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17369 Search Results for literary

Jean Cocteau, Pablo Picasso, Igor Stravinsky and Olga Picasso, Antibes 1926 (photo)
Jean Cocteau, Pablo Picasso, Igor Stravinsky and Olga Picasso, Antibes 1926 (photo)

XLE3747619: Jean Cocteau, Pablo Picasso, Igor Stravinsky and Olga Picasso, Antibes 1926 (photo) / Bridgeman Images

Louis Aragon, 1927 (b/w photo)
Louis Aragon, 1927 (b/w photo)

PVD1680084: Louis Aragon, 1927 (b/w photo) / Bridgeman Images

Sir Galahad, 1862 (oil on canvas)
Sir Galahad, 1862 (oil on canvas)

FOG123558: Sir Galahad, 1862 (oil on canvas), Watts, George Frederic (1817-1904) / Bridgeman Images

Jean Cocteau, 1916-17 (oil on canvas)
Jean Cocteau, 1916-17 (oil on canvas)

NUM407604: Jean Cocteau, 1916-17 (oil on canvas), Modigliani, Amedeo (1884-1920) / Bridgeman Images

Colette and husband,  c.1902 (b/w photo)
Colette and husband,  c.1902 (b/w photo)

PVD1680255: Colette and husband, c.1902 (b/w photo) / Bridgeman Images

Petar II Petrovic Njegos, last Prince Bishop of Montenegro (colour litho)
Petar II Petrovic Njegos, last Prince Bishop of Montenegro (colour litho)

CHT331711: Petar II Petrovic Njegos, last Prince Bishop of Montenegro (colour litho), Serbian School (19th century) / Bridgeman Images

Jack London, 1916 (b/w photo)
Jack London, 1916 (b/w photo)

PVD1692062: Jack London, 1916 (b/w photo) / Bridgeman Images

The Archangel revealed to the prophet Muhammad from the 8th Surah of the 'Quran', page of the 'Siyar-i-Nabi', 1594-5, Turkey, (literary text), (gouache and gold on paper)
The Archangel revealed to the prophet Muhammad from the 8th Surah of the 'Quran', page of the 'Siyar-i-Nabi', 1594-5, Turkey, (literary text), (gouache and gold on paper)

LOU71515: The Archangel revealed to the prophet Muhammad from the 8th Surah of the 'Quran', page of the 'Siyar-i-Nabi', 1594-5, Turkey, (literary text), (gouache and gold on paper), Ottoman School, (16th century) / Bridgeman Images

The Round Table, illustration from 'King Arthur's Story', 1981 (colour litho)
The Round Table, illustration from 'King Arthur's Story', 1981 (colour litho)

GNO404825: The Round Table, illustration from 'King Arthur's Story', 1981 (colour litho), D'Achille, Gino (1935-2017) / Bridgeman Images

Tweedledum and Tweedledee, 1998 (oil & tempera on panel)
Tweedledum and Tweedledee, 1998 (oil & tempera on panel)

FBD251332: Tweedledum and Tweedledee, 1998 (oil & tempera on panel), Broomfield, Frances / Bridgeman Images

Title Page for 'To The Lighthouse' by Virginia Woolf, London, 1927 (print)
Title Page for 'To The Lighthouse' by Virginia Woolf, London, 1927 (print)

XLA3770830: Title Page for 'To The Lighthouse' by Virginia Woolf, London, 1927 (print), English School, (20th century) / Bridgeman Images

The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival, from the series `The Quest for the Holy Grail', 1895-96 (wool, silk, mohair and camel hair weft on cotton warp)
The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival, from the series `The Quest for the Holy Grail', 1895-96 (wool, silk, mohair and camel hair weft on cotton warp)

XBM68247: The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival, from the series `The Quest for the Holy Grail', 1895-96 (wool, silk, mohair and camel hair weft on cotton warp), Burne-Jones, Edward Coley (1833-98) & Dearle, John Henry (1859-1932) / Bridgeman Images

'Little Women' by Louisa
'Little Women' by Louisa

XLA3774597: 'Little Women' by Louisa, Copping, Harold (1863-1932) / Bridgeman Images

The Dodo, 1651 (oil on canvas)
The Dodo, 1651 (oil on canvas)

ONH97689: The Dodo, 1651 (oil on canvas), Savery, Hans I (1597-1654) / Bridgeman Images

Front cover of 'Animal Farm' by George Orwell (colour litho)
Front cover of 'Animal Farm' by George Orwell (colour litho)

HBC238593: Front cover of 'Animal Farm' by George Orwell (colour litho), Batchelor, Joy and Halas, John (20th century) / Bridgeman Images

The sharing of the cake between the Lion and the Unicorn, illustration from 'Through the Looking Glass' by Lewis Carroll (1832-98) first published 1871 (litho)
The sharing of the cake between the Lion and the Unicorn, illustration from 'Through the Looking Glass' by Lewis Carroll (1832-98) first published 1871 (litho)

KWE232570: The sharing of the cake between the Lion and the Unicorn, illustration from 'Through the Looking Glass' by Lewis Carroll (1832-98) first published 1871 (litho), Tenniel, John (1820-1914) (after) / Bridgeman Images

Benjamin Watches the Pig Delegation, scene from the 1954 animated film of 'Animal Farm' adapted from the book by George Orwell (1903-50)
Benjamin Watches the Pig Delegation, scene from the 1954 animated film of 'Animal Farm' adapted from the book by George Orwell (1903-50)

HBC237327: Benjamin Watches the Pig Delegation, scene from the 1954 animated film of 'Animal Farm' adapted from the book by George Orwell (1903-50), Batchelor, Joy and Halas, John (20th century) / Bridgeman Images

The Cobbe portrait of William Shakespeare, c.1610 (oil on panel)
The Cobbe portrait of William Shakespeare, c.1610 (oil on panel)

PVD1265862: The Cobbe portrait of William Shakespeare, c.1610 (oil on panel), English School, (17th century) / Bridgeman Images

Gustave Flaubert (photo)
Gustave Flaubert (photo)

XLA3758174: Gustave Flaubert (photo), French Photographer, (19th century) / Bridgeman Images

J.R.R. Tolkien, 1911 (b/w photo)
J.R.R. Tolkien, 1911 (b/w photo)

XRH876905: J.R.R. Tolkien, 1911 (b/w photo), English Photographer, (20th century) / Bridgeman Images

Jean Cocteau, 1921 (b/w photo)
Jean Cocteau, 1921 (b/w photo)

PVD1693705: Jean Cocteau, 1921 (b/w photo) / Bridgeman Images

F.111 A Medical Consultation, from 'The Book of Kalila and Dimna' from 'The Fables of Bidpay' (gouache on paper)
F.111 A Medical Consultation, from 'The Book of Kalila and Dimna' from 'The Fables of Bidpay' (gouache on paper)

XIR110502: F.111 A Medical Consultation, from 'The Book of Kalila and Dimna' from 'The Fables of Bidpay' (gouache on paper), Islamic School, (14th century) / Bridgeman Images

'The Pained Heart', or 'Sigh No More, Ladies', 1868 (oil on canvas)
'The Pained Heart', or 'Sigh No More, Ladies', 1868 (oil on canvas)

MAA88174: 'The Pained Heart', or 'Sigh No More, Ladies', 1868 (oil on canvas), Hughes, Arthur (1832-1915) / Bridgeman Images

Colette, after she cut her hair, 1902 (b/w photo)
Colette, after she cut her hair, 1902 (b/w photo)

PVD1685233: Colette, after she cut her hair, 1902 (b/w photo) / Bridgeman Images

M. 806 f.166 Lancelot proves his love of Guinevere by crossing a river bridged by a sharp sword, from the Roman de Lancelot du Lac, 1344 (vellum) (detail of 69855)
M. 806 f.166 Lancelot proves his love of Guinevere by crossing a river bridged by a sharp sword, from the Roman de Lancelot du Lac, 1344 (vellum) (detail of 69855)

XTD243002: M. 806 f.166 Lancelot proves his love of Guinevere by crossing a river bridged by a sharp sword, from the Roman de Lancelot du Lac, 1344 (vellum) (detail of 69855), French School, (14th century) / Bridgeman Images

Ms 493 fol.45 Virgil (70-19BC) writing the Life of Bees, from 'The Georgics' by Virgil with a commentary by Servius, 1469 (vellum)
Ms 493 fol.45 Virgil (70-19BC) writing the Life of Bees, from 'The Georgics' by Virgil with a commentary by Servius, 1469 (vellum)

XIR187868: Ms 493 fol.45 Virgil (70-19BC) writing the Life of Bees, from 'The Georgics' by Virgil with a commentary by Servius, 1469 (vellum), French School, (15th century) / Bridgeman Images

The Black Cape 1920 (engraving)
The Black Cape 1920 (engraving)

LLE5232978: The Black Cape 1920 (engraving), Beardsley, Aubrey (1872-98) (after) / Bridgeman Images

Oscar Wilde, c. 1892 (b/w photo)
Oscar Wilde, c. 1892 (b/w photo)

XRH1077970: Oscar Wilde, c. 1892 (b/w photo), Alfred Ellis & Walery (fl. 1899-1918) / Bridgeman Images

Portrait of Aimé Césaire, 1959 (photo)
Portrait of Aimé Césaire, 1959 (photo)

MDO5034184: Portrait of Aimé Césaire, 1959 (photo) / Bridgeman Images

Guillaume Apollinaire with an iron circle to protect his head, 1916 (b/w photo)
Guillaume Apollinaire with an iron circle to protect his head, 1916 (b/w photo)

PVD1685165: Guillaume Apollinaire with an iron circle to protect his head, 1916 (b/w photo) / Bridgeman Images

Valentine Rescuing Sylvia from Proteus, 1851 (oil on canvas)
Valentine Rescuing Sylvia from Proteus, 1851 (oil on canvas)

XBM104475: Valentine Rescuing Sylvia from Proteus, 1851 (oil on canvas), Hunt, William Holman (1827-1910) / Bridgeman Images

The Peacock Skirt,  1893 (black ink and graphite on paper)
The Peacock Skirt,  1893 (black ink and graphite on paper)

FOG82853: The Peacock Skirt, 1893 (black ink and graphite on paper), Beardsley, Aubrey (1872-98) / Bridgeman Images

Jack London, c. 1907 (b/w photo)
Jack London, c. 1907 (b/w photo)

PVD1692063: Jack London, c. 1907 (b/w photo), Mill, Andrew J. (active c.1907) / Bridgeman Images

Hermod astride Sleipnir, his father's famous eight-legged charger, at the barred gates of the Kingdom of Hel (pen & ink on paper)
Hermod astride Sleipnir, his father's famous eight-legged charger, at the barred gates of the Kingdom of Hel (pen & ink on paper)

XTD68831: Hermod astride Sleipnir, his father's famous eight-legged charger, at the barred gates of the Kingdom of Hel (pen & ink on paper), Icelandic School, (18th century) / Bridgeman Images

Ms Fr 616 fol.77 Stag Hunting, from the Livre de la Chasse by Gaston Phebus de Foix (1331-91) (vellum)
Ms Fr 616 fol.77 Stag Hunting, from the Livre de la Chasse by Gaston Phebus de Foix (1331-91) (vellum)

BAL28650: Ms Fr 616 fol.77 Stag Hunting, from the Livre de la Chasse by Gaston Phebus de Foix (1331-91) (vellum), French School, (15th century) / Bridgeman Images

Ms 367/480 fol.22v Caring for the Hounds, from the 'Livre de la Chasse' by Gaston Phebus de Foix (1331-91) (vellum)
Ms 367/480 fol.22v Caring for the Hounds, from the 'Livre de la Chasse' by Gaston Phebus de Foix (1331-91) (vellum)

CND37344: Ms 367/480 fol.22v Caring for the Hounds, from the 'Livre de la Chasse' by Gaston Phebus de Foix (1331-91) (vellum), French School, (15th century) / Bridgeman Images


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