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18503 Search Results for literary

Avant et après - drawing of a nude native woman seated, in profile, her knees drawn up, 1903 (graphite, pen and black ink, black wash on laid paper, laid down on album page)
Avant et après - drawing of a nude native woman seated, in profile, her knees drawn up, 1903 (graphite, pen and black ink, black wash on laid paper, laid down on album page)

COU6356616: Avant et après - drawing of a nude native woman seated, in profile, her knees drawn up, 1903 (graphite, pen and black ink, black wash on laid paper, laid down on album page), Gauguin, Paul (1848-1903) / Bridgeman Images

Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 11), 1903 (pen and black ink on wove paper)
Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 11), 1903 (pen and black ink on wove paper)

COU6356576: Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 11), 1903 (pen and black ink on wove paper), Gauguin, Paul (1848-1903) / Bridgeman Images

Avant et après - drawing
Avant et après - drawing

COU6356582: Avant et après - drawing "Les saintes images", 1903 (graphite, pen and black ink, black wash on wove paper), Gauguin, Paul (1848-1903) / Bridgeman Images

Avant et après - drawing
Avant et après - drawing

COU6356585: Avant et après - drawing "Les ailes sont lourdes. Le tout est primitif", 1903 (pen and black ink on wove paper), Gauguin, Paul (1848-1903) / Bridgeman Images

Avant et après - drawing
Avant et après - drawing

COU6356588: Avant et après - drawing "Non dépourvues de sentiment", 1903 (traces of graphite, black wash, pen and black ink on wove paper), Gauguin, Paul (1848-1903) / Bridgeman Images

Avant et après - Study of legs, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; no drawing on verso)
Avant et après - Study of legs, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; no drawing on verso)

COU6356606: Avant et après - Study of legs, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; no drawing on verso), Gauguin, Paul (1848-1903) / Bridgeman Images

Avant et après - Woman and child, 1903 (traced monotype printed in black ink on blue-ruled notebook paper, laid down on album page; prominent brown stains caused by adhesive on the verso at all four corners and centre of edges; unable to lift to see verso)
Avant et après - Woman and child, 1903 (traced monotype printed in black ink on blue-ruled notebook paper, laid down on album page; prominent brown stains caused by adhesive on the verso at all four corners and centre of edges; unable to lift to see verso)

COU6356609: Avant et après - Woman and child, 1903 (traced monotype printed in black ink on blue-ruled notebook paper, laid down on album page; prominent brown stains caused by adhesive on the verso at all four corners and centre of edges; unable to lift to see verso), Gauguin, Paul (1848-1903) / Bridgeman Images

Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 16), 1903 (pen and black ink on wove paper)
Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 16), 1903 (pen and black ink on wove paper)

COU6356581: Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 16), 1903 (pen and black ink on wove paper), Gauguin, Paul (1848-1903) / Bridgeman Images

Avant et après - Last page of main text, 1903 (pen and black ink on wove paper)
Avant et après - Last page of main text, 1903 (pen and black ink on wove paper)

COU6356611: Avant et après - Last page of main text, 1903 (pen and black ink on wove paper), Gauguin, Paul (1848-1903) / Bridgeman Images

Avant et après - On en mange, 1903 (traced monotype printed in black ink on wove paper, trimmed around outline of the image and laid down on album page, unable to lift to see verso)
Avant et après - On en mange, 1903 (traced monotype printed in black ink on wove paper, trimmed around outline of the image and laid down on album page, unable to lift to see verso)

COU6356593: Avant et après - On en mange, 1903 (traced monotype printed in black ink on wove paper, trimmed around outline of the image and laid down on album page, unable to lift to see verso), Gauguin, Paul (1848-1903) / Bridgeman Images

Avant et après - Woman carrying an urn on her shoulder and two heads from L'Appel, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; has horizontal orientation and so lower edge is toward the gutter; unable to lift to see verso)
Avant et après - Woman carrying an urn on her shoulder and two heads from L'Appel, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; has horizontal orientation and so lower edge is toward the gutter; unable to lift to see verso)

COU6356617: Avant et après - Woman carrying an urn on her shoulder and two heads from L'Appel, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; has horizontal orientation and so lower edge is toward the gutter; unable to lift to see verso), Gauguin, Paul (1848-1903) / Bridgeman Images

Avant et après - Changement de résidence, 1903 (traced monotype printed in black ink on wove paper, laid down horizontally on album page; limited view of verso, shows no sign of any drawing)
Avant et après - Changement de résidence, 1903 (traced monotype printed in black ink on wove paper, laid down horizontally on album page; limited view of verso, shows no sign of any drawing)

COU6356597: Avant et après - Changement de résidence, 1903 (traced monotype printed in black ink on wove paper, laid down horizontally on album page; limited view of verso, shows no sign of any drawing), Gauguin, Paul (1848-1903) / Bridgeman Images

Lunettes representing the myth of Eros and Anteros, detail of the vault, Aula Costabiliana o Hall of the Treasure (fresco)
Lunettes representing the myth of Eros and Anteros, detail of the vault, Aula Costabiliana o Hall of the Treasure (fresco)

GRL3707403: Lunettes representing the myth of Eros and Anteros, detail of the vault, Aula Costabiliana o Hall of the Treasure (fresco), Garofalo, Benvenuto Tisi da (1481-1559) / Bridgeman Images

Lunettes representing the myth of Eros and Anteros, detail of the vault, Aula Costabiliana o Hall of the Treasure (fresco)
Lunettes representing the myth of Eros and Anteros, detail of the vault, Aula Costabiliana o Hall of the Treasure (fresco)

GRL3707412: Lunettes representing the myth of Eros and Anteros, detail of the vault, Aula Costabiliana o Hall of the Treasure (fresco), Garofalo, Benvenuto Tisi da (1481-1559) / Bridgeman Images

Lunettes representing the myth of Eros and Anteros, detail of the vault, Aula Costabiliana o Hall of the Treasure (fresco)
Lunettes representing the myth of Eros and Anteros, detail of the vault, Aula Costabiliana o Hall of the Treasure (fresco)

GRL3707401: Lunettes representing the myth of Eros and Anteros, detail of the vault, Aula Costabiliana o Hall of the Treasure (fresco), Garofalo, Benvenuto Tisi da (1481-1559) / Bridgeman Images

Avant et après - Causeries sans paroles, 1903 (traced monotype printed in black ink (recto), graphite and pen and black ink (verso) on wove paper, laid down on album page)
Avant et après - Causeries sans paroles, 1903 (traced monotype printed in black ink (recto), graphite and pen and black ink (verso) on wove paper, laid down on album page)

COU6356589: Avant et après - Causeries sans paroles, 1903 (traced monotype printed in black ink (recto), graphite and pen and black ink (verso) on wove paper, laid down on album page), Gauguin, Paul (1848-1903) / Bridgeman Images

Avant et après - Nativity fragment, 1903 (traced monotype printed in black ink on blue-ruled notebook paper with several 'white line voids', laid down on album page; prominent brown stains caused by adhesive on the verso at all four corners and along the edges; unable to lift to see verso)
Avant et après - Nativity fragment, 1903 (traced monotype printed in black ink on blue-ruled notebook paper with several 'white line voids', laid down on album page; prominent brown stains caused by adhesive on the verso at all four corners and along the edges; unable to lift to see verso)

COU6356601: Avant et après - Nativity fragment, 1903 (traced monotype printed in black ink on blue-ruled notebook paper with several 'white line voids', laid down on album page; prominent brown stains caused by adhesive on the verso at all four corners and along the edges; unable to lift to see verso), Gauguin, Paul (1848-1903) / Bridgeman Images

Avant et après - Return from the hunt, 1903 (traced monotype printed in black ink (recto), graphite and pen and black ink (verso) on wove paper, laid down on album page)
Avant et après - Return from the hunt, 1903 (traced monotype printed in black ink (recto), graphite and pen and black ink (verso) on wove paper, laid down on album page)

COU6356614: Avant et après - Return from the hunt, 1903 (traced monotype printed in black ink (recto), graphite and pen and black ink (verso) on wove paper, laid down on album page), Gauguin, Paul (1848-1903) / Bridgeman Images

Lunettes representing the myth of Eros and Anteros, detail of the vault, Aula Costabiliana o Hall of the Treasure (fresco)
Lunettes representing the myth of Eros and Anteros, detail of the vault, Aula Costabiliana o Hall of the Treasure (fresco)

GRL3707414: Lunettes representing the myth of Eros and Anteros, detail of the vault, Aula Costabiliana o Hall of the Treasure (fresco), Garofalo, Benvenuto Tisi da (1481-1559) / Bridgeman Images

Avant et après - Hue Coco, 1903 (traced monotype printed in black ink (recto), graphite (verso) on wove paper, laid down on album page in horizontal orientation )
Avant et après - Hue Coco, 1903 (traced monotype printed in black ink (recto), graphite (verso) on wove paper, laid down on album page in horizontal orientation )

COU6356591: Avant et après - Hue Coco, 1903 (traced monotype printed in black ink (recto), graphite (verso) on wove paper, laid down on album page in horizontal orientation ), Gauguin, Paul (1848-1903) / Bridgeman Images

Avant et après - Seated woman, cat with kittens and a pig, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; oriented horizontally with lower edge toward the gutter; limited view of verso, presumably no verso drawing)
Avant et après - Seated woman, cat with kittens and a pig, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; oriented horizontally with lower edge toward the gutter; limited view of verso, presumably no verso drawing)

COU6356618: Avant et après - Seated woman, cat with kittens and a pig, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; oriented horizontally with lower edge toward the gutter; limited view of verso, presumably no verso drawing), Gauguin, Paul (1848-1903) / Bridgeman Images

Avant et après - Head of a Marquesan woman, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; no drawing on the verso)
Avant et après - Head of a Marquesan woman, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; no drawing on the verso)

COU6356595: Avant et après - Head of a Marquesan woman, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; no drawing on the verso), Gauguin, Paul (1848-1903) / Bridgeman Images

Avant et après - Te tamari ('The child'), 1903 (traced monotype printed in black ink (recto), only a few lines from recto traced in graphite and pen and black ink (verso) on wove paper, laid down on album page with the right side free, the left edge is now unevenly folded over)
Avant et après - Te tamari ('The child'), 1903 (traced monotype printed in black ink (recto), only a few lines from recto traced in graphite and pen and black ink (verso) on wove paper, laid down on album page with the right side free, the left edge is now unevenly folded over)

COU6356594: Avant et après - Te tamari ('The child'), 1903 (traced monotype printed in black ink (recto), only a few lines from recto traced in graphite and pen and black ink (verso) on wove paper, laid down on album page with the right side free, the left edge is now unevenly folded over), Gauguin, Paul (1848-1903) / Bridgeman Images

Avant et après - Les anges à tout le monde, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; verso blank)
Avant et après - Les anges à tout le monde, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; verso blank)

COU6356596: Avant et après - Les anges à tout le monde, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; verso blank), Gauguin, Paul (1848-1903) / Bridgeman Images

Avant et après - Nativity fragment, 1903 (traced monotype printed in black ink on blue-ruled notebook paper, oriented horizontally on album page; white bodycolour added to cover prominent brown stains caused by adhesive; unable to lift to see verso)
Avant et après - Nativity fragment, 1903 (traced monotype printed in black ink on blue-ruled notebook paper, oriented horizontally on album page; white bodycolour added to cover prominent brown stains caused by adhesive; unable to lift to see verso)

COU6356600: Avant et après - Nativity fragment, 1903 (traced monotype printed in black ink on blue-ruled notebook paper, oriented horizontally on album page; white bodycolour added to cover prominent brown stains caused by adhesive; unable to lift to see verso), Gauguin, Paul (1848-1903) / Bridgeman Images

Portrait of Nikolay Gogol, 1841 (oil on canvas)
Portrait of Nikolay Gogol, 1841 (oil on canvas)

XAB265722: Portrait of Nikolay Gogol, 1841 (oil on canvas), Moller, Fyodor Antonovich (1812-74) / Bridgeman Images

In the Nineteenth Century the Northumbrians show the World what can be done with Iron and Coal
In the Nineteenth Century the Northumbrians show the World what can be done with Iron and Coal

USB1159467: In the Nineteenth Century the Northumbrians show the World what can be done with Iron and Coal, Scott, William Bell (1811-90) / Bridgeman Images

Friendly letter from Charles I to his nephew, Prince Maurice, written at Newtown, Powys, Wales, 20 September, 1645 (pen & ink on paper)
Friendly letter from Charles I to his nephew, Prince Maurice, written at Newtown, Powys, Wales, 20 September, 1645 (pen & ink on paper)

KDC441064: Friendly letter from Charles I to his nephew, Prince Maurice, written at Newtown, Powys, Wales, 20 September, 1645 (pen & ink on paper) / Bridgeman Images

Warrant from the Council of State to the Lord Mayor of London, desiring him and the Aldermen to attend the proclamation of Oliver Cromwell as Lord Protector of the Commonwealth of England, Scotland, Ireland & the Dominions on 19 December, 17 December, 1653 (pen and ink on paper)
Warrant from the Council of State to the Lord Mayor of London, desiring him and the Aldermen to attend the proclamation of Oliver Cromwell as Lord Protector of the Commonwealth of England, Scotland, Ireland & the Dominions on 19 December, 17 December, 1653 (pen and ink on paper)

KDC441034: Warrant from the Council of State to the Lord Mayor of London, desiring him and the Aldermen to attend the proclamation of Oliver Cromwell as Lord Protector of the Commonwealth of England, Scotland, Ireland & the Dominions on 19 December, 17 December, 1653 (pen and ink on paper) / Bridgeman Images

Honour Stern and boy holding up a drawing by Lucian Freud, London, August 1945 (b/w photo)
Honour Stern and boy holding up a drawing by Lucian Freud, London, August 1945 (b/w photo)

JSA778994: Honour Stern and boy holding up a drawing by Lucian Freud, London, August 1945 (b/w photo), Stern, James (1904-93) / Bridgeman Images

Snuffbox, c.1760 (gold with Sevres porcelain)
Snuffbox, c.1760 (gold with Sevres porcelain)

HEH3707161: Snuffbox, c.1760 (gold with Sevres porcelain), Georges, Jean (fl.1752-65) / Bridgeman Images

Lucian Freud in London, 1945 (b/w photo)
Lucian Freud in London, 1945 (b/w photo)

JSA778993: Lucian Freud in London, 1945 (b/w photo), Stern, James (1904-93) / Bridgeman Images

Portrait of Anton Chekhov (1860-1904) 1902 (oil on canvas)
Portrait of Anton Chekhov (1860-1904) 1902 (oil on canvas)

XAB266317: Portrait of Anton Chekhov (1860-1904) 1902 (oil on canvas), Nilus, Peter Alexandrovich (1869-1943) / Bridgeman Images

Rome, portico of the Church of Santa Maria in Cosmedin, 1980. Group of writers in town to attend the Second Festival of the Poets. Among others: Allen Ginsberg, Peter Orlowsky, Gregory Corso, Yevgeny Yevtushenko, Anne Waldman
Rome, portico of the Church of Santa Maria in Cosmedin, 1980. Group of writers in town to attend the Second Festival of the Poets. Among others: Allen Ginsberg, Peter Orlowsky, Gregory Corso, Yevgeny Yevtushenko, Anne Waldman

MME4746260: Rome, portico of the Church of Santa Maria in Cosmedin, 1980. Group of writers in town to attend the Second Festival of the Poets. Among others: Allen Ginsberg, Peter Orlowsky, Gregory Corso, Yevgeny Yevtushenko, Anne Waldman, Mencarini, Marcello / Bridgeman Images

King William III and his army at the Siege of Namur, 1695 (oil on canvas)
King William III and his army at the Siege of Namur, 1695 (oil on canvas)

NAM5920458: King William III and his army at the Siege of Namur, 1695 (oil on canvas), Wyck, Jan (1640-1700) / Bridgeman Images

Portrait of the Author Maxim Gorky (1868-1939), 1929 (oil on canvas)
Portrait of the Author Maxim Gorky (1868-1939), 1929 (oil on canvas)

XAB266170: Portrait of the Author Maxim Gorky (1868-1939), 1929 (oil on canvas), Brodsky, Isaak Israilevich (1883-1939) / Bridgeman Images


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