school, Okinawa, c. 1910 (photo)
Japan / Ryukyu Islands: Children at a mission school, Okinawa, c. 1910 (photo)

PFH2642316: Japan / Ryukyu Islands: Children at a mission school, Okinawa, c. 1910 (photo) / Bridgeman Images

ID: PFH2642316

Japan / Ryukyu Islands: Children at a mission school, Okinawa, c. 1910 (photo)

Japan / Ryukyu Islands: Detail of a scroll painting depicting the Kingdom of Ryukyu's embassy to the Japanese Court at Edo in 1710 during the reign of King Sho Eki (1710-1712), 18th ruler of the Ryukyu Second Sho Dynasty
Japan / Ryukyu Islands: Detail of a scroll painting depicting the Kingdom of Ryukyu's embassy to the Japanese Court at Edo in 1710 during the reign of King Sho Eki (1710-1712), 18th ruler of the Ryukyu Second Sho Dynasty

PFH2641769: Japan / Ryukyu Islands: Detail of a scroll painting depicting the Kingdom of Ryukyu's embassy to the Japanese Court at Edo in 1710 during the reign of King Sho Eki (1710-1712), 18th ruler of the Ryukyu Second Sho Dynasty / Bridgeman Images

ID: PFH2641769

Japan / Ryukyu Islands: Detail of a scroll painting depicting the Kingdom of Ryukyu's embassy to the Japanese Court at Edo in 1710 during the reign of King Sho Eki (1710-1712), 18th ruler of the Ryukyu Second Sho Dynasty

Japan / Ryukyu Islands: Qing Dynasty Seal of the Ryukyu Kingdom (1429-1879) in Mongolian and Chinese
Japan / Ryukyu Islands: Qing Dynasty Seal of the Ryukyu Kingdom (1429-1879) in Mongolian and Chinese

PFH2641772: Japan / Ryukyu Islands: Qing Dynasty Seal of the Ryukyu Kingdom (1429-1879) in Mongolian and Chinese / Bridgeman Images

ID: PFH2641772

Japan / Ryukyu Islands: Qing Dynasty Seal of the Ryukyu Kingdom (1429-1879) in Mongolian and Chinese

The old sport of tilting at the quintain, one popular throughout medieval England, was revived at Offham, Maidstone, when the only quitain in the country was restored to the village green. It has been kept in safety from air raids all through the war. The Lord Lieutenant of Kent, Lord Corrnwallis,
The old sport of tilting at the quintain, one popular throughout medieval England, was revived at Offham, Maidstone, when the only quitain in the country was restored to the village green. It has been kept in safety from air raids all through the war. The Lord Lieutenant of Kent, Lord Corrnwallis,

MPX5127553: The old sport of tilting at the quintain, one popular throughout medieval England, was revived at Offham, Maidstone, when the only quitain in the country was restored to the village green. It has been kept in safety from air raids all through the war. The Lord Lieutenant of Kent, Lord Corrnwallis, "reinstated" the quintain and took the first tilt at the quintain. Villagers on the green watch the local riding school pupils tilting the quitain. 11th August 1945 (b/w photo) / Bridgeman Images

ID: MPX5127553

The old sport of tilting at the quintain, one popular throughout medieval England, was revived at Offham, Maidstone, when the only quitain in the country was restored to the village green. It has been kept in safety from air raids all through the war. The Lord Lieutenant of Kent, Lord Corrnwallis, "reinstated" the quintain and took the first tilt at the quintain. Villagers on the green watch the local riding school pupils tilting the quitain. 11th August 1945 (b/w photo)

Lalibela, Amhara region, Ethiopia (photo)
Lalibela, Amhara region, Ethiopia (photo)

SRB3584940: Lalibela, Amhara region, Ethiopia (photo) / Bridgeman Images

ID: SRB3584940

Lalibela, Amhara region, Ethiopia (photo)

The Old Fish Market, Sandhill, Newcastle upon Tyne (oil on canvas)
The Old Fish Market, Sandhill, Newcastle upon Tyne (oil on canvas)

TW1212941: The Old Fish Market, Sandhill, Newcastle upon Tyne (oil on canvas), Parker, Henry Perlee (1795-1873) / Bridgeman Images

ID: TW1212941

The Old Fish Market, Sandhill, Newcastle upon Tyne (oil on canvas)

Parker, Henry Perlee (1795-1873)

Targone for the 'Giuoco del Ponte', 1776 (wood, paint & iron)
Targone for the 'Giuoco del Ponte', 1776 (wood, paint & iron)

WAM2652227: Targone for the 'Giuoco del Ponte', 1776 (wood, paint & iron), Italian School, (18th century) / Bridgeman Images

ID: WAM2652227

Targone for the 'Giuoco del Ponte', 1776 (wood, paint & iron)

Italian School, (18th century)

Representation of the philosopher, rationalist Islamic theologian, jurist, mathematician and Muslim doctor Averroes (1126-1198) (Ibn Rushd (Averroes) Andalusian Muslim polymath, a master of Aristotelian philosophy, Islamic philosophy, Islamic theology, Maliki law and jurisprudence, logic, psychology, politics and Andalusian classical music theory) Averroes (Ibn Rushd) (1126-1198), eminent medieval Islamic philosopher, 1493 After “The Chonics of Nuremberg by Hartmann Schedel (“Liber chronicarum mundi”) Private collection
Representation of the philosopher, rationalist Islamic theologian, jurist, mathematician and Muslim doctor Averroes (1126-1198) (Ibn Rushd (Averroes) Andalusian Muslim polymath, a master of Aristotelian philosophy, Islamic philosophy, Islamic theology, Maliki law and jurisprudence, logic, psychology, politics and Andalusian classical music theory) Averroes (Ibn Rushd) (1126-1198), eminent medieval Islamic philosopher, 1493 After “The Chonics of Nuremberg by Hartmann Schedel (“Liber chronicarum mundi”) Private collection

ELD4861237: Representation of the philosopher, rationalist Islamic theologian, jurist, mathematician and Muslim doctor Averroes (1126-1198) (Ibn Rushd (Averroes) Andalusian Muslim polymath, a master of Aristotelian philosophy, Islamic philosophy, Islamic theology, Maliki law and jurisprudence, logic, psychology, politics and Andalusian classical music theory) Averroes (Ibn Rushd) (1126-1198), eminent medieval Islamic philosopher, 1493 After “The Chonics of Nuremberg by Hartmann Schedel (“Liber chronicarum mundi”) Private collection, German School, (15th century) (after) / Bridgeman Images

ID: ELD4861237

Representation of the philosopher, rationalist Islamic theologian, jurist, mathematician and Muslim doctor Averroes (1126-1198) (Ibn Rushd (Averroes) Andalusian Muslim polymath, a master of Aristotelian philosophy, Islamic philosophy, Islamic theology, Maliki law and jurisprudence, logic, psychology, politics and Andalusian classical music theory) Averroes (Ibn Rushd) (1126-1198), eminent medieval Islamic philosopher, 1493 After “The Chonics of Nuremberg by Hartmann Schedel (“Liber chronicarum mundi”) Private collection

German School, (15th century) (after)

A couple of the Middle Ages dance to the sound of the clarinet (invented in the 18th century) - Lithography from an illustration by J.E. Rogers, from Passe temps actuels de l'Engleterre heureuse, by Francis Cowley Burnand (1836-1917), 1873 - Medieval couple dancing to a musician playing a clarinet (invented in the 18th century) - Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873
A couple of the Middle Ages dance to the sound of the clarinet (invented in the 18th century) - Lithography from an illustration by J.E. Rogers, from Passe temps actuels de l'Engleterre heureuse, by Francis Cowley Burnand (1836-1917), 1873 - Medieval couple dancing to a musician playing a clarinet (invented in the 18th century) - Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873

FLO4677216: A couple of the Middle Ages dance to the sound of the clarinet (invented in the 18th century) - Lithography from an illustration by J.E. Rogers, from Passe temps actuels de l'Engleterre heureuse, by Francis Cowley Burnand (1836-1917), 1873 - Medieval couple dancing to a musician playing a clarinet (invented in the 18th century) - Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873 / Bridgeman Images

ID: FLO4677216

A couple of the Middle Ages dance to the sound of the clarinet (invented in the 18th century) - Lithography from an illustration by J.E. Rogers, from Passe temps actuels de l'Engleterre heureuse, by Francis Cowley Burnand (1836-1917), 1873 - Medieval couple dancing to a musician playing a clarinet (invented in the 18th century) - Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873

The clepsydra has the elephant This is a medieval Muslim invention consisting of an elephant-shaped water clock designed by the Turkish engineer Ibn al-Rajjaj al-Jazari (Al Rajjaj Al Jazari) (1136-1206) around 1200. Invention designed by the Turkish engineer Ibn al-Rajjaj al-Jazari (Al Rajjaj Al Jazari) (1136-1206) around 1203. Miniature from the “Book of Knowledge of Mechanical Procences” Istanbul Topkapi Sarayi Museum Library
The clepsydra has the elephant This is a medieval Muslim invention consisting of an elephant-shaped water clock designed by the Turkish engineer Ibn al-Rajjaj al-Jazari (Al Rajjaj Al Jazari) (1136-1206) around 1200. Invention designed by the Turkish engineer Ibn al-Rajjaj al-Jazari (Al Rajjaj Al Jazari) (1136-1206) around 1203. Miniature from the “Book of Knowledge of Mechanical Procences” Istanbul Topkapi Sarayi Museum Library

LRI4661221: The clepsydra has the elephant This is a medieval Muslim invention consisting of an elephant-shaped water clock designed by the Turkish engineer Ibn al-Rajjaj al-Jazari (Al Rajjaj Al Jazari) (1136-1206) around 1200. Invention designed by the Turkish engineer Ibn al-Rajjaj al-Jazari (Al Rajjaj Al Jazari) (1136-1206) around 1203. Miniature from the “Book of Knowledge of Mechanical Procences” Istanbul Topkapi Sarayi Museum Library, Unknown Artist, (13th century) / Bridgeman Images

ID: LRI4661221

The clepsydra has the elephant This is a medieval Muslim invention consisting of an elephant-shaped water clock designed by the Turkish engineer Ibn al-Rajjaj al-Jazari (Al Rajjaj Al Jazari) (1136-1206) around 1200. Invention designed by the Turkish engineer Ibn al-Rajjaj al-Jazari (Al Rajjaj Al Jazari) (1136-1206) around 1203. Miniature from the “Book of Knowledge of Mechanical Procences” Istanbul Topkapi Sarayi Museum Library

Unknown Artist, (13th century)

Torre di Mezza via, 1833 (etching with brown wash)
Torre di Mezza via, 1833 (etching with brown wash)

STC384985: Torre di Mezza via, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

ID: STC384985

Torre di Mezza via, 1833 (etching with brown wash)

Tofanelli, Agostino (1770-1834)

Master Carpenter, Mr Puffett puts the finishing touches to a skirting, using a 400 year old carving as his model, for one of the restored Manchester Regiment chapel screens at Manchester Cathedral, 12th April 1951 (b/w photo)
Master Carpenter, Mr Puffett puts the finishing touches to a skirting, using a 400 year old carving as his model, for one of the restored Manchester Regiment chapel screens at Manchester Cathedral, 12th April 1951 (b/w photo)

MPX5156171: Master Carpenter, Mr Puffett puts the finishing touches to a skirting, using a 400 year old carving as his model, for one of the restored Manchester Regiment chapel screens at Manchester Cathedral, 12th April 1951 (b/w photo) / Bridgeman Images

ID: MPX5156171

Master Carpenter, Mr Puffett puts the finishing touches to a skirting, using a 400 year old carving as his model, for one of the restored Manchester Regiment chapel screens at Manchester Cathedral, 12th April 1951 (b/w photo)

The Flagellation of Christ, detail of ivory diptych, French, 14th century (detail of 74233)
The Flagellation of Christ, detail of ivory diptych, French, 14th century (detail of 74233)

BOO74235: The Flagellation of Christ, detail of ivory diptych, French, 14th century (detail of 74233), French School, (14th century) / Bridgeman Images

ID: BOO74235

The Flagellation of Christ, detail of ivory diptych, French, 14th century (detail of 74233)

French School, (14th century)

Uzbekistan: Elephant and horseman. Detail from a section of the Afrasiab Murals, c. 650 CE
Uzbekistan: Elephant and horseman. Detail from a section of the Afrasiab Murals, c. 650 CE

PFH1189596: Uzbekistan: Elephant and horseman. Detail from a section of the Afrasiab Murals, c. 650 CE / Bridgeman Images

ID: PFH1189596

Uzbekistan: Elephant and horseman. Detail from a section of the Afrasiab Murals, c. 650 CE

Design for the Mechanics Institute, Newcastle upon Tyne, 1863 (ink & w/c on paper on card)
Design for the Mechanics Institute, Newcastle upon Tyne, 1863 (ink & w/c on paper on card)

TW1214465: Design for the Mechanics Institute, Newcastle upon Tyne, 1863 (ink & w/c on paper on card), Storey, John (1828-88) / Bridgeman Images

ID: TW1214465

Design for the Mechanics Institute, Newcastle upon Tyne, 1863 (ink & w/c on paper on card)

Storey, John (1828-88)

Coronation of the Virgin, 2006 (oil on canvas)
Coronation of the Virgin, 2006 (oil on canvas)

DRN3090552: Coronation of the Virgin, 2006 (oil on canvas), Durand, André / Bridgeman Images

ID: DRN3090552

Coronation of the Virgin, 2006 (oil on canvas)

Durand, André

Palace of Westminster, 1834 (colour litho)
Palace of Westminster, 1834 (colour litho)

GHL3102562: Palace of Westminster, 1834 (colour litho), English School, (19th century) / Bridgeman Images

ID: GHL3102562

Palace of Westminster, 1834 (colour litho)

English School, (19th century)

Iran, art of qalamkar: detail of an Iranian textile piece of Isfahan, 19th century, woven cotton - Joseph and Zoleikha: Joseph (Youssef, Youssof, Yusuf, Youssuf) tries to escape the advances of Zulayikha, wife of Putiphar (Potiphar), officer (intendant) of Pharaoh of Egypt - The various episodes of the life of Joseph, son of Jacob, form a narrated narration both in the Bible and in the Koran. Legend common to the Christian and Muslim worlds (Islam), this myth is also present in medieval Persian poetry - private collection -
Iran, art of qalamkar: detail of an Iranian textile piece of Isfahan, 19th century, woven cotton - Joseph and Zoleikha: Joseph (Youssef, Youssof, Yusuf, Youssuf) tries to escape the advances of Zulayikha, wife of Putiphar (Potiphar), officer (intendant) of Pharaoh of Egypt - The various episodes of the life of Joseph, son of Jacob, form a narrated narration both in the Bible and in the Koran. Legend common to the Christian and Muslim worlds (Islam), this myth is also present in medieval Persian poetry - private collection -

PCT4296262: Iran, art of qalamkar: detail of an Iranian textile piece of Isfahan, 19th century, woven cotton - Joseph and Zoleikha: Joseph (Youssef, Youssof, Yusuf, Youssuf) tries to escape the advances of Zulayikha, wife of Putiphar (Potiphar), officer (intendant) of Pharaoh of Egypt - The various episodes of the life of Joseph, son of Jacob, form a narrated narration both in the Bible and in the Koran. Legend common to the Christian and Muslim worlds (Islam), this myth is also present in medieval Persian poetry - private collection - / Bridgeman Images

ID: PCT4296262

Iran, art of qalamkar: detail of an Iranian textile piece of Isfahan, 19th century, woven cotton - Joseph and Zoleikha: Joseph (Youssef, Youssof, Yusuf, Youssuf) tries to escape the advances of Zulayikha, wife of Putiphar (Potiphar), officer (intendant) of Pharaoh of Egypt - The various episodes of the life of Joseph, son of Jacob, form a narrated narration both in the Bible and in the Koran. Legend common to the Christian and Muslim worlds (Islam), this myth is also present in medieval Persian poetry - private collection -

mural at the Jaipol Gate entrance to Mehrangarh Fort: Shiva's wedding procession including a host of surreal creatures, Jodhpur, Rajasthan, India (photo)
mural at the Jaipol Gate entrance to Mehrangarh Fort: Shiva's wedding procession including a host of surreal creatures, Jodhpur, Rajasthan, India (photo)

POV1076644: mural at the Jaipol Gate entrance to Mehrangarh Fort: Shiva's wedding procession including a host of surreal creatures, Jodhpur, Rajasthan, India (photo) / Bridgeman Images

ID: POV1076644

mural at the Jaipol Gate entrance to Mehrangarh Fort: Shiva's wedding procession including a host of surreal creatures, Jodhpur, Rajasthan, India (photo)

Closed sallet with grotesque face, or Schembart visor, Nuremberg, c.1500 (painted steel)
Closed sallet with grotesque face, or Schembart visor, Nuremberg, c.1500 (painted steel)

XCL490854: Closed sallet with grotesque face, or Schembart visor, Nuremberg, c.1500 (painted steel), German School, (16th century) / Bridgeman Images

ID: XCL490854

Closed sallet with grotesque face, or Schembart visor, Nuremberg, c.1500 (painted steel)

German School, (16th century)

Uzbekistan: Three delegates. Detail from a section of the Afrasiab Murals, c. 850 CE
Uzbekistan: Three delegates. Detail from a section of the Afrasiab Murals, c. 850 CE

PFH1179591: Uzbekistan: Three delegates. Detail from a section of the Afrasiab Murals, c. 850 CE / Bridgeman Images

ID: PFH1179591

Uzbekistan: Three delegates. Detail from a section of the Afrasiab Murals, c. 850 CE

Apr. 04, 1953 - A Memory to the” Fuehrer”? It seems to be Hitler's very bench, where he rested, when he was walking through the romantic medieval city of Rothenburg, Bavaria? But by no means! It's quite a normal simple bench used by the guides for some rest between the guidances. The senior of the Rothenburg's guides, 76 years old, had this thrilling idea. Natives and tourists are amazed about Rothernburg's curiosity 1953. Naturally there are already sceptics, who smell a disguised adoration of the” Fuehrer.
Apr. 04, 1953 - A Memory to the” Fuehrer”? It seems to be Hitler's very bench, where he rested, when he was walking through the romantic medieval city of Rothenburg, Bavaria? But by no means! It's quite a normal simple bench used by the guides for some rest between the guidances. The senior of the Rothenburg's guides, 76 years old, had this thrilling idea. Natives and tourists are amazed about Rothernburg's curiosity 1953. Naturally there are already sceptics, who smell a disguised adoration of the” Fuehrer.

ZUM4832213: Apr. 04, 1953 - A Memory to the” Fuehrer”? It seems to be Hitler's very bench, where he rested, when he was walking through the romantic medieval city of Rothenburg, Bavaria? But by no means! It's quite a normal simple bench used by the guides for some rest between the guidances. The senior of the Rothenburg's guides, 76 years old, had this thrilling idea. Natives and tourists are amazed about Rothernburg's curiosity 1953. Naturally there are already sceptics, who smell a disguised adoration of the” Fuehrer. / Bridgeman Images

ID: ZUM4832213

Apr. 04, 1953 - A Memory to the” Fuehrer”? It seems to be Hitler's very bench, where he rested, when he was walking through the romantic medieval city of Rothenburg, Bavaria? But by no means! It's quite a normal simple bench used by the guides for some rest between the guidances. The senior of the Rothenburg's guides, 76 years old, had this thrilling idea. Natives and tourists are amazed about Rothernburg's curiosity 1953. Naturally there are already sceptics, who smell a disguised adoration of the” Fuehrer.

Stafford - St. Mary's Church: lithograph, 1841 (print)
Stafford - St. Mary's Church: lithograph, 1841 (print)

WSL5898279: Stafford - St. Mary's Church: lithograph, 1841 (print), Haghe, Louis (1806-85) / Bridgeman Images

ID: WSL5898279

Stafford - St. Mary's Church: lithograph, 1841 (print)

Haghe, Louis (1806-85)

Emperor Wilhelm II visiting Graf Johann Wilczek at Kreuzenstein Castle near Vienna, 1906
Emperor Wilhelm II visiting Graf Johann Wilczek at Kreuzenstein Castle near Vienna, 1906

SZT5174949: Emperor Wilhelm II visiting Graf Johann Wilczek at Kreuzenstein Castle near Vienna, 1906 / Bridgeman Images

ID: SZT5174949

Emperor Wilhelm II visiting Graf Johann Wilczek at Kreuzenstein Castle near Vienna, 1906

A tourist boat on the Spree river alongside The Nikolaiviertel or St. Nicholas Quarter on a sunny day, Berlin, Germany2018 (photo)
A tourist boat on the Spree river alongside The Nikolaiviertel or St. Nicholas Quarter on a sunny day, Berlin, Germany2018 (photo)

SRB5058769: A tourist boat on the Spree river alongside The Nikolaiviertel or St. Nicholas Quarter on a sunny day, Berlin, Germany2018 (photo) / Bridgeman Images

ID: SRB5058769

A tourist boat on the Spree river alongside The Nikolaiviertel or St. Nicholas Quarter on a sunny day, Berlin, Germany2018 (photo)

Page from the Tractatus de Herbis by Dioscorides Pedanius, 1458 (vellum)
Page from the Tractatus de Herbis by Dioscorides Pedanius, 1458 (vellum)

XOT361218: Page from the Tractatus de Herbis by Dioscorides Pedanius, 1458 (vellum), Italian School, (15th century) / Bridgeman Images

ID: XOT361218

Page from the Tractatus de Herbis by Dioscorides Pedanius, 1458 (vellum)

Italian School, (15th century)

Spain: Silk textile featuring two peacocks, Almeria, al-Andalus, 12th century
Spain: Silk textile featuring two peacocks, Almeria, al-Andalus, 12th century

PFH3061514: Spain: Silk textile featuring two peacocks, Almeria, al-Andalus, 12th century / Bridgeman Images

ID: PFH3061514

Spain: Silk textile featuring two peacocks, Almeria, al-Andalus, 12th century

Villa Badoer by Andrea Palladio, Fratta Polesine, Rovigo, Veneto, Italy (photo)
Villa Badoer by Andrea Palladio, Fratta Polesine, Rovigo, Veneto, Italy (photo)

MES3512719: Villa Badoer by Andrea Palladio, Fratta Polesine, Rovigo, Veneto, Italy (photo) / Bridgeman Images

ID: MES3512719

Villa Badoer by Andrea Palladio, Fratta Polesine, Rovigo, Veneto, Italy (photo)

Orazio Rancati, by Salomon Adler (1630-1709), 1679
Orazio Rancati, by Salomon Adler (1630-1709), 1679

ELC851748: Orazio Rancati, by Salomon Adler (1630-1709), 1679, Adler, Salomon (c.1630-1709) / Bridgeman Images

ID: ELC851748

Orazio Rancati, by Salomon Adler (1630-1709), 1679

Adler, Salomon (c.1630-1709)

Three Geese, detail from a section of the Afrasiab Murals, c. 850 CE
Three Geese, detail from a section of the Afrasiab Murals, c. 850 CE

PFH1179589: Three Geese, detail from a section of the Afrasiab Murals, c. 850 CE / Bridgeman Images

ID: PFH1179589

Three Geese, detail from a section of the Afrasiab Murals, c. 850 CE

Mending the Tapestry
Mending the Tapestry

USB1158471: Mending the Tapestry, Pasmore, Daniel (1829-91) / Bridgeman Images

ID: USB1158471

Mending the Tapestry

Pasmore, Daniel (1829-91)

Archaeology of the Middle Ages (Middle Ages). Barbarian art of Lombardy: Cross of Gisulfo, in bumped gold leaf with semi-precious stones, petre enchassee. Made by a Lombard master of the 7th century. Height: 11 cm. Italy, Cividale del Friuli, Musee archeologique - Medieval archaeology - Barbaric art of Lombardy: Gold-leaf Gisulfo cross, inlaid with semi-precious stones. Created by a Lombard master of the 7th century, h: 11 cm. National Archaeological Museum, Cividale del Friuli, Italy
Archaeology of the Middle Ages (Middle Ages). Barbarian art of Lombardy: Cross of Gisulfo, in bumped gold leaf with semi-precious stones, petre enchassee. Made by a Lombard master of the 7th century. Height: 11 cm. Italy, Cividale del Friuli, Musee archeologique - Medieval archaeology - Barbaric art of Lombardy: Gold-leaf Gisulfo cross, inlaid with semi-precious stones. Created by a Lombard master of the 7th century, h: 11 cm. National Archaeological Museum, Cividale del Friuli, Italy

LRI4646217: Archaeology of the Middle Ages (Middle Ages). Barbarian art of Lombardy: Cross of Gisulfo, in bumped gold leaf with semi-precious stones, petre enchassee. Made by a Lombard master of the 7th century. Height: 11 cm. Italy, Cividale del Friuli, Musee archeologique - Medieval archaeology - Barbaric art of Lombardy: Gold-leaf Gisulfo cross, inlaid with semi-precious stones. Created by a Lombard master of the 7th century, h: 11 cm. National Archaeological Museum, Cividale del Friuli, Italy, Lombard School / Bridgeman Images

ID: LRI4646217

Archaeology of the Middle Ages (Middle Ages). Barbarian art of Lombardy: Cross of Gisulfo, in bumped gold leaf with semi-precious stones, petre enchassee. Made by a Lombard master of the 7th century. Height: 11 cm. Italy, Cividale del Friuli, Musee archeologique - Medieval archaeology - Barbaric art of Lombardy: Gold-leaf Gisulfo cross, inlaid with semi-precious stones. Created by a Lombard master of the 7th century, h: 11 cm. National Archaeological Museum, Cividale del Friuli, Italy

Lombard School

The Side (pencil & w/c on paper on board)
The Side (pencil & w/c on paper on board)

TW1214495: The Side (pencil & w/c on paper on board), Toft, Peter Petersen (1825-1901) / Bridgeman Images

ID: TW1214495

The Side (pencil & w/c on paper on board)

Toft, Peter Petersen (1825-1901)

Two men and a woman of the Middle Ages play croquet, with mallets and rods (mail game is an invention of the 16th century) - Lithography based on an illustration by J.E. Rogers, from Passe temps actuels de l'Engleterre heureuse, by Francis Cowley Burnand (1836-1917), 1873 - Medieval men and woman playing a game of croquet with mallet and hoops (Pall mall was invented in the 16th century) Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873
Two men and a woman of the Middle Ages play croquet, with mallets and rods (mail game is an invention of the 16th century) - Lithography based on an illustration by J.E. Rogers, from Passe temps actuels de l'Engleterre heureuse, by Francis Cowley Burnand (1836-1917), 1873 - Medieval men and woman playing a game of croquet with mallet and hoops (Pall mall was invented in the 16th century) Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873

FLO4677230: Two men and a woman of the Middle Ages play croquet, with mallets and rods (mail game is an invention of the 16th century) - Lithography based on an illustration by J.E. Rogers, from Passe temps actuels de l'Engleterre heureuse, by Francis Cowley Burnand (1836-1917), 1873 - Medieval men and woman playing a game of croquet with mallet and hoops (Pall mall was invented in the 16th century) Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873 / Bridgeman Images

ID: FLO4677230

Two men and a woman of the Middle Ages play croquet, with mallets and rods (mail game is an invention of the 16th century) - Lithography based on an illustration by J.E. Rogers, from Passe temps actuels de l'Engleterre heureuse, by Francis Cowley Burnand (1836-1917), 1873 - Medieval men and woman playing a game of croquet with mallet and hoops (Pall mall was invented in the 16th century) Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873

Stafford - St. Mary's Church: sepia drawing, 1841 (drawing)
Stafford - St. Mary's Church: sepia drawing, 1841 (drawing)

WSL5898259: Stafford - St. Mary's Church: sepia drawing, 1841 (drawing), Buckler, John (1770-1851) / Bridgeman Images

ID: WSL5898259

Stafford - St. Mary's Church: sepia drawing, 1841 (drawing)

Buckler, John (1770-1851)

Middle Ages sailors on a boat at sea, one pulls the sail, another smokes, the third wears a large bowl - Lithograph from an illustration by J.E. Rogers, from Passe temps actuels de l'Engleterre heureuse, by Francis Cowley Burnand (1836-1917), 1873 - Medieval sailors on a sailboat, one pulling the sail rigging, tuxedo a pipe, and holding a bowl - Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873
Middle Ages sailors on a boat at sea, one pulls the sail, another smokes, the third wears a large bowl - Lithograph from an illustration by J.E. Rogers, from Passe temps actuels de l'Engleterre heureuse, by Francis Cowley Burnand (1836-1917), 1873 - Medieval sailors on a sailboat, one pulling the sail rigging, tuxedo a pipe, and holding a bowl - Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873

FLO4677245: Middle Ages sailors on a boat at sea, one pulls the sail, another smokes, the third wears a large bowl - Lithograph from an illustration by J.E. Rogers, from Passe temps actuels de l'Engleterre heureuse, by Francis Cowley Burnand (1836-1917), 1873 - Medieval sailors on a sailboat, one pulling the sail rigging, tuxedo a pipe, and holding a bowl - Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873 / Bridgeman Images

ID: FLO4677245

Middle Ages sailors on a boat at sea, one pulls the sail, another smokes, the third wears a large bowl - Lithograph from an illustration by J.E. Rogers, from Passe temps actuels de l'Engleterre heureuse, by Francis Cowley Burnand (1836-1917), 1873 - Medieval sailors on a sailboat, one pulling the sail rigging, tuxedo a pipe, and holding a bowl - Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873


Back to top