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6474 Search Results for carving

China: Carving of the creator goddess Nuwa Niang Niang, depicting her role in the 16th Century Ming Dynasty novel 'Fengshen Yanyi' ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut
China: Carving of the creator goddess Nuwa Niang Niang, depicting her role in the 16th Century Ming Dynasty novel 'Fengshen Yanyi' ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut

PFH3277741: China: Carving of the creator goddess Nuwa Niang Niang, depicting her role in the 16th Century Ming Dynasty novel 'Fengshen Yanyi' ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut / Bridgeman Images

Malaysia / China: Carving of the peacock spirit Kong Xuan, depicting his role in the 16th Century Ming Dynasty novel 'Fengshen Yanyi' ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut
Malaysia / China: Carving of the peacock spirit Kong Xuan, depicting his role in the 16th Century Ming Dynasty novel 'Fengshen Yanyi' ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut

PFH3277951: Malaysia / China: Carving of the peacock spirit Kong Xuan, depicting his role in the 16th Century Ming Dynasty novel 'Fengshen Yanyi' ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut / Bridgeman Images

Malaysia / China: Carving of Cao Bao, depicting his role in the 16th Century Ming Dynasty novel <i>Fengshen Yanyi</i> ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut
Malaysia / China: Carving of Cao Bao, depicting his role in the 16th Century Ming Dynasty novel <i>Fengshen Yanyi</i> ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut

PFH3431949: Malaysia / China: Carving of Cao Bao, depicting his role in the 16th Century Ming Dynasty novel Fengshen Yanyi ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut / Bridgeman Images

Malaysia / China: Carving of Yu Da, depicting his role in the 16th Century Ming Dynasty novel <i>Fengshen Yanyi</i> ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut
Malaysia / China: Carving of Yu Da, depicting his role in the 16th Century Ming Dynasty novel <i>Fengshen Yanyi</i> ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut

PFH3431917: Malaysia / China: Carving of Yu Da, depicting his role in the 16th Century Ming Dynasty novel Fengshen Yanyi ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut / Bridgeman Images

Louis XIII carved oak and ebonised frame, the cushion and chamfered profile with applied repousse brasswork, French or Flemish; French Louis XIII carved and gilded frame with a running leaf carving, scotia and a foliate sight edge
Louis XIII carved oak and ebonised frame, the cushion and chamfered profile with applied repousse brasswork, French or Flemish; French Louis XIII carved and gilded frame with a running leaf carving, scotia and a foliate sight edge

BNM50229: Louis XIII carved oak and ebonised frame, the cushion and chamfered profile with applied repousse brasswork, French or Flemish; French Louis XIII carved and gilded frame with a running leaf carving, scotia and a foliate sight edge / Bridgeman Images

China: Carving of the thunder god Leizhenzi, depicting his role in the 16th Century Ming Dynasty novel <i>Fengshen Yanyi</i> ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut
China: Carving of the thunder god Leizhenzi, depicting his role in the 16th Century Ming Dynasty novel <i>Fengshen Yanyi</i> ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut

PFH3432029: China: Carving of the thunder god Leizhenzi, depicting his role in the 16th Century Ming Dynasty novel Fengshen Yanyi ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut / Bridgeman Images

Casino At Marino, Marino, Dublin, Ireland (photo)
Casino At Marino, Marino, Dublin, Ireland (photo)

DPS3249477: Casino At Marino, Marino, Dublin, Ireland (photo) / Bridgeman Images

Malaysia / China: Carving of Grand Counselor San Yisheng, depicting his role in the 16th Century Ming Dynasty novel 'Fengshen Yanyi' ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut
Malaysia / China: Carving of Grand Counselor San Yisheng, depicting his role in the 16th Century Ming Dynasty novel 'Fengshen Yanyi' ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut

PFH3277968: Malaysia / China: Carving of Grand Counselor San Yisheng, depicting his role in the 16th Century Ming Dynasty novel 'Fengshen Yanyi' ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut / Bridgeman Images

Malaysia / China: Carving of Yu De, depicting his role in the 16th Century Ming Dynasty novel <i>Fengshen Yanyi</i> ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut
Malaysia / China: Carving of Yu De, depicting his role in the 16th Century Ming Dynasty novel <i>Fengshen Yanyi</i> ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut

PFH3431923: Malaysia / China: Carving of Yu De, depicting his role in the 16th Century Ming Dynasty novel Fengshen Yanyi ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut / Bridgeman Images

Reproduction of a 15th century wood carving on a stall in Rouen cathedral representing the proverb 'Margaritas ante Porcos' or, 'Throwing Pearls before Swine', from 'Le Moyen Age et La Renaissance' by Paul Lacroix (1806-84) published 1847 (litho)
Reproduction of a 15th century wood carving on a stall in Rouen cathedral representing the proverb 'Margaritas ante Porcos' or, 'Throwing Pearls before Swine', from 'Le Moyen Age et La Renaissance' by Paul Lacroix (1806-84) published 1847 (litho)

KWE260602: Reproduction of a 15th century wood carving on a stall in Rouen cathedral representing the proverb 'Margaritas ante Porcos' or, 'Throwing Pearls before Swine', from 'Le Moyen Age et La Renaissance' by Paul Lacroix (1806-84) published 1847 (litho), French School, (19th century) / Bridgeman Images

Malaysia / China: Carving of Laozi, founder of Taoism, depicting his role in the 16th Century Ming Dynasty novel <i>Fengshen Yanyi</i> ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut
Malaysia / China: Carving of Laozi, founder of Taoism, depicting his role in the 16th Century Ming Dynasty novel <i>Fengshen Yanyi</i> ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut

PFH3431886: Malaysia / China: Carving of Laozi, founder of Taoism, depicting his role in the 16th Century Ming Dynasty novel Fengshen Yanyi ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut / Bridgeman Images

Ancient temples and rocks covered with bas relief carving in the city of Mahabalipuram, India. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Ancient temples and rocks covered with bas relief carving in the city of Mahabalipuram, India. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4623791: Ancient temples and rocks covered with bas relief carving in the city of Mahabalipuram, India. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

China: Carving of the legendary sage Jiang Ziya, depicting his role in the 16th Century Ming Dynasty novel <i>Fengshen Yanyi</i> ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut
China: Carving of the legendary sage Jiang Ziya, depicting his role in the 16th Century Ming Dynasty novel <i>Fengshen Yanyi</i> ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut

PFH3432012: China: Carving of the legendary sage Jiang Ziya, depicting his role in the 16th Century Ming Dynasty novel Fengshen Yanyi ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut / Bridgeman Images

Bolognese early 18th century carved and gilded frame, the flat with an overscrolled and overlapped leaf carving; Florentine 17th century carved brown and gilt Cassetta frame with gilt painted vine and scroll decoration to the corners and centres and contoured inner and outer edges
Bolognese early 18th century carved and gilded frame, the flat with an overscrolled and overlapped leaf carving; Florentine 17th century carved brown and gilt Cassetta frame with gilt painted vine and scroll decoration to the corners and centres and contoured inner and outer edges

BNM50217: Bolognese early 18th century carved and gilded frame, the flat with an overscrolled and overlapped leaf carving; Florentine 17th century carved brown and gilt Cassetta frame with gilt painted vine and scroll decoration to the corners and centres and contoured inner and outer edges / Bridgeman Images

China: Carving of Bi Xiao Niang Niang, depicting her role in the 16th Century Ming Dynasty novel <i>Fengshen Yanyi</i> ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut
China: Carving of Bi Xiao Niang Niang, depicting her role in the 16th Century Ming Dynasty novel <i>Fengshen Yanyi</i> ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut

PFH3432001: China: Carving of Bi Xiao Niang Niang, depicting her role in the 16th Century Ming Dynasty novel Fengshen Yanyi ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut / Bridgeman Images

Italian 17th century giltwood Cassetta frame of reverse section with raised sight and back edge mouldings; Tuscan 17th century carved giltwood and walnut Cassetta frame with a raised outer edge, the sight edge with a ropetwist carving
Italian 17th century giltwood Cassetta frame of reverse section with raised sight and back edge mouldings; Tuscan 17th century carved giltwood and walnut Cassetta frame with a raised outer edge, the sight edge with a ropetwist carving

BNM50238: Italian 17th century giltwood Cassetta frame of reverse section with raised sight and back edge mouldings; Tuscan 17th century carved giltwood and walnut Cassetta frame with a raised outer edge, the sight edge with a ropetwist carving / Bridgeman Images

Female hammer beam angel with patterned girdle. St. Nicholas, Kings Lynn, Norfolk, c.1400-10 (photo)
Female hammer beam angel with patterned girdle. St. Nicholas, Kings Lynn, Norfolk, c.1400-10 (photo)

MRM2913260: Female hammer beam angel with patterned girdle. St. Nicholas, Kings Lynn, Norfolk, c.1400-10 (photo) / Bridgeman Images

Altarpiece of the church of Saint Mary, dated in 1574. Jesus praying in the Garden of Olives, along with his disciples asleep. Alarcon. Castile-La Mancha. Spain.
Altarpiece of the church of Saint Mary, dated in 1574. Jesus praying in the Garden of Olives, along with his disciples asleep. Alarcon. Castile-La Mancha. Spain.

TRK563473: Altarpiece of the church of Saint Mary, dated in 1574. Jesus praying in the Garden of Olives, along with his disciples asleep. Alarcon. Castile-La Mancha. Spain. / Bridgeman Images

Close up of a hammer beam angel at St. Mary's, West Walton, Norfolk, bearing a shield with a coat of arms, 15th century (photo)
Close up of a hammer beam angel at St. Mary's, West Walton, Norfolk, bearing a shield with a coat of arms, 15th century (photo)

MRM2913300: Close up of a hammer beam angel at St. Mary's, West Walton, Norfolk, bearing a shield with a coat of arms, 15th century (photo) / Bridgeman Images

Landscape oriented view of the angel roof at St. Mary's, North Creake, Norfolk. , Early 15th century? (photo)
Landscape oriented view of the angel roof at St. Mary's, North Creake, Norfolk. , Early 15th century? (photo)

MRM2913265: Landscape oriented view of the angel roof at St. Mary's, North Creake, Norfolk. , Early 15th century? (photo) / Bridgeman Images

Angel on the end of a hammer beam at St. Botolph, Banningham, Norfolk, 15th century (photo)
Angel on the end of a hammer beam at St. Botolph, Banningham, Norfolk, 15th century (photo)

MRM2913248: Angel on the end of a hammer beam at St. Botolph, Banningham, Norfolk, 15th century (photo) / Bridgeman Images

St. Patrick's Cathedral, Dublin, Co Dublin, Ireland; 12Th Century Cathedral (photo)
St. Patrick's Cathedral, Dublin, Co Dublin, Ireland; 12Th Century Cathedral (photo)

DPS3503830: St. Patrick's Cathedral, Dublin, Co Dublin, Ireland; 12Th Century Cathedral (photo) / Bridgeman Images

Clifden Village,Connemara,Co Galway,Ireland;High Angle View Of Village (photo)
Clifden Village,Connemara,Co Galway,Ireland;High Angle View Of Village (photo)

DPS3249930: Clifden Village,Connemara,Co Galway,Ireland;High Angle View Of Village (photo) / Bridgeman Images

A view of the angel roof at St. Mary's, North Creake, Norfolk. , Early 15th century? (photo)
A view of the angel roof at St. Mary's, North Creake, Norfolk. , Early 15th century? (photo)

MRM2913268: A view of the angel roof at St. Mary's, North Creake, Norfolk. , Early 15th century? (photo) / Bridgeman Images

Three hammer beam roof angels at St. Mary's's, South Creake, Norfolk, showing the single hammer beam structure, c.1415-20 (photo)
Three hammer beam roof angels at St. Mary's's, South Creake, Norfolk, showing the single hammer beam structure, c.1415-20 (photo)

MRM2913270: Three hammer beam roof angels at St. Mary's's, South Creake, Norfolk, showing the single hammer beam structure, c.1415-20 (photo) / Bridgeman Images

Rock relief of Buddha in a meditation posture; Gal Vihara Temple; Polonnaruwa; Sri Lanka; Asia
Rock relief of Buddha in a meditation posture; Gal Vihara Temple; Polonnaruwa; Sri Lanka; Asia

IMB4908413: Rock relief of Buddha in a meditation posture; Gal Vihara Temple; Polonnaruwa; Sri Lanka; Asia / Bridgeman Images

Collection of bamboo sticks, they are transformed into spears
Collection of bamboo sticks, they are transformed into spears

BEG752376: Collection of bamboo sticks, they are transformed into spears / Bridgeman Images

Kilmore Cathedral, Kilmore, Co Cavan, Ireland; Romanesque Medieval Doorway Detail Believed To Have Been Originally From Trinity Island (photo)
Kilmore Cathedral, Kilmore, Co Cavan, Ireland; Romanesque Medieval Doorway Detail Believed To Have Been Originally From Trinity Island (photo)

DPS3503801: Kilmore Cathedral, Kilmore, Co Cavan, Ireland; Romanesque Medieval Doorway Detail Believed To Have Been Originally From Trinity Island (photo) / Bridgeman Images

Rock relief; reclining Buddha; Gal Vihara Temple; Polonnaruwa; Sri Lanka; Asia
Rock relief; reclining Buddha; Gal Vihara Temple; Polonnaruwa; Sri Lanka; Asia

IMB4908494: Rock relief; reclining Buddha; Gal Vihara Temple; Polonnaruwa; Sri Lanka; Asia / Bridgeman Images

Hammer beams with angels at St. Botolph, Banningham, Norfolk, 15th century (photo)
Hammer beams with angels at St. Botolph, Banningham, Norfolk, 15th century (photo)

MRM2913246: Hammer beams with angels at St. Botolph, Banningham, Norfolk, 15th century (photo) / Bridgeman Images

President Barack Obama sits behind the Resolute Desk in the Oval Office during a conference call on Aug. 19 2009.,
President Barack Obama sits behind the Resolute Desk in the Oval Office during a conference call on Aug. 19 2009.,

EVB2939090: President Barack Obama sits behind the Resolute Desk in the Oval Office during a conference call on Aug. 19 2009., / Bridgeman Images

Angel on the end of a hammer beam at St. Botolph, Banningham, Norfolk, 15th century (photo)
Angel on the end of a hammer beam at St. Botolph, Banningham, Norfolk, 15th century (photo)

MRM2913247: Angel on the end of a hammer beam at St. Botolph, Banningham, Norfolk, 15th century (photo) / Bridgeman Images

Singer or kan, writer or kayastha, and vaidya or physician with wood carving. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Singer or kan, writer or kayastha, and vaidya or physician with wood carving. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4623894: Singer or kan, writer or kayastha, and vaidya or physician with wood carving. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844., Bernieri, Andrea (1792-1849) / Bridgeman Images

Master Carpenter, Mr Puffett puts the finishing touches to a skirting, using a 400 year old carving as his model, for one of the restored Manchester Regiment chapel screens at Manchester Cathedral, 12th April 1951 (b/w photo)
Master Carpenter, Mr Puffett puts the finishing touches to a skirting, using a 400 year old carving as his model, for one of the restored Manchester Regiment chapel screens at Manchester Cathedral, 12th April 1951 (b/w photo)

MPX5156171: Master Carpenter, Mr Puffett puts the finishing touches to a skirting, using a 400 year old carving as his model, for one of the restored Manchester Regiment chapel screens at Manchester Cathedral, 12th April 1951 (b/w photo) / Bridgeman Images

Beggar carving Turkish Moorings, a chain made of ash, seated with hat, crutch and walking stick. Copperplate etching drawn and engraved by John Thomas Smith from his Vagabondiana, Anecdotes of Mendicant Wanderers through the Streets of London, 1817.
Beggar carving Turkish Moorings, a chain made of ash, seated with hat, crutch and walking stick. Copperplate etching drawn and engraved by John Thomas Smith from his Vagabondiana, Anecdotes of Mendicant Wanderers through the Streets of London, 1817.

FLO5000844: Beggar carving Turkish Moorings, a chain made of ash, seated with hat, crutch and walking stick. Copperplate etching drawn and engraved by John Thomas Smith from his Vagabondiana, Anecdotes of Mendicant Wanderers through the Streets of London, 1817. / Bridgeman Images

China: Carving of Nan Ji Xian Weng (Immortal of the South Pole), depicting his role in the 16th Century Ming Dynasty novel
China: Carving of Nan Ji Xian Weng (Immortal of the South Pole), depicting his role in the 16th Century Ming Dynasty novel

PFH3432175: China: Carving of Nan Ji Xian Weng (Immortal of the South Pole), depicting his role in the 16th Century Ming Dynasty novel "Fengshen Yanyi" ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut / Bridgeman Images


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