Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

4626 Search Results for apple

Apple mier commun sauvage - in “” Nouveau Duhamel du Monceau ou traité des arbres et shrustes que le culture en France”, figures according to drawings by P.J. Redoute et P. Bessa, Paris, 1819
Apple mier commun sauvage - in “” Nouveau Duhamel du Monceau ou traité des arbres et shrustes que le culture en France”, figures according to drawings by P.J. Redoute et P. Bessa, Paris, 1819

LSE4090223: Apple mier commun sauvage - in “” Nouveau Duhamel du Monceau ou traité des arbres et shrustes que le culture en France”, figures according to drawings by P.J. Redoute et P. Bessa, Paris, 1819, Redoute, Pierre Joseph (1759-1840) (after) / Bridgeman Images

Variety of apple, King of Warner. Chromolithography drawn by Walter Hood Fitch, Miss E. Regel and J.L. Macfarlane, lithography by G.Severeyns and Stroobant, Belgium, published in Floriste et Pomologie, by Robert Hogg, published in London 1878 to 1884.
Variety of apple, King of Warner. Chromolithography drawn by Walter Hood Fitch, Miss E. Regel and J.L. Macfarlane, lithography by G.Severeyns and Stroobant, Belgium, published in Floriste et Pomologie, by Robert Hogg, published in London 1878 to 1884.

FLO4625282: Variety of apple, King of Warner. Chromolithography drawn by Walter Hood Fitch, Miss E. Regel and J.L. Macfarlane, lithography by G.Severeyns and Stroobant, Belgium, published in Floriste et Pomologie, by Robert Hogg, published in London 1878 to 1884. / Bridgeman Images

Apple variete, Calville red praecox. Chromolithography drawn by Walter Hood Fitch, Miss E. Regel and J.L. Macfarlane, lithography by G.Severeyns and Stroobant, Belgium, published in Floriste et Pomologie, by Robert Hogg, published in London 1878 to 1884.
Apple variete, Calville red praecox. Chromolithography drawn by Walter Hood Fitch, Miss E. Regel and J.L. Macfarlane, lithography by G.Severeyns and Stroobant, Belgium, published in Floriste et Pomologie, by Robert Hogg, published in London 1878 to 1884.

FLO4625141: Apple variete, Calville red praecox. Chromolithography drawn by Walter Hood Fitch, Miss E. Regel and J.L. Macfarlane, lithography by G.Severeyns and Stroobant, Belgium, published in Floriste et Pomologie, by Robert Hogg, published in London 1878 to 1884. / Bridgeman Images

Variety of apple, Prince Albert's alley. Chromolithography drawn by Walter Hood Fitch, Miss E. Regel and J.L. Macfarlane, lithography by G.Severeyns and Stroobant, Belgium, published in Floriste et Pomologie, by Robert Hogg, published in London 1878 to 1884.
Variety of apple, Prince Albert's alley. Chromolithography drawn by Walter Hood Fitch, Miss E. Regel and J.L. Macfarlane, lithography by G.Severeyns and Stroobant, Belgium, published in Floriste et Pomologie, by Robert Hogg, published in London 1878 to 1884.

FLO4625266: Variety of apple, Prince Albert's alley. Chromolithography drawn by Walter Hood Fitch, Miss E. Regel and J.L. Macfarlane, lithography by G.Severeyns and Stroobant, Belgium, published in Floriste et Pomologie, by Robert Hogg, published in London 1878 to 1884. / Bridgeman Images

Apple variety, Jolly Beggar. Chromolithography drawn by Walter Hood Fitch, Miss E. Regel and J.L. Macfarlane, lithography by G.Severeyns and Stroobant, Belgium, published in Floriste et Pomologie, by Robert Hogg, published in London 1878 to 1884.
Apple variety, Jolly Beggar. Chromolithography drawn by Walter Hood Fitch, Miss E. Regel and J.L. Macfarlane, lithography by G.Severeyns and Stroobant, Belgium, published in Floriste et Pomologie, by Robert Hogg, published in London 1878 to 1884.

FLO4625318: Apple variety, Jolly Beggar. Chromolithography drawn by Walter Hood Fitch, Miss E. Regel and J.L. Macfarlane, lithography by G.Severeyns and Stroobant, Belgium, published in Floriste et Pomologie, by Robert Hogg, published in London 1878 to 1884. / Bridgeman Images

Still life with apples  (oil on canvas, 1940)
Still life with apples  (oil on canvas, 1940)

LRI4571482: Still life with apples (oil on canvas, 1940), Chirico, Giorgio de (1888-1978) / Bridgeman Images

Romanesque decoration from the mid-12th century Saint-Pierre Church Adam, Moutiers, France
Romanesque decoration from the mid-12th century Saint-Pierre Church Adam, Moutiers, France

GNG5258718: Romanesque decoration from the mid-12th century Saint-Pierre Church Adam, Moutiers, France / Bridgeman Images

Divine, 2018 (oil on canvas)
Divine, 2018 (oil on canvas)

ASM6354197: Divine, 2018 (oil on canvas), Panetta, Santina Semadar / Bridgeman Images

Jardin Cosmique, 2016 (oil on canvas)
Jardin Cosmique, 2016 (oil on canvas)

ASM6356007: Jardin Cosmique, 2016 (oil on canvas), Panetta, Santina Semadar / Bridgeman Images

Hope & Liberty, 2016 (oil on canvas)
Hope & Liberty, 2016 (oil on canvas)

ASM6354566: Hope & Liberty, 2016 (oil on canvas), Panetta, Santina Semadar / Bridgeman Images

Apple (domestic apple tree). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Sugar-loaf pippin apple, Malus domestica, cultivated in Russia under the name Dolgoi Squoznoi. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.
Apple (domestic apple tree). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Sugar-loaf pippin apple, Malus domestica, cultivated in Russia under the name Dolgoi Squoznoi. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.

FLO4687917: Apple (domestic apple tree). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Sugar-loaf pippin apple, Malus domestica, cultivated in Russia under the name Dolgoi Squoznoi. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images

Apple Woodshill. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Woodshill apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Apple Woodshill. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Woodshill apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675348: Apple Woodshill. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Woodshill apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

Apple-shaped pear, a variety of Pearmain d'lamb abbey. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Lamb Abbey Pearmain apple, Malus domestica. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Apple-shaped pear, a variety of Pearmain d'lamb abbey. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Lamb Abbey Pearmain apple, Malus domestica. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675418: Apple-shaped pear, a variety of Pearmain d'lamb abbey. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Lamb Abbey Pearmain apple, Malus domestica. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

Dish depicting Adam and Eve (earthenware)
Dish depicting Adam and Eve (earthenware)

XCF306898: Dish depicting Adam and Eve (earthenware), English School, (17th century) / Bridgeman Images

Still Life with Pitcher and Apples Painting by Louis Mathieu Verdilhan (1875-1928)
Still Life with Pitcher and Apples Painting by Louis Mathieu Verdilhan (1875-1928)

JEB4904273: Still Life with Pitcher and Apples Painting by Louis Mathieu Verdilhan (1875-1928), Verdilhan, Louis Mathieu (1875-1928) / Bridgeman Images

Still life with fruit and hock glass, 18th century (oil on panel)
Still life with fruit and hock glass, 18th century (oil on panel)

DNE6198505: Still life with fruit and hock glass, 18th century (oil on panel), Heda, Willem Claesz. (1594-1680) (manner of) / Bridgeman Images

Apple baddow pippin. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Baddow Pippin apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. bookseller and publisher of “” The Botanic Garden”” and “” The Botanist.”
Apple baddow pippin. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Baddow Pippin apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. bookseller and publisher of “” The Botanic Garden”” and “” The Botanist.”

FLO4675369: Apple baddow pippin. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Baddow Pippin apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. bookseller and publisher of “” The Botanic Garden”” and “” The Botanist.” / Bridgeman Images

Apple William pippin yellow. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Williams' Golden Pippin apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Apple William pippin yellow. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Williams' Golden Pippin apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675303: Apple William pippin yellow. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Williams' Golden Pippin apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

Cake with apples and rosemary, Italy
Cake with apples and rosemary, Italy

CUB4474674: Cake with apples and rosemary, Italy / Bridgeman Images

A lady checking the preservation of her apples in the pantry, Italy, 1961 (b/w photo)
A lady checking the preservation of her apples in the pantry, Italy, 1961 (b/w photo)

MEP3734811: A lady checking the preservation of her apples in the pantry, Italy, 1961 (b/w photo) / Bridgeman Images

Preparation of orange cake, Italy
Preparation of orange cake, Italy

CUB4536087: Preparation of orange cake, Italy / Bridgeman Images

Still Life, c.1918 (oil on canvas)
Still Life, c.1918 (oil on canvas)

DNE6198615: Still Life, c.1918 (oil on canvas), Hunter, George Leslie (1877-1931) / Bridgeman Images

Page of Advertisements (engraving)
Page of Advertisements (engraving)

LIP1063364: Page of Advertisements (engraving), English School, (19th century) / Bridgeman Images

Adam and Eve, engraved by Pietro Monaco, c.1741-52 (engraving)
Adam and Eve, engraved by Pietro Monaco, c.1741-52 (engraving)

XJF472225: Adam and Eve, engraved by Pietro Monaco, c.1741-52 (engraving), Tintoretto, Jacopo Robusti (1518-94) (after) / Bridgeman Images

Melix cooperative store, Bressanone, Trentino Alto Adige, Italy.
Melix cooperative store, Bressanone, Trentino Alto Adige, Italy.

CUB4522238: Melix cooperative store, Bressanone, Trentino Alto Adige, Italy. / Bridgeman Images

View of the Financial District, Manhattan, New York, USA (photo)
View of the Financial District, Manhattan, New York, USA (photo)

LDT165030: View of the Financial District, Manhattan, New York, USA (photo) / Bridgeman Images

View towards the Financial District across the East River, New York, USA (photo)
View towards the Financial District across the East River, New York, USA (photo)

LDT165025: View towards the Financial District across the East River, New York, USA (photo) / Bridgeman Images

Pomona, 1884-85 (wool and silk tapestry made by Morris & Co.) (see also 90472)
Pomona, 1884-85 (wool and silk tapestry made by Morris & Co.) (see also 90472)

WHT162063: Pomona, 1884-85 (wool and silk tapestry made by Morris & Co.) (see also 90472), Burne-Jones, Edward Coley (1833-98) & Morris, William (1834-96) / Bridgeman Images

Peaches, Apples, Apricots and Grapes in a Wanli Kraak Porselein Bowl with Cherries, pears, Apricots and an Apple on a Ledge,  (oil on panel)
Peaches, Apples, Apricots and Grapes in a Wanli Kraak Porselein Bowl with Cherries, pears, Apricots and an Apple on a Ledge,  (oil on panel)

CH827678: Peaches, Apples, Apricots and Grapes in a Wanli Kraak Porselein Bowl with Cherries, pears, Apricots and an Apple on a Ledge, (oil on panel), Bosschaert, Ambrosius the Elder (1573-1621) / Bridgeman Images

Snuff Bottle with a Hawk and a Bear beneath a Pine Tree, 1820-1900 (emerald & apple green jadeite with carved decoration)
Snuff Bottle with a Hawk and a Bear beneath a Pine Tree, 1820-1900 (emerald & apple green jadeite with carved decoration)

INC2968074: Snuff Bottle with a Hawk and a Bear beneath a Pine Tree, 1820-1900 (emerald & apple green jadeite with carved decoration), Chinese School, Qing dynasty (19th century) / Bridgeman Images

Paul and Linda McCartney leaving the Apple Studios, Saville Row, London (Fri 4th Feb) tonight. February 1972
Paul and Linda McCartney leaving the Apple Studios, Saville Row, London (Fri 4th Feb) tonight. February 1972

MPX5080188: Paul and Linda McCartney leaving the Apple Studios, Saville Row, London (Fri 4th Feb) tonight. February 1972 / Bridgeman Images

Adam and Eve, 1921 (oil on canvas)
Adam and Eve, 1921 (oil on canvas)

CH1769277: Adam and Eve, 1921 (oil on canvas), Jacob, Walter Friedrich Richard (1893-1964) / Bridgeman Images

Apples and leaves 1928-30 (oil on canvas)
Apples and leaves 1928-30 (oil on canvas)

GNG7057375: Apples and leaves 1928-30 (oil on canvas), Louis, Seraphine (Seraphine de Senlis) (1864-1942) / Bridgeman Images

Pitcher, Anemones, Tulips and Apples; Cruche, Anemones, Tulipes et Pommes, 1937 (oil on canvas)
Pitcher, Anemones, Tulips and Apples; Cruche, Anemones, Tulipes et Pommes, 1937 (oil on canvas)

CH826216: Pitcher, Anemones, Tulips and Apples; Cruche, Anemones, Tulipes et Pommes, 1937 (oil on canvas), Valtat, Louis (1869-1952) / Bridgeman Images

Still life, oysters and fruit, 17th century (painting)
Still life, oysters and fruit, 17th century (painting)

JLJ4594743: Still life, oysters and fruit, 17th century (painting), Van Es, Jacob (1596-1666) / Bridgeman Images

Bird's Nest with Sprays of Apple Blossoms, c.1845-50 (bodycolour and w/c with chalk and gum on paper)
Bird's Nest with Sprays of Apple Blossoms, c.1845-50 (bodycolour and w/c with chalk and gum on paper)

XYC237806: Bird's Nest with Sprays of Apple Blossoms, c.1845-50 (bodycolour and w/c with chalk and gum on paper), Hunt, William Henry (1790-1864) / Bridgeman Images


Back to top