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6599 Search Results for carving

'Zoomorph B', Quirigua, Izabal department, Guatemala, Late Classic period, AD 780 (platinum print)
'Zoomorph B', Quirigua, Izabal department, Guatemala, Late Classic period, AD 780 (platinum print)

PRM479385: 'Zoomorph B', Quirigua, Izabal department, Guatemala, Late Classic period, AD 780 (platinum print), Mayan, (8th century AD) / Bridgeman Images

ID: PRM479385

'Zoomorph B', Quirigua, Izabal department, Guatemala, Late Classic period, AD 780 (platinum print)

Mayan, (8th century AD)

Oxfordshire - St. Peter's and St. Paul's Church, 1802 (w/c on paper)
Oxfordshire - St. Peter's and St. Paul's Church, 1802 (w/c on paper)

WSL5895731: Oxfordshire - St. Peter's and St. Paul's Church, 1802 (w/c on paper), Buckler, John (1770-1851) / Bridgeman Images

ID: WSL5895731

Oxfordshire - St. Peter's and St. Paul's Church, 1802 (w/c on paper)

Buckler, John (1770-1851)

Room of the Married Couple (Alcove), (carved and gilded wood)
Room of the Married Couple (Alcove), (carved and gilded wood)

MEB855597: Room of the Married Couple (Alcove), (carved and gilded wood), Italian School, (17th century) / Bridgeman Images

ID: MEB855597

Room of the Married Couple (Alcove), (carved and gilded wood)

Italian School, (17th century)

February (Febbraio), by Benedetto da Milano upon drawing by Bramantino, c. 1503-1508, 16th century (tapestry)
February (Febbraio), by Benedetto da Milano upon drawing by Bramantino, c. 1503-1508, 16th century (tapestry)

MEP1267194: February (Febbraio), by Benedetto da Milano upon drawing by Bramantino, c. 1503-1508, 16th century (tapestry), Milano, Benedetto da (fl.1504-09) / Bridgeman Images

ID: MEP1267194

February (Febbraio), by Benedetto da Milano upon drawing by Bramantino, c. 1503-1508, 16th century (tapestry)

Milano, Benedetto da (fl.1504-09)

The Cathedrals of Wall Street, 1939 (oil on canvas)
The Cathedrals of Wall Street, 1939 (oil on canvas)

XOS3614013: The Cathedrals of Wall Street, 1939 (oil on canvas), Stettheimer, Florine (1871-1944) / Bridgeman Images

ID: XOS3614013

The Cathedrals of Wall Street, 1939 (oil on canvas)

Stettheimer, Florine (1871-1944)

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. For its reopening in April 2009, after two years of construction, the school welcomes Giuseppe Penone's sculpture “Matrix de Seve””. It is a tree of 24 meters cut in its length and whose hollow heart is covered with seve. Photography 03/06/09.
Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. For its reopening in April 2009, after two years of construction, the school welcomes Giuseppe Penone's sculpture “Matrix de Seve””. It is a tree of 24 meters cut in its length and whose hollow heart is covered with seve. Photography 03/06/09.

OMG4599685: Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. For its reopening in April 2009, after two years of construction, the school welcomes Giuseppe Penone's sculpture “Matrix de Seve””. It is a tree of 24 meters cut in its length and whose hollow heart is covered with seve. Photography 03/06/09. / Bridgeman Images

ID: OMG4599685

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. For its reopening in April 2009, after two years of construction, the school welcomes Giuseppe Penone's sculpture “Matrix de Seve””. It is a tree of 24 meters cut in its length and whose hollow heart is covered with se

Wolfgang Mozart as child
Wolfgang Mozart as child

SLR3830282: Wolfgang Mozart as child / Bridgeman Images

ID: SLR3830282

Wolfgang Mozart as child

February (Febbraio), by Benedetto da Milano upon drawing by Bramantino, c. 1503-1508, 16th century (tapestry)
February (Febbraio), by Benedetto da Milano upon drawing by Bramantino, c. 1503-1508, 16th century (tapestry)

MEP1267020: February (Febbraio), by Benedetto da Milano upon drawing by Bramantino, c. 1503-1508, 16th century (tapestry), Milano, Benedetto da (fl.1504-09) / Bridgeman Images

ID: MEP1267020

February (Febbraio), by Benedetto da Milano upon drawing by Bramantino, c. 1503-1508, 16th century (tapestry)

Milano, Benedetto da (fl.1504-09)

Essex - Gosfield Hall - The Court, 1824 (w/c on paper)
Essex - Gosfield Hall - The Court, 1824 (w/c on paper)

WSL5895607: Essex - Gosfield Hall - The Court, 1824 (w/c on paper), Buckler, John Chessell (1793-1894) / Bridgeman Images

ID: WSL5895607

Essex - Gosfield Hall - The Court, 1824 (w/c on paper)

Buckler, John Chessell (1793-1894)

Oxfordshire - Oxford - St. Peter in the East Church, 1803 (w/c on paper)
Oxfordshire - Oxford - St. Peter in the East Church, 1803 (w/c on paper)

WSL5895725: Oxfordshire - Oxford - St. Peter in the East Church, 1803 (w/c on paper), Buckler, John (1770-1851) / Bridgeman Images

ID: WSL5895725

Oxfordshire - Oxford - St. Peter in the East Church, 1803 (w/c on paper)

Buckler, John (1770-1851)

islamic art-panel-wood-inv.n.3473-acquired 1911-from the complex of al Nasir Muhammad-Fatimid ca 1058-IM-110908-007
islamic art-panel-wood-inv.n.3473-acquired 1911-from the complex of al Nasir Muhammad-Fatimid ca 1058-IM-110908-007

VIS693578: islamic art-panel-wood-inv.n.3473-acquired 1911-from the complex of al Nasir Muhammad-Fatimid ca 1058-IM-110908-007 / Bridgeman Images

ID: VIS693578

islamic art-panel-wood-inv.n.3473-acquired 1911-from the complex of al Nasir Muhammad-Fatimid ca 1058-IM-110908-007

Nursery rhyme - 'Three
Nursery rhyme - 'Three

XLA3774164: Nursery rhyme - 'Three, Willebeek Le Mair, Henriette (1889-1966) / Bridgeman Images

ID: XLA3774164

Nursery rhyme - 'Three

Willebeek Le Mair, Henriette (1889-1966)

Essex - Earls Colne Church, 1824 (w/c on paper)
Essex - Earls Colne Church, 1824 (w/c on paper)

WSL5895616: Essex - Earls Colne Church, 1824 (w/c on paper), Buckler, John (1770-1851) / Bridgeman Images

ID: WSL5895616

Essex - Earls Colne Church, 1824 (w/c on paper)

Buckler, John (1770-1851)

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. For its reopening in April 2009, after two years of construction, the school welcomes Giuseppe Penone's sculpture “Matrix de Seve””. It is a tree of 24 meters cut in its length and whose hollow heart is covered with seve. Photography 03/06/09.
Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. For its reopening in April 2009, after two years of construction, the school welcomes Giuseppe Penone's sculpture “Matrix de Seve””. It is a tree of 24 meters cut in its length and whose hollow heart is covered with seve. Photography 03/06/09.

OMG4599678: Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. For its reopening in April 2009, after two years of construction, the school welcomes Giuseppe Penone's sculpture “Matrix de Seve””. It is a tree of 24 meters cut in its length and whose hollow heart is covered with seve. Photography 03/06/09. / Bridgeman Images

ID: OMG4599678

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. For its reopening in April 2009, after two years of construction, the school welcomes Giuseppe Penone's sculpture “Matrix de Seve””. It is a tree of 24 meters cut in its length and whose hollow heart is covered with se

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. For its reopening in April 2009, after two years of construction, the school welcomes Giuseppe Penone's sculpture “Matrix de Seve””. It is a tree of 24 meters cut in its length and whose hollow heart is covered with seve. Photography 03/06/09.
Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. For its reopening in April 2009, after two years of construction, the school welcomes Giuseppe Penone's sculpture “Matrix de Seve””. It is a tree of 24 meters cut in its length and whose hollow heart is covered with seve. Photography 03/06/09.

OMG4599690: Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. For its reopening in April 2009, after two years of construction, the school welcomes Giuseppe Penone's sculpture “Matrix de Seve””. It is a tree of 24 meters cut in its length and whose hollow heart is covered with seve. Photography 03/06/09. / Bridgeman Images

ID: OMG4599690

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. For its reopening in April 2009, after two years of construction, the school welcomes Giuseppe Penone's sculpture “Matrix de Seve””. It is a tree of 24 meters cut in its length and whose hollow heart is covered with se

Capital from the Benedictine Abbey of Sant Miquel de Cuixa, Pyrenees-Orientales, 11th-12th centuries (photo)
Capital from the Benedictine Abbey of Sant Miquel de Cuixa, Pyrenees-Orientales, 11th-12th centuries (photo)

XIR404221: Capital from the Benedictine Abbey of Sant Miquel de Cuixa, Pyrenees-Orientales, 11th-12th centuries (photo) / Bridgeman Images

ID: XIR404221

Capital from the Benedictine Abbey of Sant Miquel de Cuixa, Pyrenees-Orientales, 11th-12th centuries (photo)

Colorful Tibetan inscription on a rock, Hepo Ri above Samye Monastery (photo)
Colorful Tibetan inscription on a rock, Hepo Ri above Samye Monastery (photo)

IMB4959279: Colorful Tibetan inscription on a rock, Hepo Ri above Samye Monastery (photo) / Bridgeman Images

ID: IMB4959279

Colorful Tibetan inscription on a rock, Hepo Ri above Samye Monastery (photo)

Comb, 1400s (boxwood)
Comb, 1400s (boxwood)

XCL491420: Comb, 1400s (boxwood) , French School, (15th century) / Bridgeman Images

ID: XCL491420

Comb, 1400s (boxwood)

French School, (15th century)

Various instruments used by the natives of Otaheite (engraving)
Various instruments used by the natives of Otaheite (engraving)

LLE820117: Various instruments used by the natives of Otaheite (engraving), English School, (18th century) / Bridgeman Images

ID: LLE820117

Various instruments used by the natives of Otaheite (engraving)

English School, (18th century)

Tomb Effigy Bust of Marie de France, c.1381 (marble with lead inlays)
Tomb Effigy Bust of Marie de France, c.1381 (marble with lead inlays)

XOS3746298: Tomb Effigy Bust of Marie de France, c.1381 (marble with lead inlays), Liege, Jean de (fl.1361-81) / Bridgeman Images

ID: XOS3746298

Tomb Effigy Bust of Marie de France, c.1381 (marble with lead inlays)

Liege, Jean de (fl.1361-81)

'Zoomorph B', Quirigua, Izabal department, Guatemala, Late Classic period, AD 780 (platinum print)
'Zoomorph B', Quirigua, Izabal department, Guatemala, Late Classic period, AD 780 (platinum print)

PRM479383: 'Zoomorph B', Quirigua, Izabal department, Guatemala, Late Classic period, AD 780 (platinum print), Mayan, (8th century AD) / Bridgeman Images

ID: PRM479383

'Zoomorph B', Quirigua, Izabal department, Guatemala, Late Classic period, AD 780 (platinum print)

Mayan, (8th century AD)

Tomb effigy of heart of King John II Casimir Vasa at Abbaye de Saint-Germain-des-Prés in Paris (engraving))
Tomb effigy of heart of King John II Casimir Vasa at Abbaye de Saint-Germain-des-Prés in Paris (engraving))

CHT741376: Tomb effigy of heart of King John II Casimir Vasa at Abbaye de Saint-Germain-des-Prés in Paris (engraving)), Chaufourier, Jean (1679-1757) (after) / Bridgeman Images

ID: CHT741376

Tomb effigy of heart of King John II Casimir Vasa at Abbaye de Saint-Germain-des-Prés in Paris (engraving))

Chaufourier, Jean (1679-1757) (after)

'Zoomorph P', Quirigua, Izabal department, Guatemala, Late Classic period, AD 795 (platinum print)
'Zoomorph P', Quirigua, Izabal department, Guatemala, Late Classic period, AD 795 (platinum print)

PRM479380: 'Zoomorph P', Quirigua, Izabal department, Guatemala, Late Classic period, AD 795 (platinum print), Mayan, (8th century AD) / Bridgeman Images

ID: PRM479380

'Zoomorph P', Quirigua, Izabal department, Guatemala, Late Classic period, AD 795 (platinum print)

Mayan, (8th century AD)

'Zoomorph P', Quirigua, Izabal department, Guatemala, Late Classic period, AD 795 (platinum print)
'Zoomorph P', Quirigua, Izabal department, Guatemala, Late Classic period, AD 795 (platinum print)

PRM479381: 'Zoomorph P', Quirigua, Izabal department, Guatemala, Late Classic period, AD 795 (platinum print), Mayan, (8th century AD) / Bridgeman Images

ID: PRM479381

'Zoomorph P', Quirigua, Izabal department, Guatemala, Late Classic period, AD 795 (platinum print)

Mayan, (8th century AD)

'Zoomorph P', Quirigua, Izabal department, Guatemala, Late Classic period, AD 795 (platinum print)
'Zoomorph P', Quirigua, Izabal department, Guatemala, Late Classic period, AD 795 (platinum print)

PRM479374: 'Zoomorph P', Quirigua, Izabal department, Guatemala, Late Classic period, AD 795 (platinum print), Mayan, (8th century AD) / Bridgeman Images

ID: PRM479374

'Zoomorph P', Quirigua, Izabal department, Guatemala, Late Classic period, AD 795 (platinum print)

Mayan, (8th century AD)

Adoration of the Shepherds, 1552 (oil on canvas)
Adoration of the Shepherds, 1552 (oil on canvas)

ELC856581: Adoration of the Shepherds, 1552 (oil on canvas), Bernardino Gatti (il Sojaro) (1495-1575) / Bridgeman Images

ID: ELC856581

Adoration of the Shepherds, 1552 (oil on canvas)

Bernardino Gatti (il Sojaro) (1495-1575)

Monument to J.S. Lewis, Esq., 1844 (litho)
Monument to J.S. Lewis, Esq., 1844 (litho)

LCP463174: Monument to J.S. Lewis, Esq., 1844 (litho), Notman, John (1810-65) / Bridgeman Images

ID: LCP463174

Monument to J.S. Lewis, Esq., 1844 (litho)

Notman, John (1810-65)

Altarpiece, 1486 (wood carved, painted and gilded)
Altarpiece, 1486 (wood carved, painted and gilded)

ELC859376: Altarpiece, 1486 (wood carved, painted and gilded), Italian School, (15th century) / Bridgeman Images

ID: ELC859376

Altarpiece, 1486 (wood carved, painted and gilded)

Italian School, (15th century)

islamic art-panel-ivory-inv.n.13497-MIA - 28 11 10 001
islamic art-panel-ivory-inv.n.13497-MIA - 28 11 10 001

VIS693361: islamic art-panel-ivory-inv.n.13497-MIA - 28 11 10 001 / Bridgeman Images

ID: VIS693361

islamic art-panel-ivory-inv.n.13497-MIA - 28 11 10 001

Mercury, c.1464 (engraving)
Mercury, c.1464 (engraving)

XJF1127536: Mercury, c.1464 (engraving), Baldini, Baccio (c.1436-87) / Bridgeman Images

ID: XJF1127536

Mercury, c.1464 (engraving)

Baldini, Baccio (c.1436-87)

Womans Face and Foliage, 1916 (sandstone)
Womans Face and Foliage, 1916 (sandstone)

PRK6201217: Womans Face and Foliage, 1916 (sandstone), Fergusson, John Duncan (1874-1961) / Bridgeman Images

ID: PRK6201217

Womans Face and Foliage, 1916 (sandstone)

Fergusson, John Duncan (1874-1961)

India: A jali or latticed stone screen in the tomb of I'timad-ud-Daulah, Agra, Uttar Pradesh
India: A jali or latticed stone screen in the tomb of I'timad-ud-Daulah, Agra, Uttar Pradesh

PFH1186166: India: A jali or latticed stone screen in the tomb of I'timad-ud-Daulah, Agra, Uttar Pradesh / Bridgeman Images

ID: PFH1186166

India: A jali or latticed stone screen in the tomb of I'timad-ud-Daulah, Agra, Uttar Pradesh

Kneeling Figure, 1932 (rosewood)
Kneeling Figure, 1932 (rosewood)

WAK3663536: Kneeling Figure, 1932 (rosewood) , Hepworth, Barbara (1903-75) / Bridgeman Images

ID: WAK3663536

Kneeling Figure, 1932 (rosewood)

Hepworth, Barbara (1903-75)

Writing table, 1851 (sycamore, birch, maple, lime, cedar, box, steel and brass)
Writing table, 1851 (sycamore, birch, maple, lime, cedar, box, steel and brass)

ROC6151772: Writing table, 1851 (sycamore, birch, maple, lime, cedar, box, steel and brass), Wetli, Michael Leonz (1809-86) / Bridgeman Images

ID: ROC6151772

Writing table, 1851 (sycamore, birch, maple, lime, cedar, box, steel and brass)

Wetli, Michael Leonz (1809-86)

Oud on display
Oud on display

SLR3829841: Oud on display / Bridgeman Images

ID: SLR3829841

Oud on display

India: A jali or latticed stone screen in the tomb of I'timad-ud-Daulah, Agra, Uttar Pradesh
India: A jali or latticed stone screen in the tomb of I'timad-ud-Daulah, Agra, Uttar Pradesh

PFH1186168: India: A jali or latticed stone screen in the tomb of I'timad-ud-Daulah, Agra, Uttar Pradesh / Bridgeman Images

ID: PFH1186168

India: A jali or latticed stone screen in the tomb of I'timad-ud-Daulah, Agra, Uttar Pradesh


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