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8106 Search Results for abstract

Mouth (Bocca), by Gianni Dova, 1954, 20th Century, oil and enamel on canvas, 60 x 70 cm
Mouth (Bocca), by Gianni Dova, 1954, 20th Century, oil and enamel on canvas, 60 x 70 cm

MEP850005: Mouth (Bocca), by Gianni Dova, 1954, 20th Century, oil and enamel on canvas, 60 x 70 cm, Dova, Gianni (b. 1925) / Bridgeman Images

ID: MEP850005

Mouth (Bocca), by Gianni Dova, 1954, 20th Century, oil and enamel on canvas, 60 x 70 cm

Dova, Gianni (b. 1925)

Himalayan landscape: Abstract texture of massive eroding mountain side in high altitude cold desert between Khaltse and Lamayuru, Ladakh, Jammu & Kashmir, India
Himalayan landscape: Abstract texture of massive eroding mountain side in high altitude cold desert between Khaltse and Lamayuru, Ladakh, Jammu & Kashmir, India

POV497933: Himalayan landscape: Abstract texture of massive eroding mountain side in high altitude cold desert between Khaltse and Lamayuru, Ladakh, Jammu & Kashmir, India / Bridgeman Images

ID: POV497933

Himalayan landscape: Abstract texture of massive eroding mountain side in high altitude cold desert between Khaltse and Lamayuru, Ladakh, Jammu & Kashmir, India

Baroness Hilla Rebay, an abstract painter and key advisor Solomon R. Guggenheim, as he built the modern art collection to be housed in the Solomon R. Guggenheim Museum. She advocated the selection of Frank Lloyd Wright to design the new museum. 1931
Baroness Hilla Rebay, an abstract painter and key advisor Solomon R. Guggenheim, as he built the modern art collection to be housed in the Solomon R. Guggenheim Museum. She advocated the selection of Frank Lloyd Wright to design the new museum. 1931

EVB2943989: Baroness Hilla Rebay, an abstract painter and key advisor Solomon R. Guggenheim, as he built the modern art collection to be housed in the Solomon R. Guggenheim Museum. She advocated the selection of Frank Lloyd Wright to design the new museum. 1931 / Bridgeman Images

ID: EVB2943989

Baroness Hilla Rebay, an abstract painter and key advisor Solomon R. Guggenheim, as he built the modern art collection to be housed in the Solomon R. Guggenheim Museum. She advocated the selection of Frank Lloyd Wright to design the new museum. 1931

Disk fibula from the necropolis of Senise, (gold leaf)
Disk fibula from the necropolis of Senise, (gold leaf)

MEB856462: Disk fibula from the necropolis of Senise, (gold leaf), Italian School, (7th century) / Bridgeman Images

ID: MEB856462

Disk fibula from the necropolis of Senise, (gold leaf)

Italian School, (7th century)

Three Female Nudes with a Black Woman and Watermelon from the Room of Mannequins (Tre nudi femminili con negra e cocomero dalla Stanza dei Manichini), by Ardengo Soffici, 1914, 20th Century, tempera on wall reported on fiber glass 250 x 212 cm
Three Female Nudes with a Black Woman and Watermelon from the Room of Mannequins (Tre nudi femminili con negra e cocomero dalla Stanza dei Manichini), by Ardengo Soffici, 1914, 20th Century, tempera on wall reported on fiber glass 250 x 212 cm

MEP849464: Three Female Nudes with a Black Woman and Watermelon from the Room of Mannequins (Tre nudi femminili con negra e cocomero dalla Stanza dei Manichini), by Ardengo Soffici, 1914, 20th Century, tempera on wall reported on fiber glass 250 x 212 cm, Soffici, Ardengo (1879-1964) / Bridgeman Images

ID: MEP849464

Three Female Nudes with a Black Woman and Watermelon from the Room of Mannequins (Tre nudi femminili con negra e cocomero dalla Stanza dei Manichini), by Ardengo Soffici, 1914, 20th Century, tempera on wall reported on fiber glass 250 x 212 cm

Soffici, Ardengo (1879-1964)

Three Holes, 1963-64 (canvas)
Three Holes, 1963-64 (canvas)

FER6439476: Three Holes, 1963-64 (canvas), Newsome, Victor (b.1935) / Bridgeman Images

ID: FER6439476

Three Holes, 1963-64 (canvas)

Newsome, Victor (b.1935)

Snuff bottle with carved decoration depicting a black abstract flower design on a pale pink ground, Chinese, 17th-19th century (porcelain with rose quartz stopper)
Snuff bottle with carved decoration depicting a black abstract flower design on a pale pink ground, Chinese, 17th-19th century (porcelain with rose quartz stopper)

ORM99976: Snuff bottle with carved decoration depicting a black abstract flower design on a pale pink ground, Chinese, 17th-19th century (porcelain with rose quartz stopper) / Bridgeman Images

ID: ORM99976

Snuff bottle with carved decoration depicting a black abstract flower design on a pale pink ground, Chinese, 17th-19th century (porcelain with rose quartz stopper)

Evening dress, Callot, 'Bacchate', 1913 (pencil & w/c on paper)
Evening dress, Callot, 'Bacchate', 1913 (pencil & w/c on paper)

TBM2632156: Evening dress, Callot, 'Bacchate', 1913 (pencil & w/c on paper), Henri Bendel Studio (fl.1920s) / Bridgeman Images

ID: TBM2632156

Evening dress, Callot, 'Bacchate', 1913 (pencil & w/c on paper)

Henri Bendel Studio (fl.1920s)

The Control-room at South West Regional Headquarters, Bristol, 1940 (oil on panel)
The Control-room at South West Regional Headquarters, Bristol, 1940 (oil on panel)

IWM3737714: The Control-room at South West Regional Headquarters, Bristol, 1940 (oil on panel), Piper, John (1903-92) / Bridgeman Images

ID: IWM3737714

The Control-room at South West Regional Headquarters, Bristol, 1940 (oil on panel)

Piper, John (1903-92)

A new ballet is rehearsed at the Jeanetta Cochrane, 07/05/1971 (b/w photo)
A new ballet is rehearsed at the Jeanetta Cochrane, 07/05/1971 (b/w photo)

MPX5118166: A new ballet is rehearsed at the Jeanetta Cochrane, 07/05/1971 (b/w photo) / Bridgeman Images

ID: MPX5118166

A new ballet is rehearsed at the Jeanetta Cochrane, 07/05/1971 (b/w photo)

Sky Ride Stand At The Century Of Progress
Sky Ride Stand At The Century Of Progress

SIC744246: Sky Ride Stand At The Century Of Progress / Bridgeman Images

ID: SIC744246

Sky Ride Stand At The Century Of Progress

Gloxinia (plaster)
Gloxinia (plaster)

PRK6201239: Gloxinia (plaster), Fergusson, John Duncan (1874-1961) / Bridgeman Images

ID: PRK6201239

Gloxinia (plaster)

Fergusson, John Duncan (1874-1961)

Coverage of Bruno Hat in The Evening Standard, 24th July, 1929 (print)
Coverage of Bruno Hat in The Evening Standard, 24th July, 1929 (print)

JSC393443: Coverage of Bruno Hat in The Evening Standard, 24th July, 1929 (print), English School, (20th century) / Bridgeman Images

ID: JSC393443

Coverage of Bruno Hat in The Evening Standard, 24th July, 1929 (print)

English School, (20th century)

The oddities of modern art (colour litho)
The oddities of modern art (colour litho)

LLM2778823: The oddities of modern art (colour litho), Molino, Walter (1915-1997) / Bridgeman Images

ID: LLM2778823

The oddities of modern art (colour litho)

Molino, Walter (1915-1997)

Alfonso Ossorio in his workshop (b/w photo)
Alfonso Ossorio in his workshop (b/w photo)

TVC3548642: Alfonso Ossorio in his workshop (b/w photo), Ossorio, Alfonso A. (1916-1990) / Bridgeman Images

ID: TVC3548642

Alfonso Ossorio in his workshop (b/w photo)

Ossorio, Alfonso A. (1916-1990)

Figure Number 4 (Figura numero 4), by Ennio Morlotti, 20th century (oil on canvas)
Figure Number 4 (Figura numero 4), by Ennio Morlotti, 20th century (oil on canvas)

MEB1266542: Figure Number 4 (Figura numero 4), by Ennio Morlotti, 20th century (oil on canvas), Morlotti, Ennio (1910-93) / Bridgeman Images

ID: MEB1266542

Figure Number 4 (Figura numero 4), by Ennio Morlotti, 20th century (oil on canvas)

Morlotti, Ennio (1910-93)

Unknown artist, Treasures of Ancient Persia #1
Unknown artist, Treasures of Ancient Persia #1

IKN943002: Unknown artist, Treasures of Ancient Persia #1 / Bridgeman Images

ID: IKN943002

Unknown artist, Treasures of Ancient Persia #1

Spring Woodland, 1925-44 (oil on canvas)
Spring Woodland, 1925-44 (oil on canvas)

MAN5673826: Spring Woodland, 1925-44 (oil on canvas), Hitchens, Ivon (1893-1979) / Bridgeman Images

ID: MAN5673826

Spring Woodland, 1925-44 (oil on canvas)

Hitchens, Ivon (1893-1979)

Woman's high-heel shoe design in purple leather with red lace-up panel and snakeskin toe within abstract art deco shooting star border. Chromolithograph from Andre Camy's La Chausage d'Art, The Art Shoe, August-September, Paris, 1930.
Woman's high-heel shoe design in purple leather with red lace-up panel and snakeskin toe within abstract art deco shooting star border. Chromolithograph from Andre Camy's La Chausage d'Art, The Art Shoe, August-September, Paris, 1930.

FLO4603099: Woman's high-heel shoe design in purple leather with red lace-up panel and snakeskin toe within abstract art deco shooting star border. Chromolithograph from Andre Camy's La Chausage d'Art, The Art Shoe, August-September, Paris, 1930. / Bridgeman Images

ID: FLO4603099

Woman's high-heel shoe design in purple leather with red lace-up panel and snakeskin toe within abstract art deco shooting star border. Chromolithograph from Andre Camy's La Chausage d'Art, The Art Shoe, August-September, Paris, 1930.

'The Human Abstract', plate 44 (Bentley 47) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c on paper)
'The Human Abstract', plate 44 (Bentley 47) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c on paper)

XYC220132: 'The Human Abstract', plate 44 (Bentley 47) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC220132

'The Human Abstract', plate 44 (Bentley 47) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c on paper)

Blake, William (1757-1827)

This Figure can satisfy the curiosite of those who want to see the Corps depouille to the Bones - engraving in “Abstract Anatomy, accommodated to the arts of painting and sculpture” - “” Abrege d'anatomy, accommode aux arts de peinture et sculpture, and put in a new order by Francois Tortebat (1610-1690) “” - 1760
This Figure can satisfy the curiosite of those who want to see the Corps depouille to the Bones - engraving in “Abstract Anatomy, accommodated to the arts of painting and sculpture” - “” Abrege d'anatomy, accommode aux arts de peinture et sculpture, and put in a new order by Francois Tortebat (1610-1690) “” - 1760

XEE4161687: This Figure can satisfy the curiosite of those who want to see the Corps depouille to the Bones - engraving in “Abstract Anatomy, accommodated to the arts of painting and sculpture” - “” Abrege d'anatomy, accommode aux arts de peinture et sculpture, and put in a new order by Francois Tortebat (1610-1690) “” - 1760, French School, (18th century) / Bridgeman Images

ID: XEE4161687

This Figure can satisfy the curiosite of those who want to see the Corps depouille to the Bones - engraving in “Abstract Anatomy, accommodated to the arts of painting and sculpture” - “” Abrege d'anatomy, accommode aux arts de peinture et sculpture, and put in a new order by Francois Tortebat (1610-1690) “” - 1760

French School, (18th century)

Field with Young Trees in the Foreground, c.1907 (oil on paper laid on board)
Field with Young Trees in the Foreground, c.1907 (oil on paper laid on board)

XCL499790: Field with Young Trees in the Foreground, c.1907 (oil on paper laid on board), Mondrian, Piet (1872-1944) / Bridgeman Images

ID: XCL499790

Field with Young Trees in the Foreground, c.1907 (oil on paper laid on board)

Mondrian, Piet (1872-1944)

Revolt (Rivolta), by Giulio Turcato, 1948-1949, 20th century (oil on canvassed paper) 90 x 115 cm
Revolt (Rivolta), by Giulio Turcato, 1948-1949, 20th century (oil on canvassed paper) 90 x 115 cm

MEB1266594: Revolt (Rivolta), by Giulio Turcato, 1948-1949, 20th century (oil on canvassed paper) 90 x 115 cm, Turcato, Giulio (1912-95) / Bridgeman Images

ID: MEB1266594

Revolt (Rivolta), by Giulio Turcato, 1948-1949, 20th century (oil on canvassed paper) 90 x 115 cm

Turcato, Giulio (1912-95)

'Symphony in C' -
'Symphony in C' -

LEL3885507: 'Symphony in C' - / Bridgeman Images

ID: LEL3885507

'Symphony in C' -

Composition (Composizione), by Giulio Turcato, 20th century
Composition (Composizione), by Giulio Turcato, 20th century

MEB1266668: Composition (Composizione), by Giulio Turcato, 20th century, Turcato, Giulio (1912-95) / Bridgeman Images

ID: MEB1266668

Composition (Composizione), by Giulio Turcato, 20th century

Turcato, Giulio (1912-95)

The Bridge of Saint Paul, or Puente de San Pablo crossing the Huecar Ravine, and Las Casas Colgadas, or The Hanging Houses, which now house the Museum of Spanish Abstract Art.
The Bridge of Saint Paul, or Puente de San Pablo crossing the Huecar Ravine, and Las Casas Colgadas, or The Hanging Houses, which now house the Museum of Spanish Abstract Art.

KW482139: The Bridge of Saint Paul, or Puente de San Pablo crossing the Huecar Ravine, and Las Casas Colgadas, or The Hanging Houses, which now house the Museum of Spanish Abstract Art. / Bridgeman Images

ID: KW482139

The Bridge of Saint Paul, or Puente de San Pablo crossing the Huecar Ravine, and Las Casas Colgadas, or The Hanging Houses, which now house the Museum of Spanish Abstract Art.

The Abstract-Creation room of the Musee d'Art Moderne de la Ville de Paris, Avenue du President Wilson, Paris 75016. Architecture by Jean-Claude Dondel, Andre Aubert, Paul Viard and Marcel Dastugue, 1937 Artist: Robert Delaunay (1885-1941) Photography 29/10/10
The Abstract-Creation room of the Musee d'Art Moderne de la Ville de Paris, Avenue du President Wilson, Paris 75016. Architecture by Jean-Claude Dondel, Andre Aubert, Paul Viard and Marcel Dastugue, 1937 Artist: Robert Delaunay (1885-1941) Photography 29/10/10

ITR4626538: The Abstract-Creation room of the Musee d'Art Moderne de la Ville de Paris, Avenue du President Wilson, Paris 75016. Architecture by Jean-Claude Dondel, Andre Aubert, Paul Viard and Marcel Dastugue, 1937 Artist: Robert Delaunay (1885-1941) Photography 29/10/10 / Bridgeman Images

ID: ITR4626538

The Abstract-Creation room of the Musee d'Art Moderne de la Ville de Paris, Avenue du President Wilson, Paris 75016. Architecture by Jean-Claude Dondel, Andre Aubert, Paul Viard and Marcel Dastugue, 1937 Artist: Robert Delaunay (1885-1941) Photography 29/10/10

Visvakarman (bronze)
Visvakarman (bronze)

MAM3061977: Visvakarman (bronze), Cambodian, (13th Century) / Bridgeman Images

ID: MAM3061977

Visvakarman (bronze)

Cambodian, (13th Century)

UNITED STATES 1960s: Men look at negatives on light box.
UNITED STATES 1960s: Men look at negatives on light box.

AVE6329242: UNITED STATES 1960s: Men look at negatives on light box. / Bridgeman Images

ID: AVE6329242

UNITED STATES 1960s: Men look at negatives on light box.

China: Painted wooden tomb figurine of a servant, Warring States Period (475-221 BCE), Shanghai Museum
China: Painted wooden tomb figurine of a servant, Warring States Period (475-221 BCE), Shanghai Museum

PFH3061626: China: Painted wooden tomb figurine of a servant, Warring States Period (475-221 BCE), Shanghai Museum / Bridgeman Images

ID: PFH3061626

China: Painted wooden tomb figurine of a servant, Warring States Period (475-221 BCE), Shanghai Museum

The gates of the East (Le porte d'Oriente), by Lainolfi Luigi, 1990 (polychrome mosaic)
The gates of the East (Le porte d'Oriente), by Lainolfi Luigi, 1990 (polychrome mosaic)

MEP851248: The gates of the East (Le porte d'Oriente), by Lainolfi Luigi, 1990 (polychrome mosaic), Notturni, Luciana (b.1951) & studio / Bridgeman Images

ID: MEP851248

The gates of the East (Le porte d'Oriente), by Lainolfi Luigi, 1990 (polychrome mosaic)

Notturni, Luciana (b.1951) & studio

The Riverside, 1959 (oil on board)
The Riverside, 1959 (oil on board)

TW427119: The Riverside, 1959 (oil on board), Gillie, Ann (1906-95) / Bridgeman Images

ID: TW427119

The Riverside, 1959 (oil on board)

Gillie, Ann (1906-95)

Spurred clubs, l-r: Gatawaka, 18th century (wood); Gatawaka, 18th century (wood, whale ivory); Kiakavo vividrasa, early 19th century (wood, shell, coconut fibre sennit)
Spurred clubs, l-r: Gatawaka, 18th century (wood); Gatawaka, 18th century (wood, whale ivory); Kiakavo vividrasa, early 19th century (wood, shell, coconut fibre sennit)

BPA399485: Spurred clubs, l-r: Gatawaka, 18th century (wood); Gatawaka, 18th century (wood, whale ivory); Kiakavo vividrasa, early 19th century (wood, shell, coconut fibre sennit), Fijian School (18th-19th century) / Bridgeman Images

ID: BPA399485

Spurred clubs, l-r: Gatawaka, 18th century (wood); Gatawaka, 18th century (wood, whale ivory); Kiakavo vividrasa, early 19th century (wood, shell, coconut fibre sennit)

Fijian School (18th-19th century)

The Pond, 1982
The Pond, 1982

MEP2627396: The Pond, 1982, Mainolfi, Luigi (b.1948) / Bridgeman Images

ID: MEP2627396

The Pond, 1982

Mainolfi, Luigi (b.1948)

Vertical III Absalom (Verticale III Assalonne), 1960 (lead)
Vertical III Absalom (Verticale III Assalonne), 1960 (lead)

MEP850278: Vertical III Absalom (Verticale III Assalonne), 1960 (lead), Somaini, Francesco (b.1926-fl.1944-68) / Bridgeman Images

ID: MEP850278

Vertical III Absalom (Verticale III Assalonne), 1960 (lead)

Somaini, Francesco (b.1926-fl.1944-68)

Thailand: Entrance stone at San Chao Put Jaw (Chinese Taoist temple), Phuket Town
Thailand: Entrance stone at San Chao Put Jaw (Chinese Taoist temple), Phuket Town

PFH1164984: Thailand: Entrance stone at San Chao Put Jaw (Chinese Taoist temple), Phuket Town / Bridgeman Images

ID: PFH1164984

Thailand: Entrance stone at San Chao Put Jaw (Chinese Taoist temple), Phuket Town


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