FBU4242725: Detail from the panel depicting a solemn procession of the young Dionysos through the world - A half naked maenad leading the group and the two centaurs driving Dionysos cart - Small satyr, Skirtos, bringing Dionysos fruits on a tray - Paphos Mosaics, House of Aion, 3rd Century AD - Cyprus - Detail of the Mosaic showing the cortege of young Dionysos back of India - A menade opens the procession in front of two centaurs pulling the chariot of Dionysus -Skytos, a satyre, offers fruit to Dionysus - Mosaics of Paphos, Aion House - 3rd Century after JC - UNSCO Site - Cyprus / Bridgeman Images
FLO4595323: Apple varieties, Malus domestica: Brown's Pippin, Fenn's Pippin, True Aromatic Pippin and Spitzburgh Pippin. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797. / Bridgeman Images
FLO4595076: Peach varieties, Prunus persica: Johnson's Late Purple Peach, Mr. Padley's and Violette Hative. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797. / Bridgeman Images
FLO4595333: Apple varieties, Malus domestica: Pomme d'Api, Padly's Pippin and Bigg's Nonsuch. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797. / Bridgeman Images