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6599 Search Results for carving

Apostle saint Peter. 18th century (Polychrome wood sculpture)
Apostle saint Peter. 18th century (Polychrome wood sculpture)

TRK7144448: Apostle saint Peter. 18th century (Polychrome wood sculpture) / Bridgeman Images

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.
Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.

OMG4599744: Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09. / Bridgeman Images

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.
Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.

OMG4599745: Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09. / Bridgeman Images

Crucifix pendant, c.1923 (boxwood)
Crucifix pendant, c.1923 (boxwood)

WFA3619810: Crucifix pendant, c.1923 (boxwood), Jones, David Michael (1895-1974) / Bridgeman Images

View of the sitting room of the Pertsov House, Moscow, c.1905-07 (b/w photo)
View of the sitting room of the Pertsov House, Moscow, c.1905-07 (b/w photo)

BCC425238: View of the sitting room of the Pertsov House, Moscow, c.1905-07 (b/w photo), Russian Photographer, (20th century) / Bridgeman Images

Font in Grindon Church: sepia drawing, 25 May 1847 (drawing)
Font in Grindon Church: sepia drawing, 25 May 1847 (drawing)

WSL5897725: Font in Grindon Church: sepia drawing, 25 May 1847 (drawing), Buckler, John (1770-1851) / Bridgeman Images

Traditional Newari architecture - Former trade stores lining street in Purano Bazaar, 
Pokhara, Nepal (photo)
Traditional Newari architecture - Former trade stores lining street in Purano Bazaar, 
Pokhara, Nepal (photo)

POV3594617: Traditional Newari architecture - Former trade stores lining street in Purano Bazaar, Pokhara, Nepal (photo) / Bridgeman Images

Sculpture in the Cour vitree of the Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts de Paris. Extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. Photography 03/06/09.
Sculpture in the Cour vitree of the Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts de Paris. Extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. Photography 03/06/09.

OMG4599799: Sculpture in the Cour vitree of the Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts de Paris. Extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. Photography 03/06/09. / Bridgeman Images

The Resurrection of Lazarus, capital of the cloister, 12th century (stone)
The Resurrection of Lazarus, capital of the cloister, 12th century (stone)

IBE5338591: The Resurrection of Lazarus, capital of the cloister, 12th century (stone) / Bridgeman Images

Apostle St Peter. 16th century (Polychrome wood sculpture)
Apostle St Peter. 16th century (Polychrome wood sculpture)

TRK7144446: Apostle St Peter. 16th century (Polychrome wood sculpture) / Bridgeman Images

Scavenger at work
Scavenger at work

UTD2839558: Scavenger at work / Bridgeman Images

Detail of the nebula Omega (M17) by HST - This Hubble photograph captures a small region within Messier 17 (M17), a hotbed of star formation. M17, also known as the Omega or Swan Nebula, is located about 5500 light - years away in the Sagittarius constellation. The wave - like patterns of gas have been sculpted and illuminated by a torrent of ultraviolet radiation from young, massive stars (which lie outside the picture to the upper left). The glow of these patterns highlights the 3D structure of the gases. The ultraviolet radiation is carving and heating the surfaces of cold hydrogen gas clouds. The image, roughly 3 light - years across, was taken on 29 - 30 May 1999, with Hubble's Wide Field Planetary Camera 2. The colours in the image represent various gases. Red represents sulphur; green, hydrogen; and blue, oxygen
Detail of the nebula Omega (M17) by HST - This Hubble photograph captures a small region within Messier 17 (M17), a hotbed of star formation. M17, also known as the Omega or Swan Nebula, is located about 5500 light - years away in the Sagittarius constellation. The wave - like patterns of gas have been sculpted and illuminated by a torrent of ultraviolet radiation from young, massive stars (which lie outside the picture to the upper left). The glow of these patterns highlights the 3D structure of the gases. The ultraviolet radiation is carving and heating the surfaces of cold hydrogen gas clouds. The image, roughly 3 light - years across, was taken on 29 - 30 May 1999, with Hubble's Wide Field Planetary Camera 2. The colours in the image represent various gases. Red represents sulphur; green, hydrogen; and blue, oxygen

PIX4620187: Detail of the nebula Omega (M17) by HST - This Hubble photograph captures a small region within Messier 17 (M17), a hotbed of star formation. M17, also known as the Omega or Swan Nebula, is located about 5500 light - years away in the Sagittarius constellation. The wave - like patterns of gas have been sculpted and illuminated by a torrent of ultraviolet radiation from young, massive stars (which lie outside the picture to the upper left). The glow of these patterns highlights the 3D structure of the gases. The ultraviolet radiation is carving and heating the surfaces of cold hydrogen gas clouds. The image, roughly 3 light - years across, was taken on 29 - 30 May 1999, with Hubble's Wide Field Planetary Camera 2. The colours in the image represent various gases. Red represents sulphur; green, hydrogen; and blue, oxygen / Bridgeman Images

King Amenophis IV of Egypt and his wife
King Amenophis IV of Egypt and his wife

XLF3781029: King Amenophis IV of Egypt and his wife, Egyptian 18th Dynasty (c.1567-1320 BC) / Bridgeman Images

Traditional Newari architecture - Former trade store
Purano Bazaar, Pokhara, Nepal (photo)
Traditional Newari architecture - Former trade store
Purano Bazaar, Pokhara, Nepal (photo)

POV3594542: Traditional Newari architecture - Former trade store Purano Bazaar, Pokhara, Nepal (photo) / Bridgeman Images

19 Queen Anne Street, Westminster LB: doorway, 1941 (b/w photo)
19 Queen Anne Street, Westminster LB: doorway, 1941 (b/w photo)

GHL1786491: 19 Queen Anne Street, Westminster LB: doorway, 1941 (b/w photo), English Photographer, (20th century) / Bridgeman Images

Toad Ornament, 19th century (wood)
Toad Ornament, 19th century (wood)

MAI6378697: Toad Ornament, 19th century (wood), Japanese School, (19th century) / Bridgeman Images

Philip the Apostle 18th century (Polychrome wood sculpture)
Philip the Apostle 18th century (Polychrome wood sculpture)

TRK7144447: Philip the Apostle 18th century (Polychrome wood sculpture) / Bridgeman Images

INSTR - EARLY -
INSTR - EARLY -

XLE3761440: INSTR - EARLY - / Bridgeman Images

Medieval knight (engraving)
Medieval knight (engraving)

LLM972974: Medieval knight (engraving), English School, (19th century) / Bridgeman Images

Sculpture in the glass court of the Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts de Paris. Extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. Photography 03/06/09.
Sculpture in the glass court of the Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts de Paris. Extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. Photography 03/06/09.

OMG4599810: Sculpture in the glass court of the Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts de Paris. Extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. Photography 03/06/09. / Bridgeman Images

Sculpture in the Cour vitree of the Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts de Paris. Extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. Photography 03/06/09.
Sculpture in the Cour vitree of the Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts de Paris. Extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. Photography 03/06/09.

OMG4599803: Sculpture in the Cour vitree of the Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts de Paris. Extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. Photography 03/06/09. / Bridgeman Images

Gal Potha (Stone Book) (photo)
Gal Potha (Stone Book) (photo)

WRP322717: Gal Potha (Stone Book) (photo) / Bridgeman Images

Apostle Simon the Zealot.  18th century (Polychrome wood sculpture)
Apostle Simon the Zealot.  18th century (Polychrome wood sculpture)

TRK7144449: Apostle Simon the Zealot. 18th century (Polychrome wood sculpture) / Bridgeman Images

Cross descent (sculpture)
Cross descent (sculpture)

JLJ4606592: Cross descent (sculpture), Italian School / Bridgeman Images

Taiaha, long staffs, detail, l: 18th century, r: early 19th century (wood, paua shell)
Taiaha, long staffs, detail, l: 18th century, r: early 19th century (wood, paua shell)

BPA400129: Taiaha, long staffs, detail, l: 18th century, r: early 19th century (wood, paua shell), New Zealand School / Bridgeman Images

Alois Lang at work
Alois Lang at work

UTD2839562: Alois Lang at work / Bridgeman Images

French Louis XVI carved and gilded oval frames with shot and lamb's tongue ornament to the edges and ribbon tied crests (giltwood)
French Louis XVI carved and gilded oval frames with shot and lamb's tongue ornament to the edges and ribbon tied crests (giltwood)

BON50230: French Louis XVI carved and gilded oval frames with shot and lamb's tongue ornament to the edges and ribbon tied crests (giltwood) / Bridgeman Images

Spanish soldiers blowing up fortifications with gunpowder (gouache on paper)
Spanish soldiers blowing up fortifications with gunpowder (gouache on paper)

LAL724152: Spanish soldiers blowing up fortifications with gunpowder (gouache on paper), Nicolle, Pat (Patrick) (1907-95) / Bridgeman Images

Standing Virgin and Child statuette (front), early 14th century (carved ivory with traces of pigment)
Standing Virgin and Child statuette (front), early 14th century (carved ivory with traces of pigment)

COU5948463: Standing Virgin and Child statuette (front), early 14th century (carved ivory with traces of pigment), Northern French school, (14th century) / Bridgeman Images

Detail of capitals (photo)
Detail of capitals (photo)

MAE340567: Detail of capitals (photo) / Bridgeman Images

Monk - The Vines, Rochester -  Dickens connection
Monk - The Vines, Rochester -  Dickens connection

SLR3826868: Monk - The Vines, Rochester - Dickens connection / Bridgeman Images

Anna Maria van Schurman, 1657 (oil on panel)
Anna Maria van Schurman, 1657 (oil on panel)

XOS1765917: Anna Maria van Schurman, 1657 (oil on panel) , Janssen van Ceulen, Cornelius (1593-1661) / Bridgeman Images

Petroglyphs of Mogor, Detail of Labyrinth stone, Metal Ages, c.3000-2000 Bc.Spain, Galicia, Marin
Petroglyphs of Mogor, Detail of Labyrinth stone, Metal Ages, c.3000-2000 Bc.Spain, Galicia, Marin

TRK6356058: Petroglyphs of Mogor, Detail of Labyrinth stone, Metal Ages, c.3000-2000 Bc.Spain, Galicia, Marin / Bridgeman Images

Sussex - Lewes - Glynde Place: sepia drawing, 1830 (drawing)
Sussex - Lewes - Glynde Place: sepia drawing, 1830 (drawing)

WSL5895770: Sussex - Lewes - Glynde Place: sepia drawing, 1830 (drawing), Buckler, John (1770-1851) / Bridgeman Images

Monk - The Vines, Rochester -  Dickens connection
Monk - The Vines, Rochester -  Dickens connection

SLR3826869: Monk - The Vines, Rochester - Dickens connection / Bridgeman Images

Silver Altar, 1367 - 1483 (embossed and partially gilded silver, enamel)
Silver Altar, 1367 - 1483 (embossed and partially gilded silver, enamel)

ELC853621: Silver Altar, 1367 - 1483 (embossed and partially gilded silver, enamel), Italian School, (14th century) / Bridgeman Images


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