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18503 Search Results for literary

I racconti di Canterbury by Pier Paolo Pasolini, 1972
I racconti di Canterbury by Pier Paolo Pasolini, 1972

DIL7210108: I racconti di Canterbury by Pier Paolo Pasolini, 1972 / Bridgeman Images

ID: DIL7210108

I racconti di Canterbury by Pier Paolo Pasolini, 1972

I racconti di Canterbury by Pier Paolo Pasolini, 1972
I racconti di Canterbury by Pier Paolo Pasolini, 1972

DIL7210109: I racconti di Canterbury by Pier Paolo Pasolini, 1972 / Bridgeman Images

ID: DIL7210109

I racconti di Canterbury by Pier Paolo Pasolini, 1972

American writer Amity Gaige at the XX edition of the International Literature Festival of Rome entitled 'Reading the world', in the new setting of the Palatine Stadium, Rome (Italy), July 21st, 2021 (photo)
American writer Amity Gaige at the XX edition of the International Literature Festival of Rome entitled 'Reading the world', in the new setting of the Palatine Stadium, Rome (Italy), July 21st, 2021 (photo)

MEP7127466: American writer Amity Gaige at the XX edition of the International Literature Festival of Rome entitled 'Reading the world', in the new setting of the Palatine Stadium, Rome (Italy), July 21st, 2021 (photo) / Bridgeman Images

ID: MEP7127466

American writer Amity Gaige at the XX edition of the International Literature Festival of Rome entitled 'Reading the world', in the new setting of the Palatine Stadium, Rome (Italy), July 21st, 2021 (photo)

Epilogue to the play 'The Alchemist', 1721 (engraving)
Epilogue to the play 'The Alchemist', 1721 (engraving)

XJF437545: Epilogue to the play 'The Alchemist', 1721 (engraving), English School, (18th century) / Bridgeman Images

ID: XJF437545

Epilogue to the play 'The Alchemist', 1721 (engraving)

English School, (18th century)

H G Wells and Maxim Gorky, 1920 (b/w photo)
H G Wells and Maxim Gorky, 1920 (b/w photo)

LLE817799: H G Wells and Maxim Gorky, 1920 (b/w photo), Russian Photographer, (20th century) / Bridgeman Images

ID: LLE817799

H G Wells and Maxim Gorky, 1920 (b/w photo)

Russian Photographer, (20th century)

Mr E L Davenport as Benedick, Much Ado About Nothing, Act II, scene iii (engraving)
Mr E L Davenport as Benedick, Much Ado About Nothing, Act II, scene iii (engraving)

LLM971627: Mr E L Davenport as Benedick, Much Ado About Nothing, Act II, scene iii (engraving), English School, (19th century) / Bridgeman Images

ID: LLM971627

Mr E L Davenport as Benedick, Much Ado About Nothing, Act II, scene iii (engraving)

English School, (19th century)

Mr George Bennett as Apemantus, Apemantus' grace, Timon of Athens, Act I, scene ii (engraving)
Mr George Bennett as Apemantus, Apemantus' grace, Timon of Athens, Act I, scene ii (engraving)

LLM971656: Mr George Bennett as Apemantus, Apemantus' grace, Timon of Athens, Act I, scene ii (engraving), English School, (19th century) / Bridgeman Images

ID: LLM971656

Mr George Bennett as Apemantus, Apemantus' grace, Timon of Athens, Act I, scene ii (engraving)

English School, (19th century)

Cymbeline, Act II, Scene II (engraving)
Cymbeline, Act II, Scene II (engraving)

LLM971666: Cymbeline, Act II, Scene II (engraving), Meadows, Joseph Kenny (1770-1874) (after) / Bridgeman Images

ID: LLM971666

Cymbeline, Act II, Scene II (engraving)

Meadows, Joseph Kenny (1770-1874) (after)

Coriolanus, Act V, Scene III (engraving)
Coriolanus, Act V, Scene III (engraving)

LLM971679: Coriolanus, Act V, Scene III (engraving), Meadows, Joseph Kenny (1770-1874) (after) / Bridgeman Images

ID: LLM971679

Coriolanus, Act V, Scene III (engraving)

Meadows, Joseph Kenny (1770-1874) (after)

Miss Glyn and Mr Hoskins as Isabella and Lucio, Measure for Measure (engraving)
Miss Glyn and Mr Hoskins as Isabella and Lucio, Measure for Measure (engraving)

LLM971624: Miss Glyn and Mr Hoskins as Isabella and Lucio, Measure for Measure (engraving), English School, (19th century) / Bridgeman Images

ID: LLM971624

Miss Glyn and Mr Hoskins as Isabella and Lucio, Measure for Measure (engraving)

English School, (19th century)

Mr Barry Sullivan as Hamlet, Act II, scene ii (engraving)
Mr Barry Sullivan as Hamlet, Act II, scene ii (engraving)

LLM971659: Mr Barry Sullivan as Hamlet, Act II, scene ii (engraving), English School, (19th century) / Bridgeman Images

ID: LLM971659

Mr Barry Sullivan as Hamlet, Act II, scene ii (engraving)

English School, (19th century)

Richard II, Act V, Scene V (engraving)
Richard II, Act V, Scene V (engraving)

LLM971689: Richard II, Act V, Scene V (engraving), Meadows, Joseph Kenny (1770-1874) (after) / Bridgeman Images

ID: LLM971689

Richard II, Act V, Scene V (engraving)

Meadows, Joseph Kenny (1770-1874) (after)

Fagin from Oliver Twist (engraving)
Fagin from Oliver Twist (engraving)

LLM725649: Fagin from Oliver Twist (engraving), English School, (19th century) / Bridgeman Images

ID: LLM725649

Fagin from Oliver Twist (engraving)

English School, (19th century)

Fledgeby and Mr. Riah in the Counting House.
Fledgeby and Mr. Riah in the Counting House.

KWE1000772: Fledgeby and Mr. Riah in the Counting House. "Perched on the stool with his hat cocked on his head and one of his legs dangling, the youth of Fledgeby hardly contrasted to advantage with the age of the Jewish man, with his bare head bowed, and his eyes on the ground." Illustration by Harry Furniss for the Charles Dickens novel Our Mutual Friend, from The Testimonial Edition, published 1910., Furniss, Harry (1854-1925) / Bridgeman Images

ID: KWE1000772

Fledgeby and Mr. Riah in the Counting House. "Perched on the stool with his hat cocked on his head and one of his legs dangling, the youth of Fledgeby hardly contrasted to advantage with the age of the Jewish man, with his bare head bowed, and his eyes on the ground." Illustration by Harry Furniss for the Charles Dickens novel Our Mutual Friend, from The Testimonial Edition, published 1910.

Furniss, Harry (1854-1925)

Mr. Wrayburn's Method of Ejection.
Mr. Wrayburn's Method of Ejection.

KWE1000775: Mr. Wrayburn's Method of Ejection. "The fact that Mr. Dolls exhibited a tendency to fall asleep, thereby threatening a prolonged stay on the premises, necessitated vigorous measures. So Eugene picked up his worn out hat with the tongs, clapped it on his head, and conducted him downstairs." Illustration by Harry Furniss for the Charles Dickens novel Our Mutual Friend, from The Testimonial Edition, published 1910., Furniss, Harry (1854-1925) / Bridgeman Images

ID: KWE1000775

Mr. Wrayburn's Method of Ejection. "The fact that Mr. Dolls exhibited a tendency to fall asleep, thereby threatening a prolonged stay on the premises, necessitated vigorous measures. So Eugene picked up his worn out hat with the tongs, clapped it on his head, and conducted him downstairs." Illustration by Harry Furniss for the Charles Dickens novel Our Mutual Friend, from The Testimonial Edition, published 1910.

Furniss, Harry (1854-1925)

The King's message to Tender Conscience, illustration from 'The Pilgrim's Progress' by John Bunyan (1628-88) (colour litho)
The King's message to Tender Conscience, illustration from 'The Pilgrim's Progress' by John Bunyan (1628-88) (colour litho)

KWE265411: The King's message to Tender Conscience, illustration from 'The Pilgrim's Progress' by John Bunyan (1628-88) (colour litho), English School, (19th century) / Bridgeman Images

ID: KWE265411

The King's message to Tender Conscience, illustration from 'The Pilgrim's Progress' by John Bunyan (1628-88) (colour litho)

English School, (19th century)

Alice shrinks and meets the puppy, from 'Alice's Adventures in Wonderland' by Lewis Carroll, published 1891 (litho)
Alice shrinks and meets the puppy, from 'Alice's Adventures in Wonderland' by Lewis Carroll, published 1891 (litho)

KWE320855: Alice shrinks and meets the puppy, from 'Alice's Adventures in Wonderland' by Lewis Carroll, published 1891 (litho), Tenniel, John (1820-1914) / Bridgeman Images

ID: KWE320855

Alice shrinks and meets the puppy, from 'Alice's Adventures in Wonderland' by Lewis Carroll, published 1891 (litho)

Tenniel, John (1820-1914)

Design for the cover of 'The British Barbarians' 1896 (litho)
Design for the cover of 'The British Barbarians' 1896 (litho)

KDC397359: Design for the cover of 'The British Barbarians' 1896 (litho), Beardsley, Aubrey (1872-98) / Bridgeman Images

ID: KDC397359

Design for the cover of 'The British Barbarians' 1896 (litho)

Beardsley, Aubrey (1872-98)

Defoe, Daniel (1660-1731). Robinson Crusoe rescuing of the boat all what could be before of its sinking.
Defoe, Daniel (1660-1731). Robinson Crusoe rescuing of the boat all what could be before of its sinking.

TRK562211: Defoe, Daniel (1660-1731). Robinson Crusoe rescuing of the boat all what could be before of its sinking. / Bridgeman Images

ID: TRK562211

Defoe, Daniel (1660-1731). Robinson Crusoe rescuing of the boat all what could be before of its sinking.

A scene from William Shakespeare's 'King Richard II', Act IV, Scene 1, King Richard:
A scene from William Shakespeare's 'King Richard II', Act IV, Scene 1, King Richard:

KWE2654801: A scene from William Shakespeare's 'King Richard II', Act IV, Scene 1, King Richard: "Here, cousin, seize the crown", from 'The Works of William Shakespeare', published 1896 (engraving), Browne, Gordon Frederick (1858-1932) / Bridgeman Images

ID: KWE2654801

A scene from William Shakespeare's 'King Richard II', Act IV, Scene 1, King Richard: "Here, cousin, seize the crown", from 'The Works of William Shakespeare', published 1896 (engraving)

Browne, Gordon Frederick (1858-1932)

A scene from William Shakespeare's play 'Measure for Measure', Act II, Scene 1, Pompey Bum:
A scene from William Shakespeare's play 'Measure for Measure', Act II, Scene 1, Pompey Bum:

KWE2654807: A scene from William Shakespeare's play 'Measure for Measure', Act II, Scene 1, Pompey Bum: "Doth your honour see any harm in his face?", from 'The Works of William Shakespeare', published 1896 (engraving), Browne, Gordon Frederick (1858-1932) / Bridgeman Images

ID: KWE2654807

A scene from William Shakespeare's play 'Measure for Measure', Act II, Scene 1, Pompey Bum: "Doth your honour see any harm in his face?", from 'The Works of William Shakespeare', published 1896 (engraving)

Browne, Gordon Frederick (1858-1932)

A scene from William Shakespeare's play 'Hamlet', Act I, Scene 5, Hamlet:
A scene from William Shakespeare's play 'Hamlet', Act I, Scene 5, Hamlet:

KWE2654830: A scene from William Shakespeare's play 'Hamlet', Act I, Scene 5, Hamlet: "Remember thee! Ay, thou poor ghost, while memory holds a seat in this distracted globe", from 'The Works of William Shakespeare', published 1896 (engraving), Browne, Gordon Frederick (1858-1932) / Bridgeman Images

ID: KWE2654830

A scene from William Shakespeare's play 'Hamlet', Act I, Scene 5, Hamlet: "Remember thee! Ay, thou poor ghost, while memory holds a seat in this distracted globe", from 'The Works of William Shakespeare', published 1896 (engraving)

Browne, Gordon Frederick (1858-1932)

A scene from William Shakespeare's play 'Titus Andronicus', Act V, Scene 2, Titus:
A scene from William Shakespeare's play 'Titus Andronicus', Act V, Scene 2, Titus:

KWE2654838: A scene from William Shakespeare's play 'Titus Andronicus', Act V, Scene 2, Titus: "Come, come, Lavinia, look, thy foes are bound", from 'The Works of William Shakespeare', published 1896 (engraving), Browne, Gordon Frederick (1858-1932) / Bridgeman Images

ID: KWE2654838

A scene from William Shakespeare's play 'Titus Andronicus', Act V, Scene 2, Titus: "Come, come, Lavinia, look, thy foes are bound", from 'The Works of William Shakespeare', published 1896 (engraving)

Browne, Gordon Frederick (1858-1932)

Christian meeting Timorous and Mistrust. From The Pilgrim's Progress by John Bunyan. 19th century print.
Christian meeting Timorous and Mistrust. From The Pilgrim's Progress by John Bunyan. 19th century print.

KWE2603540: Christian meeting Timorous and Mistrust. From The Pilgrim's Progress by John Bunyan. 19th century print. / Bridgeman Images

ID: KWE2603540

Christian meeting Timorous and Mistrust. From The Pilgrim's Progress by John Bunyan. 19th century print.

Christian and Evangelist. From The Pilgrim's Progress by John Bunyan. 19th century print.
Christian and Evangelist. From The Pilgrim's Progress by John Bunyan. 19th century print.

KWE2603531: Christian and Evangelist. From The Pilgrim's Progress by John Bunyan. 19th century print. / Bridgeman Images

ID: KWE2603531

Christian and Evangelist. From The Pilgrim's Progress by John Bunyan. 19th century print.

Giant Despair discovers Christian and Hopeful on his grounds. 19th century (print)
Giant Despair discovers Christian and Hopeful on his grounds. 19th century (print)

KWE2603553: Giant Despair discovers Christian and Hopeful on his grounds. 19th century (print) / Bridgeman Images

ID: KWE2603553

Giant Despair discovers Christian and Hopeful on his grounds. 19th century (print)

A scene from William Shakespeare's play King Richard II, Act 1, Scene 3, Mar:
A scene from William Shakespeare's play King Richard II, Act 1, Scene 3, Mar:

KWE2654799: A scene from William Shakespeare's play King Richard II, Act 1, Scene 3, Mar: "Stay, stay, the king hath thrown his warder down", from 'The Works of William Shakespeare', published 1896 (engraving), Browne, Gordon Frederick (1858-1932) / Bridgeman Images

ID: KWE2654799

A scene from William Shakespeare's play King Richard II, Act 1, Scene 3, Mar: "Stay, stay, the king hath thrown his warder down", from 'The Works of William Shakespeare', published 1896 (engraving)

Browne, Gordon Frederick (1858-1932)

A scene from William Shakespeare's play 'Twelfth Night' Act IV, Scene 1, Sebastian (beating Sir Andrew):
A scene from William Shakespeare's play 'Twelfth Night' Act IV, Scene 1, Sebastian (beating Sir Andrew):

KWE2654829: A scene from William Shakespeare's play 'Twelfth Night' Act IV, Scene 1, Sebastian (beating Sir Andrew): "Why, there's for thee, and there, and there!", from The Works of William Shakespeare, published 1896 (engraving), Browne, Gordon Frederick (1858-1932) / Bridgeman Images

ID: KWE2654829

A scene from William Shakespeare's play 'Twelfth Night' Act IV, Scene 1, Sebastian (beating Sir Andrew): "Why, there's for thee, and there, and there!", from The Works of William Shakespeare, published 1896 (engraving)

Browne, Gordon Frederick (1858-1932)

A scene from William Shakespeare's play 'King Henry IV', Part 1, Act IV, Scene 2, Falstaff's ragged regiment, from 'The Works of William Shakespeare', published 1896 (engraving)
A scene from William Shakespeare's play 'King Henry IV', Part 1, Act IV, Scene 2, Falstaff's ragged regiment, from 'The Works of William Shakespeare', published 1896 (engraving)

KWE2654822: A scene from William Shakespeare's play 'King Henry IV', Part 1, Act IV, Scene 2, Falstaff's ragged regiment, from 'The Works of William Shakespeare', published 1896 (engraving), Browne, Gordon Frederick (1858-1932) / Bridgeman Images

ID: KWE2654822

A scene from William Shakespeare's play 'King Henry IV', Part 1, Act IV, Scene 2, Falstaff's ragged regiment, from 'The Works of William Shakespeare', published 1896 (engraving)

Browne, Gordon Frederick (1858-1932)

A scene from William Shakespeare's play 'Cymbeline', Act V, Scene 5, Posthumus Leonatus:
A scene from William Shakespeare's play 'Cymbeline', Act V, Scene 5, Posthumus Leonatus:

KWE2654837: A scene from William Shakespeare's play 'Cymbeline', Act V, Scene 5, Posthumus Leonatus: "Kneel not to me. The power that I have on you is to spare you", from 'The Works of William Shakespeare', published 1896 (engraving), Browne, Gordon Frederick (1858-1932) / Bridgeman Images

ID: KWE2654837

A scene from William Shakespeare's play 'Cymbeline', Act V, Scene 5, Posthumus Leonatus: "Kneel not to me. The power that I have on you is to spare you", from 'The Works of William Shakespeare', published 1896 (engraving)

Browne, Gordon Frederick (1858-1932)

Father William and the Young Man, illustration from 'Alice's Adventures Under Ground', pub. 1886 (facsimile)
Father William and the Young Man, illustration from 'Alice's Adventures Under Ground', pub. 1886 (facsimile)

STC2657662: Father William and the Young Man, illustration from 'Alice's Adventures Under Ground', pub. 1886 (facsimile), Dodgson, Charles Lutwidge (Lewis Carroll) (1832-98) / Bridgeman Images

ID: STC2657662

Father William and the Young Man, illustration from 'Alice's Adventures Under Ground', pub. 1886 (facsimile)

Dodgson, Charles Lutwidge (Lewis Carroll) (1832-98)

Father William having eaten the goose, illustration from 'Alice's Adventures Under Ground', pub. 1886 (facsimile)
Father William having eaten the goose, illustration from 'Alice's Adventures Under Ground', pub. 1886 (facsimile)

STC2657663: Father William having eaten the goose, illustration from 'Alice's Adventures Under Ground', pub. 1886 (facsimile), Dodgson, Charles Lutwidge (Lewis Carroll) (1832-98) / Bridgeman Images

ID: STC2657663

Father William having eaten the goose, illustration from 'Alice's Adventures Under Ground', pub. 1886 (facsimile)

Dodgson, Charles Lutwidge (Lewis Carroll) (1832-98)

A scene from William Shakespeare's play Love's Labour's Lost, Act V Scene 2, Mercade:
A scene from William Shakespeare's play Love's Labour's Lost, Act V Scene 2, Mercade:

KWE2657646: A scene from William Shakespeare's play Love's Labour's Lost, Act V Scene 2, Mercade: "I am sorry, madam; for the news I bring is heavy in my tongue", from 'The Works of William Shakespeare', published 1896 (engraving), Browne, Gordon Frederick (1858-1932) / Bridgeman Images

ID: KWE2657646

A scene from William Shakespeare's play Love's Labour's Lost, Act V Scene 2, Mercade: "I am sorry, madam; for the news I bring is heavy in my tongue", from 'The Works of William Shakespeare', published 1896 (engraving)

Browne, Gordon Frederick (1858-1932)

Illustration for Great Expectations (engraving)
Illustration for Great Expectations (engraving)

LLM3106349: Illustration for Great Expectations (engraving), Brock, Henry Matthew (1875-1960) / Bridgeman Images

ID: LLM3106349

Illustration for Great Expectations (engraving)

Brock, Henry Matthew (1875-1960)

Illustration for Great Expectations (engraving)
Illustration for Great Expectations (engraving)

LLM3106351: Illustration for Great Expectations (engraving), Brock, Henry Matthew (1875-1960) / Bridgeman Images

ID: LLM3106351

Illustration for Great Expectations (engraving)

Brock, Henry Matthew (1875-1960)

Torre and Lavaine bid farewell to the Body of Elaine, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving)
Torre and Lavaine bid farewell to the Body of Elaine, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving)

LLM3649285: Torre and Lavaine bid farewell to the Body of Elaine, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving), Dore, Gustave (1832-83) (after) / Bridgeman Images

ID: LLM3649285

Torre and Lavaine bid farewell to the Body of Elaine, illustration from Tennyson's 'Idylls of the King', c.1878 (engraving)

Dore, Gustave (1832-83) (after)


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