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32286 Search Results for literary

Jules Verne (1828-1905) French novelist, photograph by Nadar, colourized picture
Jules Verne (1828-1905) French novelist, photograph by Nadar, colourized picture

PVD1682321: Jules Verne (1828-1905) French novelist, photograph by Nadar, colourized picture, Nadar, (Gaspard Felix Tournachon) (1820-1910) / Bridgeman Images

Petar II Petrovic Njegos, last Prince Bishop of Montenegro (colour litho)
Petar II Petrovic Njegos, last Prince Bishop of Montenegro (colour litho)

CHT331711: Petar II Petrovic Njegos, last Prince Bishop of Montenegro (colour litho), Serbian School (19th century) / Bridgeman Images

Ms 3480 Yvain, the Knight with the Lion, fighting a dragon, miniature from Roman de Lancelot, detail (vellum)
Ms 3480 Yvain, the Knight with the Lion, fighting a dragon, miniature from Roman de Lancelot, detail (vellum)

CHT2639675: Ms 3480 Yvain, the Knight with the Lion, fighting a dragon, miniature from Roman de Lancelot, detail (vellum), French School, (15th century) / Bridgeman Images

The Wife of Bath, detail from The Canterbury Tales by Geoffrey Chaucer (c.1342-1400) Ellesmere Manuscript, facsimile edition, 1911
The Wife of Bath, detail from The Canterbury Tales by Geoffrey Chaucer (c.1342-1400) Ellesmere Manuscript, facsimile edition, 1911

SR21934: The Wife of Bath, detail from The Canterbury Tales by Geoffrey Chaucer (c.1342-1400) Ellesmere Manuscript, facsimile edition, 1911, English School, (15th century) (after) / Bridgeman Images

Sloane 2435 f.44v Monk drinking from a barrel, illustration from 'Li Livres dou Sante' (vellum)
Sloane 2435 f.44v Monk drinking from a barrel, illustration from 'Li Livres dou Sante' (vellum)

BL496316: Sloane 2435 f.44v Monk drinking from a barrel, illustration from 'Li Livres dou Sante' (vellum), French School, (13th century) / Bridgeman Images

'Werther' by Jules Massenet at the Theatre National de Opera-Comique, Paris, 1893 (colour litho)
'Werther' by Jules Massenet at the Theatre National de Opera-Comique, Paris, 1893 (colour litho)

CHT167382: 'Werther' by Jules Massenet at the Theatre National de Opera-Comique, Paris, 1893 (colour litho), Grasset, Eugene (1841-1917) / Bridgeman Images

Portrait of Sir Walter Scott and his dogs (oil on canvas)
Portrait of Sir Walter Scott and his dogs (oil on canvas)

XCF277642: Portrait of Sir Walter Scott and his dogs (oil on canvas), Raeburn, Henry (1756-1823) / Bridgeman Images

Jean Cocteau, Pablo Picasso, Igor Stravinsky and Olga Picasso, Antibes 1926 (photo)
Jean Cocteau, Pablo Picasso, Igor Stravinsky and Olga Picasso, Antibes 1926 (photo)

XLE3747619: Jean Cocteau, Pablo Picasso, Igor Stravinsky and Olga Picasso, Antibes 1926 (photo) / Bridgeman Images

Gustave Flaubert (photo)
Gustave Flaubert (photo)

XLA3758174: Gustave Flaubert (photo), French Photographer, (19th century) / Bridgeman Images

Louis Aragon, 1927 (b/w photo)
Louis Aragon, 1927 (b/w photo)

PVD1680084: Louis Aragon, 1927 (b/w photo) / Bridgeman Images

Sir Galahad, 1862 (oil on canvas)
Sir Galahad, 1862 (oil on canvas)

FOG123558: Sir Galahad, 1862 (oil on canvas), Watts, George Frederic (1817-1904) / Bridgeman Images

Jean Cocteau, 1916-17 (oil on canvas)
Jean Cocteau, 1916-17 (oil on canvas)

NUM407604: Jean Cocteau, 1916-17 (oil on canvas), Modigliani, Amedeo (1884-1920) / Bridgeman Images

Colette and husband,  c.1902 (b/w photo)
Colette and husband,  c.1902 (b/w photo)

PVD1680255: Colette and husband, c.1902 (b/w photo) / Bridgeman Images

The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival, from the series `The Quest for the Holy Grail', 1895-96 (wool, silk, mohair and camel hair weft on cotton warp)
The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival, from the series `The Quest for the Holy Grail', 1895-96 (wool, silk, mohair and camel hair weft on cotton warp)

XBM68247: The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival, from the series `The Quest for the Holy Grail', 1895-96 (wool, silk, mohair and camel hair weft on cotton warp), Burne-Jones, Edward Coley (1833-98) & Dearle, John Henry (1859-1932) / Bridgeman Images

The Dodo, 1651 (oil on canvas)
The Dodo, 1651 (oil on canvas)

ONH97689: The Dodo, 1651 (oil on canvas), Savery, Hans I (1597-1654) / Bridgeman Images

Ny Kgl Saml 1867.4, s.95v The Killing of Balder (pen & ink and w/c on paper) (see also 169947)
Ny Kgl Saml 1867.4, s.95v The Killing of Balder (pen & ink and w/c on paper) (see also 169947)

XTD69854: Ny Kgl Saml 1867.4, s.95v The Killing of Balder (pen & ink and w/c on paper) (see also 169947), Icelandic School, (18th century) / Bridgeman Images

Add 27695 f.8 Counting money and paying wages, from Treatise on the Vices (vellum)
Add 27695 f.8 Counting money and paying wages, from Treatise on the Vices (vellum)

BL11460: Add 27695 f.8 Counting money and paying wages, from Treatise on the Vices (vellum), Italian School, (14th century) / Bridgeman Images

The Black Cape 1920 (engraving)
The Black Cape 1920 (engraving)

LLE5232978: The Black Cape 1920 (engraving), Beardsley, Aubrey (1872-98) (after) / Bridgeman Images

Tweedledum and Tweedledee, 1998 (oil & tempera on panel)
Tweedledum and Tweedledee, 1998 (oil & tempera on panel)

FBD251332: Tweedledum and Tweedledee, 1998 (oil & tempera on panel), Broomfield, Frances / Bridgeman Images

The Round Table, illustration from 'King Arthur's Story', 1981 (colour litho)
The Round Table, illustration from 'King Arthur's Story', 1981 (colour litho)

GNO404825: The Round Table, illustration from 'King Arthur's Story', 1981 (colour litho), D'Achille, Gino (1935-2017) / Bridgeman Images

J.R.R. Tolkien, 1911 (b/w photo)
J.R.R. Tolkien, 1911 (b/w photo)

XRH876905: J.R.R. Tolkien, 1911 (b/w photo), English Photographer, (20th century) / Bridgeman Images

Jean Cocteau, 1921 (b/w photo)
Jean Cocteau, 1921 (b/w photo)

PVD1693705: Jean Cocteau, 1921 (b/w photo) / Bridgeman Images

'Little Women' by Louisa
'Little Women' by Louisa

XLA3774597: 'Little Women' by Louisa, Copping, Harold (1863-1932) / Bridgeman Images

M. 806 f.166 Lancelot proves his love of Guinevere by crossing a river bridged by a sharp sword, from the Roman de Lancelot du Lac, 1344 (vellum) (detail of 69855)
M. 806 f.166 Lancelot proves his love of Guinevere by crossing a river bridged by a sharp sword, from the Roman de Lancelot du Lac, 1344 (vellum) (detail of 69855)

XTD243002: M. 806 f.166 Lancelot proves his love of Guinevere by crossing a river bridged by a sharp sword, from the Roman de Lancelot du Lac, 1344 (vellum) (detail of 69855), French School, (14th century) / Bridgeman Images

Front cover of 'Animal Farm' by George Orwell (colour litho)
Front cover of 'Animal Farm' by George Orwell (colour litho)

HBC238593: Front cover of 'Animal Farm' by George Orwell (colour litho), Batchelor, Joy and Halas, John (20th century) / Bridgeman Images

The sharing of the cake between the Lion and the Unicorn, illustration from 'Through the Looking Glass' by Lewis Carroll (1832-98) first published 1871 (litho)
The sharing of the cake between the Lion and the Unicorn, illustration from 'Through the Looking Glass' by Lewis Carroll (1832-98) first published 1871 (litho)

KWE232570: The sharing of the cake between the Lion and the Unicorn, illustration from 'Through the Looking Glass' by Lewis Carroll (1832-98) first published 1871 (litho), Tenniel, John (1820-1914) (after) / Bridgeman Images

Uncle Tom and his family (b/w photo)
Uncle Tom and his family (b/w photo)

NYH258302: Uncle Tom and his family (b/w photo), American Photographer, (19th century) / Bridgeman Images

Benjamin Watches the Pig Delegation, scene from the 1954 animated film of 'Animal Farm' adapted from the book by George Orwell (1903-50)
Benjamin Watches the Pig Delegation, scene from the 1954 animated film of 'Animal Farm' adapted from the book by George Orwell (1903-50)

HBC237327: Benjamin Watches the Pig Delegation, scene from the 1954 animated film of 'Animal Farm' adapted from the book by George Orwell (1903-50), Batchelor, Joy and Halas, John (20th century) / Bridgeman Images

Portrait of Aimé Césaire, 1959 (photo)
Portrait of Aimé Césaire, 1959 (photo)

MDO5034184: Portrait of Aimé Césaire, 1959 (photo) / Bridgeman Images

The Cobbe portrait of William Shakespeare, c.1610 (oil on panel)
The Cobbe portrait of William Shakespeare, c.1610 (oil on panel)

PVD1265862: The Cobbe portrait of William Shakespeare, c.1610 (oil on panel), English School, (17th century) / Bridgeman Images

Guillaume Apollinaire with an iron circle to protect his head, 1916 (b/w photo)
Guillaume Apollinaire with an iron circle to protect his head, 1916 (b/w photo)

PVD1685165: Guillaume Apollinaire with an iron circle to protect his head, 1916 (b/w photo) / Bridgeman Images

The Dancer's Reward, 1894 (line block print)
The Dancer's Reward, 1894 (line block print)

STC102395: The Dancer's Reward, 1894 (line block print), Beardsley, Aubrey (1872-98) / Bridgeman Images

F.111 A Medical Consultation, from 'The Book of Kalila and Dimna' from 'The Fables of Bidpay' (gouache on paper)
F.111 A Medical Consultation, from 'The Book of Kalila and Dimna' from 'The Fables of Bidpay' (gouache on paper)

XIR110502: F.111 A Medical Consultation, from 'The Book of Kalila and Dimna' from 'The Fables of Bidpay' (gouache on paper), Islamic School, (14th century) / Bridgeman Images

Jack London, c. 1907 (b/w photo)
Jack London, c. 1907 (b/w photo)

PVD1692063: Jack London, c. 1907 (b/w photo), Mill, Andrew J. (active c.1907) / Bridgeman Images

'The Pained Heart', or 'Sigh No More, Ladies', 1868 (oil on canvas)
'The Pained Heart', or 'Sigh No More, Ladies', 1868 (oil on canvas)

MAA88174: 'The Pained Heart', or 'Sigh No More, Ladies', 1868 (oil on canvas), Hughes, Arthur (1832-1915) / Bridgeman Images

Colette, after she cut her hair, 1902 (b/w photo)
Colette, after she cut her hair, 1902 (b/w photo)

PVD1685233: Colette, after she cut her hair, 1902 (b/w photo) / Bridgeman Images


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