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17369 Search Results for literary

The litterary salon of the Marquise de Rambouillet inspired Moliere to write “Les precieuses ridicules”. Around the Marquise (nee Catherine de Vivonne, 1588-1665) are Angelique Paulet, Marquise De Sable (nee Magdeleine de Souvre, 1599-1678), Mme Des Loges, Mme Renaudot, Mme de Saintot... 17th century. Engraving from 1858.
The litterary salon of the Marquise de Rambouillet inspired Moliere to write “Les precieuses ridicules”. Around the Marquise (nee Catherine de Vivonne, 1588-1665) are Angelique Paulet, Marquise De Sable (nee Magdeleine de Souvre, 1599-1678), Mme Des Loges, Mme Renaudot, Mme de Saintot... 17th century. Engraving from 1858.

XEE4167963: The litterary salon of the Marquise de Rambouillet inspired Moliere to write “Les precieuses ridicules”. Around the Marquise (nee Catherine de Vivonne, 1588-1665) are Angelique Paulet, Marquise De Sable (nee Magdeleine de Souvre, 1599-1678), Mme Des Loges, Mme Renaudot, Mme de Saintot... 17th century. Engraving from 1858., French School, (19th century) / Bridgeman Images

The Mad Hatter, illustration from 'Alice's Adventures in Wonderland', by Lewis Carroll, 1865 (engraving) (b&w photo)
The Mad Hatter, illustration from 'Alice's Adventures in Wonderland', by Lewis Carroll, 1865 (engraving) (b&w photo)

XJF115866: The Mad Hatter, illustration from 'Alice's Adventures in Wonderland', by Lewis Carroll, 1865 (engraving) (b&w photo), Tenniel, John (1820-1914) / Bridgeman Images

Camelot, illustration from 'Idylls of the King' by Alfred Tennyson (litho)
Camelot, illustration from 'Idylls of the King' by Alfred Tennyson (litho)

XJF425686: Camelot, illustration from 'Idylls of the King' by Alfred Tennyson (litho), Dore, Gustave (1832-83) / Bridgeman Images

Jean-Jacques Casanova blowing a condom, c.1872 (engraving)
Jean-Jacques Casanova blowing a condom, c.1872 (engraving)

PVD1682303: Jean-Jacques Casanova blowing a condom, c.1872 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Ulysses Returning Chryseis to her Father (oil on canvas)
Ulysses Returning Chryseis to her Father (oil on canvas)

XIR90069: Ulysses Returning Chryseis to her Father (oil on canvas), Claude Lorrain (Claude Gellee) (1600-82) / Bridgeman Images

The Death of Tristan, 1902 (oil on canvas)
The Death of Tristan, 1902 (oil on canvas)

WH48416: The Death of Tristan, 1902 (oil on canvas), Mileham, Harry (1873-1957) / Bridgeman Images

John Keats (1795-1821) (engraving) (b&w photo) (see 114049)
John Keats (1795-1821) (engraving) (b&w photo) (see 114049)

XJF115843: John Keats (1795-1821) (engraving) (b&w photo) (see 114049), Severn, Joseph (1793-1879) (after) / Bridgeman Images

Mr Sherlock Holmes, 2008 (oil on canvas)
Mr Sherlock Holmes, 2008 (oil on canvas)

JTB315881: Mr Sherlock Holmes, 2008 (oil on canvas), Barry, Jonathan / Bridgeman Images

Victor Hugo, illustration from 'Les Miserables and Quatre Vingt-Treize, 1885 (print)
Victor Hugo, illustration from 'Les Miserables and Quatre Vingt-Treize, 1885 (print)

XLA3763988: Victor Hugo, illustration from 'Les Miserables and Quatre Vingt-Treize, 1885 (print), French School, (19th century) / Bridgeman Images

Gulliver's Travels (gouache on paper)
Gulliver's Travels (gouache on paper)

LAL278625: Gulliver's Travels (gouache on paper), Quinto, Nadir (1918-94) / Bridgeman Images

Don Juan, The Challenge (w/c on paper)
Don Juan, The Challenge (w/c on paper)

XAL281967: Don Juan, The Challenge (w/c on paper), Bison, Giuseppe Bernardino (1762-1844) / Bridgeman Images

The Norse god Tyr losing his hand to the bound wolf, Fenrir (pen & ink on paper)
The Norse god Tyr losing his hand to the bound wolf, Fenrir (pen & ink on paper)

XTD75539: The Norse god Tyr losing his hand to the bound wolf, Fenrir (pen & ink on paper), Icelandic School, (18th century) / Bridgeman Images

Ms 860/401 f.7 The Story of Adam and Eve, detail from `Cas des Nobles Hommes et Femmes' by Boccaccio, translated by Laurent de Premierfait, 1465 (vellum) (detail of 234493)
Ms 860/401 f.7 The Story of Adam and Eve, detail from `Cas des Nobles Hommes et Femmes' by Boccaccio, translated by Laurent de Premierfait, 1465 (vellum) (detail of 234493)

CND54820: Ms 860/401 f.7 The Story of Adam and Eve, detail from `Cas des Nobles Hommes et Femmes' by Boccaccio, translated by Laurent de Premierfait, 1465 (vellum) (detail of 234493), French School, (15th century) / Bridgeman Images

Pinocchio: the Tale of a Puppet - cover
Pinocchio: the Tale of a Puppet - cover

XLF3783685: Pinocchio: the Tale of a Puppet - cover, Folkard, Charles (1878-1963) / Bridgeman Images

Snowball Paints the Animals' Commandments on the Barn Wall, scene from the 1954 animated film of 'Animal Farm' adapted from the book by George Orwell (1903-50)
Snowball Paints the Animals' Commandments on the Barn Wall, scene from the 1954 animated film of 'Animal Farm' adapted from the book by George Orwell (1903-50)

HBC237322: Snowball Paints the Animals' Commandments on the Barn Wall, scene from the 1954 animated film of 'Animal Farm' adapted from the book by George Orwell (1903-50), Batchelor, Joy and Halas, John (20th century) / Bridgeman Images

The Cheshire Cat, 1993 (oil & tempera on panel)
The Cheshire Cat, 1993 (oil & tempera on panel)

FBD273621: The Cheshire Cat, 1993 (oil & tempera on panel), Broomfield, Frances / Bridgeman Images

Alice meets the Dodo, illustration from 'Alice's Adventures in Wonderland', by Lewis Carroll, 1865 (engraving)
Alice meets the Dodo, illustration from 'Alice's Adventures in Wonderland', by Lewis Carroll, 1865 (engraving)

XJF119820: Alice meets the Dodo, illustration from 'Alice's Adventures in Wonderland', by Lewis Carroll, 1865 (engraving), Tenniel, John (1820-1914) / Bridgeman Images

The Bronte Family (engraving) (b&w photo)
The Bronte Family (engraving) (b&w photo)

XJF103753: The Bronte Family (engraving) (b&w photo), Bronte, Patrick Branwell (1817-48) (after) / Bridgeman Images

Portrait of Henry Wriothesley, 3rd Earl of Southampton, c.1600 (oil on canvas) (detail)
Portrait of Henry Wriothesley, 3rd Earl of Southampton, c.1600 (oil on canvas) (detail)

XCF268049: Portrait of Henry Wriothesley, 3rd Earl of Southampton, c.1600 (oil on canvas) (detail), English School, (17th century) / Bridgeman Images

Nathalie Clifford Barney (1876-1972) with dancers dressed in togas (b/w photo)
Nathalie Clifford Barney (1876-1972) with dancers dressed in togas (b/w photo)

CHT214288: Nathalie Clifford Barney (1876-1972) with dancers dressed in togas (b/w photo), French Photographer, (20th century) / Bridgeman Images

Virginia Woolf, illustration from 'The Bookman', 1920 (engraving)
Virginia Woolf, illustration from 'The Bookman', 1920 (engraving)

XLA3754962: Virginia Woolf, illustration from 'The Bookman', 1920 (engraving), English School, (20th century) / Bridgeman Images

Len Deighton, 1985 (photo)
Len Deighton, 1985 (photo)

MGP618792: Len Deighton, 1985 (photo), Gerson, Mark / Bridgeman Images

Ms 782 f.152r Charlemagne (742-814) sending Ganelon to the Saragossan Kings, Marsile and Baligant, from the 'Chroniques de Saint-Denis', c.1275 (vellum)
Ms 782 f.152r Charlemagne (742-814) sending Ganelon to the Saragossan Kings, Marsile and Baligant, from the 'Chroniques de Saint-Denis', c.1275 (vellum)

XIR172264: Ms 782 f.152r Charlemagne (742-814) sending Ganelon to the Saragossan Kings, Marsile and Baligant, from the 'Chroniques de Saint-Denis', c.1275 (vellum), French School, (13th century) / Bridgeman Images

Gates of Hell, c.1890 (bronze)
Gates of Hell, c.1890 (bronze)

XBP390745: Gates of Hell, c.1890 (bronze), Rodin, Auguste (1840-1917) / Bridgeman Images

The Mad Hatter and the March Hare putting the Dormouse in the Teapot, from 'Alice's Adventures in Wonderland' by Lewis Carroll (1832 - 98), pub. 1891 (engraving)
The Mad Hatter and the March Hare putting the Dormouse in the Teapot, from 'Alice's Adventures in Wonderland' by Lewis Carroll (1832 - 98), pub. 1891 (engraving)

STC2657685: The Mad Hatter and the March Hare putting the Dormouse in the Teapot, from 'Alice's Adventures in Wonderland' by Lewis Carroll (1832 - 98), pub. 1891 (engraving), Tenniel, John (1820-1914) / Bridgeman Images

Illustration from 'Voyage au centre de la terre' by Jules Verne (1828-1905), engraved by Pannemaker, published by J.Hetzel (engraving) (b/w photo)
Illustration from 'Voyage au centre de la terre' by Jules Verne (1828-1905), engraved by Pannemaker, published by J.Hetzel (engraving) (b/w photo)

CHT213009: Illustration from 'Voyage au centre de la terre' by Jules Verne (1828-1905), engraved by Pannemaker, published by J.Hetzel (engraving) (b/w photo), Riou, Edouard (1833-1900) (after) / Bridgeman Images

Max Weber (1864-1920) German sociologist, philosopher c.1920 (b/w photo)
Max Weber (1864-1920) German sociologist, philosopher c.1920 (b/w photo)

XRH1706924: Max Weber (1864-1920) German sociologist, philosopher c.1920 (b/w photo), German Photographer, (20th Century) / Bridgeman Images

MS.343.f15v-16r The mosques at Medina & Mecca, from `Reasons for Charity', by Mustafa Al-Shukri, 1160 (gouache on paper)
MS.343.f15v-16r The mosques at Medina & Mecca, from `Reasons for Charity', by Mustafa Al-Shukri, 1160 (gouache on paper)

FIT63363: MS.343.f15v-16r The mosques at Medina & Mecca, from `Reasons for Charity', by Mustafa Al-Shukri, 1160 (gouache on paper), Persian School, (12th century) / Bridgeman Images

'Le Soir d'un Jour de Marche', facsimile of a page from the manuscript 'Les Miserables' by Victor Hugo (1802-85) (pen and ink on paper) (b/w photo)
'Le Soir d'un Jour de Marche', facsimile of a page from the manuscript 'Les Miserables' by Victor Hugo (1802-85) (pen and ink on paper) (b/w photo)

XIR194139: 'Le Soir d'un Jour de Marche', facsimile of a page from the manuscript 'Les Miserables' by Victor Hugo (1802-85) (pen and ink on paper) (b/w photo), French School, (19th century) / Bridgeman Images

Eric Ambler, 1953 (photo)
Eric Ambler, 1953 (photo)

MGP617573: Eric Ambler, 1953 (photo), Gerson, Mark / Bridgeman Images

The writer Georges de Scudery (1598-1667) during a litterary salon organized by his sister, Madeleine de Scudery, in 1650. Engraving from 1860-1861.
The writer Georges de Scudery (1598-1667) during a litterary salon organized by his sister, Madeleine de Scudery, in 1650. Engraving from 1860-1861.

XEE4169496: The writer Georges de Scudery (1598-1667) during a litterary salon organized by his sister, Madeleine de Scudery, in 1650. Engraving from 1860-1861., Unknown Artist, (19th century) / Bridgeman Images

Illustration from '20,000 Leagues Under the Sea' by Jules Verne, c.1869-70 (engraving)
Illustration from '20,000 Leagues Under the Sea' by Jules Verne, c.1869-70 (engraving)

CHT135664: Illustration from '20,000 Leagues Under the Sea' by Jules Verne, c.1869-70 (engraving), Hildibrand, Henri Theophile (1824-1897) / Bridgeman Images

Pigs Type, scene from the 1954 animated film of 'Animal Farm' adapted from the book by George Orwell (1903-50)
Pigs Type, scene from the 1954 animated film of 'Animal Farm' adapted from the book by George Orwell (1903-50)

HBC237326: Pigs Type, scene from the 1954 animated film of 'Animal Farm' adapted from the book by George Orwell (1903-50), Batchelor, Joy and Halas, John (20th century) / Bridgeman Images

Original Edition of 'L'Esprit des Lois' by Montesquieu, 1923 (engraving)
Original Edition of 'L'Esprit des Lois' by Montesquieu, 1923 (engraving)

XLA3769979: Original Edition of 'L'Esprit des Lois' by Montesquieu, 1923 (engraving), French School, (20th century) / Bridgeman Images

Spring in the Palace, six-fold screen from 'The Tale of Genji', c.1650 (ink, colours & gold on paper)
Spring in the Palace, six-fold screen from 'The Tale of Genji', c.1650 (ink, colours & gold on paper)

DTR430770: Spring in the Palace, six-fold screen from 'The Tale of Genji', c.1650 (ink, colours & gold on paper), Japanese School, (17th century) / Bridgeman Images

Desdemona (oil on canvas)
Desdemona (oil on canvas)

BAL17879: Desdemona (oil on canvas), Leighton, Frederic (1830-96) / Bridgeman Images


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