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4363 Search Results for Da Vinci

The head of St Simon in the Last Supper, c.1515 (red chalk on red paper)
The head of St Simon in the Last Supper, c.1515 (red chalk on red paper)

ROC2561313: The head of St Simon in the Last Supper, c.1515 (red chalk on red paper), Vinci, Leonardo da (1452-1519) (after) / Bridgeman Images

Recto: The muscles and nerves of the leg, c.1508 (pen & ink over black chalk on paper)
Recto: The muscles and nerves of the leg, c.1508 (pen & ink over black chalk on paper)

ROC5892744: Recto: The muscles and nerves of the leg, c.1508 (pen & ink over black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Recto: The tongue, and the production of the voice, c.1508-10 (pen & ink on paper)
Recto: The tongue, and the production of the voice, c.1508-10 (pen & ink on paper)

ROC5892766: Recto: The tongue, and the production of the voice, c.1508-10 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Vegetable interlacing, 1498 (tempera on wall)
Vegetable interlacing, 1498 (tempera on wall)

LRI4684817: Vegetable interlacing, 1498 (tempera on wall), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Verso: The brachial plexus and nerves of the arm, c.1508 (pen & ink over black chalk on paper)
Verso: The brachial plexus and nerves of the arm, c.1508 (pen & ink over black chalk on paper)

ROC5892749: Verso: The brachial plexus and nerves of the arm, c.1508 (pen & ink over black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Two studies of a hanging skeleton (pen & ink with wash)
Two studies of a hanging skeleton (pen & ink with wash)

AII80166: Two studies of a hanging skeleton (pen & ink with wash), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Architectural sketch for an 'Ideal City', fol. 16 (recto) from Paris Manuscript B, 1488-90 (pen and ink on paper)
Architectural sketch for an 'Ideal City', fol. 16 (recto) from Paris Manuscript B, 1488-90 (pen and ink on paper)

BIF267170: Architectural sketch for an 'Ideal City', fol. 16 (recto) from Paris Manuscript B, 1488-90 (pen and ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Recto: Studies of emblems, geometrical diagrams, and notes, c.1508-10 (pen & ink on paper)
Recto: Studies of emblems, geometrical diagrams, and notes, c.1508-10 (pen & ink on paper)

ROC5674267: Recto: Studies of emblems, geometrical diagrams, and notes, c.1508-10 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Studies of the valves of the heart, and sketch of a suditary, and calculations, c.1511-13 (pen & ink on blue paper)
Studies of the valves of the heart, and sketch of a suditary, and calculations, c.1511-13 (pen & ink on blue paper)

ROC5674273: Studies of the valves of the heart, and sketch of a suditary, and calculations, c.1511-13 (pen & ink on blue paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Verso: The muscles of the foot, c.1510-11 (pen & ink over some stylus on paper)
Verso: The muscles of the foot, c.1510-11 (pen & ink over some stylus on paper)

ROC5892733: Verso: The muscles of the foot, c.1510-11 (pen & ink over some stylus on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Study for a Fortress on a Polygonal Ground Plan with a Double Moat, fol. 116r from the Codex Atlanticus, 1504-8 (pen & Indian ink on paper)
Study for a Fortress on a Polygonal Ground Plan with a Double Moat, fol. 116r from the Codex Atlanticus, 1504-8 (pen & Indian ink on paper)

XCF307351: Study for a Fortress on a Polygonal Ground Plan with a Double Moat, fol. 116r from the Codex Atlanticus, 1504-8 (pen & Indian ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

A page from the Codex Leicester, 1508-12 (sepia ink on linen paper)
A page from the Codex Leicester, 1508-12 (sepia ink on linen paper)

XBP340120: A page from the Codex Leicester, 1508-12 (sepia ink on linen paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

A bear's foot, c.1488-90 (metalpoint and pen & ink with white heightening on blue paper)
A bear's foot, c.1488-90 (metalpoint and pen & ink with white heightening on blue paper)

ROC700105: A bear's foot, c.1488-90 (metalpoint and pen & ink with white heightening on blue paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

A deluge, c.1517-18 (chalk on paper)
A deluge, c.1517-18 (chalk on paper)

ROC4071675: A deluge, c.1517-18 (chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

The Last Supper, 1495-97 (fresco)
The Last Supper, 1495-97 (fresco)

IMO2070794: The Last Supper, 1495-97 (fresco), Vinci, Leonardo da (1452-1519) / Bridgeman Images

The head and shoulders of a young man wearing a cap in profile, c.1480-85 (pen & ink on paper) (recto of 5614246)
The head and shoulders of a young man wearing a cap in profile, c.1480-85 (pen & ink on paper) (recto of 5614246)

ROC5614245: The head and shoulders of a young man wearing a cap in profile, c.1480-85 (pen & ink on paper) (recto of 5614246), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Studies of horses, c.1480 (metalpoint on cream prepared paper)
Studies of horses, c.1480 (metalpoint on cream prepared paper)

ROC5617345: Studies of horses, c.1480 (metalpoint on cream prepared paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Leonardo looks forward (colour litho)
Leonardo looks forward (colour litho)

LLM976580: Leonardo looks forward (colour litho), English School, (20th century) / Bridgeman Images

Codex Atlanticus, sheet 471 verso, 1478-1518 (pen & ink)
Codex Atlanticus, sheet 471 verso, 1478-1518 (pen & ink)

MEV5046125: Codex Atlanticus, sheet 471 verso, 1478-1518 (pen & ink), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Detail of the last supper: on the left the Apostles Judas, Peter and John, Christ in the centre and the Apostles Thomas, James the Major and Philip. 1495-1498 (fresco)
Detail of the last supper: on the left the Apostles Judas, Peter and John, Christ in the centre and the Apostles Thomas, James the Major and Philip. 1495-1498 (fresco)

LRI4684836: Detail of the last supper: on the left the Apostles Judas, Peter and John, Christ in the centre and the Apostles Thomas, James the Major and Philip. 1495-1498 (fresco), Vinci, Leonardo da (1452-1519) / Bridgeman Images

A dog's head and chest, and hind-leg, c.1520 (red chalk on paper)
A dog's head and chest, and hind-leg, c.1520 (red chalk on paper)

ROC487771: A dog's head and chest, and hind-leg, c.1520 (red chalk on paper), Melzi or Melzo, Francesco (1493-1570) (attr. to) / Bridgeman Images

Verso: Studies of the nervous system, c.1485-90 (metalpoint (faded) and pen and ink on blue-grey prepared paper)
Verso: Studies of the nervous system, c.1485-90 (metalpoint (faded) and pen and ink on blue-grey prepared paper)

ROC5894042: Verso: Studies of the nervous system, c.1485-90 (metalpoint (faded) and pen and ink on blue-grey prepared paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Studies of water, c.1510-12 (chalk, pen & ink on paper)
Studies of water, c.1510-12 (chalk, pen & ink on paper)

ROC5674285: Studies of water, c.1510-12 (chalk, pen & ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Recto: The proportions of the arm, c.1490 (pen & ink on paper) (recto of 3823043)
Recto: The proportions of the arm, c.1490 (pen & ink on paper) (recto of 3823043)

ROC3823042: Recto: The proportions of the arm, c.1490 (pen & ink on paper) (recto of 3823043), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Recto: The veins of the face, and a torso, 1489 (pen & ink on paper)
Recto: The veins of the face, and a torso, 1489 (pen & ink on paper)

ROC5669158: Recto: The veins of the face, and a torso, 1489 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Two profiles of men, an old man and a young man. The young man represents Gian Giacomo Caprotti known as Andrea Salai or Salaij (around 1480-1524), Leonardo's student and lover. Chalk drawing by Leonardo da Vinci (Leonardo da Vinci) (1452-1519) Florence, Galleria degli Uffizi (Offices)
Two profiles of men, an old man and a young man. The young man represents Gian Giacomo Caprotti known as Andrea Salai or Salaij (around 1480-1524), Leonardo's student and lover. Chalk drawing by Leonardo da Vinci (Leonardo da Vinci) (1452-1519) Florence, Galleria degli Uffizi (Offices)

GIM5037941: Two profiles of men, an old man and a young man. The young man represents Gian Giacomo Caprotti known as Andrea Salai or Salaij (around 1480-1524), Leonardo's student and lover. Chalk drawing by Leonardo da Vinci (Leonardo da Vinci) (1452-1519) Florence, Galleria degli Uffizi (Offices), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Codex Atlanticus, sheet 117 recto, 1478-1518 (pen & ink)
Codex Atlanticus, sheet 117 recto, 1478-1518 (pen & ink)

MEV5045416: Codex Atlanticus, sheet 117 recto, 1478-1518 (pen & ink), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Codex Atlanticus, sheet 105 verso, 1478-1518 (pen & ink)
Codex Atlanticus, sheet 105 verso, 1478-1518 (pen & ink)

MEV5045393: Codex Atlanticus, sheet 105 verso, 1478-1518 (pen & ink), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Codex Atlanticus, sheet 850 recto, 1478-1518 (pen & ink)
Codex Atlanticus, sheet 850 recto, 1478-1518 (pen & ink)

MEV5046892: Codex Atlanticus, sheet 850 recto, 1478-1518 (pen & ink), Vinci, Leonardo da (1452-1519) / Bridgeman Images

The Heart and the bronchial arteries, facsimile of the Windsor book (pen and ink on paper)
The Heart and the bronchial arteries, facsimile of the Windsor book (pen and ink on paper)

CHT164555: The Heart and the bronchial arteries, facsimile of the Windsor book (pen and ink on paper), Vinci, Leonardo da (1452-1519) (after) / Bridgeman Images

Story of a Masterpiece, Leonardo da Vincis Mona Lisa, bought by King Francis I of France in 1517, stolen in 1911 and then returned to the Louvre in 1913 - Frontpage of English newspaper Le petit journal. December 28, 1913 - First page of the “Petity Journal” of Sunday, December 28, 1913: The story of a masterpiece: The purchase of the Mona Lisa (Mona Lisa, Monna Lisa) by Leonard de Vinci (Leonardo da Vinci) by the King of France Francois 1st, its flight in 1911 by Vincenzo Peruggia (1881-1925) and its return to the Louvre
Story of a Masterpiece, Leonardo da Vincis Mona Lisa, bought by King Francis I of France in 1517, stolen in 1911 and then returned to the Louvre in 1913 - Frontpage of English newspaper Le petit journal. December 28, 1913 - First page of the “Petity Journal” of Sunday, December 28, 1913: The story of a masterpiece: The purchase of the Mona Lisa (Mona Lisa, Monna Lisa) by Leonard de Vinci (Leonardo da Vinci) by the King of France Francois 1st, its flight in 1911 by Vincenzo Peruggia (1881-1925) and its return to the Louvre

XEE4168833: Story of a Masterpiece, Leonardo da Vincis Mona Lisa, bought by King Francis I of France in 1517, stolen in 1911 and then returned to the Louvre in 1913 - Frontpage of English newspaper Le petit journal. December 28, 1913 - First page of the “Petity Journal” of Sunday, December 28, 1913: The story of a masterpiece: The purchase of the Mona Lisa (Mona Lisa, Monna Lisa) by Leonard de Vinci (Leonardo da Vinci) by the King of France Francois 1st, its flight in 1911 by Vincenzo Peruggia (1881-1925) and its return to the Louvre, Unknown Artist / Bridgeman Images

A man ploughing with two oxen, and other farm workers, c.1495 (red chalk)
A man ploughing with two oxen, and other farm workers, c.1495 (red chalk)

ROC3956001: A man ploughing with two oxen, and other farm workers, c.1495 (red chalk), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Head of an Old Man and Sketches of a Mechanical Device, 1490 - 1499 (pen and fine brush with sepia, color ink, watercolor)
Head of an Old Man and Sketches of a Mechanical Device, 1490 - 1499 (pen and fine brush with sepia, color ink, watercolor)

MEB857407: Head of an Old Man and Sketches of a Mechanical Device, 1490 - 1499 (pen and fine brush with sepia, color ink, watercolor), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Studies of Figues and Decorations, c.1480-82 (pen & ink and metal point)
Studies of Figues and Decorations, c.1480-82 (pen & ink and metal point)

XIR161935: Studies of Figues and Decorations, c.1480-82 (pen & ink and metal point), Vinci, Leonardo da (1452-1519) / Bridgeman Images

La Belle Ferronniere, c.1802-06 (black chalk and wash on paper) (b/w photo)
La Belle Ferronniere, c.1802-06 (black chalk and wash on paper) (b/w photo)

BI110030: La Belle Ferronniere, c.1802-06 (black chalk and wash on paper) (b/w photo), Ingres, Jean Auguste Dominique (1780-1867) / Bridgeman Images

A rocky outcrop, c.1510-15 (black chalk)
A rocky outcrop, c.1510-15 (black chalk)

ROC3956000: A rocky outcrop, c.1510-15 (black chalk), Vinci, Leonardo da (1452-1519) / Bridgeman Images


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