PVD1682321:
Jules Verne (1828-1905) French novelist, photograph by Nadar, colourized picture, Nadar, (Gaspard Felix Tournachon) (1820-1910) / Bridgeman Images
ID: PVD1682321
Jules Verne (1828-1905) French novelist, photograph by Nadar, colourized picture
Nadar, (Gaspard Felix Tournachon) (1820-1910)
CHT331711:
Petar II Petrovic Njegos, last Prince Bishop of Montenegro (colour litho), Serbian School (19th century) / Bridgeman Images
ID: CHT331711
Petar II Petrovic Njegos, last Prince Bishop of Montenegro (colour litho)
Serbian School (19th century)
CHT2639675:
Ms 3480 Yvain, the Knight with the Lion, fighting a dragon, miniature from Roman de Lancelot, detail (vellum), French School, (15th century) / Bridgeman Images
ID: CHT2639675
Ms 3480 Yvain, the Knight with the Lion, fighting a dragon, miniature from Roman de Lancelot, detail (vellum)
French School, (15th century)
SR21934:
The Wife of Bath, detail from The Canterbury Tales by Geoffrey Chaucer (c.1342-1400) Ellesmere Manuscript, facsimile edition, 1911, English School, (15th century) (after) / Bridgeman Images
ID: SR21934
The Wife of Bath, detail from The Canterbury Tales by Geoffrey Chaucer (c.1342-1400) Ellesmere Manuscript, facsimile edition, 1911
English School, (15th century) (after)
BL496316:
Sloane 2435 f.44v Monk drinking from a barrel, illustration from 'Li Livres dou Sante' (vellum), French School, (13th century) / Bridgeman Images
ID: BL496316
Sloane 2435 f.44v Monk drinking from a barrel, illustration from 'Li Livres dou Sante' (vellum)
French School, (13th century)
CHT167382:
'Werther' by Jules Massenet at the Theatre National de Opera-Comique, Paris, 1893 (colour litho), Grasset, Eugene (1841-1917) / Bridgeman Images
ID: CHT167382
'Werther' by Jules Massenet at the Theatre National de Opera-Comique, Paris, 1893 (colour litho)
Grasset, Eugene (1841-1917)
XCF277642:
Portrait of Sir Walter Scott and his dogs (oil on canvas), Raeburn, Henry (1756-1823) / Bridgeman Images
ID: XCF277642
Portrait of Sir Walter Scott and his dogs (oil on canvas)
Raeburn, Henry (1756-1823)
XLE3747619:
Jean Cocteau, Pablo Picasso, Igor Stravinsky and Olga Picasso, Antibes 1926 (photo) / Bridgeman Images
ID: XLE3747619
Jean Cocteau, Pablo Picasso, Igor Stravinsky and Olga Picasso, Antibes 1926 (photo)
PVD1680084:
Louis Aragon, 1927 (b/w photo) / Bridgeman Images
ID: PVD1680084
Louis Aragon, 1927 (b/w photo)
FOG123558:
Sir Galahad, 1862 (oil on canvas), Watts, George Frederic (1817-1904) / Bridgeman Images
ID: FOG123558
Sir Galahad, 1862 (oil on canvas)
Watts, George Frederic (1817-1904)
NUM407604:
Jean Cocteau, 1916-17 (oil on canvas), Modigliani, Amedeo (1884-1920) / Bridgeman Images
ID: NUM407604
Jean Cocteau, 1916-17 (oil on canvas)
Modigliani, Amedeo (1884-1920)
PVD1680255:
Colette and husband, c.1902 (b/w photo) / Bridgeman Images
ID: PVD1680255
Colette and husband, c.1902 (b/w photo)
XBM68247:
The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival, from the series `The Quest for the Holy Grail', 1895-96 (wool, silk, mohair and camel hair weft on cotton warp), Burne-Jones, Edward Coley (1833-98) & Dearle, John Henry (1859-1932) / Bridgeman Images
ID: XBM68247
The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival, from the series `The Quest for the Holy Grail', 1895-96 (wool, silk, mohair and camel hair weft on cotton warp)
Burne-Jones, Edward Coley (1833-98) & Dearle, John Henry (1859-1932)
ONH97689:
The Dodo, 1651 (oil on canvas), Savery, Hans I (1597-1654) / Bridgeman Images
ID: ONH97689
The Dodo, 1651 (oil on canvas)
Savery, Hans I (1597-1654)
XTD69854:
Ny Kgl Saml 1867.4, s.95v The Killing of Balder (pen & ink and w/c on paper) (see also 169947), Icelandic School, (18th century) / Bridgeman Images
ID: XTD69854
Ny Kgl Saml 1867.4, s.95v The Killing of Balder (pen & ink and w/c on paper) (see also 169947)
Icelandic School, (18th century)
BL11460:
Add 27695 f.8 Counting money and paying wages, from Treatise on the Vices (vellum), Italian School, (14th century) / Bridgeman Images
ID: BL11460
Add 27695 f.8 Counting money and paying wages, from Treatise on the Vices (vellum)
Italian School, (14th century)
LLE5232978:
The Black Cape 1920 (engraving), Beardsley, Aubrey (1872-98) (after) / Bridgeman Images
ID: LLE5232978
The Black Cape 1920 (engraving)
Beardsley, Aubrey (1872-98) (after)
FBD251332:
Tweedledum and Tweedledee, 1998 (oil & tempera on panel), Broomfield, Frances / Bridgeman Images
ID: FBD251332
Tweedledum and Tweedledee, 1998 (oil & tempera on panel)
Broomfield, Frances
GNO404825:
The Round Table, illustration from 'King Arthur's Story', 1981 (colour litho), D'Achille, Gino (1935-2017) / Bridgeman Images
ID: GNO404825
The Round Table, illustration from 'King Arthur's Story', 1981 (colour litho)
PVD1693705:
Jean Cocteau, 1921 (b/w photo) / Bridgeman Images
ID: PVD1693705
Jean Cocteau, 1921 (b/w photo)
XLA3774597:
'Little Women' by Louisa, Copping, Harold (1863-1932) / Bridgeman Images
ID: XLA3774597
'Little Women' by Louisa
Copping, Harold (1863-1932)
XTD243002:
M. 806 f.166 Lancelot proves his love of Guinevere by crossing a river bridged by a sharp sword, from the Roman de Lancelot du Lac, 1344 (vellum) (detail of 69855), French School, (14th century) / Bridgeman Images
ID: XTD243002
M. 806 f.166 Lancelot proves his love of Guinevere by crossing a river bridged by a sharp sword, from the Roman de Lancelot du Lac, 1344 (vellum) (detail of 69855)
French School, (14th century)
HBC238593:
Front cover of 'Animal Farm' by George Orwell (colour litho), Batchelor, Joy and Halas, John (20th century) / Bridgeman Images
ID: HBC238593
Front cover of 'Animal Farm' by George Orwell (colour litho)
Batchelor, Joy and Halas, John (20th century)
KWE232570:
The sharing of the cake between the Lion and the Unicorn, illustration from 'Through the Looking Glass' by Lewis Carroll (1832-98) first published 1871 (litho), Tenniel, John (1820-1914) (after) / Bridgeman Images
ID: KWE232570
The sharing of the cake between the Lion and the Unicorn, illustration from 'Through the Looking Glass' by Lewis Carroll (1832-98) first published 1871 (litho)
Tenniel, John (1820-1914) (after)
NYH258302:
Uncle Tom and his family (b/w photo), American Photographer, (19th century) / Bridgeman Images
ID: NYH258302
Uncle Tom and his family (b/w photo)
American Photographer, (19th century)
HBC237327:
Benjamin Watches the Pig Delegation, scene from the 1954 animated film of 'Animal Farm' adapted from the book by George Orwell (1903-50), Batchelor, Joy and Halas, John (20th century) / Bridgeman Images
ID: HBC237327
Benjamin Watches the Pig Delegation, scene from the 1954 animated film of 'Animal Farm' adapted from the book by George Orwell (1903-50)
Batchelor, Joy and Halas, John (20th century)
MDO5034184:
Portrait of Aimé Césaire, 1959 (photo) / Bridgeman Images
ID: MDO5034184
Portrait of Aimé Césaire, 1959 (photo)
PVD1265862:
The Cobbe portrait of William Shakespeare, c.1610 (oil on panel), English School, (17th century) / Bridgeman Images
ID: PVD1265862
The Cobbe portrait of William Shakespeare, c.1610 (oil on panel)
English School, (17th century)
PVD1685165:
Guillaume Apollinaire with an iron circle to protect his head, 1916 (b/w photo) / Bridgeman Images
ID: PVD1685165
Guillaume Apollinaire with an iron circle to protect his head, 1916 (b/w photo)
XIR110502:
F.111 A Medical Consultation, from 'The Book of Kalila and Dimna' from 'The Fables of Bidpay' (gouache on paper), Islamic School, (14th century) / Bridgeman Images
ID: XIR110502
F.111 A Medical Consultation, from 'The Book of Kalila and Dimna' from 'The Fables of Bidpay' (gouache on paper)
Islamic School, (14th century)
PVD1692063:
Jack London, c. 1907 (b/w photo), Mill, Andrew J. (active c.1907) / Bridgeman Images
ID: PVD1692063
Jack London, c. 1907 (b/w photo)
Mill, Andrew J. (active c.1907)
MAA88174:
'The Pained Heart', or 'Sigh No More, Ladies', 1868 (oil on canvas), Hughes, Arthur (1832-1915) / Bridgeman Images
ID: MAA88174
'The Pained Heart', or 'Sigh No More, Ladies', 1868 (oil on canvas)
Hughes, Arthur (1832-1915)
PVD1685233:
Colette, after she cut her hair, 1902 (b/w photo) / Bridgeman Images