1. Home
  2. Search "abstract"

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

8113 Search Results for abstract

Trees by a Lake, Le Parc de Carrières-St-Denis, 1909 (oil on canvas)
Trees by a Lake, Le Parc de Carrières-St-Denis, 1909 (oil on canvas)

COU5892016: Trees by a Lake, Le Parc de Carrières-St-Denis, 1909 (oil on canvas), Derain, Andre (1880-1954) / Bridgeman Images

ID: COU5892016

Trees by a Lake, Le Parc de Carrières-St-Denis, 1909 (oil on canvas)

Derain, Andre (1880-1954)

islamic art-detail of cast of mihrab-plaster-inv.n.3099-from the mosque of Ibn Tulun-original datable to 1097-IMG_5300
islamic art-detail of cast of mihrab-plaster-inv.n.3099-from the mosque of Ibn Tulun-original datable to 1097-IMG_5300

VIS693540: islamic art-detail of cast of mihrab-plaster-inv.n.3099-from the mosque of Ibn Tulun-original datable to 1097-IMG_5300 / Bridgeman Images

ID: VIS693540

islamic art-detail of cast of mihrab-plaster-inv.n.3099-from the mosque of Ibn Tulun-original datable to 1097-IMG_5300

St Mark's, Venice (pastel on paper, on card)
St Mark's, Venice (pastel on paper, on card)

TW473965: St Mark's, Venice (pastel on paper, on card) , Brabazon, Hercules Brabazon (1821-1906) / Bridgeman Images

ID: TW473965

St Mark's, Venice (pastel on paper, on card)

Brabazon, Hercules Brabazon (1821-1906)

Linked Forms, c.1963 (oil on board)
Linked Forms, c.1963 (oil on board)

TW1212861: Linked Forms, c.1963 (oil on board), Waterhouse, Nora (fl.c.1963) / Bridgeman Images

ID: TW1212861

Linked Forms, c.1963 (oil on board)

Waterhouse, Nora (fl.c.1963)

islamic art-cast of mihrab-plaster-inv.n.3099-from the mosque of Ibn Tulun-original datable to 1097-IMG_5296
islamic art-cast of mihrab-plaster-inv.n.3099-from the mosque of Ibn Tulun-original datable to 1097-IMG_5296

VIS693537: islamic art-cast of mihrab-plaster-inv.n.3099-from the mosque of Ibn Tulun-original datable to 1097-IMG_5296 / Bridgeman Images

ID: VIS693537

islamic art-cast of mihrab-plaster-inv.n.3099-from the mosque of Ibn Tulun-original datable to 1097-IMG_5296

Dame Edith Sitwell, 1962 (photo)
Dame Edith Sitwell, 1962 (photo)

MGP617508: Dame Edith Sitwell, 1962 (photo), Gerson, Mark / Bridgeman Images

ID: MGP617508

Dame Edith Sitwell, 1962 (photo)

Gerson, Mark

Coal Elevators, 1936 (oil on canvas)
Coal Elevators, 1936 (oil on canvas)

STM621288: Coal Elevators, 1936 (oil on canvas), Crawford, Ralston (1906-78) / Bridgeman Images

ID: STM621288

Coal Elevators, 1936 (oil on canvas)

Crawford, Ralston (1906-78)

Oil on Board, 1962 (oil & sand on board)
Oil on Board, 1962 (oil & sand on board)

TW1213287: Oil on Board, 1962 (oil & sand on board), Crisp, John Harris (1914-83) / Bridgeman Images

ID: TW1213287

Oil on Board, 1962 (oil & sand on board)

Crisp, John Harris (1914-83)

The Immaculate Conception, c.1680 (oil on canvas)
The Immaculate Conception, c.1680 (oil on canvas)

XCL499510: The Immaculate Conception, c.1680 (oil on canvas) , Murillo, Bartolome Esteban (1618-82) / Bridgeman Images

ID: XCL499510

The Immaculate Conception, c.1680 (oil on canvas)

Murillo, Bartolome Esteban (1618-82)

Pierre Soulages' artwork in Musee Fabre in Montpellier (Herault, Occitanie)
Pierre Soulages' artwork in Musee Fabre in Montpellier (Herault, Occitanie)

PCT4716493: Pierre Soulages' artwork in Musee Fabre in Montpellier (Herault, Occitanie), Soulages, Pierre (1919-2022) / Bridgeman Images

ID: PCT4716493

Pierre Soulages' artwork in Musee Fabre in Montpellier (Herault, Occitanie)

Soulages, Pierre (1919-2022)

Shawl [Perraje], Totonicapan, Guatemala, 1955 (cotton & dye)
Shawl [Perraje], Totonicapan, Guatemala, 1955 (cotton & dye)

LWE410750: Shawl [Perraje], Totonicapan, Guatemala, 1955 (cotton & dye), Guatemalan School, (20th century) / Bridgeman Images

ID: LWE410750

Shawl [Perraje], Totonicapan, Guatemala, 1955 (cotton & dye)

Guatemalan School, (20th century)

The Angel of Death, 1939-1945 (tempera on canvas)
The Angel of Death, 1939-1945 (tempera on canvas)

NAM5925094: The Angel of Death, 1939-1945 (tempera on canvas), Romyn, Conrad (Dick) (b.1915) / Bridgeman Images

ID: NAM5925094

The Angel of Death, 1939-1945 (tempera on canvas)

Romyn, Conrad (Dick) (b.1915)

Mereau: metal token (brad or yellow copper) inspired by a Venetian sequin or ducat. This piece was struck in the 19th century by London merchants John Cook (or Wilcox) and Sons (and his sons - Joannes Ille Coquus Sui Filiiove) for trade with colonized Africa - Similar tokens with abstract representations of Christ, Doge and St. Lawrence, but in gold, are known in India. In the eastern Mediterranean, the sequins and ducats, the currency of Venice, have long been a prestigious means of payment and have often been imitated.
Mereau: metal token (brad or yellow copper) inspired by a Venetian sequin or ducat. This piece was struck in the 19th century by London merchants John Cook (or Wilcox) and Sons (and his sons - Joannes Ille Coquus Sui Filiiove) for trade with colonized Africa - Similar tokens with abstract representations of Christ, Doge and St. Lawrence, but in gold, are known in India. In the eastern Mediterranean, the sequins and ducats, the currency of Venice, have long been a prestigious means of payment and have often been imitated.

PCT4280434: Mereau: metal token (brad or yellow copper) inspired by a Venetian sequin or ducat. This piece was struck in the 19th century by London merchants John Cook (or Wilcox) and Sons (and his sons - Joannes Ille Coquus Sui Filiiove) for trade with colonized Africa - Similar tokens with abstract representations of Christ, Doge and St. Lawrence, but in gold, are known in India. In the eastern Mediterranean, the sequins and ducats, the currency of Venice, have long been a prestigious means of payment and have often been imitated. / Bridgeman Images

ID: PCT4280434

Mereau: metal token (brad or yellow copper) inspired by a Venetian sequin or ducat. This piece was struck in the 19th century by London merchants John Cook (or Wilcox) and Sons (and his sons - Joannes Ille Coquus Sui Filiiove) for trade with colonized Africa - Similar tokens with abstract representations of Christ, Doge and St. Lawrence, but in gold, are known in India. In the eastern Mediterranean, the sequins and ducats, the currency of Venice, have long been a prestigious means of payment and have often been imitated.

Composition, 1965 (oil on canvas)
Composition, 1965 (oil on canvas)

TW1213381: Composition, 1965 (oil on canvas), Joseph, Peter (b.1929) / Bridgeman Images

ID: TW1213381

Composition, 1965 (oil on canvas)

Joseph, Peter (b.1929)

W.H. Auden, Clement Greenberg, Tania Stern and friends at Green Cottage, Amenia, New York, summer 1941 (b/w photo)
W.H. Auden, Clement Greenberg, Tania Stern and friends at Green Cottage, Amenia, New York, summer 1941 (b/w photo)

JSA617475: W.H. Auden, Clement Greenberg, Tania Stern and friends at Green Cottage, Amenia, New York, summer 1941 (b/w photo), Stern, James (1904-93) / Bridgeman Images

ID: JSA617475

W.H. Auden, Clement Greenberg, Tania Stern and friends at Green Cottage, Amenia, New York, summer 1941 (b/w photo)

Stern, James (1904-93)

W.H. Auden, Clement Greenberg, Tania Stern, Jean Connolly and friends at Green Cottage, Amenia, New York, summer 1941 (b/w photo)
W.H. Auden, Clement Greenberg, Tania Stern, Jean Connolly and friends at Green Cottage, Amenia, New York, summer 1941 (b/w photo)

JSA617476: W.H. Auden, Clement Greenberg, Tania Stern, Jean Connolly and friends at Green Cottage, Amenia, New York, summer 1941 (b/w photo), Stern, James (1904-93) / Bridgeman Images

ID: JSA617476

W.H. Auden, Clement Greenberg, Tania Stern, Jean Connolly and friends at Green Cottage, Amenia, New York, summer 1941 (b/w photo)

Stern, James (1904-93)

Mereau: metal token (brad or yellow copper) inspired by a Venetian sequin or ducat. This piece was struck in the 19th century by London merchants John Cook (or Wilcox) and Sons (and his sons - Joannes Ille Coquus Sui Filiiove) for trade with colonized Africa - Similar tokens with abstract representations of Christ, Doge and St. Lawrence, but in gold, are known in India. In the eastern Mediterranean, the sequins and ducats, the currency of Venice, have long been a prestigious means of payment and have often been imitated.
Mereau: metal token (brad or yellow copper) inspired by a Venetian sequin or ducat. This piece was struck in the 19th century by London merchants John Cook (or Wilcox) and Sons (and his sons - Joannes Ille Coquus Sui Filiiove) for trade with colonized Africa - Similar tokens with abstract representations of Christ, Doge and St. Lawrence, but in gold, are known in India. In the eastern Mediterranean, the sequins and ducats, the currency of Venice, have long been a prestigious means of payment and have often been imitated.

PCT4280408: Mereau: metal token (brad or yellow copper) inspired by a Venetian sequin or ducat. This piece was struck in the 19th century by London merchants John Cook (or Wilcox) and Sons (and his sons - Joannes Ille Coquus Sui Filiiove) for trade with colonized Africa - Similar tokens with abstract representations of Christ, Doge and St. Lawrence, but in gold, are known in India. In the eastern Mediterranean, the sequins and ducats, the currency of Venice, have long been a prestigious means of payment and have often been imitated. / Bridgeman Images

ID: PCT4280408

Mereau: metal token (brad or yellow copper) inspired by a Venetian sequin or ducat. This piece was struck in the 19th century by London merchants John Cook (or Wilcox) and Sons (and his sons - Joannes Ille Coquus Sui Filiiove) for trade with colonized Africa - Similar tokens with abstract representations of Christ, Doge and St. Lawrence, but in gold, are known in India. In the eastern Mediterranean, the sequins and ducats, the currency of Venice, have long been a prestigious means of payment and have often been imitated.

Victor Pasmore
Victor Pasmore

ARP480706: Victor Pasmore / Bridgeman Images

ID: ARP480706

Victor Pasmore

Chester Kallman, Clement Greenberg, W.H. Auden, Jean Connolly and Tania Stern in the garden at Green Cottage, Amenia, New York, summer 1941 (b/w photo)
Chester Kallman, Clement Greenberg, W.H. Auden, Jean Connolly and Tania Stern in the garden at Green Cottage, Amenia, New York, summer 1941 (b/w photo)

JSA617472: Chester Kallman, Clement Greenberg, W.H. Auden, Jean Connolly and Tania Stern in the garden at Green Cottage, Amenia, New York, summer 1941 (b/w photo), Stern, James (1904-93) / Bridgeman Images

ID: JSA617472

Chester Kallman, Clement Greenberg, W.H. Auden, Jean Connolly and Tania Stern in the garden at Green Cottage, Amenia, New York, summer 1941 (b/w photo)

Stern, James (1904-93)

Flowers in a Vase, 1934-36 (oil on strawboard)
Flowers in a Vase, 1934-36 (oil on strawboard)

MAN5883765: Flowers in a Vase, 1934-36 (oil on strawboard), Hitchens, Ivon (1893-1979) / Bridgeman Images

ID: MAN5883765

Flowers in a Vase, 1934-36 (oil on strawboard)

Hitchens, Ivon (1893-1979)

Allegory, 1938 (oil on canvas)
Allegory, 1938 (oil on canvas)

LIS2653170: Allegory, 1938 (oil on canvas), Sausmarez, Maurice de (1915-69) / Bridgeman Images

ID: LIS2653170

Allegory, 1938 (oil on canvas)

Sausmarez, Maurice de (1915-69)

Tibia Graft, 1949 (oil & pencil on paper)
Tibia Graft, 1949 (oil & pencil on paper)

WAK3663540: Tibia Graft, 1949 (oil & pencil on paper), Hepworth, Barbara (1903-75) / Bridgeman Images

ID: WAK3663540

Tibia Graft, 1949 (oil & pencil on paper)

Hepworth, Barbara (1903-75)

Oedipus and Antigone, 1928 (oil on canvas)
Oedipus and Antigone, 1928 (oil on canvas)

ELC2627902: Oedipus and Antigone, 1928 (oil on canvas), Savinio, Alberto (Chirico, Andrea de) (1891-1952) / Bridgeman Images

ID: ELC2627902

Oedipus and Antigone, 1928 (oil on canvas)

Savinio, Alberto (Chirico, Andrea de) (1891-1952)

Scene from Richard Wagner
Scene from Richard Wagner

LAG3848960: Scene from Richard Wagner / Bridgeman Images

ID: LAG3848960

Scene from Richard Wagner

Woman and Child in Ladderback Chair, 1952 (bronze)
Woman and Child in Ladderback Chair, 1952 (bronze)

FER6439495: Woman and Child in Ladderback Chair, 1952 (bronze), Moore, Henry Spencer (1898-1986) / Bridgeman Images

ID: FER6439495

Woman and Child in Ladderback Chair, 1952 (bronze)

Moore, Henry Spencer (1898-1986)

Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling
Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling

SAP621892: Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling / Bridgeman Images

ID: SAP621892

Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling

Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling
Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling

SAP621901: Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling / Bridgeman Images

ID: SAP621901

Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling

Scroll, 1978 (oil on canvas)
Scroll, 1978 (oil on canvas)

CVL500168: Scroll, 1978 (oil on canvas), Guston, Philip (1913-80) / Bridgeman Images

ID: CVL500168

Scroll, 1978 (oil on canvas)

Guston, Philip (1913-80)

Reconstruction, 1959 (encaustic & collage on canvas)
Reconstruction, 1959 (encaustic & collage on canvas)

CVL499838: Reconstruction, 1959 (encaustic & collage on canvas) , Johns, Jasper (b.1930) / Bridgeman Images

ID: CVL499838

Reconstruction, 1959 (encaustic & collage on canvas)

Johns, Jasper (b.1930)

Sofa, 1930-40 (wood and metal frame with cotton fabric upholstry)
Sofa, 1930-40 (wood and metal frame with cotton fabric upholstry)

JEF3084497: Sofa, 1930-40 (wood and metal frame with cotton fabric upholstry), English School, (20th century) / Bridgeman Images

ID: JEF3084497

Sofa, 1930-40 (wood and metal frame with cotton fabric upholstry)

English School, (20th century)

Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling
Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling

SAP621891: Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling / Bridgeman Images

ID: SAP621891

Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling

Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Carpet, Chandeliers and Muezzin Mahfili
Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Carpet, Chandeliers and Muezzin Mahfili

SAP621887: Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Carpet, Chandeliers and Muezzin Mahfili / Bridgeman Images

ID: SAP621887

Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Carpet, Chandeliers and Muezzin Mahfili

Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling
Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling

SAP621895: Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling / Bridgeman Images

ID: SAP621895

Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling

Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling
Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling

SAP621900: Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling / Bridgeman Images

ID: SAP621900

Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling

Amethyst and diamond ring; opal and diamond ring; pearl and cushion shaped diamond abstract cluster ring by King; gold lovebird brooch by Boucheron, Paris; diamond set brooch/pendant in the shape of a spider's web by Charles de Temple; diamond earclips designed as coffee beans, pave set with diamonds; cushion shaped tourmaline ring; South sea cultured pearl and diamond ring; unmounted drop shape black opal
Amethyst and diamond ring; opal and diamond ring; pearl and cushion shaped diamond abstract cluster ring by King; gold lovebird brooch by Boucheron, Paris; diamond set brooch/pendant in the shape of a spider's web by Charles de Temple; diamond earclips designed as coffee beans, pave set with diamonds; cushion shaped tourmaline ring; South sea cultured pearl and diamond ring; unmounted drop shape black opal

BON47111: Amethyst and diamond ring; opal and diamond ring; pearl and cushion shaped diamond abstract cluster ring by King; gold lovebird brooch by Boucheron, Paris; diamond set brooch/pendant in the shape of a spider's web by Charles de Temple; diamond earclips designed as coffee beans, pave set with diamonds; cushion shaped tourmaline ring; South sea cultured pearl and diamond ring; unmounted drop shape black opal / Bridgeman Images

ID: BON47111

Amethyst and diamond ring; opal and diamond ring; pearl and cushion shaped diamond abstract cluster ring by King; gold lovebird brooch by Boucheron, Paris; diamond set brooch/pendant in the shape of a spider's web by Charles de Temple; diamond earclips designed as coffee beans, pave set with diamonds; cushion shaped tourmaline ring; South sea cultured pearl and diamond ring; unmounted drop shape black opal

Enticing, 2004 (graphite, resin & oil on coated paper)
Enticing, 2004 (graphite, resin & oil on coated paper)

CVL500333: Enticing, 2004 (graphite, resin & oil on coated paper) , Cook, Christopher (b.1959) / Bridgeman Images

ID: CVL500333

Enticing, 2004 (graphite, resin & oil on coated paper)

Cook, Christopher (b.1959)


Back to top