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8185 Search Results for abstract

Keys of the flute
Keys of the flute

MDS3881520: Keys of the flute, Maeder, Suzie (b.1948) / Bridgeman Images

ID: MDS3881520

Keys of the flute

Maeder, Suzie (b.1948)

Mereau: metal token (brad or yellow copper) inspired by a Venetian sequin or ducat. This piece was struck in the 19th century by London merchants John Cook (or Wilcox) and Sons (and his sons - Joannes Ille Coquus Sui Filiiove) for trade with colonized Africa - Similar tokens with abstract representations of Christ, Doge and St. Lawrence, but in gold, are known in India. In the eastern Mediterranean, the sequins and ducats, the currency of Venice, have long been a prestigious means of payment and have often been imitated.
Mereau: metal token (brad or yellow copper) inspired by a Venetian sequin or ducat. This piece was struck in the 19th century by London merchants John Cook (or Wilcox) and Sons (and his sons - Joannes Ille Coquus Sui Filiiove) for trade with colonized Africa - Similar tokens with abstract representations of Christ, Doge and St. Lawrence, but in gold, are known in India. In the eastern Mediterranean, the sequins and ducats, the currency of Venice, have long been a prestigious means of payment and have often been imitated.

PCT4280434: Mereau: metal token (brad or yellow copper) inspired by a Venetian sequin or ducat. This piece was struck in the 19th century by London merchants John Cook (or Wilcox) and Sons (and his sons - Joannes Ille Coquus Sui Filiiove) for trade with colonized Africa - Similar tokens with abstract representations of Christ, Doge and St. Lawrence, but in gold, are known in India. In the eastern Mediterranean, the sequins and ducats, the currency of Venice, have long been a prestigious means of payment and have often been imitated. / Bridgeman Images

ID: PCT4280434

Mereau: metal token (brad or yellow copper) inspired by a Venetian sequin or ducat. This piece was struck in the 19th century by London merchants John Cook (or Wilcox) and Sons (and his sons - Joannes Ille Coquus Sui Filiiove) for trade with colonized Africa - Similar tokens with abstract representations of Christ, Doge and St. Lawrence, but in gold, are known in India. In the eastern Mediterranean, the sequins and ducats, the currency of Venice, have long been a prestigious means of payment and have often been imitated.

The Marine, 1927 (oil on canvas)
The Marine, 1927 (oil on canvas)

CH988781: The Marine, 1927 (oil on canvas), Survage, Leopold (1879-1968) / Bridgeman Images

ID: CH988781

The Marine, 1927 (oil on canvas)

Survage, Leopold (1879-1968)

Portrait of Madame Herbin; Portrait de Madame Herbin, 1912 (oil on canvas)
Portrait of Madame Herbin; Portrait de Madame Herbin, 1912 (oil on canvas)

CH825348: Portrait of Madame Herbin; Portrait de Madame Herbin, 1912 (oil on canvas), Herbin, Auguste (1882-1960) / Bridgeman Images

ID: CH825348

Portrait of Madame Herbin; Portrait de Madame Herbin, 1912 (oil on canvas)

Herbin, Auguste (1882-1960)

Standing Figure with Ace of Clubs, 1933 (oil on canvas)
Standing Figure with Ace of Clubs, 1933 (oil on canvas)

CH657071: Standing Figure with Ace of Clubs, 1933 (oil on canvas), Trevelyan, Julian (1910-88) / Bridgeman Images

ID: CH657071

Standing Figure with Ace of Clubs, 1933 (oil on canvas)

Trevelyan, Julian (1910-88)

Spring, Chiswick Mall, c. 1943-1945 (oil on canvas)
Spring, Chiswick Mall, c. 1943-1945 (oil on canvas)

CH657509: Spring, Chiswick Mall, c. 1943-1945 (oil on canvas), Pasmore, Victor (1908-98) / Bridgeman Images

ID: CH657509

Spring, Chiswick Mall, c. 1943-1945 (oil on canvas)

Pasmore, Victor (1908-98)

The Blue Island; Die Blaue Insel, 1934 (oil on canvas)
The Blue Island; Die Blaue Insel, 1934 (oil on canvas)

CH1196352: The Blue Island; Die Blaue Insel, 1934 (oil on canvas), Feininger, Lyonel (1871-1956) / Bridgeman Images

ID: CH1196352

The Blue Island; Die Blaue Insel, 1934 (oil on canvas)

Feininger, Lyonel (1871-1956)

The Sheik's Wife, 1933-36 (oil on canvas)
The Sheik's Wife, 1933-36 (oil on canvas)

CH657178: The Sheik's Wife, 1933-36 (oil on canvas), Lewis, Wyndham (1882-1957) / Bridgeman Images

ID: CH657178

The Sheik's Wife, 1933-36 (oil on canvas)

Lewis, Wyndham (1882-1957)

The Four Seasons: Autumn, c.1919 (oil on canvas)
The Four Seasons: Autumn, c.1919 (oil on canvas)

CH657922: The Four Seasons: Autumn, c.1919 (oil on canvas), Nevinson, Christopher Richard Wynne (1889-1946) / Bridgeman Images

ID: CH657922

The Four Seasons: Autumn, c.1919 (oil on canvas)

Nevinson, Christopher Richard Wynne (1889-1946)

Pedestal bowl, Greater Nicoya, Costa Rica, c.500-800 (ceramic & paint)
Pedestal bowl, Greater Nicoya, Costa Rica, c.500-800 (ceramic & paint)

LWE410711: Pedestal bowl, Greater Nicoya, Costa Rica, c.500-800 (ceramic & paint), Mesoamerican / Bridgeman Images

ID: LWE410711

Pedestal bowl, Greater Nicoya, Costa Rica, c.500-800 (ceramic & paint)

Mesoamerican

Keys of the flute
Keys of the flute

MDS3881490: Keys of the flute, Maeder, Suzie (b.1948) / Bridgeman Images

ID: MDS3881490

Keys of the flute

Maeder, Suzie (b.1948)

Jackson Pollock in his studio (b/w photo)
Jackson Pollock in his studio (b/w photo)

TVC3707151: Jackson Pollock in his studio (b/w photo), Pollock, Jackson (1912-56) / Bridgeman Images

ID: TVC3707151

Jackson Pollock in his studio (b/w photo)

Pollock, Jackson (1912-56)

Willem de Kooning (gelatin silver photo)
Willem de Kooning (gelatin silver photo)

TBM695460: Willem de Kooning (gelatin silver photo) , Mones, Arthur (1919-98) / Bridgeman Images

ID: TBM695460

Willem de Kooning (gelatin silver photo)

Mones, Arthur (1919-98)

Baroque, 2007 (oil on canvas)
Baroque, 2007 (oil on canvas)

LCB288014: Baroque, 2007 (oil on canvas), Campbell, Lee / Bridgeman Images

ID: LCB288014

Baroque, 2007 (oil on canvas)

Campbell, Lee

Five Table Linens (screenprinted linen)
Five Table Linens (screenprinted linen)

LYT6950904: Five Table Linens (screenprinted linen), Mitchell, Denis (1912-93) / Bridgeman Images

ID: LYT6950904

Five Table Linens (screenprinted linen)

Mitchell, Denis (1912-93)

Germany: Goethe's symmetric colour wheel with 'reciprocally evoked colours'. Zur Farbenlehre ('Theory of Colours'), 1810
Germany: Goethe's symmetric colour wheel with 'reciprocally evoked colours'. Zur Farbenlehre ('Theory of Colours'), 1810

PFH2561693: Germany: Goethe's symmetric colour wheel with 'reciprocally evoked colours'. Zur Farbenlehre ('Theory of Colours'), 1810 / Bridgeman Images

ID: PFH2561693

Germany: Goethe's symmetric colour wheel with 'reciprocally evoked colours'. Zur Farbenlehre ('Theory of Colours'), 1810

Dreaming Blue, 2020 (oil on canvas) Landscape
Dreaming Blue, 2020 (oil on canvas) Landscape

LCB6133583: Dreaming Blue, 2020 (oil on canvas) Landscape, Campbell, Lee / Bridgeman Images

ID: LCB6133583

Dreaming Blue, 2020 (oil on canvas) Landscape

Campbell, Lee

Seymour Boardman (gelatin silver photo)
Seymour Boardman (gelatin silver photo)

TBM695381: Seymour Boardman (gelatin silver photo), Mones, Arthur (1919-98) / Bridgeman Images

ID: TBM695381

Seymour Boardman (gelatin silver photo)

Mones, Arthur (1919-98)

Quartet - view of 4 sets of feet
Quartet - view of 4 sets of feet

KLT3885219: Quartet - view of 4 sets of feet, Kalter, Marion / Bridgeman Images

ID: KLT3885219

Quartet - view of 4 sets of feet

Kalter, Marion

Mereau: metal token (brad or yellow copper) inspired by a Venetian sequin or ducat. This piece was struck in the 19th century by London merchants John Cook (or Wilcox) and Sons (and his sons - Joannes Ille Coquus Sui Filiiove) for trade with colonized Africa - Similar tokens with abstract representations of Christ, Doge and St. Lawrence, but in gold, are known in India. In the eastern Mediterranean, the sequins and ducats, the currency of Venice, have long been a prestigious means of payment and have often been imitated.
Mereau: metal token (brad or yellow copper) inspired by a Venetian sequin or ducat. This piece was struck in the 19th century by London merchants John Cook (or Wilcox) and Sons (and his sons - Joannes Ille Coquus Sui Filiiove) for trade with colonized Africa - Similar tokens with abstract representations of Christ, Doge and St. Lawrence, but in gold, are known in India. In the eastern Mediterranean, the sequins and ducats, the currency of Venice, have long been a prestigious means of payment and have often been imitated.

PCT4280408: Mereau: metal token (brad or yellow copper) inspired by a Venetian sequin or ducat. This piece was struck in the 19th century by London merchants John Cook (or Wilcox) and Sons (and his sons - Joannes Ille Coquus Sui Filiiove) for trade with colonized Africa - Similar tokens with abstract representations of Christ, Doge and St. Lawrence, but in gold, are known in India. In the eastern Mediterranean, the sequins and ducats, the currency of Venice, have long been a prestigious means of payment and have often been imitated. / Bridgeman Images

ID: PCT4280408

Mereau: metal token (brad or yellow copper) inspired by a Venetian sequin or ducat. This piece was struck in the 19th century by London merchants John Cook (or Wilcox) and Sons (and his sons - Joannes Ille Coquus Sui Filiiove) for trade with colonized Africa - Similar tokens with abstract representations of Christ, Doge and St. Lawrence, but in gold, are known in India. In the eastern Mediterranean, the sequins and ducats, the currency of Venice, have long been a prestigious means of payment and have often been imitated.

Elle #102
Elle #102

SAR6387736: Elle #102, Hayward, Sara / Bridgeman Images

ID: SAR6387736

Elle #102

Hayward, Sara

Induction Chromatique à double fréquence, 2011-2012 (briare mosaics)
Induction Chromatique à double fréquence, 2011-2012 (briare mosaics)

CCD7057874: Induction Chromatique à double fréquence, 2011-2012 (briare mosaics), Cruz-Diez, Carlos (1923-2019) / Bridgeman Images

ID: CCD7057874

Induction Chromatique à double fréquence, 2011-2012 (briare mosaics)

Cruz-Diez, Carlos (1923-2019)

Ships on a Red Sea, 1944 (watercolour and pen and black ink over pencil on paper)
Ships on a Red Sea, 1944 (watercolour and pen and black ink over pencil on paper)

CH652578: Ships on a Red Sea, 1944 (watercolour and pen and black ink over pencil on paper), Feininger, Lyonel (1871-1956) / Bridgeman Images

ID: CH652578

Ships on a Red Sea, 1944 (watercolour and pen and black ink over pencil on paper)

Feininger, Lyonel (1871-1956)

On the Beach (Figures on the Seashore), 1933 (oil over charcoal on canvas)
On the Beach (Figures on the Seashore), 1933 (oil over charcoal on canvas)

CH988692: On the Beach (Figures on the Seashore), 1933 (oil over charcoal on canvas), Feininger, Lyonel (1871-1956) / Bridgeman Images

ID: CH988692

On the Beach (Figures on the Seashore), 1933 (oil over charcoal on canvas)

Feininger, Lyonel (1871-1956)

African Night, 1973 (brass and painted paper)
African Night, 1973 (brass and painted paper)

MEP850535: African Night, 1973 (brass and painted paper), Melotti, Fausto (1901-86) / Bridgeman Images

ID: MEP850535

African Night, 1973 (brass and painted paper)

Melotti, Fausto (1901-86)

CD
CD

IMO2034894: CD / Bridgeman Images

ID: IMO2034894

CD

Waterfon with shadow reflected
Waterfon with shadow reflected

MDS3881529: Waterfon with shadow reflected, Maeder, Suzie (b.1948) / Bridgeman Images

ID: MDS3881529

Waterfon with shadow reflected

Maeder, Suzie (b.1948)

Glitter Pony, 2000, (mixed media on paper)
Glitter Pony, 2000, (mixed media on paper)

ACU5855903: Glitter Pony, 2000, (mixed media on paper), Larsson, Bella / Bridgeman Images

ID: ACU5855903

Glitter Pony, 2000, (mixed media on paper)

Larsson, Bella

Untitled, (oil pastel, china ink and graphite on paper)
Untitled, (oil pastel, china ink and graphite on paper)

DGD778781: Untitled, (oil pastel, china ink and graphite on paper), Gaillard, Didier / Bridgeman Images

ID: DGD778781

Untitled, (oil pastel, china ink and graphite on paper)

Gaillard, Didier

Girl with Green Stockings; Madchen mit Grunen Strumpfen, 1915 (oil on canvas)
Girl with Green Stockings; Madchen mit Grunen Strumpfen, 1915 (oil on canvas)

CH828264: Girl with Green Stockings; Madchen mit Grunen Strumpfen, 1915 (oil on canvas), Feininger, Lyonel (1871-1956) / Bridgeman Images

ID: CH828264

Girl with Green Stockings; Madchen mit Grunen Strumpfen, 1915 (oil on canvas)

Feininger, Lyonel (1871-1956)

Woman's Head, by Giuseppe De Nittis, 19th Century
Woman's Head, by Giuseppe De Nittis, 19th Century

MEP848357: Woman's Head, by Giuseppe De Nittis, 19th Century, Nittis, Giuseppe or Joseph de (1846-84) / Bridgeman Images

ID: MEP848357

Woman's Head, by Giuseppe De Nittis, 19th Century

Nittis, Giuseppe or Joseph de (1846-84)

'Jesus and Judas' by
'Jesus and Judas' by

PEL3882098: 'Jesus and Judas' by, Peric, Mladen / Bridgeman Images

ID: PEL3882098

'Jesus and Judas' by

Peric, Mladen

Dan Christensen, New York City, 1985 (b/w photo)
Dan Christensen, New York City, 1985 (b/w photo)

FLV464067: Dan Christensen, New York City, 1985 (b/w photo), Felver, Chris / Bridgeman Images

ID: FLV464067

Dan Christensen, New York City, 1985 (b/w photo)

Felver, Chris

Clinton Hill, 1979 (gelatin silver photo)
Clinton Hill, 1979 (gelatin silver photo)

TBM695355: Clinton Hill, 1979 (gelatin silver photo), Mones, Arthur (1919-98) / Bridgeman Images

ID: TBM695355

Clinton Hill, 1979 (gelatin silver photo)

Mones, Arthur (1919-98)

Close-up of the bell
Close-up of the bell

MDS3881496: Close-up of the bell, Maeder, Suzie (b.1948) / Bridgeman Images

ID: MDS3881496

Close-up of the bell

Maeder, Suzie (b.1948)

Mouth pieces of clarinet
Mouth pieces of clarinet

MDS3881527: Mouth pieces of clarinet, Maeder, Suzie (b.1948) / Bridgeman Images

ID: MDS3881527

Mouth pieces of clarinet

Maeder, Suzie (b.1948)


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