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18503 Search Results for literary

The meeting of Sancho Panza and his donkey Rucio,  Illustration of Don Quixote, c.1878 (oil on canvas)
The meeting of Sancho Panza and his donkey Rucio,  Illustration of Don Quixote, c.1878 (oil on canvas)

IBE5351052: The meeting of Sancho Panza and his donkey Rucio, Illustration of Don Quixote, c.1878 (oil on canvas), Moreno Carbonero, Jose (1860-1942) / Bridgeman Images

Decor for the Ballet
Decor for the Ballet

FIA5341189: Decor for the Ballet "Sheherazade" Direct, 1910 (watercolour and gouache), Bakst, Leon (1866-1924) / Bridgeman Images

Portrait of the Cuban woman of letters Gertrudis Gomez de Avellaneda, 1857 (oil on canvas)
Portrait of the Cuban woman of letters Gertrudis Gomez de Avellaneda, 1857 (oil on canvas)

IBE5353913: Portrait of the Cuban woman of letters Gertrudis Gomez de Avellaneda, 1857 (oil on canvas), Madrazo y Kuntz, Federico de (1815-94) / Bridgeman Images

Frontispiece of a Spanish edition of
Frontispiece of a Spanish edition of

IBE5386932: Frontispiece of a Spanish edition of "Extraordinary Stories" by Edgar Allan Poe (1809-1849). 19th century / Bridgeman Images

Don Quixote fails to stop the launchers of Sancho Panca who make him bounce on a blanket (Don Quixote” s remonstrances fail to influence the tossers) Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection
Don Quixote fails to stop the launchers of Sancho Panca who make him bounce on a blanket (Don Quixote” s remonstrances fail to influence the tossers) Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection

ELD4868847: Don Quixote fails to stop the launchers of Sancho Panca who make him bounce on a blanket (Don Quixote” s remonstrances fail to influence the tossers) Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote and Sancho Panza with the goatherds Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private Collection
Don Quixote and Sancho Panza with the goatherds Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private Collection

ELD4868954: Don Quixote and Sancho Panza with the goatherds Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote persuades his neighbor Sancho Panza to become his squire Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection
Don Quixote persuades his neighbor Sancho Panza to become his squire Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection

ELD4869011: Don Quixote persuades his neighbor Sancho Panza to become his squire Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection, Dore, Gustave (1832-83) / Bridgeman Images

The Battered Quixote arrives home Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Collection privee
The Battered Quixote arrives home Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Collection privee

ELD4869024: The Battered Quixote arrives home Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Collection privee, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixot attacks the flock of sheep Engraving by Gustave Dore (1832-1883) for “The Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection
Don Quixot attacks the flock of sheep Engraving by Gustave Dore (1832-1883) for “The Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection

ELD4868817: Don Quixot attacks the flock of sheep Engraving by Gustave Dore (1832-1883) for “The Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection, Dore, Gustave (1832-83) / Bridgeman Images

Les mauvais effets de l'elixir de Fierabras (Bad effects of the medicine that was to heal Sancho's bruises) Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixotte de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Collection privee
Les mauvais effets de l'elixir de Fierabras (Bad effects of the medicine that was to heal Sancho's bruises) Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixotte de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Collection privee

ELD4868877: Les mauvais effets de l'elixir de Fierabras (Bad effects of the medicine that was to heal Sancho's bruises) Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixotte de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Collection privee, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote and sancho Panza see a waterfall and noisy hovels (Don Quixote and sancho Panza see a waterfall and noisy hovels) Engraving by Gustave Dore (1832-1883) for “The Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547 1616) 1863 Private collection
Don Quixote and sancho Panza see a waterfall and noisy hovels (Don Quixote and sancho Panza see a waterfall and noisy hovels) Engraving by Gustave Dore (1832-1883) for “The Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547 1616) 1863 Private collection

ELD4868799: Don Quixote and sancho Panza see a waterfall and noisy hovels (Don Quixote and sancho Panza see a waterfall and noisy hovels) Engraving by Gustave Dore (1832-1883) for “The Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547 1616) 1863 Private collection, Dore, Gustave (1832-83) / Bridgeman Images

Giovanni Giacomo Casanova (1725-1798), Italian adventurer and writer, with one of his conquests. 19th century (engraving from
Giovanni Giacomo Casanova (1725-1798), Italian adventurer and writer, with one of his conquests. 19th century (engraving from

ELD4835515: Giovanni Giacomo Casanova (1725-1798), Italian adventurer and writer, with one of his conquests. 19th century (engraving from "Memoires de Jacques Casanova de Seingalt”) / Bridgeman Images

Geraint charges the Bandits, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving)
Geraint charges the Bandits, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving)

LLM3649274: Geraint charges the Bandits, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving), Dore, Gustave (1832-83) (after) / Bridgeman Images

Yniol shows Prince Geraint his Ruined Castle, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving)
Yniol shows Prince Geraint his Ruined Castle, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving)

LLM3649272: Yniol shows Prince Geraint his Ruined Castle, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving), Dore, Gustave (1832-83) (after) / Bridgeman Images

The Flight of the Boon Companions of Earl Limours, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving)
The Flight of the Boon Companions of Earl Limours, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving)

LLM3649276: The Flight of the Boon Companions of Earl Limours, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving), Dore, Gustave (1832-83) (after) / Bridgeman Images

Breton wedding in Paimpolais illustration for the novel by Pierre Loti, 1924 (engraving)
Breton wedding in Paimpolais illustration for the novel by Pierre Loti, 1924 (engraving)

PCT4271711: Breton wedding in Paimpolais illustration for the novel by Pierre Loti, 1924 (engraving), Rudaux, Edmond Adolphe (1840-1914) / Bridgeman Images

King of England Edouart (Edward) V, on his toilet, looking at the coat of arms of France that his doctor shows him. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.
King of England Edouart (Edward) V, on his toilet, looking at the coat of arms of France that his doctor shows him. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.

YAC4122357: King of England Edouart (Edward) V, on his toilet, looking at the coat of arms of France that his doctor shows him. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897., Garnier, Jules Arsene (1847-89) / Bridgeman Images

Illustration from History of Don Quixote, 19th century (engraving)
Illustration from History of Don Quixote, 19th century (engraving)

XEE4156188: Illustration from History of Don Quixote, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for
Illustration for

XEE4406688: Illustration for "Les Trois Mousquetaires" (The Three Musketeers), 1906 (engraving), Damblans, Eugene (1865-1945) / Bridgeman Images

The thistles of the Channel, at the foot of the mills dear to Don Quixote, with the representation of a yeast, a dog breed very frequent in the region (the figure of the galgo corredor always starving in Don Quixote) and a crowd of beggars children, true speciality of the region, perpetually subjected to dryness. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The thistles of the Channel, at the foot of the mills dear to Don Quixote, with the representation of a yeast, a dog breed very frequent in the region (the figure of the galgo corredor always starving in Don Quixote) and a crowd of beggars children, true speciality of the region, perpetually subjected to dryness. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328422: The thistles of the Channel, at the foot of the mills dear to Don Quixote, with the representation of a yeast, a dog breed very frequent in the region (the figure of the galgo corredor always starving in Don Quixote) and a crowd of beggars children, true speciality of the region, perpetually subjected to dryness. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)
Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)

PCT4261338: Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Yudhistira leaves for heaven with his faithful dog, 1973 (tempera on canvas)
Yudhistira leaves for heaven with his faithful dog, 1973 (tempera on canvas)

SBL7146109: Yudhistira leaves for heaven with his faithful dog, 1973 (tempera on canvas), Gerudug, Wayan (1910-1989) / Bridgeman Images

Portrait of the Poet Aleksandr Sergeevich Pushkin, c. 1830 (pencil, pen and black ink, watercolour on paper)
Portrait of the Poet Aleksandr Sergeevich Pushkin, c. 1830 (pencil, pen and black ink, watercolour on paper)

CH1195536: Portrait of the Poet Aleksandr Sergeevich Pushkin, c. 1830 (pencil, pen and black ink, watercolour on paper), Sokolov, Pyotr Fyodorovich (c.1787-1848) / Bridgeman Images

Guardian angel. circa 1910 (engraving)
Guardian angel. circa 1910 (engraving)

CCI6437843: Guardian angel. circa 1910 (engraving) / Bridgeman Images

Dante, Italian poet.  Portrait.
Dante, Italian poet.  Portrait.

KWE7132058: Dante, Italian poet. Portrait. / Bridgeman Images

Portrait of Edgar Allan Poe (1809-1849), american writer. Engraving of the 19th century.
Portrait of Edgar Allan Poe (1809-1849), american writer. Engraving of the 19th century.

IBE5383410: Portrait of Edgar Allan Poe (1809-1849), american writer. Engraving of the 19th century. / Bridgeman Images

The ballad of thank you, poeme. circa 1930 (illustration)
The ballad of thank you, poeme. circa 1930 (illustration)

CCI6437896: The ballad of thank you, poeme. circa 1930 (illustration), Jansem, Jean Léon (1920-2013) / Bridgeman Images

W. H. Auden with Tania Stern, Noemi Kenmore and her husband, Fire Island, New York, summer 1949 (b/w photo)
W. H. Auden with Tania Stern, Noemi Kenmore and her husband, Fire Island, New York, summer 1949 (b/w photo)

JSA808713: W. H. Auden with Tania Stern, Noemi Kenmore and her husband, Fire Island, New York, summer 1949 (b/w photo), Stern, James (1904-93) / Bridgeman Images

W. H. Auden with Tania Stern, Noemi Kenmore and her husband, Fire Island, New York, summer 1949 (b/w photo)
W. H. Auden with Tania Stern, Noemi Kenmore and her husband, Fire Island, New York, summer 1949 (b/w photo)

JSA808716: W. H. Auden with Tania Stern, Noemi Kenmore and her husband, Fire Island, New York, summer 1949 (b/w photo), Stern, James (1904-93) / Bridgeman Images

Oliver Twist asking for more
Oliver Twist asking for more

LAL319422: Oliver Twist asking for more, McConnell, James Edwin (1903-95) / Bridgeman Images

Illustration for The Rat Who Has Withdrawn from Society from 'Fables' by Jean de La Fontaine (1621-95) 1902 (colour engraving)
Illustration for The Rat Who Has Withdrawn from Society from 'Fables' by Jean de La Fontaine (1621-95) 1902 (colour engraving)

PER200583: Illustration for The Rat Who Has Withdrawn from Society from 'Fables' by Jean de La Fontaine (1621-95) 1902 (colour engraving), Christophe (Colomb, Georges) (1856-1945) / Bridgeman Images

Oliver Twist at the bookshop (gouache on paper)
Oliver Twist at the bookshop (gouache on paper)

LAL724513: Oliver Twist at the bookshop (gouache on paper), English School, (20th century) / Bridgeman Images

Dantesque Album (Album Dantesco), 1920-30 (pencil, Indian ink, gouache)
Dantesque Album (Album Dantesco), 1920-30 (pencil, Indian ink, gouache)

ELC852496: Dantesque Album (Album Dantesco), 1920-30 (pencil, Indian ink, gouache), Martini, Alberto (1876-1954) / Bridgeman Images

Lionel Stander, Luigi Comencini and Andrea Balestri on the set of the TV mini-series The Adventures of Pinocchio, Italy, 1972 (b/w photo)
Lionel Stander, Luigi Comencini and Andrea Balestri on the set of the TV mini-series The Adventures of Pinocchio, Italy, 1972 (b/w photo)

MEP3065216: Lionel Stander, Luigi Comencini and Andrea Balestri on the set of the TV mini-series The Adventures of Pinocchio, Italy, 1972 (b/w photo) / Bridgeman Images

Audrey Hepburn and Henry Fonda in War and Peace (photo)
Audrey Hepburn and Henry Fonda in War and Peace (photo)

MEP2615589: Audrey Hepburn and Henry Fonda in War and Peace (photo) / Bridgeman Images

The Taming of the Shrew - Act IV Scene 3
The Taming of the Shrew - Act IV Scene 3

XLA3752375: The Taming of the Shrew - Act IV Scene 3, Eichstaedt, Rudolf (1857-1924) / Bridgeman Images


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