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781467 Search Results for Photography

At the skater. Oil painting on canvas by Jean Francois Raffaelli (1850-1924), the founder Eugene Gonon (1814-1892) prepares the lost wax cast of the great relief made by Jules Dalou (1838-1902) for the Palais Bourbon in Paris (Chamber of Deputes), a sculpture depicted Mirabeau answering the Marquis de Dreux Breze during the session of June 23, 1789. Photography, KIM Youngtae, Lyon, Musee des Beaux Arts de Lyon.
At the skater. Oil painting on canvas by Jean Francois Raffaelli (1850-1924), the founder Eugene Gonon (1814-1892) prepares the lost wax cast of the great relief made by Jules Dalou (1838-1902) for the Palais Bourbon in Paris (Chamber of Deputes), a sculpture depicted Mirabeau answering the Marquis de Dreux Breze during the session of June 23, 1789. Photography, KIM Youngtae, Lyon, Musee des Beaux Arts de Lyon.

YOU4419446: At the skater. Oil painting on canvas by Jean Francois Raffaelli (1850-1924), the founder Eugene Gonon (1814-1892) prepares the lost wax cast of the great relief made by Jules Dalou (1838-1902) for the Palais Bourbon in Paris (Chamber of Deputes), a sculpture depicted Mirabeau answering the Marquis de Dreux Breze during the session of June 23, 1789. Photography, KIM Youngtae, Lyon, Musee des Beaux Arts de Lyon., Raffaelli, Jean Francois (1850-1924) / Bridgeman Images

ID: YOU4419446

At the skater. Oil painting on canvas by Jean Francois Raffaelli (1850-1924), the founder Eugene Gonon (1814-1892) prepares the lost wax cast of the great relief made by Jules Dalou (1838-1902) for the Palais Bourbon in Paris (Chamber of Deputes), a sculpture depicted Mirabeau answering the Marquis de Dreux Breze during the session of June 23, 1789. Photography, KIM Youngtae, Lyon, Musee des Beaux Arts de Lyon.

Raffaelli, Jean Francois (1850-1924)

Venice Lido, Des Bains Hotel, Venice Film Festival 1995. Director of photography Vittorio Storaro and Spanish director Carlos Saura, in competition with the movie “” Flamenco””/Lido di Venezia, Hotel Des Bains, Venice Film Festival 1995. Il direttore della fotografia Vittorio Storaro con il regista spagnolo Carlos Saura, in concorso con il film “” Flamenco””” -
Venice Lido, Des Bains Hotel, Venice Film Festival 1995. Director of photography Vittorio Storaro and Spanish director Carlos Saura, in competition with the movie “” Flamenco””/Lido di Venezia, Hotel Des Bains, Venice Film Festival 1995. Il direttore della fotografia Vittorio Storaro con il regista spagnolo Carlos Saura, in concorso con il film “” Flamenco””” -

MME4793237: Venice Lido, Des Bains Hotel, Venice Film Festival 1995. Director of photography Vittorio Storaro and Spanish director Carlos Saura, in competition with the movie “” Flamenco””/Lido di Venezia, Hotel Des Bains, Venice Film Festival 1995. Il direttore della fotografia Vittorio Storaro con il regista spagnolo Carlos Saura, in concorso con il film “” Flamenco””” - / Bridgeman Images

ID: MME4793237

Venice Lido, Des Bains Hotel, Venice Film Festival 1995. Director of photography Vittorio Storaro and Spanish director Carlos Saura, in competition with the movie “” Flamenco””/Lido di Venezia, Hotel Des Bains, Venice Film Festival 1995. Il direttore della fotografia Vittorio Storaro con il regista spagnolo Carlos Saura, in concorso con il film “” Flamenco””” -

View of the triumphal arch of the Carrousel in Paris, neoclassical French architecture of Empire style, a monument built between 1808 and 1809 under Napoleon 1er, in commemoration of the victory of the Great Armee in Austerlitz in 1805, designed by architects Charles Percier (1764-1838) and Pierre Francois Fontaine (1762-1853). Photography, KIM Youngtae, Paris.
View of the triumphal arch of the Carrousel in Paris, neoclassical French architecture of Empire style, a monument built between 1808 and 1809 under Napoleon 1er, in commemoration of the victory of the Great Armee in Austerlitz in 1805, designed by architects Charles Percier (1764-1838) and Pierre Francois Fontaine (1762-1853). Photography, KIM Youngtae, Paris.

YOU4420081: View of the triumphal arch of the Carrousel in Paris, neoclassical French architecture of Empire style, a monument built between 1808 and 1809 under Napoleon 1er, in commemoration of the victory of the Great Armee in Austerlitz in 1805, designed by architects Charles Percier (1764-1838) and Pierre Francois Fontaine (1762-1853). Photography, KIM Youngtae, Paris., Percier, Charles (1764-1838) & Fontaine, Pierre (1762-1853) / Bridgeman Images

ID: YOU4420081

View of the triumphal arch of the Carrousel in Paris, neoclassical French architecture of Empire style, a monument built between 1808 and 1809 under Napoleon 1er, in commemoration of the victory of the Great Armee in Austerlitz in 1805, designed by architects Charles Percier (1764-1838) and Pierre Francois Fontaine (1762-1853). Photography, KIM Youngtae, Paris.

Percier, Charles (1764-1838) & Fontaine, Pierre (1762-1853)

Interieur du Trump Tower
Interieur du Trump Tower

IMO2708826: Interieur du Trump Tower / Bridgeman Images

ID: IMO2708826

Interieur du Trump Tower

C. Nicollier and JF. Clervoy in the shuttle Discovery STS-103 - 1999 - C. Nicollier and JF. Clervoy in weightlessness 12/1999 - (19 - 27 December 1999) - - - Astronauts Claude Nicollier (left) and Jean - Francois Clervoy, mission specialists representing the European Space Agency (ESA), move about on Discovery's mid deck in a manner they could not duplicate in Earth - bound training. A photography
C. Nicollier and JF. Clervoy in the shuttle Discovery STS-103 - 1999 - C. Nicollier and JF. Clervoy in weightlessness 12/1999 - (19 - 27 December 1999) - - - Astronauts Claude Nicollier (left) and Jean - Francois Clervoy, mission specialists representing the European Space Agency (ESA), move about on Discovery's mid deck in a manner they could not duplicate in Earth - bound training. A photography

PIX4647909: C. Nicollier and JF. Clervoy in the shuttle Discovery STS-103 - 1999 - C. Nicollier and JF. Clervoy in weightlessness 12/1999 - (19 - 27 December 1999) - - - Astronauts Claude Nicollier (left) and Jean - Francois Clervoy, mission specialists representing the European Space Agency (ESA), move about on Discovery's mid deck in a manner they could not duplicate in Earth - bound training. A photography / Bridgeman Images

ID: PIX4647909

C. Nicollier and JF. Clervoy in the shuttle Discovery STS-103 - 1999 - C. Nicollier and JF. Clervoy in weightlessness 12/1999 - (19 - 27 December 1999) - - - Astronauts Claude Nicollier (left) and Jean - Francois Clervoy, mission specialists representing the European Space Agency (ESA), move about on Discovery's mid deck in a manner they could not duplicate in Earth - bound training. A photography

Statue of Stanislas Leszczynski (1677-1766), King of Poland (1704-1709), handsome father of Louis XV, Duke of Lorraine, Sculpture of George Jacquot (1794-1874), installed in the center of the Royal Square on the site of the statue of Louis XV, destroyed during the Revolution. When the statue was inaugurated in 1831, Place Royale was renamed Place Stanislas. Photography, KIM Youngtae, Nancy, Meurthe and Moselle, Lorraine.
Statue of Stanislas Leszczynski (1677-1766), King of Poland (1704-1709), handsome father of Louis XV, Duke of Lorraine, Sculpture of George Jacquot (1794-1874), installed in the center of the Royal Square on the site of the statue of Louis XV, destroyed during the Revolution. When the statue was inaugurated in 1831, Place Royale was renamed Place Stanislas. Photography, KIM Youngtae, Nancy, Meurthe and Moselle, Lorraine.

YOU4420041: Statue of Stanislas Leszczynski (1677-1766), King of Poland (1704-1709), handsome father of Louis XV, Duke of Lorraine, Sculpture of George Jacquot (1794-1874), installed in the center of the Royal Square on the site of the statue of Louis XV, destroyed during the Revolution. When the statue was inaugurated in 1831, Place Royale was renamed Place Stanislas. Photography, KIM Youngtae, Nancy, Meurthe and Moselle, Lorraine., Jacquot, George (1794-1874) / Bridgeman Images

ID: YOU4420041

Statue of Stanislas Leszczynski (1677-1766), King of Poland (1704-1709), handsome father of Louis XV, Duke of Lorraine, Sculpture of George Jacquot (1794-1874), installed in the center of the Royal Square on the site of the statue of Louis XV, destroyed during the Revolution. When the statue was inaugurated in 1831, Place Royale was renamed Place Stanislas. Photography, KIM Youngtae, Nancy, Meurthe and Moselle, Lorraine.

Jacquot, George (1794-1874)

The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)
The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)

TEC4692344: The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo), Fainsilber, Adrien (b.1932) / Bridgeman Images

ID: TEC4692344

The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)

Fainsilber, Adrien (b.1932)

The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)
The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)

TEC4692405: The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo), Fainsilber, Adrien (b.1932) / Bridgeman Images

ID: TEC4692405

The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)

Fainsilber, Adrien (b.1932)

The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)
The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)

TEC4692419: The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo), Fainsilber, Adrien (b.1932) / Bridgeman Images

ID: TEC4692419

The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)

Fainsilber, Adrien (b.1932)

View of the courtyard of the old Sorbonne in 1886, the old ensemble of the Sorbonne built in the 17th century at the request of Richelieu was destroyed to be rebuilt and enlarged between 1885 and 1901. Buildings inspired in the Louis XIII style were designed by architect Henri Paul Nenot (1853-1934), Painting by Emmanuel Maurice Lansyer (1835-1893)). Photography. KIM Youngtae, Paris, Musee Carnavalet.
View of the courtyard of the old Sorbonne in 1886, the old ensemble of the Sorbonne built in the 17th century at the request of Richelieu was destroyed to be rebuilt and enlarged between 1885 and 1901. Buildings inspired in the Louis XIII style were designed by architect Henri Paul Nenot (1853-1934), Painting by Emmanuel Maurice Lansyer (1835-1893)). Photography. KIM Youngtae, Paris, Musee Carnavalet.

YOU4418951: View of the courtyard of the old Sorbonne in 1886, the old ensemble of the Sorbonne built in the 17th century at the request of Richelieu was destroyed to be rebuilt and enlarged between 1885 and 1901. Buildings inspired in the Louis XIII style were designed by architect Henri Paul Nenot (1853-1934), Painting by Emmanuel Maurice Lansyer (1835-1893)). Photography. KIM Youngtae, Paris, Musee Carnavalet., Lansyer, Emmanuel (1835-93) / Bridgeman Images

ID: YOU4418951

View of the courtyard of the old Sorbonne in 1886, the old ensemble of the Sorbonne built in the 17th century at the request of Richelieu was destroyed to be rebuilt and enlarged between 1885 and 1901. Buildings inspired in the Louis XIII style were designed by architect Henri Paul Nenot (1853-1934), Painting by Emmanuel Maurice Lansyer (1835-1893)). Photography. KIM Youngtae, Paris, Musee Carnavalet.

Lansyer, Emmanuel (1835-93)

Tom Grant the eldest of the three joined the Daily Mirror in early 1904 and became one of the pioneers of press photography in the UK. His camera did much to portray history in the making and he had many adventures in the process. He is quoted as saying
Tom Grant the eldest of the three joined the Daily Mirror in early 1904 and became one of the pioneers of press photography in the UK. His camera did much to portray history in the making and he had many adventures in the process. He is quoted as saying

MPX5126514: Tom Grant the eldest of the three joined the Daily Mirror in early 1904 and became one of the pioneers of press photography in the UK. His camera did much to portray history in the making and he had many adventures in the process. He is quoted as saying "Always get your pictures before you raise your hat" when photographing the rich and the famous, c. 1933 (b/w photo) / Bridgeman Images

ID: MPX5126514

Tom Grant the eldest of the three joined the Daily Mirror in early 1904 and became one of the pioneers of press photography in the UK. His camera did much to portray history in the making and he had many adventures in the process. He is quoted as saying "Always get your pictures before you raise your hat" when photographing the rich and the famous, c. 1933 (b/w photo)

Poster for the ball of incoherents, ball organized between 1885 and 1896 in Paris as part of the artistic movement launched by Jules Levy in 1882, the incoherent arts, Illustration en lithographie by Maurice Neumont (1868-1930), showing a naked dancer on the head of a conductor, in Les Programmes illustres des theatres et des cafes concerts, by Ernest Maindron, Librairie Nilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae.
Poster for the ball of incoherents, ball organized between 1885 and 1896 in Paris as part of the artistic movement launched by Jules Levy in 1882, the incoherent arts, Illustration en lithographie by Maurice Neumont (1868-1930), showing a naked dancer on the head of a conductor, in Les Programmes illustres des theatres et des cafes concerts, by Ernest Maindron, Librairie Nilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae.

YOU4419016: Poster for the ball of incoherents, ball organized between 1885 and 1896 in Paris as part of the artistic movement launched by Jules Levy in 1882, the incoherent arts, Illustration en lithographie by Maurice Neumont (1868-1930), showing a naked dancer on the head of a conductor, in Les Programmes illustres des theatres et des cafes concerts, by Ernest Maindron, Librairie Nilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae., Neumont, Maurice Louis Henri (1868-1930) / Bridgeman Images

ID: YOU4419016

Poster for the ball of incoherents, ball organized between 1885 and 1896 in Paris as part of the artistic movement launched by Jules Levy in 1882, the incoherent arts, Illustration en lithographie by Maurice Neumont (1868-1930), showing a naked dancer on the head of a conductor, in Les Programmes illustres des theatres et des cafes concerts, by Ernest Maindron, Librairie Nilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae.

Neumont, Maurice Louis Henri (1868-1930)

View of the Parc de la Villette, 211 avenue Jean Jaures, Paris 75019 (photo)
View of the Parc de la Villette, 211 avenue Jean Jaures, Paris 75019 (photo)

TEC4749189: View of the Parc de la Villette, 211 avenue Jean Jaures, Paris 75019 (photo), Reichen, Bernard (b.1943) Robert, Philippe (20th) / Bridgeman Images

ID: TEC4749189

View of the Parc de la Villette, 211 avenue Jean Jaures, Paris 75019 (photo)

Reichen, Bernard (b.1943) Robert, Philippe (20th)

View of the Parc de la Villette, 211 avenue Jean Jaures, Paris 75019 (photo)
View of the Parc de la Villette, 211 avenue Jean Jaures, Paris 75019 (photo)

TEC4749201: View of the Parc de la Villette, 211 avenue Jean Jaures, Paris 75019 (photo), Reichen, Bernard (b.1943) Robert, Philippe (20th) / Bridgeman Images

ID: TEC4749201

View of the Parc de la Villette, 211 avenue Jean Jaures, Paris 75019 (photo)

Reichen, Bernard (b.1943) Robert, Philippe (20th)

un homme isant un fusil, Poster for A bas le progres, piece of satirical theatre by Edmond de Goncourt (1822-1896), represented for the first time in 1893 at the Free Theatre created in 1887 by Andre Antoine (1858-1943), Illustration in lithography by Henri Gabriel Ibels (1867-1936), in Les Programmes illustres des theatres et des cafes East Maindron, Librairie Nilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae.
un homme isant un fusil, Poster for A bas le progres, piece of satirical theatre by Edmond de Goncourt (1822-1896), represented for the first time in 1893 at the Free Theatre created in 1887 by Andre Antoine (1858-1943), Illustration in lithography by Henri Gabriel Ibels (1867-1936), in Les Programmes illustres des theatres et des cafes East Maindron, Librairie Nilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae.

YOU4419051: un homme isant un fusil, Poster for A bas le progres, piece of satirical theatre by Edmond de Goncourt (1822-1896), represented for the first time in 1893 at the Free Theatre created in 1887 by Andre Antoine (1858-1943), Illustration in lithography by Henri Gabriel Ibels (1867-1936), in Les Programmes illustres des theatres et des cafes East Maindron, Librairie Nilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae., Ibels, Henri-Gabriel (1867-1936) / Bridgeman Images

ID: YOU4419051

un homme isant un fusil, Poster for A bas le progres, piece of satirical theatre by Edmond de Goncourt (1822-1896), represented for the first time in 1893 at the Free Theatre created in 1887 by Andre Antoine (1858-1943), Illustration in lithography by Henri Gabriel Ibels (1867-1936), in Les Programmes illustres des theatres et des cafes East Maindron, Librairie Nilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae.

Ibels, Henri-Gabriel (1867-1936)

Portrait of Henry IV (1553-1610) and Marie de Medicis (1573-1642), king and queen of France, bronze medal after a model created by Guillaume Dupre (1574? 1647). Photography, KIM Youngtae, Paris, Musee des beaux-arts de la ville de Paris, PeuPalais.
Portrait of Henry IV (1553-1610) and Marie de Medicis (1573-1642), king and queen of France, bronze medal after a model created by Guillaume Dupre (1574? 1647). Photography, KIM Youngtae, Paris, Musee des beaux-arts de la ville de Paris, PeuPalais.

YOU4418446: Portrait of Henry IV (1553-1610) and Marie de Medicis (1573-1642), king and queen of France, bronze medal after a model created by Guillaume Dupre (1574? 1647). Photography, KIM Youngtae, Paris, Musee des beaux-arts de la ville de Paris, PeuPalais., Dupre, Guillaume (c.1576-1643) / Bridgeman Images

ID: YOU4418446

Portrait of Henry IV (1553-1610) and Marie de Medicis (1573-1642), king and queen of France, bronze medal after a model created by Guillaume Dupre (1574? 1647). Photography, KIM Youngtae, Paris, Musee des beaux-arts de la ville de Paris, PeuPalais.

Dupre, Guillaume (c.1576-1643)

Statue of Anne of Austria (1601-1666), daughter of Philip II of Spain and Archduchess Marguerite of Austria, wife of Louis XIII, Queen of France, mother of Louis XIV, marble sculpture of Joseph Marius Ramus (1805-1888), installed in the Luxembourg Garden in Paris. Photography, KIM Youngtae, Paris.
Statue of Anne of Austria (1601-1666), daughter of Philip II of Spain and Archduchess Marguerite of Austria, wife of Louis XIII, Queen of France, mother of Louis XIV, marble sculpture of Joseph Marius Ramus (1805-1888), installed in the Luxembourg Garden in Paris. Photography, KIM Youngtae, Paris.

YOU4418754: Statue of Anne of Austria (1601-1666), daughter of Philip II of Spain and Archduchess Marguerite of Austria, wife of Louis XIII, Queen of France, mother of Louis XIV, marble sculpture of Joseph Marius Ramus (1805-1888), installed in the Luxembourg Garden in Paris. Photography, KIM Youngtae, Paris., Ramus, Joseph Marius (1805-88) / Bridgeman Images

ID: YOU4418754

Statue of Anne of Austria (1601-1666), daughter of Philip II of Spain and Archduchess Marguerite of Austria, wife of Louis XIII, Queen of France, mother of Louis XIV, marble sculpture of Joseph Marius Ramus (1805-1888), installed in the Luxembourg Garden in Paris. Photography, KIM Youngtae, Paris.

Ramus, Joseph Marius (1805-88)

Infanterie francaise 1916
Infanterie francaise 1916

IMO2250084: Infanterie francaise 1916 / Bridgeman Images

ID: IMO2250084

Infanterie francaise 1916

Statue of Emmanuel Here (bronze)
Statue of Emmanuel Here (bronze)

YOU4420024: Statue of Emmanuel Here (bronze), Jacquot, Charles (1865 1930) / Bridgeman Images

ID: YOU4420024

Statue of Emmanuel Here (bronze)

Jacquot, Charles (1865 1930)

Poster for Les Tisserands, piece of theatre by Gerhardt Hauptmann (1862-1946), Nobel Prize for Literature in 1912, represented in 1893 at the Free Theatre created in 1887 by Andre Antoine (1858-1943), Illustration in lithography by Henri Gabriel Ibels (1867-1936), in Les Programmes illustres et des cafes concerts, by Ernest Maindron, Nilsson Bookstore Per Lamm, Paris, 1897. Photography, KIM Youngtae.
Poster for Les Tisserands, piece of theatre by Gerhardt Hauptmann (1862-1946), Nobel Prize for Literature in 1912, represented in 1893 at the Free Theatre created in 1887 by Andre Antoine (1858-1943), Illustration in lithography by Henri Gabriel Ibels (1867-1936), in Les Programmes illustres et des cafes concerts, by Ernest Maindron, Nilsson Bookstore Per Lamm, Paris, 1897. Photography, KIM Youngtae.

YOU4419000: Poster for Les Tisserands, piece of theatre by Gerhardt Hauptmann (1862-1946), Nobel Prize for Literature in 1912, represented in 1893 at the Free Theatre created in 1887 by Andre Antoine (1858-1943), Illustration in lithography by Henri Gabriel Ibels (1867-1936), in Les Programmes illustres et des cafes concerts, by Ernest Maindron, Nilsson Bookstore Per Lamm, Paris, 1897. Photography, KIM Youngtae., Ibels, Henri-Gabriel (1867-1936) / Bridgeman Images

ID: YOU4419000

Poster for Les Tisserands, piece of theatre by Gerhardt Hauptmann (1862-1946), Nobel Prize for Literature in 1912, represented in 1893 at the Free Theatre created in 1887 by Andre Antoine (1858-1943), Illustration in lithography by Henri Gabriel Ibels (1867-1936), in Les Programmes illustres et des cafes concerts, by Ernest Maindron, Nilsson Bookstore Per Lamm, Paris, 1897. Photography, KIM Youngtae.

Ibels, Henri-Gabriel (1867-1936)

Cathedrale Notre Dame de Paris, by night, 200s (photo)
Cathedrale Notre Dame de Paris, by night, 200s (photo)

LBY4602011: Cathedrale Notre Dame de Paris, by night, 200s (photo) / Bridgeman Images

ID: LBY4602011

Cathedrale Notre Dame de Paris, by night, 200s (photo)

Poster for the Fossiles, piece of theatre by Francois Curel (1854-1928), represented in 1892 at the Free Theatre created in 1887 by Andre Antoine (1858-1943), Illustration in lithography by Henri Gabriel Ibels (1867-1936) showing a family by the sea, in Les Programmes illustres et des cafes concerts, by Ernest Maindron, Librairie Nairie ilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae.
Poster for the Fossiles, piece of theatre by Francois Curel (1854-1928), represented in 1892 at the Free Theatre created in 1887 by Andre Antoine (1858-1943), Illustration in lithography by Henri Gabriel Ibels (1867-1936) showing a family by the sea, in Les Programmes illustres et des cafes concerts, by Ernest Maindron, Librairie Nairie ilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae.

YOU4419043: Poster for the Fossiles, piece of theatre by Francois Curel (1854-1928), represented in 1892 at the Free Theatre created in 1887 by Andre Antoine (1858-1943), Illustration in lithography by Henri Gabriel Ibels (1867-1936) showing a family by the sea, in Les Programmes illustres et des cafes concerts, by Ernest Maindron, Librairie Nairie ilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae., Ibels, Henri-Gabriel (1867-1936) / Bridgeman Images

ID: YOU4419043

Poster for the Fossiles, piece of theatre by Francois Curel (1854-1928), represented in 1892 at the Free Theatre created in 1887 by Andre Antoine (1858-1943), Illustration in lithography by Henri Gabriel Ibels (1867-1936) showing a family by the sea, in Les Programmes illustres et des cafes concerts, by Ernest Maindron, Librairie Nairie ilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae.

Ibels, Henri-Gabriel (1867-1936)

The Canopy of Cloth of Gold, from the Coronation Regalia of the United Kingdom, 1937 (colour litho)
The Canopy of Cloth of Gold, from the Coronation Regalia of the United Kingdom, 1937 (colour litho)

KDC469415: The Canopy of Cloth of Gold, from the Coronation Regalia of the United Kingdom, 1937 (colour litho) / Bridgeman Images

ID: KDC469415

The Canopy of Cloth of Gold, from the Coronation Regalia of the United Kingdom, 1937 (colour litho)

2734718
2734718

IMO2734718: 2734718 / Bridgeman Images

ID: IMO2734718

2734718

Sunrise of the constellation of Orion on on the Massif du Mont - Cenis - Star trails above Mount Cenis massif - Photography made in January 2011, around 6.30 pm. 10 minutes pose. In the foreground, the Pointe de Ronce (3612m) the highest point of the massif, to its right the Signal du Grand Mont - Cenis (3377m). Constellation of Orion rises above the Alps. Foreground is Pointe de Ronce (3612m), in Savoie, France
Sunrise of the constellation of Orion on on the Massif du Mont - Cenis - Star trails above Mount Cenis massif - Photography made in January 2011, around 6.30 pm. 10 minutes pose. In the foreground, the Pointe de Ronce (3612m) the highest point of the massif, to its right the Signal du Grand Mont - Cenis (3377m). Constellation of Orion rises above the Alps. Foreground is Pointe de Ronce (3612m), in Savoie, France

PIX4580917: Sunrise of the constellation of Orion on on the Massif du Mont - Cenis - Star trails above Mount Cenis massif - Photography made in January 2011, around 6.30 pm. 10 minutes pose. In the foreground, the Pointe de Ronce (3612m) the highest point of the massif, to its right the Signal du Grand Mont - Cenis (3377m). Constellation of Orion rises above the Alps. Foreground is Pointe de Ronce (3612m), in Savoie, France / Bridgeman Images

ID: PIX4580917

Sunrise of the constellation of Orion on on the Massif du Mont - Cenis - Star trails above Mount Cenis massif - Photography made in January 2011, around 6.30 pm. 10 minutes pose. In the foreground, the Pointe de Ronce (3612m) the highest point of the massif, to its right the Signal du Grand Mont - Cenis (3377m). Constellation of Orion rises above the Alps. Foreground is Pointe de Ronce (3612m), in Savoie, France

Bust of Annibal Carrache (Annibale Carracci) (1560-1609), Italian painter, considered to be opposed to Caravaggio, he used a different style to implement the Council of Trent, marble sculpture by Alessandro Rondoni (active in Rome between 1674 and 1710), executed after the original by Raolo Naldini (1614-1691). Photography, KIM Youngtae, Paris, Musee du Louvre.
Bust of Annibal Carrache (Annibale Carracci) (1560-1609), Italian painter, considered to be opposed to Caravaggio, he used a different style to implement the Council of Trent, marble sculpture by Alessandro Rondoni (active in Rome between 1674 and 1710), executed after the original by Raolo Naldini (1614-1691). Photography, KIM Youngtae, Paris, Musee du Louvre.

YOU4419510: Bust of Annibal Carrache (Annibale Carracci) (1560-1609), Italian painter, considered to be opposed to Caravaggio, he used a different style to implement the Council of Trent, marble sculpture by Alessandro Rondoni (active in Rome between 1674 and 1710), executed after the original by Raolo Naldini (1614-1691). Photography, KIM Youngtae, Paris, Musee du Louvre. / Bridgeman Images

ID: YOU4419510

Bust of Annibal Carrache (Annibale Carracci) (1560-1609), Italian painter, considered to be opposed to Caravaggio, he used a different style to implement the Council of Trent, marble sculpture by Alessandro Rondoni (active in Rome between 1674 and 1710), executed after the original by Raolo Naldini (1614-1691). Photography, KIM Youngtae, Paris, Musee du Louvre.

Projection and expansion of microscopic records during the Paris siege in 1871. The microphotography invented by Dagron allows the defenseurs of Paris to send messages to provincial armees by traveler pigeon and receive them - Engraving published in the Illustrous World of 1871 - transcription to the administration of the Telegraphs of private documents photographed and redued on a sheet of collodion and then projected on a wall by a Magnifying electrical apparatus - Drawing by nature by Adrien Marie - microscopic images - projection - photography - microfilm -
Projection and expansion of microscopic records during the Paris siege in 1871. The microphotography invented by Dagron allows the defenseurs of Paris to send messages to provincial armees by traveler pigeon and receive them - Engraving published in the Illustrous World of 1871 - transcription to the administration of the Telegraphs of private documents photographed and redued on a sheet of collodion and then projected on a wall by a Magnifying electrical apparatus - Drawing by nature by Adrien Marie - microscopic images - projection - photography - microfilm -

PCT4285967: Projection and expansion of microscopic records during the Paris siege in 1871. The microphotography invented by Dagron allows the defenseurs of Paris to send messages to provincial armees by traveler pigeon and receive them - Engraving published in the Illustrous World of 1871 - transcription to the administration of the Telegraphs of private documents photographed and redued on a sheet of collodion and then projected on a wall by a Magnifying electrical apparatus - Drawing by nature by Adrien Marie - microscopic images - projection - photography - microfilm - / Bridgeman Images

ID: PCT4285967

Projection and expansion of microscopic records during the Paris siege in 1871. The microphotography invented by Dagron allows the defenseurs of Paris to send messages to provincial armees by traveler pigeon and receive them - Engraving published in the Illustrous World of 1871 - transcription to the administration of the Telegraphs of private documents photographed and redued on a sheet of collodion and then projected on a wall by a Magnifying electrical apparatus - Drawing by nature by Adrien Marie - microscopic images - projection - photography - microfilm -

Portrait of Henry II (1519-1559), son of Francois 1st and Claude de France, king of France from 1547 to 1559, painting of the workshop of Francois Clouet, made around 1520-1572, reduced version of the life-size portrait by Francois Clouet. Photography, KIM Youngtae, Paris, Musee du Louvre.
Portrait of Henry II (1519-1559), son of Francois 1st and Claude de France, king of France from 1547 to 1559, painting of the workshop of Francois Clouet, made around 1520-1572, reduced version of the life-size portrait by Francois Clouet. Photography, KIM Youngtae, Paris, Musee du Louvre.

YOU4419297: Portrait of Henry II (1519-1559), son of Francois 1st and Claude de France, king of France from 1547 to 1559, painting of the workshop of Francois Clouet, made around 1520-1572, reduced version of the life-size portrait by Francois Clouet. Photography, KIM Youngtae, Paris, Musee du Louvre., Clouet, Francois (c.1510-72) / Bridgeman Images

ID: YOU4419297

Portrait of Henry II (1519-1559), son of Francois 1st and Claude de France, king of France from 1547 to 1559, painting of the workshop of Francois Clouet, made around 1520-1572, reduced version of the life-size portrait by Francois Clouet. Photography, KIM Youngtae, Paris, Musee du Louvre.

Clouet, Francois (c.1510-72)

Statue of Francois Miron (1560-1609), French magistrate, prevot des merchants de Paris (1604-1609), under Henri IV, having as important duties the foundations of the aqueduct of Cachan and the first Samaritaine near the Louvre, Stone sculpture by Henri Frederic Iselin (1825-1905), adorning the facade of the hotel de Paris. Photography, KIM Youngtae, Paris.
Statue of Francois Miron (1560-1609), French magistrate, prevot des merchants de Paris (1604-1609), under Henri IV, having as important duties the foundations of the aqueduct of Cachan and the first Samaritaine near the Louvre, Stone sculpture by Henri Frederic Iselin (1825-1905), adorning the facade of the hotel de Paris. Photography, KIM Youngtae, Paris.

YOU4419523: Statue of Francois Miron (1560-1609), French magistrate, prevot des merchants de Paris (1604-1609), under Henri IV, having as important duties the foundations of the aqueduct of Cachan and the first Samaritaine near the Louvre, Stone sculpture by Henri Frederic Iselin (1825-1905), adorning the facade of the hotel de Paris. Photography, KIM Youngtae, Paris. / Bridgeman Images

ID: YOU4419523

Statue of Francois Miron (1560-1609), French magistrate, prevot des merchants de Paris (1604-1609), under Henri IV, having as important duties the foundations of the aqueduct of Cachan and the first Samaritaine near the Louvre, Stone sculpture by Henri Frederic Iselin (1825-1905), adorning the facade of the hotel de Paris. Photography, KIM Youngtae, Paris.

Multi-terrain pattern (MTP) hat, 2009 (hat)
Multi-terrain pattern (MTP) hat, 2009 (hat)

NAM5929875: Multi-terrain pattern (MTP) hat, 2009 (hat), English School, (21st century) / Bridgeman Images

ID: NAM5929875

Multi-terrain pattern (MTP) hat, 2009 (hat)

English School, (21st century)

Multi-terrain pattern (MTP) ‘Camelbak’ hydration system, 2009
Multi-terrain pattern (MTP) ‘Camelbak’ hydration system, 2009

NAM5926903: Multi-terrain pattern (MTP) ‘Camelbak’ hydration system, 2009, British School, (20th-21st century) / Bridgeman Images

ID: NAM5926903

Multi-terrain pattern (MTP) ‘Camelbak’ hydration system, 2009

British School, (20th-21st century)

Constellations around Persee - Constellations around Perseus - Star sky photography on November 6, 2007. At the bottom of the picture is the planet Mars in the Gemels. Above it is the constellation of the Coach, then Persee, a part of Andromede with its left Cassiopee and its right, the Triangle. Starry sky on november 6 2007. Bottom is the bright planet Mars in Gemini; above it the constellation of Auriga, then Perseus, a part of Andromeda with on its left Cassiopeia and on its right Triangulum
Constellations around Persee - Constellations around Perseus - Star sky photography on November 6, 2007. At the bottom of the picture is the planet Mars in the Gemels. Above it is the constellation of the Coach, then Persee, a part of Andromede with its left Cassiopee and its right, the Triangle. Starry sky on november 6 2007. Bottom is the bright planet Mars in Gemini; above it the constellation of Auriga, then Perseus, a part of Andromeda with on its left Cassiopeia and on its right Triangulum

PIX4593248: Constellations around Persee - Constellations around Perseus - Star sky photography on November 6, 2007. At the bottom of the picture is the planet Mars in the Gemels. Above it is the constellation of the Coach, then Persee, a part of Andromede with its left Cassiopee and its right, the Triangle. Starry sky on november 6 2007. Bottom is the bright planet Mars in Gemini; above it the constellation of Auriga, then Perseus, a part of Andromeda with on its left Cassiopeia and on its right Triangulum / Bridgeman Images

ID: PIX4593248

Constellations around Persee - Constellations around Perseus - Star sky photography on November 6, 2007. At the bottom of the picture is the planet Mars in the Gemels. Above it is the constellation of the Coach, then Persee, a part of Andromede with its left Cassiopee and its right, the Triangle. Starry sky on november 6 2007. Bottom is the bright planet Mars in Gemini; above it the constellation of Auriga, then Perseus, a part of Andromeda with on its left Cassiopeia and on its right Triangulum

Constellations around Persee - Constellations around Perseus - Star sky photography on November 6, 2007. At the bottom of the picture is the planet Mars in the Gemels. above, the constellation of the Coach, then Persee, a part of Andromede with on its left Cassiopee and on its right, the Triangle. Starry sky on november 6 2007. Bottom is the bright planet Mars in Gemini; above it the constellation of Auriga, then Perseus, a part of Andromeda with on its left Cassiopeia and on its right Triangulum
Constellations around Persee - Constellations around Perseus - Star sky photography on November 6, 2007. At the bottom of the picture is the planet Mars in the Gemels. above, the constellation of the Coach, then Persee, a part of Andromede with on its left Cassiopee and on its right, the Triangle. Starry sky on november 6 2007. Bottom is the bright planet Mars in Gemini; above it the constellation of Auriga, then Perseus, a part of Andromeda with on its left Cassiopeia and on its right Triangulum

PIX4593253: Constellations around Persee - Constellations around Perseus - Star sky photography on November 6, 2007. At the bottom of the picture is the planet Mars in the Gemels. above, the constellation of the Coach, then Persee, a part of Andromede with on its left Cassiopee and on its right, the Triangle. Starry sky on november 6 2007. Bottom is the bright planet Mars in Gemini; above it the constellation of Auriga, then Perseus, a part of Andromeda with on its left Cassiopeia and on its right Triangulum / Bridgeman Images

ID: PIX4593253

Constellations around Persee - Constellations around Perseus - Star sky photography on November 6, 2007. At the bottom of the picture is the planet Mars in the Gemels. above, the constellation of the Coach, then Persee, a part of Andromede with on its left Cassiopee and on its right, the Triangle. Starry sky on november 6 2007. Bottom is the bright planet Mars in Gemini; above it the constellation of Auriga, then Perseus, a part of Andromeda with on its left Cassiopeia and on its right Triangulum

Poster pour le bal des incoherents, bal organized between 1885 and 1896 in Paris as part of the artistic movement launched by Jules Levy in 1882, les arts incoherents, Illustration en lithographie de Maurice Neumont (1868-1930), in Les Programmes illustres des theatres et des cafes concerts, by Ernest Maindron, Librairie Nilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae.
Poster pour le bal des incoherents, bal organized between 1885 and 1896 in Paris as part of the artistic movement launched by Jules Levy in 1882, les arts incoherents, Illustration en lithographie de Maurice Neumont (1868-1930), in Les Programmes illustres des theatres et des cafes concerts, by Ernest Maindron, Librairie Nilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae.

YOU4419035: Poster pour le bal des incoherents, bal organized between 1885 and 1896 in Paris as part of the artistic movement launched by Jules Levy in 1882, les arts incoherents, Illustration en lithographie de Maurice Neumont (1868-1930), in Les Programmes illustres des theatres et des cafes concerts, by Ernest Maindron, Librairie Nilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae., Neumont, Maurice Louis Henri (1868-1930) / Bridgeman Images

ID: YOU4419035

Poster pour le bal des incoherents, bal organized between 1885 and 1896 in Paris as part of the artistic movement launched by Jules Levy in 1882, les arts incoherents, Illustration en lithographie de Maurice Neumont (1868-1930), in Les Programmes illustres des theatres et des cafes concerts, by Ernest Maindron, Librairie Nilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae.

Neumont, Maurice Louis Henri (1868-1930)

Poster for the Grappin et l'Affranchie, plays of theatre represented in 1892 at the Free Theatre created in 1887 by Andre Antoine (1858-1943), Illustration in lithography by Henri Gabriel Ibels (1867-1936) showing people of the show on the stage watching two soldiers passing below, in Les Programmes illustres et des cafes concerts, by Ernest Maindron, Librairie Nilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae.
Poster for the Grappin et l'Affranchie, plays of theatre represented in 1892 at the Free Theatre created in 1887 by Andre Antoine (1858-1943), Illustration in lithography by Henri Gabriel Ibels (1867-1936) showing people of the show on the stage watching two soldiers passing below, in Les Programmes illustres et des cafes concerts, by Ernest Maindron, Librairie Nilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae.

YOU4419056: Poster for the Grappin et l'Affranchie, plays of theatre represented in 1892 at the Free Theatre created in 1887 by Andre Antoine (1858-1943), Illustration in lithography by Henri Gabriel Ibels (1867-1936) showing people of the show on the stage watching two soldiers passing below, in Les Programmes illustres et des cafes concerts, by Ernest Maindron, Librairie Nilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae., Ibels, Henri-Gabriel (1867-1936) / Bridgeman Images

ID: YOU4419056

Poster for the Grappin et l'Affranchie, plays of theatre represented in 1892 at the Free Theatre created in 1887 by Andre Antoine (1858-1943), Illustration in lithography by Henri Gabriel Ibels (1867-1936) showing people of the show on the stage watching two soldiers passing below, in Les Programmes illustres et des cafes concerts, by Ernest Maindron, Librairie Nilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae.

Ibels, Henri-Gabriel (1867-1936)

Bust of Jean Charles Adolphe Alphand (1817-1891), Collaborator of Baron Haussmann, Supervisor of public works, layout of the green spaces of Paris, director of works of the World Exhibition of 1889, bronze sculpture by Jules Coutan (1848-1939), adorning the tomb of the engineer at the Pere Lachaise cemetery in Paris. Photography, KIM Youngtae, Paris.
Bust of Jean Charles Adolphe Alphand (1817-1891), Collaborator of Baron Haussmann, Supervisor of public works, layout of the green spaces of Paris, director of works of the World Exhibition of 1889, bronze sculpture by Jules Coutan (1848-1939), adorning the tomb of the engineer at the Pere Lachaise cemetery in Paris. Photography, KIM Youngtae, Paris.

YOU4418959: Bust of Jean Charles Adolphe Alphand (1817-1891), Collaborator of Baron Haussmann, Supervisor of public works, layout of the green spaces of Paris, director of works of the World Exhibition of 1889, bronze sculpture by Jules Coutan (1848-1939), adorning the tomb of the engineer at the Pere Lachaise cemetery in Paris. Photography, KIM Youngtae, Paris., Coutan, Jules (1848-1939) / Bridgeman Images

ID: YOU4418959

Bust of Jean Charles Adolphe Alphand (1817-1891), Collaborator of Baron Haussmann, Supervisor of public works, layout of the green spaces of Paris, director of works of the World Exhibition of 1889, bronze sculpture by Jules Coutan (1848-1939), adorning the tomb of the engineer at the Pere Lachaise cemetery in Paris. Photography, KIM Youngtae, Paris.

Coutan, Jules (1848-1939)


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