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42070 Search Results for medieval or gothic or late medieval

The Story of Noah: the Exodus from the Ark, the Drunkenness of Noah and his Sacrifice to God, one of ten relief panels from the Gates of Paradise (East doors), 1425-52 (gilt bronze) (see also 87652-53 & 87655-67)
The Story of Noah: the Exodus from the Ark, the Drunkenness of Noah and his Sacrifice to God, one of ten relief panels from the Gates of Paradise (East doors), 1425-52 (gilt bronze) (see also 87652-53 & 87655-67)

BEN87654: The Story of Noah: the Exodus from the Ark, the Drunkenness of Noah and his Sacrifice to God, one of ten relief panels from the Gates of Paradise (East doors), 1425-52 (gilt bronze) (see also 87652-53 & 87655-67), Ghiberti, Lorenzo (1378-1455) / Bridgeman Images

Graf Kraft von Toggenburg
Graf Kraft von Toggenburg

XLE3750862: Graf Kraft von Toggenburg / Bridgeman Images

Sultan Hussain Nizam Shah I of Ahmadnagar on horseback (w/c on paper)
Sultan Hussain Nizam Shah I of Ahmadnagar on horseback (w/c on paper)

CIN423079: Sultan Hussain Nizam Shah I of Ahmadnagar on horseback (w/c on paper), Indian School, (16th century) / Bridgeman Images

Harvest scene: a man and a woman pick grapes from a vines high on espalier. The man wears a hood.
Harvest scene: a man and a woman pick grapes from a vines high on espalier. The man wears a hood.

PCT4262401: Harvest scene: a man and a woman pick grapes from a vines high on espalier. The man wears a hood., Cartier, Patrice / Bridgeman Images

Ruined church (photo)
Ruined church (photo)

HGP379354: Ruined church (photo) / Bridgeman Images

Lichfield - Drinking Horn: pen and sepia drawing, nd [1748-1817] (drawing)
Lichfield - Drinking Horn: pen and sepia drawing, nd [1748-1817] (drawing)

WSL5897848: Lichfield - Drinking Horn: pen and sepia drawing, nd [1748-1817] (drawing), Carter, John (1748-1817) / Bridgeman Images

Vanished Civilizations: Moorish council in Granada
Vanished Civilizations: Moorish council in Granada

XLF3787627: Vanished Civilizations: Moorish council in Granada / Bridgeman Images

The Troubadour, 1868-1873 (oil on fabric)
The Troubadour, 1868-1873 (oil on fabric)

XCL499489: The Troubadour, 1868-1873 (oil on fabric) , Daumier, Honore (1808-79) / Bridgeman Images

Drawing from 'Dictionnaire raisonné de l'architecture française du XIe au XVIe siècle', 1861 (engraving)
Drawing from 'Dictionnaire raisonné de l'architecture française du XIe au XVIe siècle', 1861 (engraving)

CHT868459: Drawing from 'Dictionnaire raisonné de l'architecture française du XIe au XVIe siècle', 1861 (engraving), French School, (19th century) / Bridgeman Images

Marriage of Frederick I (c.1123-90) Barbarossa and Beatrice I (1145-84) of Burgundy in 1156 (fresco)
Marriage of Frederick I (c.1123-90) Barbarossa and Beatrice I (1145-84) of Burgundy in 1156 (fresco)

XIR181871: Marriage of Frederick I (c.1123-90) Barbarossa and Beatrice I (1145-84) of Burgundy in 1156 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Coronation of Emperor Charlemagne  by Pope Leo III (c.750-816) at St. Peters, Rome in 800, Grandes Chroniques de France, 1375-79 (vellum)
The Coronation of Emperor Charlemagne  by Pope Leo III (c.750-816) at St. Peters, Rome in 800, Grandes Chroniques de France, 1375-79 (vellum)

XIR83890: The Coronation of Emperor Charlemagne by Pope Leo III (c.750-816) at St. Peters, Rome in 800, Grandes Chroniques de France, 1375-79 (vellum), French School, (14th century) / Bridgeman Images

Battle of Taillebourg, France, 1242 (chromolitho)
Battle of Taillebourg, France, 1242 (chromolitho)

LLM1093364: Battle of Taillebourg, France, 1242 (chromolitho), Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images

Achill Island, Co Mayo, Ireland; 15Th Century Carrickkildavnet Castle Used By Grace O'Malley (photo)
Achill Island, Co Mayo, Ireland; 15Th Century Carrickkildavnet Castle Used By Grace O'Malley (photo)

DPS3254540: Achill Island, Co Mayo, Ireland; 15Th Century Carrickkildavnet Castle Used By Grace O'Malley (photo) / Bridgeman Images

Dungarvan Castle(King John's Castle), Dungarvan, Co Waterford, Ireland (photo)
Dungarvan Castle(King John's Castle), Dungarvan, Co Waterford, Ireland (photo)

DPS3249494: Dungarvan Castle(King John's Castle), Dungarvan, Co Waterford, Ireland (photo) / Bridgeman Images

Clonfert Cathedral, Clonfert, Co Galway, Ireland, Detail Of Doorway In Hiberno-Romanesque Style (photo)
Clonfert Cathedral, Clonfert, Co Galway, Ireland, Detail Of Doorway In Hiberno-Romanesque Style (photo)

DPS3503453: Clonfert Cathedral, Clonfert, Co Galway, Ireland, Detail Of Doorway In Hiberno-Romanesque Style (photo) / Bridgeman Images

Way to Calvary (Andata al Calvario), by Giotto, 1303-1305, 14th century (fresco)
Way to Calvary (Andata al Calvario), by Giotto, 1303-1305, 14th century (fresco)

MEP1267096: Way to Calvary (Andata al Calvario), by Giotto, 1303-1305, 14th century (fresco), Giotto (Giotto di Bondone) (c.1266-1337) / Bridgeman Images

View of the castle of Beynac overlooking the village of Beynac and Cazenac, Chateau fort built from the 12th century by the barons of Beynac, taken by Richard Coeur de Lion in 1189, remained essentially in the hands of the English until the French victory of Castillon in 1453, ending the Hundred Years' War. Medieval military architecture., Beynac and Cazenac, Sarlat la Caneda, Dordogne, New Aquitaine, France.
View of the castle of Beynac overlooking the village of Beynac and Cazenac, Chateau fort built from the 12th century by the barons of Beynac, taken by Richard Coeur de Lion in 1189, remained essentially in the hands of the English until the French victory of Castillon in 1453, ending the Hundred Years' War. Medieval military architecture., Beynac and Cazenac, Sarlat la Caneda, Dordogne, New Aquitaine, France.

YOU4420131: View of the castle of Beynac overlooking the village of Beynac and Cazenac, Chateau fort built from the 12th century by the barons of Beynac, taken by Richard Coeur de Lion in 1189, remained essentially in the hands of the English until the French victory of Castillon in 1453, ending the Hundred Years' War. Medieval military architecture., Beynac and Cazenac, Sarlat la Caneda, Dordogne, New Aquitaine, France. / Bridgeman Images

Greek merchant of the middle ages in long black wool robes and bonnet within a decorative border. Engraved on wood by Gerard Seguin and E.F. Huyot after the original illustration by Vecellio from Cesare Vecellio's “” Costumes anciens et modernes,”” Firmin Didot Freres Fils, Paris, 1859. Vecellio was a cousin to Titian and his original collection published in 1590 provided a panorama of medieval costume.
Greek merchant of the middle ages in long black wool robes and bonnet within a decorative border. Engraved on wood by Gerard Seguin and E.F. Huyot after the original illustration by Vecellio from Cesare Vecellio's “” Costumes anciens et modernes,”” Firmin Didot Freres Fils, Paris, 1859. Vecellio was a cousin to Titian and his original collection published in 1590 provided a panorama of medieval costume.

FLO4720953: Greek merchant of the middle ages in long black wool robes and bonnet within a decorative border. Engraved on wood by Gerard Seguin and E.F. Huyot after the original illustration by Vecellio from Cesare Vecellio's “” Costumes anciens et modernes,”” Firmin Didot Freres Fils, Paris, 1859. Vecellio was a cousin to Titian and his original collection published in 1590 provided a panorama of medieval costume. / Bridgeman Images

Medieval weapons: Dull swords or kolben for the Kolbenturnier 302, pike 303, halberd 304, partisan 305, wooden battle hammer 306, iron battle hammer 307, lance with crooked spike 308, various swords 309-312, and daggers 313,314. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.
Medieval weapons: Dull swords or kolben for the Kolbenturnier 302, pike 303, halberd 304, partisan 305, wooden battle hammer 306, iron battle hammer 307, lance with crooked spike 308, various swords 309-312, and daggers 313,314. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

FLO4702909: Medieval weapons: Dull swords or kolben for the Kolbenturnier 302, pike 303, halberd 304, partisan 305, wooden battle hammer 306, iron battle hammer 307, lance with crooked spike 308, various swords 309-312, and daggers 313,314. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages. / Bridgeman Images

Staro-Nova Synagogue/ Alt-Neu synagogue - Old-New Synagogue Prague with the Jewish community centre
Staro-Nova Synagogue/ Alt-Neu synagogue - Old-New Synagogue Prague with the Jewish community centre

AUZ3924298: Staro-Nova Synagogue/ Alt-Neu synagogue - Old-New Synagogue Prague with the Jewish community centre / Bridgeman Images

Triptych with Adoration of the Shepherds, ca.1515, by Jan de Beer (ca.1475-ca.1528).
Triptych with Adoration of the Shepherds, ca.1515, by Jan de Beer (ca.1475-ca.1528).

TRK5667333: Triptych with Adoration of the Shepherds, ca.1515, by Jan de Beer (ca.1475-ca.1528)., Beer, Jan de (c.1490-c.1536) / Bridgeman Images

Achill Island, Co Mayo, Ireland; 15Th Century Carrickkildavnet Castle Used By Grace O'Malley (photo)
Achill Island, Co Mayo, Ireland; 15Th Century Carrickkildavnet Castle Used By Grace O'Malley (photo)

DPS3254544: Achill Island, Co Mayo, Ireland; 15Th Century Carrickkildavnet Castle Used By Grace O'Malley (photo) / Bridgeman Images

Madonna with Infant Jesus
Madonna with Infant Jesus

GRL2655182: Madonna with Infant Jesus, Antelami, Benedetto (c.1150-c.1230) (school of) / Bridgeman Images

Sir Galahad meets Sir Melyas, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho)
Sir Galahad meets Sir Melyas, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho)

STC328789: Sir Galahad meets Sir Melyas, illustration from 'The Story of the Grail and the Passing of Arthur', c.1910 (litho), Pyle, Howard (1853-1911) / Bridgeman Images

Vianden through a Spider's Web (pencil, Indian ink, sepia and watercolour on paper)
Vianden through a Spider's Web (pencil, Indian ink, sepia and watercolour on paper)

XIR169990: Vianden through a Spider's Web (pencil, Indian ink, sepia and watercolour on paper), Hugo, Victor (1802-85) / Bridgeman Images

Rockfleet Castle, Clew Bay, Co Mayo, Ireland (photo)
Rockfleet Castle, Clew Bay, Co Mayo, Ireland (photo)

DPS3249471: Rockfleet Castle, Clew Bay, Co Mayo, Ireland (photo) / Bridgeman Images

Harbour, With Grainuaille's Castle, Achill Island Co Mayo, Ireland (photo)
Harbour, With Grainuaille's Castle, Achill Island Co Mayo, Ireland (photo)

DPS3503922: Harbour, With Grainuaille's Castle, Achill Island Co Mayo, Ireland (photo) / Bridgeman Images

Christopher Columbus at La Rabida. Engraving.
Christopher Columbus at La Rabida. Engraving.

TRK832154: Christopher Columbus at La Rabida. Engraving., Spanish School, (19th century) / Bridgeman Images

Ms Fr. Fv VI #1 Two pages depicting Rose and Garlic, from 'The Book of Simple Medicines' by Mattheus Platearius (d.c.1161) c.1470 (vellum)
Ms Fr. Fv VI #1 Two pages depicting Rose and Garlic, from 'The Book of Simple Medicines' by Mattheus Platearius (d.c.1161) c.1470 (vellum)

XJL212006: Ms Fr. Fv VI #1 Two pages depicting Rose and Garlic, from 'The Book of Simple Medicines' by Mattheus Platearius (d.c.1161) c.1470 (vellum), Testard, Robinet (fl.1470-1523) / Bridgeman Images

Wedding at Cana (Nozze di Cana), by Giotto, 1303-1305, 14th century (fresco)
Wedding at Cana (Nozze di Cana), by Giotto, 1303-1305, 14th century (fresco)

MEP1267080: Wedding at Cana (Nozze di Cana), by Giotto, 1303-1305, 14th century (fresco), Giotto (Giotto di Bondone) (c.1266-1337) / Bridgeman Images

The Story of the Crusades
The Story of the Crusades

LAL337502: The Story of the Crusades, Escott, Dan (1928-87) / Bridgeman Images

Draycott in the Moors Church: sepia drawing, 1841 (drawing)
Draycott in the Moors Church: sepia drawing, 1841 (drawing)

WSL5897217: Draycott in the Moors Church: sepia drawing, 1841 (drawing), Buckler, John Chessell (1793-1894) / Bridgeman Images

Yusuf Being Rescued from the Pit, c.1492-3 (illuminated manuscript on paper)
Yusuf Being Rescued from the Pit, c.1492-3 (illuminated manuscript on paper)

CH1196955: Yusuf Being Rescued from the Pit, c.1492-3 (illuminated manuscript on paper), Persian School, (15th century) / Bridgeman Images

Josue and Caleb returned from Canaan , carrying a huge bunch of grapes.
Josue and Caleb returned from Canaan , carrying a huge bunch of grapes.

PCT4262333: Josue and Caleb returned from Canaan , carrying a huge bunch of grapes., Cartier, Patrice / Bridgeman Images

The Liberal Arts: the Trivium and the Quadrivium - in “” Margarita Philosophica”” by Gregor Reisch (1467-1525). Bale, 1517. In medieval teaching, quadrivium referred to the four mathematical arts: arithmetic, music, geometry and astronomy. Quadrivium is distinguished from Trivium, which includes grammar, rhetoric and logic (dialectic). These two branches of knowledge constituted the seven liberal arts, a concept derived from Greek philosophy.
The Liberal Arts: the Trivium and the Quadrivium - in “” Margarita Philosophica”” by Gregor Reisch (1467-1525). Bale, 1517. In medieval teaching, quadrivium referred to the four mathematical arts: arithmetic, music, geometry and astronomy. Quadrivium is distinguished from Trivium, which includes grammar, rhetoric and logic (dialectic). These two branches of knowledge constituted the seven liberal arts, a concept derived from Greek philosophy.

GIA4752354: The Liberal Arts: the Trivium and the Quadrivium - in “” Margarita Philosophica”” by Gregor Reisch (1467-1525). Bale, 1517. In medieval teaching, quadrivium referred to the four mathematical arts: arithmetic, music, geometry and astronomy. Quadrivium is distinguished from Trivium, which includes grammar, rhetoric and logic (dialectic). These two branches of knowledge constituted the seven liberal arts, a concept derived from Greek philosophy., Reisch, Gregor (d.1525) / Bridgeman Images

Adoration of the Magi, 1470-75 ( tempera on wood)
Adoration of the Magi, 1470-75 ( tempera on wood)

XOS5389800: Adoration of the Magi, 1470-75 ( tempera on wood), Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510) / Bridgeman Images


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