Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

32286 Search Results for literary

Add 33241 ff.1v-2 Queen Emma wife of Ethelred II and Cnut receives the book from its author; Capital `S' Text, 11th century, from Encomium of Queen Emma or Gesta Cnutonis (vellum)
Add 33241 ff.1v-2 Queen Emma wife of Ethelred II and Cnut receives the book from its author; Capital `S' Text, 11th century, from Encomium of Queen Emma or Gesta Cnutonis (vellum)

BL56735: Add 33241 ff.1v-2 Queen Emma wife of Ethelred II and Cnut receives the book from its author; Capital `S' Text, 11th century, from Encomium of Queen Emma or Gesta Cnutonis (vellum), English School, (11th century) / Bridgeman Images

Ms Fr 616 fol.77 Stag Hunting, from the Livre de la Chasse by Gaston Phebus de Foix (1331-91) (vellum)
Ms Fr 616 fol.77 Stag Hunting, from the Livre de la Chasse by Gaston Phebus de Foix (1331-91) (vellum)

BAL28650: Ms Fr 616 fol.77 Stag Hunting, from the Livre de la Chasse by Gaston Phebus de Foix (1331-91) (vellum), French School, (15th century) / Bridgeman Images

Ms 493 fol.45 Virgil (70-19BC) writing the Life of Bees, from 'The Georgics' by Virgil with a commentary by Servius, 1469 (vellum)
Ms 493 fol.45 Virgil (70-19BC) writing the Life of Bees, from 'The Georgics' by Virgil with a commentary by Servius, 1469 (vellum)

XIR187868: Ms 493 fol.45 Virgil (70-19BC) writing the Life of Bees, from 'The Georgics' by Virgil with a commentary by Servius, 1469 (vellum), French School, (15th century) / Bridgeman Images

Ms 19153 f.7 A Carole in the Orchard, illustration from 'Le Roman de la Rose' by Jean de Meung, c.1460 (vellum)
Ms 19153 f.7 A Carole in the Orchard, illustration from 'Le Roman de la Rose' by Jean de Meung, c.1460 (vellum)

BNP154072: Ms 19153 f.7 A Carole in the Orchard, illustration from 'Le Roman de la Rose' by Jean de Meung, c.1460 (vellum), French School, (15th century) / Bridgeman Images

The Mad Hatter, illustration from 'Alice's Adventures in Wonderland', by Lewis Carroll, 1865 (engraving) (b&w photo)
The Mad Hatter, illustration from 'Alice's Adventures in Wonderland', by Lewis Carroll, 1865 (engraving) (b&w photo)

XJF115866: The Mad Hatter, illustration from 'Alice's Adventures in Wonderland', by Lewis Carroll, 1865 (engraving) (b&w photo), Tenniel, John (1820-1914) / Bridgeman Images

Jean-Jacques Casanova blowing a condom, c.1872 (engraving)
Jean-Jacques Casanova blowing a condom, c.1872 (engraving)

PVD1682303: Jean-Jacques Casanova blowing a condom, c.1872 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Valentine Rescuing Sylvia from Proteus, 1851 (oil on canvas)
Valentine Rescuing Sylvia from Proteus, 1851 (oil on canvas)

XBM104475: Valentine Rescuing Sylvia from Proteus, 1851 (oil on canvas), Hunt, William Holman (1827-1910) / Bridgeman Images

The Peacock Skirt,  1893 (black ink and graphite on paper)
The Peacock Skirt,  1893 (black ink and graphite on paper)

FOG82853: The Peacock Skirt, 1893 (black ink and graphite on paper), Beardsley, Aubrey (1872-98) / Bridgeman Images

Oscar Wilde, c. 1892 (b/w photo)
Oscar Wilde, c. 1892 (b/w photo)

XRH1077970: Oscar Wilde, c. 1892 (b/w photo), Alfred Ellis & Walery (fl. 1899-1918) / Bridgeman Images

Virginia Woolf, illustration from 'The Bookman', 1920 (engraving)
Virginia Woolf, illustration from 'The Bookman', 1920 (engraving)

XLA3754962: Virginia Woolf, illustration from 'The Bookman', 1920 (engraving), English School, (20th century) / Bridgeman Images

Belial and the Demons, from the 'Proces de Belial de J. de Therano' by Antonius Ruttel de Parmenchingen, 1450 (vellum)
Belial and the Demons, from the 'Proces de Belial de J. de Therano' by Antonius Ruttel de Parmenchingen, 1450 (vellum)

XIR227287: Belial and the Demons, from the 'Proces de Belial de J. de Therano' by Antonius Ruttel de Parmenchingen, 1450 (vellum), German School, (15th century) / Bridgeman Images

Hermod astride Sleipnir, his father's famous eight-legged charger, at the barred gates of the Kingdom of Hel (pen & ink on paper)
Hermod astride Sleipnir, his father's famous eight-legged charger, at the barred gates of the Kingdom of Hel (pen & ink on paper)

XTD68831: Hermod astride Sleipnir, his father's famous eight-legged charger, at the barred gates of the Kingdom of Hel (pen & ink on paper), Icelandic School, (18th century) / Bridgeman Images

Ms 367/480 fol.22v Caring for the Hounds, from the 'Livre de la Chasse' by Gaston Phebus de Foix (1331-91) (vellum)
Ms 367/480 fol.22v Caring for the Hounds, from the 'Livre de la Chasse' by Gaston Phebus de Foix (1331-91) (vellum)

CND37344: Ms 367/480 fol.22v Caring for the Hounds, from the 'Livre de la Chasse' by Gaston Phebus de Foix (1331-91) (vellum), French School, (15th century) / Bridgeman Images

The litterary salon of the Marquise de Rambouillet inspired Moliere to write “Les precieuses ridicules”. Around the Marquise (nee Catherine de Vivonne, 1588-1665) are Angelique Paulet, Marquise De Sable (nee Magdeleine de Souvre, 1599-1678), Mme Des Loges, Mme Renaudot, Mme de Saintot... 17th century. Engraving from 1858.
The litterary salon of the Marquise de Rambouillet inspired Moliere to write “Les precieuses ridicules”. Around the Marquise (nee Catherine de Vivonne, 1588-1665) are Angelique Paulet, Marquise De Sable (nee Magdeleine de Souvre, 1599-1678), Mme Des Loges, Mme Renaudot, Mme de Saintot... 17th century. Engraving from 1858.

XEE4167963: The litterary salon of the Marquise de Rambouillet inspired Moliere to write “Les precieuses ridicules”. Around the Marquise (nee Catherine de Vivonne, 1588-1665) are Angelique Paulet, Marquise De Sable (nee Magdeleine de Souvre, 1599-1678), Mme Des Loges, Mme Renaudot, Mme de Saintot... 17th century. Engraving from 1858., French School, (19th century) / Bridgeman Images

Ulysses Returning Chryseis to her Father (oil on canvas)
Ulysses Returning Chryseis to her Father (oil on canvas)

XIR90069: Ulysses Returning Chryseis to her Father (oil on canvas), Claude Lorrain (Claude Gellee) (1600-82) / Bridgeman Images

Camelot, illustration from 'Idylls of the King' by Alfred Tennyson (litho)
Camelot, illustration from 'Idylls of the King' by Alfred Tennyson (litho)

XJF425686: Camelot, illustration from 'Idylls of the King' by Alfred Tennyson (litho), Dore, Gustave (1832-83) / Bridgeman Images

The Cheshire Cat, 1993 (oil & tempera on panel)
The Cheshire Cat, 1993 (oil & tempera on panel)

FBD273621: The Cheshire Cat, 1993 (oil & tempera on panel), Broomfield, Frances / Bridgeman Images

The Death of Tristan, 1902 (oil on canvas)
The Death of Tristan, 1902 (oil on canvas)

WH48416: The Death of Tristan, 1902 (oil on canvas), Mileham, Harry (1873-1957) / Bridgeman Images

Max Weber (1864-1920) German sociologist, philosopher c.1920 (b/w photo)
Max Weber (1864-1920) German sociologist, philosopher c.1920 (b/w photo)

XRH1706924: Max Weber (1864-1920) German sociologist, philosopher c.1920 (b/w photo), German Photographer, (20th Century) / Bridgeman Images

John Keats (1795-1821) (engraving) (b&w photo) (see 114049)
John Keats (1795-1821) (engraving) (b&w photo) (see 114049)

XJF115843: John Keats (1795-1821) (engraving) (b&w photo) (see 114049), Severn, Joseph (1793-1879) (after) / Bridgeman Images

Mr Sherlock Holmes, 2008 (oil on canvas)
Mr Sherlock Holmes, 2008 (oil on canvas)

JTB315881: Mr Sherlock Holmes, 2008 (oil on canvas), Barry, Jonathan / Bridgeman Images

Victor Hugo, illustration from 'Les Miserables and Quatre Vingt-Treize, 1885 (print)
Victor Hugo, illustration from 'Les Miserables and Quatre Vingt-Treize, 1885 (print)

XLA3763988: Victor Hugo, illustration from 'Les Miserables and Quatre Vingt-Treize, 1885 (print), French School, (19th century) / Bridgeman Images

Gulliver's Travels (gouache on paper)
Gulliver's Travels (gouache on paper)

LAL278625: Gulliver's Travels (gouache on paper), Quinto, Nadir (1918-94) / Bridgeman Images

J.R.R. Tolkien, 1972 (b/w photo)
J.R.R. Tolkien, 1972 (b/w photo)

XRH876906: J.R.R. Tolkien, 1972 (b/w photo) / Bridgeman Images

The Norse god Tyr losing his hand to the bound wolf, Fenrir (pen & ink on paper)
The Norse god Tyr losing his hand to the bound wolf, Fenrir (pen & ink on paper)

XTD75539: The Norse god Tyr losing his hand to the bound wolf, Fenrir (pen & ink on paper), Icelandic School, (18th century) / Bridgeman Images

Don Juan, The Challenge (w/c on paper)
Don Juan, The Challenge (w/c on paper)

XAL281967: Don Juan, The Challenge (w/c on paper), Bison, Giuseppe Bernardino (1762-1844) / Bridgeman Images

Ms 860/401 f.7 The Story of Adam and Eve, detail from `Cas des Nobles Hommes et Femmes' by Boccaccio, translated by Laurent de Premierfait, 1465 (vellum) (detail of 234493)
Ms 860/401 f.7 The Story of Adam and Eve, detail from `Cas des Nobles Hommes et Femmes' by Boccaccio, translated by Laurent de Premierfait, 1465 (vellum) (detail of 234493)

CND54820: Ms 860/401 f.7 The Story of Adam and Eve, detail from `Cas des Nobles Hommes et Femmes' by Boccaccio, translated by Laurent de Premierfait, 1465 (vellum) (detail of 234493), French School, (15th century) / Bridgeman Images

The writer Georges de Scudery (1598-1667) during a litterary salon organized by his sister, Madeleine de Scudery, in 1650. Engraving from 1860-1861.
The writer Georges de Scudery (1598-1667) during a litterary salon organized by his sister, Madeleine de Scudery, in 1650. Engraving from 1860-1861.

XEE4169496: The writer Georges de Scudery (1598-1667) during a litterary salon organized by his sister, Madeleine de Scudery, in 1650. Engraving from 1860-1861., Unknown Artist, (19th century) / Bridgeman Images

Pinocchio: the Tale of a Puppet - cover
Pinocchio: the Tale of a Puppet - cover

XLF3783685: Pinocchio: the Tale of a Puppet - cover, Folkard, Charles (1878-1963) / Bridgeman Images

Snowball Paints the Animals' Commandments on the Barn Wall, scene from the 1954 animated film of 'Animal Farm' adapted from the book by George Orwell (1903-50)
Snowball Paints the Animals' Commandments on the Barn Wall, scene from the 1954 animated film of 'Animal Farm' adapted from the book by George Orwell (1903-50)

HBC237322: Snowball Paints the Animals' Commandments on the Barn Wall, scene from the 1954 animated film of 'Animal Farm' adapted from the book by George Orwell (1903-50), Batchelor, Joy and Halas, John (20th century) / Bridgeman Images

The Bronte Family (engraving) (b&w photo)
The Bronte Family (engraving) (b&w photo)

XJF103753: The Bronte Family (engraving) (b&w photo), Bronte, Patrick Branwell (1817-48) (after) / Bridgeman Images

Alice meets the Dodo, illustration from 'Alice's Adventures in Wonderland', by Lewis Carroll, 1865 (engraving)
Alice meets the Dodo, illustration from 'Alice's Adventures in Wonderland', by Lewis Carroll, 1865 (engraving)

XJF119820: Alice meets the Dodo, illustration from 'Alice's Adventures in Wonderland', by Lewis Carroll, 1865 (engraving), Tenniel, John (1820-1914) / Bridgeman Images

Portrait of Henry Wriothesley, 3rd Earl of Southampton, c.1600 (oil on canvas) (detail)
Portrait of Henry Wriothesley, 3rd Earl of Southampton, c.1600 (oil on canvas) (detail)

XCF268049: Portrait of Henry Wriothesley, 3rd Earl of Southampton, c.1600 (oil on canvas) (detail), English School, (17th century) / Bridgeman Images

Nathalie Clifford Barney (1876-1972) with dancers dressed in togas (b/w photo)
Nathalie Clifford Barney (1876-1972) with dancers dressed in togas (b/w photo)

CHT214288: Nathalie Clifford Barney (1876-1972) with dancers dressed in togas (b/w photo), French Photographer, (20th century) / Bridgeman Images

Ms 782 f.152r Charlemagne (742-814) sending Ganelon to the Saragossan Kings, Marsile and Baligant, from the 'Chroniques de Saint-Denis', c.1275 (vellum)
Ms 782 f.152r Charlemagne (742-814) sending Ganelon to the Saragossan Kings, Marsile and Baligant, from the 'Chroniques de Saint-Denis', c.1275 (vellum)

XIR172264: Ms 782 f.152r Charlemagne (742-814) sending Ganelon to the Saragossan Kings, Marsile and Baligant, from the 'Chroniques de Saint-Denis', c.1275 (vellum), French School, (13th century) / Bridgeman Images

Len Deighton, 1985 (photo)
Len Deighton, 1985 (photo)

MGP618792: Len Deighton, 1985 (photo), Gerson, Mark / Bridgeman Images


Back to top