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8106 Search Results for abstract

Oil on Board, 1962 (oil & sand on board)
Oil on Board, 1962 (oil & sand on board)

TW1213287: Oil on Board, 1962 (oil & sand on board), Crisp, John Harris (1914-83) / Bridgeman Images

Victor Pasmore
Victor Pasmore

ARP480706: Victor Pasmore / Bridgeman Images

Mereau: metal token (brad or yellow copper) inspired by a Venetian sequin or ducat. This piece was struck in the 19th century by London merchants John Cook (or Wilcox) and Sons (and his sons - Joannes Ille Coquus Sui Filiiove) for trade with colonized Africa - Similar tokens with abstract representations of Christ, Doge and St. Lawrence, but in gold, are known in India. In the eastern Mediterranean, the sequins and ducats, the currency of Venice, have long been a prestigious means of payment and have often been imitated.
Mereau: metal token (brad or yellow copper) inspired by a Venetian sequin or ducat. This piece was struck in the 19th century by London merchants John Cook (or Wilcox) and Sons (and his sons - Joannes Ille Coquus Sui Filiiove) for trade with colonized Africa - Similar tokens with abstract representations of Christ, Doge and St. Lawrence, but in gold, are known in India. In the eastern Mediterranean, the sequins and ducats, the currency of Venice, have long been a prestigious means of payment and have often been imitated.

PCT4280408: Mereau: metal token (brad or yellow copper) inspired by a Venetian sequin or ducat. This piece was struck in the 19th century by London merchants John Cook (or Wilcox) and Sons (and his sons - Joannes Ille Coquus Sui Filiiove) for trade with colonized Africa - Similar tokens with abstract representations of Christ, Doge and St. Lawrence, but in gold, are known in India. In the eastern Mediterranean, the sequins and ducats, the currency of Venice, have long been a prestigious means of payment and have often been imitated. / Bridgeman Images

Pierre Soulages' artwork in Musee Fabre in Montpellier (Herault, Occitanie)
Pierre Soulages' artwork in Musee Fabre in Montpellier (Herault, Occitanie)

PCT4716493: Pierre Soulages' artwork in Musee Fabre in Montpellier (Herault, Occitanie), Soulages, Pierre (1919-2022) / Bridgeman Images

Shawl [Perraje], Totonicapan, Guatemala, 1955 (cotton & dye)
Shawl [Perraje], Totonicapan, Guatemala, 1955 (cotton & dye)

LWE410750: Shawl [Perraje], Totonicapan, Guatemala, 1955 (cotton & dye), Guatemalan School, (20th century) / Bridgeman Images

The Angel of Death, 1939-1945 (tempera on canvas)
The Angel of Death, 1939-1945 (tempera on canvas)

NAM5925094: The Angel of Death, 1939-1945 (tempera on canvas), Romyn, Conrad (Dick) (b.1915) / Bridgeman Images

Mereau: metal token (brad or yellow copper) inspired by a Venetian sequin or ducat. This piece was struck in the 19th century by London merchants John Cook (or Wilcox) and Sons (and his sons - Joannes Ille Coquus Sui Filiiove) for trade with colonized Africa - Similar tokens with abstract representations of Christ, Doge and St. Lawrence, but in gold, are known in India. In the eastern Mediterranean, the sequins and ducats, the currency of Venice, have long been a prestigious means of payment and have often been imitated.
Mereau: metal token (brad or yellow copper) inspired by a Venetian sequin or ducat. This piece was struck in the 19th century by London merchants John Cook (or Wilcox) and Sons (and his sons - Joannes Ille Coquus Sui Filiiove) for trade with colonized Africa - Similar tokens with abstract representations of Christ, Doge and St. Lawrence, but in gold, are known in India. In the eastern Mediterranean, the sequins and ducats, the currency of Venice, have long been a prestigious means of payment and have often been imitated.

PCT4280434: Mereau: metal token (brad or yellow copper) inspired by a Venetian sequin or ducat. This piece was struck in the 19th century by London merchants John Cook (or Wilcox) and Sons (and his sons - Joannes Ille Coquus Sui Filiiove) for trade with colonized Africa - Similar tokens with abstract representations of Christ, Doge and St. Lawrence, but in gold, are known in India. In the eastern Mediterranean, the sequins and ducats, the currency of Venice, have long been a prestigious means of payment and have often been imitated. / Bridgeman Images

Composition, 1965 (oil on canvas)
Composition, 1965 (oil on canvas)

TW1213381: Composition, 1965 (oil on canvas), Joseph, Peter (b.1929) / Bridgeman Images

W.H. Auden, Clement Greenberg, Tania Stern and friends at Green Cottage, Amenia, New York, summer 1941 (b/w photo)
W.H. Auden, Clement Greenberg, Tania Stern and friends at Green Cottage, Amenia, New York, summer 1941 (b/w photo)

JSA617475: W.H. Auden, Clement Greenberg, Tania Stern and friends at Green Cottage, Amenia, New York, summer 1941 (b/w photo), Stern, James (1904-93) / Bridgeman Images

W.H. Auden, Clement Greenberg, Tania Stern, Jean Connolly and friends at Green Cottage, Amenia, New York, summer 1941 (b/w photo)
W.H. Auden, Clement Greenberg, Tania Stern, Jean Connolly and friends at Green Cottage, Amenia, New York, summer 1941 (b/w photo)

JSA617476: W.H. Auden, Clement Greenberg, Tania Stern, Jean Connolly and friends at Green Cottage, Amenia, New York, summer 1941 (b/w photo), Stern, James (1904-93) / Bridgeman Images

The Immaculate Conception, c.1680 (oil on canvas)
The Immaculate Conception, c.1680 (oil on canvas)

XCL499510: The Immaculate Conception, c.1680 (oil on canvas) , Murillo, Bartolome Esteban (1618-82) / Bridgeman Images

Oedipus and Antigone, 1928 (oil on canvas)
Oedipus and Antigone, 1928 (oil on canvas)

ELC2627902: Oedipus and Antigone, 1928 (oil on canvas), Savinio, Alberto (Chirico, Andrea de) (1891-1952) / Bridgeman Images

Flowers in a Vase, 1934-36 (oil on strawboard)
Flowers in a Vase, 1934-36 (oil on strawboard)

MAN5883765: Flowers in a Vase, 1934-36 (oil on strawboard), Hitchens, Ivon (1893-1979) / Bridgeman Images

Tibia Graft, 1949 (oil & pencil on paper)
Tibia Graft, 1949 (oil & pencil on paper)

WAK3663540: Tibia Graft, 1949 (oil & pencil on paper), Hepworth, Barbara (1903-75) / Bridgeman Images

Allegory, 1938 (oil on canvas)
Allegory, 1938 (oil on canvas)

LIS2653170: Allegory, 1938 (oil on canvas), Sausmarez, Maurice de (1915-69) / Bridgeman Images

Scene from Richard Wagner
Scene from Richard Wagner

LAG3848960: Scene from Richard Wagner / Bridgeman Images

Woman and Child in Ladderback Chair, 1952 (bronze)
Woman and Child in Ladderback Chair, 1952 (bronze)

FER6439495: Woman and Child in Ladderback Chair, 1952 (bronze), Moore, Henry Spencer (1898-1986) / Bridgeman Images

Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Carpet, Chandeliers and Muezzin Mahfili
Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Carpet, Chandeliers and Muezzin Mahfili

SAP621887: Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Carpet, Chandeliers and Muezzin Mahfili / Bridgeman Images

Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling
Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling

SAP621895: Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling / Bridgeman Images

Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling
Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling

SAP621900: Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling / Bridgeman Images

Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling
Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling

SAP621891: Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling / Bridgeman Images

Sofa, 1930-40 (wood and metal frame with cotton fabric upholstry)
Sofa, 1930-40 (wood and metal frame with cotton fabric upholstry)

JEF3084497: Sofa, 1930-40 (wood and metal frame with cotton fabric upholstry), English School, (20th century) / Bridgeman Images

Scroll, 1978 (oil on canvas)
Scroll, 1978 (oil on canvas)

CVL500168: Scroll, 1978 (oil on canvas), Guston, Philip (1913-80) / Bridgeman Images

Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling
Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling

SAP621901: Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling / Bridgeman Images

Reconstruction, 1959 (encaustic & collage on canvas)
Reconstruction, 1959 (encaustic & collage on canvas)

CVL499838: Reconstruction, 1959 (encaustic & collage on canvas) , Johns, Jasper (b.1930) / Bridgeman Images

Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling
Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling

SAP621892: Blue Mosque, Sultan Ahmed Mosque, Sultanahmet Camii, Nave - Dome, Ceiling / Bridgeman Images

Amethyst and diamond ring; opal and diamond ring; pearl and cushion shaped diamond abstract cluster ring by King; gold lovebird brooch by Boucheron, Paris; diamond set brooch/pendant in the shape of a spider's web by Charles de Temple; diamond earclips designed as coffee beans, pave set with diamonds; cushion shaped tourmaline ring; South sea cultured pearl and diamond ring; unmounted drop shape black opal
Amethyst and diamond ring; opal and diamond ring; pearl and cushion shaped diamond abstract cluster ring by King; gold lovebird brooch by Boucheron, Paris; diamond set brooch/pendant in the shape of a spider's web by Charles de Temple; diamond earclips designed as coffee beans, pave set with diamonds; cushion shaped tourmaline ring; South sea cultured pearl and diamond ring; unmounted drop shape black opal

BON47111: Amethyst and diamond ring; opal and diamond ring; pearl and cushion shaped diamond abstract cluster ring by King; gold lovebird brooch by Boucheron, Paris; diamond set brooch/pendant in the shape of a spider's web by Charles de Temple; diamond earclips designed as coffee beans, pave set with diamonds; cushion shaped tourmaline ring; South sea cultured pearl and diamond ring; unmounted drop shape black opal / Bridgeman Images

Enticing, 2004 (graphite, resin & oil on coated paper)
Enticing, 2004 (graphite, resin & oil on coated paper)

CVL500333: Enticing, 2004 (graphite, resin & oil on coated paper) , Cook, Christopher (b.1959) / Bridgeman Images

The Puritan, 1899 (bronze)
The Puritan, 1899 (bronze)

MAM712799: The Puritan, 1899 (bronze), Saint-Gaudens, Augustus (1848-1907) / Bridgeman Images

Lavington Common, 1938 (oil on canvas)
Lavington Common, 1938 (oil on canvas)

MAN5673825: Lavington Common, 1938 (oil on canvas), Hitchens, Ivon (1893-1979) / Bridgeman Images

Binding, 1932 (oil on canvas)
Binding, 1932 (oil on canvas)

FIA5405654: Binding, 1932 (oil on canvas), Kandinsky, Wassily (1866-1944) / Bridgeman Images

Seneschal Lane, Douglas, Isle of Man, 1932-34 (b/w photo)
Seneschal Lane, Douglas, Isle of Man, 1932-34 (b/w photo)

MNX5052678: Seneschal Lane, Douglas, Isle of Man, 1932-34 (b/w photo), Frowde, John James (1868-1946) / Bridgeman Images

Remnants of Supernova of Vails - detail - Pencil Nebula (NGC 2376) - Remnants from a star that exploded thousands of years ago created a celestial abstract portrait, as captured in this image of the Pencil Nebula. Officially known as NGC 2736, the Pencil Nebula is part of the huge Vela supernova remnant, located in the southern constellation Vela. Discovered by Sir John Herschel in the 1840s, the nebula's linear appearance triggered its popular name. The nebula's shape suggests that it is part of the supernova shock wave that recently encountered a region of dense gas. It is this interaction that causes the nebula to glow, appearing like a rippled sheet. In this snapshot, astronomers are looking along the edge of the undulating sheet of gas. This view shows large, wispy filamentary structures, smaller bright knots of gas, and patches of diffuse gas. The Hubble Heritage Team used the Advanced Camera for Surveys in October 2002 to observe the nebula. The region of the Pencil Nebula captured in this image is about three fourths of a light - year across. The Vela supernova remnant is 114 light - years (35 parsecs) across. The remnant is about 815 light - years (250 parsecs) away from our solar system. The nebula's luminous appearance comes from dense gas regions that have been struck by the supernova shock wave. As the shock wave travels through space [from right to left in the image], it rams into interstellar material. Initially the gas is heated to millions of degrees, but then subsequently cools down, emitting the optical light visible in the image. The colors of the various regions in the nebula yield clues about this cooling process. Some regions are still so hot that the emission is dominated by ionized oxygen atoms, which glow blue in the picture. Other regions have cooled more and are seen emitting red in the image (cooler hydrogen atoms). In this situation, color shows the temperature of the gas. The nebula is visible in this image because it is glowing
Remnants of Supernova of Vails - detail - Pencil Nebula (NGC 2376) - Remnants from a star that exploded thousands of years ago created a celestial abstract portrait, as captured in this image of the Pencil Nebula. Officially known as NGC 2736, the Pencil Nebula is part of the huge Vela supernova remnant, located in the southern constellation Vela. Discovered by Sir John Herschel in the 1840s, the nebula's linear appearance triggered its popular name. The nebula's shape suggests that it is part of the supernova shock wave that recently encountered a region of dense gas. It is this interaction that causes the nebula to glow, appearing like a rippled sheet. In this snapshot, astronomers are looking along the edge of the undulating sheet of gas. This view shows large, wispy filamentary structures, smaller bright knots of gas, and patches of diffuse gas. The Hubble Heritage Team used the Advanced Camera for Surveys in October 2002 to observe the nebula. The region of the Pencil Nebula captured in this image is about three fourths of a light - year across. The Vela supernova remnant is 114 light - years (35 parsecs) across. The remnant is about 815 light - years (250 parsecs) away from our solar system. The nebula's luminous appearance comes from dense gas regions that have been struck by the supernova shock wave. As the shock wave travels through space [from right to left in the image], it rams into interstellar material. Initially the gas is heated to millions of degrees, but then subsequently cools down, emitting the optical light visible in the image. The colors of the various regions in the nebula yield clues about this cooling process. Some regions are still so hot that the emission is dominated by ionized oxygen atoms, which glow blue in the picture. Other regions have cooled more and are seen emitting red in the image (cooler hydrogen atoms). In this situation, color shows the temperature of the gas. The nebula is visible in this image because it is glowing

PIX4582819: Remnants of Supernova of Vails - detail - Pencil Nebula (NGC 2376) - Remnants from a star that exploded thousands of years ago created a celestial abstract portrait, as captured in this image of the Pencil Nebula. Officially known as NGC 2736, the Pencil Nebula is part of the huge Vela supernova remnant, located in the southern constellation Vela. Discovered by Sir John Herschel in the 1840s, the nebula's linear appearance triggered its popular name. The nebula's shape suggests that it is part of the supernova shock wave that recently encountered a region of dense gas. It is this interaction that causes the nebula to glow, appearing like a rippled sheet. In this snapshot, astronomers are looking along the edge of the undulating sheet of gas. This view shows large, wispy filamentary structures, smaller bright knots of gas, and patches of diffuse gas. The Hubble Heritage Team used the Advanced Camera for Surveys in October 2002 to observe the nebula. The region of the Pencil Nebula captured in this image is about three fourths of a light - year across. The Vela supernova remnant is 114 light - years (35 parsecs) across. The remnant is about 815 light - years (250 parsecs) away from our solar system. The nebula's luminous appearance comes from dense gas regions that have been struck by the supernova shock wave. As the shock wave travels through space [from right to left in the image], it rams into interstellar material. Initially the gas is heated to millions of degrees, but then subsequently cools down, emitting the optical light visible in the image. The colors of the various regions in the nebula yield clues about this cooling process. Some regions are still so hot that the emission is dominated by ionized oxygen atoms, which glow blue in the picture. Other regions have cooled more and are seen emitting red in the image (cooler hydrogen atoms). In this situation, color shows the temperature of the gas. The nebula is visible in this image because it is glowing / Bridgeman Images

Sir Terry Frost
Sir Terry Frost

LUT3835377: Sir Terry Frost, Frost, Terry (1915-2003) / Bridgeman Images

Terry Frost in St. Ives, Cornwall, 1954 (b/w photo)
Terry Frost in St. Ives, Cornwall, 1954 (b/w photo)

BRS955503: Terry Frost in St. Ives, Cornwall, 1954 (b/w photo) / Bridgeman Images

Sir Terry Frost
Sir Terry Frost

LUT3835378: Sir Terry Frost, Frost, Terry (1915-2003) / Bridgeman Images


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