CAC157243:
Chelsea Ball (print), Huxley, Paul (b.1938) / Bridgeman Images
ID: CAC157243
Chelsea Ball (print)
Huxley, Paul (b.1938)
JTT3743297:
Quiet As A Steak House, 2016 (mixed media on w/c paper mounted on panel with recipe on verso), Batlle, Jay (b.1976) / Bridgeman Images
ID: JTT3743297
Quiet As A Steak House, 2016 (mixed media on w/c paper mounted on panel with recipe on verso)
Batlle, Jay (b.1976)
RHN3738524:
Angle Tarn, 2000 (oil & collage on linen), Harrison, Richard (b.1954) / Bridgeman Images
ID: RHN3738524
Angle Tarn, 2000 (oil & collage on linen)
Harrison, Richard (b.1954)
NCG3512676:
Storm Fusion, 2015 (mixed media on panel), Canning, Neil (b.1960) / Bridgeman Images
ID: NCG3512676
Storm Fusion, 2015 (mixed media on panel)
Canning, Neil (b.1960)
FAF3557692:
Christ nourished by angels, fresco by Giovanni da San Giovanni in the refectory of the Church of Badia Fiesolana, near Florence / Bridgeman Images
ID: FAF3557692
Christ nourished by angels, fresco by Giovanni da San Giovanni in the refectory of the Church of Badia Fiesolana, near Florence
FAF3572498:
Spherical plate, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1777 by Antonio Zatta, Zuliani, G. (18th century) / Bridgeman Images
ID: FAF3572498
Spherical plate, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1777 by Antonio Zatta
Zuliani, G. (18th century)
FAF3572519:
Andalusia and Granada, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection, Zuliani, G. (18th century) / Bridgeman Images
ID: FAF3572519
Andalusia and Granada, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection
Zuliani, G. (18th century)
FAF3572515:
The Kingdoms of Galicia, Asturies, Leon, Castilla Vieja with the Council of Biscallia, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection, Zuliani, G. (18th century) / Bridgeman Images
ID: FAF3572515
The Kingdoms of Galicia, Asturies, Leon, Castilla Vieja with the Council of Biscallia, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection
Zuliani, G. (18th century)
BOH5857970:
Elan, March 2019 (photo), Booth, Richard / Bridgeman Images
ID: BOH5857970
Elan, March 2019 (photo)
Booth, Richard
XIR221137:
The Red Sphinx, c.1912 (oil on canvas), Redon, Odilon (1840-1916) / Bridgeman Images
CH986727:
Florentine II, 1980 (acrylic on canvas), Held, Al (1928-2005) / Bridgeman Images
ID: CH986727
Florentine II, 1980 (acrylic on canvas)
Held, Al (1928-2005)
WH120380:
City (oil and pencil on gesso on board), Trevelyan, Julian (1910-88) / Bridgeman Images
ID: WH120380
City (oil and pencil on gesso on board)
Trevelyan, Julian (1910-88)
CH1771390:
Black-Eyed Susan, 1988 (acrylic on canvas), Frankenthaler, Helen (1928-2011) / Bridgeman Images
ID: CH1771390
Black-Eyed Susan, 1988 (acrylic on canvas)
Frankenthaler, Helen (1928-2011)
TAV2963273:
The Viaduct at L'Estaque, 1908 (oil on canvas), Braque, Georges (1882-1963) / Bridgeman Images
ID: TAV2963273
The Viaduct at L'Estaque, 1908 (oil on canvas)
Braque, Georges (1882-1963)
CH5324967:
Sunset, 1972 (screenprint), Warhol, Andy (1928-87) / Bridgeman Images
ID: CH5324967
Sunset, 1972 (screenprint)
Warhol, Andy (1928-87)
XIR168147:
Big Julie, 1945 (oil on canvas), Leger, Fernand (1881-1955) / Bridgeman Images
ID: XIR168147
Big Julie, 1945 (oil on canvas)
Leger, Fernand (1881-1955)
STM620627:
Untitled, 1969 (acrylic on canvas), Rothko, Mark (1903-70) / Bridgeman Images
ID: STM620627
Untitled, 1969 (acrylic on canvas)
Rothko, Mark (1903-70)
XYC220132:
'The Human Abstract', plate 44 (Bentley 47) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
ID: XYC220132
'The Human Abstract', plate 44 (Bentley 47) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c on paper)