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76762 Search Results for medieval or gothic or late medieval

Remains of Mansourah, 14th century, with modern residential neighborhoods of Tlemcen in background, Algeria (photo)
Remains of Mansourah, 14th century, with modern residential neighborhoods of Tlemcen in background, Algeria (photo)

DGA3066909: Remains of Mansourah, 14th century, with modern residential neighborhoods of Tlemcen in background, Algeria (photo) / Bridgeman Images

ID: DGA3066909

Remains of Mansourah, 14th century, with modern residential neighborhoods of Tlemcen in background, Algeria (photo)

Historical reenactment: Candles and sacks of wheat, rye and barley in the apothecary of Diotaiuti, Imola, Italy, mid-14th century (photo)
Historical reenactment: Candles and sacks of wheat, rye and barley in the apothecary of Diotaiuti, Imola, Italy, mid-14th century (photo)

DGA3067706: Historical reenactment: Candles and sacks of wheat, rye and barley in the apothecary of Diotaiuti, Imola, Italy, mid-14th century (photo) / Bridgeman Images

ID: DGA3067706

Historical reenactment: Candles and sacks of wheat, rye and barley in the apothecary of Diotaiuti, Imola, Italy, mid-14th century (photo)

Borromeo Book of Hours, 15th century (vellum)
Borromeo Book of Hours, 15th century (vellum)

MEV5049636: Borromeo Book of Hours, 15th century (vellum), Predis, Cristoforo de (1440-86) / Bridgeman Images

ID: MEV5049636

Borromeo Book of Hours, 15th century (vellum)

Predis, Cristoforo de (1440-86)

Portrait of actor William Smith in the role of Richard III (play by William Shakespeare (1564-1616). He is a fencing guard, wearing panties and stockings, puffy sleeves and bare head. Smith led his career from 1753 to 1788 in London and was renowned for his delicate and sensitive interpretations of a refined gentleman. Engraving in “” Bell's Shakespeare”” by John Bell, London (England, 1776 to 1785.
Portrait of actor William Smith in the role of Richard III (play by William Shakespeare (1564-1616). He is a fencing guard, wearing panties and stockings, puffy sleeves and bare head. Smith led his career from 1753 to 1788 in London and was renowned for his delicate and sensitive interpretations of a refined gentleman. Engraving in “” Bell's Shakespeare”” by John Bell, London (England, 1776 to 1785.

FLO4568609: Portrait of actor William Smith in the role of Richard III (play by William Shakespeare (1564-1616). He is a fencing guard, wearing panties and stockings, puffy sleeves and bare head. Smith led his career from 1753 to 1788 in London and was renowned for his delicate and sensitive interpretations of a refined gentleman. Engraving in “” Bell's Shakespeare”” by John Bell, London (England, 1776 to 1785. / Bridgeman Images

ID: FLO4568609

Portrait of actor William Smith in the role of Richard III (play by William Shakespeare (1564-1616). He is a fencing guard, wearing panties and stockings, puffy sleeves and bare head. Smith led his career from 1753 to 1788 in London and was renowned for his delicate and sensitive interpretations of a refined gentleman. Engraving in “” Bell's Shakespeare”” by John Bell, London (England, 1776 to 1785.

Sir John Cheney or Cheyne, the Vigorous Knight, Master of the Horse to King Edward IV, bodyguard to Henry VII, 1442-1499. In suit of plate armour with tiles, chainmail apron, helmet, and holding the banner of Henry VII, a red dragon on green and white field. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Sir John Cheney or Cheyne, the Vigorous Knight, Master of the Horse to King Edward IV, bodyguard to Henry VII, 1442-1499. In suit of plate armour with tiles, chainmail apron, helmet, and holding the banner of Henry VII, a red dragon on green and white field. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678525: Sir John Cheney or Cheyne, the Vigorous Knight, Master of the Horse to King Edward IV, bodyguard to Henry VII, 1442-1499. In suit of plate armour with tiles, chainmail apron, helmet, and holding the banner of Henry VII, a red dragon on green and white field. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678525

Sir John Cheney or Cheyne, the Vigorous Knight, Master of the Horse to King Edward IV, bodyguard to Henry VII, 1442-1499. In suit of plate armour with tiles, chainmail apron, helmet, and holding the banner of Henry VII, a red dragon on green and white field. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Man's costume in the time of Richard III (1452-1485), wearing a long sleeve tunic on ecarlate stockings. From a royal manuscript. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.
Man's costume in the time of Richard III (1452-1485), wearing a long sleeve tunic on ecarlate stockings. From a royal manuscript. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

FLO4672192: Man's costume in the time of Richard III (1452-1485), wearing a long sleeve tunic on ecarlate stockings. From a royal manuscript. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672192

Man's costume in the time of Richard III (1452-1485), wearing a long sleeve tunic on ecarlate stockings. From a royal manuscript. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

King Charles VII of France, known as the Victorious (1403-1461), standing before an angel kneeling holding his coat of arms, according to the diary of the Knights of Ehingen of the Stuttgart Library (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, handicrafts, and instruments from the Middle Ages to the End of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
King Charles VII of France, known as the Victorious (1403-1461), standing before an angel kneeling holding his coat of arms, according to the diary of the Knights of Ehingen of the Stuttgart Library (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, handicrafts, and instruments from the Middle Ages to the End of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643947: King Charles VII of France, known as the Victorious (1403-1461), standing before an angel kneeling holding his coat of arms, according to the diary of the Knights of Ehingen of the Stuttgart Library (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, handicrafts, and instruments from the Middle Ages to the End of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

ID: FLO4643947

King Charles VII of France, known as the Victorious (1403-1461), standing before an angel kneeling holding his coat of arms, according to the diary of the Knights of Ehingen of the Stuttgart Library (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, handicrafts, and instruments from the Middle Ages to the End of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

William Shakespeare 's play (photo)
William Shakespeare 's play (photo)

KNT3820190: William Shakespeare 's play (photo), Kenton, Tristam / Bridgeman Images

ID: KNT3820190

William Shakespeare 's play (photo)

Kenton, Tristam

The Boy Answering the Request of the Inebriates (litho)
The Boy Answering the Request of the Inebriates (litho)

LLM11732015: The Boy Answering the Request of the Inebriates (litho), Scannell, Edith (1852-1940) / Bridgeman Images

ID: LLM11732015

The Boy Answering the Request of the Inebriates (litho)

Scannell, Edith (1852-1940)

Marksburg fortress, Braubach, Upper Middle Rhine Valley (UNESCO World Heritage List, 2002), Rhineland-Palatinate, Germany, 13th-15th century
Marksburg fortress, Braubach, Upper Middle Rhine Valley (UNESCO World Heritage List, 2002), Rhineland-Palatinate, Germany, 13th-15th century

DGA5654084: Marksburg fortress, Braubach, Upper Middle Rhine Valley (UNESCO World Heritage List, 2002), Rhineland-Palatinate, Germany, 13th-15th century / Bridgeman Images

ID: DGA5654084

Marksburg fortress, Braubach, Upper Middle Rhine Valley (UNESCO World Heritage List, 2002), Rhineland-Palatinate, Germany, 13th-15th century

Flemish tapestry. Series The Trojan War. Achilles’ Tent (La Tienda de Aquiles). Sixth tapestry in the series. Model Coëtivy Master (Henry or Conrard de Vulcop). Manufacture Tournai workshops. Ca 1470. Fabric Wool and silk, 6/7 warps per cm.
Flemish tapestry. Series The Trojan War. Achilles’ Tent (La Tienda de Aquiles). Sixth tapestry in the series. Model Coëtivy Master (Henry or Conrard de Vulcop). Manufacture Tournai workshops. Ca 1470. Fabric Wool and silk, 6/7 warps per cm.

MAE7209019: Flemish tapestry. Series The Trojan War. Achilles’ Tent (La Tienda de Aquiles). Sixth tapestry in the series. Model Coëtivy Master (Henry or Conrard de Vulcop). Manufacture Tournai workshops. Ca 1470. Fabric Wool and silk, 6/7 warps per cm., Flemish School, (15th century) / Bridgeman Images

ID: MAE7209019

Flemish tapestry. Series The Trojan War. Achilles’ Tent (La Tienda de Aquiles). Sixth tapestry in the series. Model Coëtivy Master (Henry or Conrard de Vulcop). Manufacture Tournai workshops. Ca 1470. Fabric Wool and silk, 6/7 warps per cm.

Flemish School, (15th century)

King Otto I of Germany on the shores of the North Sea, 948 (engraving)
King Otto I of Germany on the shores of the North Sea, 948 (engraving)

LLM11694620: King Otto I of Germany on the shores of the North Sea, 948 (engraving), Richter, Ludwig Adrian (1803-84) / Bridgeman Images

ID: LLM11694620

King Otto I of Germany on the shores of the North Sea, 948 (engraving)

Richter, Ludwig Adrian (1803-84)

Beatrice of Lorraine and her son Frederick before the Holy Roman Emperor Henry III, 1055 (engraving)
Beatrice of Lorraine and her son Frederick before the Holy Roman Emperor Henry III, 1055 (engraving)

LLM11694624: Beatrice of Lorraine and her son Frederick before the Holy Roman Emperor Henry III, 1055 (engraving), Schwind, Moritz Ludwig von (1804-71) (after) / Bridgeman Images

ID: LLM11694624

Beatrice of Lorraine and her son Frederick before the Holy Roman Emperor Henry III, 1055 (engraving)

Schwind, Moritz Ludwig von (1804-71) (after)

The rebel Duke Rudolf of Swabia mortally wounded at the Battle of the Elster, 1080 (engraving)
The rebel Duke Rudolf of Swabia mortally wounded at the Battle of the Elster, 1080 (engraving)

LLM11694625: The rebel Duke Rudolf of Swabia mortally wounded at the Battle of the Elster, 1080 (engraving), Camphausen, Wilhelm (1818-85) / Bridgeman Images

ID: LLM11694625

The rebel Duke Rudolf of Swabia mortally wounded at the Battle of the Elster, 1080 (engraving)

Camphausen, Wilhelm (1818-85)

Arrival of Jean Froissart at the court of Foix (colour litho)
Arrival of Jean Froissart at the court of Foix (colour litho)

LLM11694700: Arrival of Jean Froissart at the court of Foix (colour litho), French School, (15th century) (after) / Bridgeman Images

ID: LLM11694700

Arrival of Jean Froissart at the court of Foix (colour litho)

French School, (15th century) (after)

Settlement names in the British Isles and northern France (colour litho)
Settlement names in the British Isles and northern France (colour litho)

LLM11695400: Settlement names in the British Isles and northern France (colour litho), English School, (19th century) / Bridgeman Images

ID: LLM11695400

Settlement names in the British Isles and northern France (colour litho)

English School, (19th century)

The Holy Roman Emperor Otto III addressing the Romans, 1001 (engraving)
The Holy Roman Emperor Otto III addressing the Romans, 1001 (engraving)

LLM11708871: The Holy Roman Emperor Otto III addressing the Romans, 1001 (engraving), Dietrich, Anton (1833-1904) / Bridgeman Images

ID: LLM11708871

The Holy Roman Emperor Otto III addressing the Romans, 1001 (engraving)

Dietrich, Anton (1833-1904)

Submission of the Saxon princes to The Holy Roman Emperor Henry IV at Spira, 1075 (engraving)
Submission of the Saxon princes to The Holy Roman Emperor Henry IV at Spira, 1075 (engraving)

LLM11708874: Submission of the Saxon princes to The Holy Roman Emperor Henry IV at Spira, 1075 (engraving), Camphausen, Wilhelm (1818-85) / Bridgeman Images

ID: LLM11708874

Submission of the Saxon princes to The Holy Roman Emperor Henry IV at Spira, 1075 (engraving)

Camphausen, Wilhelm (1818-85)

The Orchard of Love, tapestry from Alsace, 1425-1450 (colour litho)
The Orchard of Love, tapestry from Alsace, 1425-1450 (colour litho)

LLM11708938: The Orchard of Love, tapestry from Alsace, 1425-1450 (colour litho), German School, (19th century) / Bridgeman Images

ID: LLM11708938

The Orchard of Love, tapestry from Alsace, 1425-1450 (colour litho)

German School, (19th century)

Pietà, known as Notre-Dame de l'Emboulari, 15th century (sculpture)
Pietà, known as Notre-Dame de l'Emboulari, 15th century (sculpture)

BBG11687895: Pietà, known as Notre-Dame de l'Emboulari, 15th century (sculpture), Bonnefon, Bernard / Bridgeman Images

ID: BBG11687895

Pietà, known as Notre-Dame de l'Emboulari, 15th century (sculpture)

Bonnefon, Bernard

Margaret of Burgundy, Queen of France (litho)
Margaret of Burgundy, Queen of France (litho)

LLM11692446: Margaret of Burgundy, Queen of France (litho), French School, (19th century) / Bridgeman Images

ID: LLM11692446

Margaret of Burgundy, Queen of France (litho)

French School, (19th century)

Mieszko I of Poland (935-992) and Boleslaw I the Brave (967-1025), 1840 (engraving)
Mieszko I of Poland (935-992) and Boleslaw I the Brave (967-1025), 1840 (engraving)

TRK7299282: Mieszko I of Poland (935-992) and Boleslaw I the Brave (967-1025), 1840 (engraving), Lemaitre, Augustin Francois (1797-1870) / Bridgeman Images

ID: TRK7299282

Mieszko I of Poland (935-992) and Boleslaw I the Brave (967-1025), 1840 (engraving)

Lemaitre, Augustin Francois (1797-1870)

Military costume of the Goths, by Coderch, 19th century (engraving)
Military costume of the Goths, by Coderch, 19th century (engraving)

TRK7299168: Military costume of the Goths, by Coderch, 19th century (engraving), Coderch (fl.19th century) / Bridgeman Images

ID: TRK7299168

Military costume of the Goths, by Coderch, 19th century (engraving)

Coderch (fl.19th century)

Rodrigo Díaz de Vivar, known as El Cid Campeador, Castilian nobleman, 1884 (colour litho)
Rodrigo Díaz de Vivar, known as El Cid Campeador, Castilian nobleman, 1884 (colour litho)

TRK8619202: Rodrigo Díaz de Vivar, known as El Cid Campeador, Castilian nobleman, 1884 (colour litho) / Bridgeman Images

ID: TRK8619202

Rodrigo Díaz de Vivar, known as El Cid Campeador, Castilian nobleman, 1884 (colour litho)

The restoration of Ottokar II as King of Bohemia by Rudolf of Habsburg, 1276 (engraving)
The restoration of Ottokar II as King of Bohemia by Rudolf of Habsburg, 1276 (engraving)

LLM11713731: The restoration of Ottokar II as King of Bohemia by Rudolf of Habsburg, 1276 (engraving), Pluddemann, Hermann (1809-1868) / Bridgeman Images

ID: LLM11713731

The restoration of Ottokar II as King of Bohemia by Rudolf of Habsburg, 1276 (engraving)

Pluddemann, Hermann (1809-1868)

Bayeux Tapestry (colour litho)
Bayeux Tapestry (colour litho)

LLM11733732: Bayeux Tapestry (colour litho), English School, (19th century) / Bridgeman Images

ID: LLM11733732

Bayeux Tapestry (colour litho)

English School, (19th century)

Reliquary chest, Saint Thomas holding a book and a square, 15th-16th century (Gilded and polychrome wood)
Reliquary chest, Saint Thomas holding a book and a square, 15th-16th century (Gilded and polychrome wood)

BBG11779209: Reliquary chest, Saint Thomas holding a book and a square, 15th-16th century (Gilded and polychrome wood), Flemish School, (16th century) / Bridgeman Images

ID: BBG11779209

Reliquary chest, Saint Thomas holding a book and a square, 15th-16th century (Gilded and polychrome wood)

Flemish School, (16th century)

Last Judgement: angel with trumpet, c.1450-1500 (fresco)
Last Judgement: angel with trumpet, c.1450-1500 (fresco)

BBG11858227: Last Judgement: angel with trumpet, c.1450-1500 (fresco), Bonnefon, Bernard / Bridgeman Images

ID: BBG11858227

Last Judgement: angel with trumpet, c.1450-1500 (fresco)

Bonnefon, Bernard

crucifixion. cathedrale St Andre, Bordeaux, 2016 (photo)
crucifixion. cathedrale St Andre, Bordeaux, 2016 (photo)

BBG11778588: crucifixion. cathedrale St Andre, Bordeaux, 2016 (photo), Bonnefon, Bernard / Bridgeman Images

ID: BBG11778588

crucifixion. cathedrale St Andre, Bordeaux, 2016 (photo)

Bonnefon, Bernard

The widow of King Adolf of Nassau pleading for the release of her son, 1298 (engraving)
The widow of King Adolf of Nassau pleading for the release of her son, 1298 (engraving)

LLM11718924: The widow of King Adolf of Nassau pleading for the release of her son, 1298 (engraving), Ehrhardt, Karl Ludwig Adolf (1813-99) / Bridgeman Images

ID: LLM11718924

The widow of King Adolf of Nassau pleading for the release of her son, 1298 (engraving)

Ehrhardt, Karl Ludwig Adolf (1813-99)

Social Scenes - France - 15th century
Social Scenes - France - 15th century

EPL6788844: Social Scenes - France - 15th century / Bridgeman Images

ID: EPL6788844

Social Scenes - France - 15th century

King Richard II and the Peasants Revolt
King Richard II and the Peasants Revolt

EPL6799397: King Richard II and the Peasants Revolt, Froissart, Jean (c.1337-1405) (after) / Bridgeman Images

ID: EPL6799397

King Richard II and the Peasants Revolt

Froissart, Jean (c.1337-1405) (after)

The Queen of France, Isabeau de Baviere, enters Paris in 1389 (lithography)
The Queen of France, Isabeau de Baviere, enters Paris in 1389 (lithography)

EPL6819104: The Queen of France, Isabeau de Baviere, enters Paris in 1389 (lithography), Froissart, Jean (c.1337-1405) / Bridgeman Images

ID: EPL6819104

The Queen of France, Isabeau de Baviere, enters Paris in 1389 (lithography)

Froissart, Jean (c.1337-1405)

Margaret I, Countess of Flanders, and Turold. , 1802 (engraving)
Margaret I, Countess of Flanders, and Turold. , 1802 (engraving)

FLO7233764: Margaret I, Countess of Flanders, and Turold. , 1802 (engraving) / Bridgeman Images

ID: FLO7233764

Margaret I, Countess of Flanders, and Turold. , 1802 (engraving)

Norman nobles of the 12th century., 1802 (engraving)
Norman nobles of the 12th century., 1802 (engraving)

FLO7233767: Norman nobles of the 12th century., 1802 (engraving) / Bridgeman Images

ID: FLO7233767

Norman nobles of the 12th century., 1802 (engraving)

Costume of Norman noblewomen, 12th century. , 1802 (engraving)
Costume of Norman noblewomen, 12th century. , 1802 (engraving)

FLO7233777: Costume of Norman noblewomen, 12th century. , 1802 (engraving) / Bridgeman Images

ID: FLO7233777

Costume of Norman noblewomen, 12th century. , 1802 (engraving)


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