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10576 Search Results for Da Vinci

Mortars and pestles to test minerals, engraving from De Re Metallica (On the Nature of Metals), by Georg Agricola, published in Basel in 1561
Mortars and pestles to test minerals, engraving from De Re Metallica (On the Nature of Metals), by Georg Agricola, published in Basel in 1561

DGA3939814: Mortars and pestles to test minerals, engraving from De Re Metallica (On the Nature of Metals), by Georg Agricola, published in Basel in 1561 / Bridgeman Images

ID: DGA3939814

Mortars and pestles to test minerals, engraving from De Re Metallica (On the Nature of Metals), by Georg Agricola, published in Basel in 1561

Copper forging, engraving from De Re Metallica (On Nature of Metals), by Georg Agricola, published in Basel in 1561
Copper forging, engraving from De Re Metallica (On Nature of Metals), by Georg Agricola, published in Basel in 1561

DGA3939942: Copper forging, engraving from De Re Metallica (On Nature of Metals), by Georg Agricola, published in Basel in 1561 / Bridgeman Images

ID: DGA3939942

Copper forging, engraving from De Re Metallica (On Nature of Metals), by Georg Agricola, published in Basel in 1561

Gravity-powered water-raising machine, copperplate engraving from Theatrum Machinarum Novum, Plate 135, by Georg Andreas Boeckler, Coloniae Agrippinae (Cologne), 1662
Gravity-powered water-raising machine, copperplate engraving from Theatrum Machinarum Novum, Plate 135, by Georg Andreas Boeckler, Coloniae Agrippinae (Cologne), 1662

DGA3938761: Gravity-powered water-raising machine, copperplate engraving from Theatrum Machinarum Novum, Plate 135, by Georg Andreas Boeckler, Coloniae Agrippinae (Cologne), 1662 / Bridgeman Images

ID: DGA3938761

Gravity-powered water-raising machine, copperplate engraving from Theatrum Machinarum Novum, Plate 135, by Georg Andreas Boeckler, Coloniae Agrippinae (Cologne), 1662

Unfinished design for museum building, 1877, heliograph from Eigene Skizzen, Projekte und ausgefuehrte Bauwerke, by Otto Wagner, Vienna, 1897
Unfinished design for museum building, 1877, heliograph from Eigene Skizzen, Projekte und ausgefuehrte Bauwerke, by Otto Wagner, Vienna, 1897

DGA3938013: Unfinished design for museum building, 1877, heliograph from Eigene Skizzen, Projekte und ausgefuehrte Bauwerke, by Otto Wagner, Vienna, 1897 / Bridgeman Images

ID: DGA3938013

Unfinished design for museum building, 1877, heliograph from Eigene Skizzen, Projekte und ausgefuehrte Bauwerke, by Otto Wagner, Vienna, 1897

Project for cast iron spiral staircase, engraving from Nouvelles annales de la construction, 1858
Project for cast iron spiral staircase, engraving from Nouvelles annales de la construction, 1858

DGA3938161: Project for cast iron spiral staircase, engraving from Nouvelles annales de la construction, 1858 / Bridgeman Images

ID: DGA3938161

Project for cast iron spiral staircase, engraving from Nouvelles annales de la construction, 1858

Gate of fortress, woodcut from De re military, by Roberto Valturio, printed by Christian Wechel, Paris, 1532
Gate of fortress, woodcut from De re military, by Roberto Valturio, printed by Christian Wechel, Paris, 1532

DGA3938538: Gate of fortress, woodcut from De re military, by Roberto Valturio, printed by Christian Wechel, Paris, 1532 / Bridgeman Images

ID: DGA3938538

Gate of fortress, woodcut from De re military, by Roberto Valturio, printed by Christian Wechel, Paris, 1532

Study of Leonardo da Vinci. Mechanical loom. 15th century.
Study of Leonardo da Vinci. Mechanical loom. 15th century.

TRK879407: Study of Leonardo da Vinci. Mechanical loom. 15th century. / Bridgeman Images

ID: TRK879407

Study of Leonardo da Vinci. Mechanical loom. 15th century.

Leonardo da Vinci painting his masterpiece 'The Virgin on the Rocks'
Leonardo da Vinci painting his masterpiece 'The Virgin on the Rocks'

LAL319840: Leonardo da Vinci painting his masterpiece 'The Virgin on the Rocks', McBride, Angus (1931-2007) / Bridgeman Images

ID: LAL319840

Leonardo da Vinci painting his masterpiece 'The Virgin on the Rocks'

McBride, Angus (1931-2007)

Print of the Last Supper by Leonardo da Vinci with Greek Inscriptions
Print of the Last Supper by Leonardo da Vinci with Greek Inscriptions

MEV5048019: Print of the Last Supper by Leonardo da Vinci with Greek Inscriptions, Vinci, Leonardo da (1452-1519) / Bridgeman Images

ID: MEV5048019

Print of the Last Supper by Leonardo da Vinci with Greek Inscriptions

Vinci, Leonardo da (1452-1519)

Il pittore fiorentino utilizza l'immagine di Ercole (heracles) che stringe in un mortale abbraccio Anteo, che sollevato da terra non e piu invincibile, per studiare la figura umana mentre sostiene un peso. Engraving from “” Treat of Painting”” by Leonardo da Vinci (Leonard de Vinci) (1452-1519). “” Trattato della pittura di Lionardo da Vinci,””” Milano, Societa tipografica, 1804.
Il pittore fiorentino utilizza l'immagine di Ercole (heracles) che stringe in un mortale abbraccio Anteo, che sollevato da terra non e piu invincibile, per studiare la figura umana mentre sostiene un peso. Engraving from “” Treat of Painting”” by Leonardo da Vinci (Leonard de Vinci) (1452-1519). “” Trattato della pittura di Lionardo da Vinci,””” Milano, Societa tipografica, 1804.

MAJ5032244: Il pittore fiorentino utilizza l'immagine di Ercole (heracles) che stringe in un mortale abbraccio Anteo, che sollevato da terra non e piu invincibile, per studiare la figura umana mentre sostiene un peso. Engraving from “” Treat of Painting”” by Leonardo da Vinci (Leonard de Vinci) (1452-1519). “” Trattato della pittura di Lionardo da Vinci,””” Milano, Societa tipografica, 1804. / Bridgeman Images

ID: MAJ5032244

Il pittore fiorentino utilizza l'immagine di Ercole (heracles) che stringe in un mortale abbraccio Anteo, che sollevato da terra non e piu invincibile, per studiare la figura umana mentre sostiene un peso. Engraving from “” Treat of Painting”” by Leonardo da Vinci (Leonard de Vinci) (1452-1519). “” Trattato della pittura di Lionardo da Vinci,””” Milano, Societa tipografica, 1804.

Bellows to feed a mineral fusion oven, engraving from De Re Metallica (On the Nature of Metals), by Georg Agricola, published in Basel in 1561
Bellows to feed a mineral fusion oven, engraving from De Re Metallica (On the Nature of Metals), by Georg Agricola, published in Basel in 1561

DGA3939886: Bellows to feed a mineral fusion oven, engraving from De Re Metallica (On the Nature of Metals), by Georg Agricola, published in Basel in 1561 / Bridgeman Images

ID: DGA3939886

Bellows to feed a mineral fusion oven, engraving from De Re Metallica (On the Nature of Metals), by Georg Agricola, published in Basel in 1561

Oven for separating silver from gold, antimony method, engraving from De Re Metallica (On the Nature of Metals), by Georg Agricola, published in Basel in 1561
Oven for separating silver from gold, antimony method, engraving from De Re Metallica (On the Nature of Metals), by Georg Agricola, published in Basel in 1561

DGA3939915: Oven for separating silver from gold, antimony method, engraving from De Re Metallica (On the Nature of Metals), by Georg Agricola, published in Basel in 1561 / Bridgeman Images

ID: DGA3939915

Oven for separating silver from gold, antimony method, engraving from De Re Metallica (On the Nature of Metals), by Georg Agricola, published in Basel in 1561

Crucible and mixed equipment for separating silver from gold, engraving from De Re Metallica (On the Nature of Metals), by Georg Agricola, published in Basel in 1561
Crucible and mixed equipment for separating silver from gold, engraving from De Re Metallica (On the Nature of Metals), by Georg Agricola, published in Basel in 1561

DGA3939918: Crucible and mixed equipment for separating silver from gold, engraving from De Re Metallica (On the Nature of Metals), by Georg Agricola, published in Basel in 1561 / Bridgeman Images

ID: DGA3939918

Crucible and mixed equipment for separating silver from gold, engraving from De Re Metallica (On the Nature of Metals), by Georg Agricola, published in Basel in 1561

Oven for separating silver from lead, used in Poland and Hungary, engraving from De Re Metallica (On Nature of Metals), by Georg Agricola, published in Basel in 1561
Oven for separating silver from lead, used in Poland and Hungary, engraving from De Re Metallica (On Nature of Metals), by Georg Agricola, published in Basel in 1561

DGA3939923: Oven for separating silver from lead, used in Poland and Hungary, engraving from De Re Metallica (On Nature of Metals), by Georg Agricola, published in Basel in 1561 / Bridgeman Images

ID: DGA3939923

Oven for separating silver from lead, used in Poland and Hungary, engraving from De Re Metallica (On Nature of Metals), by Georg Agricola, published in Basel in 1561

Tubs and oven for salt production, engraving from De Re Metallica (On Nature of Metals), by Georg Agricola, published in Basel in 1561
Tubs and oven for salt production, engraving from De Re Metallica (On Nature of Metals), by Georg Agricola, published in Basel in 1561

DGA3939949: Tubs and oven for salt production, engraving from De Re Metallica (On Nature of Metals), by Georg Agricola, published in Basel in 1561 / Bridgeman Images

ID: DGA3939949

Tubs and oven for salt production, engraving from De Re Metallica (On Nature of Metals), by Georg Agricola, published in Basel in 1561

Furnace for glass production, engraving from De Re Metallica (On Nature of Metals), by Georg Agricola, published in Basel in 1561
Furnace for glass production, engraving from De Re Metallica (On Nature of Metals), by Georg Agricola, published in Basel in 1561

DGA3939967: Furnace for glass production, engraving from De Re Metallica (On Nature of Metals), by Georg Agricola, published in Basel in 1561 / Bridgeman Images

ID: DGA3939967

Furnace for glass production, engraving from De Re Metallica (On Nature of Metals), by Georg Agricola, published in Basel in 1561

Soda production, engraving from De Re Metallica (On Nature of Metals), by Georg Agricola, published in Basel in 1561
Soda production, engraving from De Re Metallica (On Nature of Metals), by Georg Agricola, published in Basel in 1561

DGA3939956: Soda production, engraving from De Re Metallica (On Nature of Metals), by Georg Agricola, published in Basel in 1561 / Bridgeman Images

ID: DGA3939956

Soda production, engraving from De Re Metallica (On Nature of Metals), by Georg Agricola, published in Basel in 1561

Western Tragopan (Tragopan melanocephalus), illustration from Teatro universale, Raccolta enciclopedica e scenografica, No 347, February 27, 1841
Western Tragopan (Tragopan melanocephalus), illustration from Teatro universale, Raccolta enciclopedica e scenografica, No 347, February 27, 1841

DGA3954019: Western Tragopan (Tragopan melanocephalus), illustration from Teatro universale, Raccolta enciclopedica e scenografica, No 347, February 27, 1841 / Bridgeman Images

ID: DGA3954019

Western Tragopan (Tragopan melanocephalus), illustration from Teatro universale, Raccolta enciclopedica e scenografica, No 347, February 27, 1841

Avocado (Persea americana), illustration from Teatro universale, Raccolta enciclopedica e scenografica, No 347, February 27, 1841
Avocado (Persea americana), illustration from Teatro universale, Raccolta enciclopedica e scenografica, No 347, February 27, 1841

DGA3954020: Avocado (Persea americana), illustration from Teatro universale, Raccolta enciclopedica e scenografica, No 347, February 27, 1841 / Bridgeman Images

ID: DGA3954020

Avocado (Persea americana), illustration from Teatro universale, Raccolta enciclopedica e scenografica, No 347, February 27, 1841

European badger (Meles meles), illustration from Teatro universale, Raccolta enciclopedica e scenografica, No 246, March 23, 1839
European badger (Meles meles), illustration from Teatro universale, Raccolta enciclopedica e scenografica, No 246, March 23, 1839

DGA3953910: European badger (Meles meles), illustration from Teatro universale, Raccolta enciclopedica e scenografica, No 246, March 23, 1839 / Bridgeman Images

ID: DGA3953910

European badger (Meles meles), illustration from Teatro universale, Raccolta enciclopedica e scenografica, No 246, March 23, 1839

Exterior and interior of double-glazed glasshouses for cultivating plants, engraving, Skizzen und Typen, plate 168, designs by Rudolph Philip Waagner, 1891
Exterior and interior of double-glazed glasshouses for cultivating plants, engraving, Skizzen und Typen, plate 168, designs by Rudolph Philip Waagner, 1891

DGA3937984: Exterior and interior of double-glazed glasshouses for cultivating plants, engraving, Skizzen und Typen, plate 168, designs by Rudolph Philip Waagner, 1891 / Bridgeman Images

ID: DGA3937984

Exterior and interior of double-glazed glasshouses for cultivating plants, engraving, Skizzen und Typen, plate 168, designs by Rudolph Philip Waagner, 1891

Siege ramp, woodcut from De re military, by Roberto Valturio, printed by Christian Wechel, Paris, 1532
Siege ramp, woodcut from De re military, by Roberto Valturio, printed by Christian Wechel, Paris, 1532

DGA3938557: Siege ramp, woodcut from De re military, by Roberto Valturio, printed by Christian Wechel, Paris, 1532 / Bridgeman Images

ID: DGA3938557

Siege ramp, woodcut from De re military, by Roberto Valturio, printed by Christian Wechel, Paris, 1532

Floating fortress, woodcut from De re military, by Roberto Valturio, printed by Christian Wechel, Paris, 1532
Floating fortress, woodcut from De re military, by Roberto Valturio, printed by Christian Wechel, Paris, 1532

DGA3938604: Floating fortress, woodcut from De re military, by Roberto Valturio, printed by Christian Wechel, Paris, 1532 / Bridgeman Images

ID: DGA3938604

Floating fortress, woodcut from De re military, by Roberto Valturio, printed by Christian Wechel, Paris, 1532

Horse-powered siege engine, woodcut from De re military, by Roberto Valturio, printed by Christian Wechel, Paris, 1532
Horse-powered siege engine, woodcut from De re military, by Roberto Valturio, printed by Christian Wechel, Paris, 1532

DGA3938587: Horse-powered siege engine, woodcut from De re military, by Roberto Valturio, printed by Christian Wechel, Paris, 1532 / Bridgeman Images

ID: DGA3938587

Horse-powered siege engine, woodcut from De re military, by Roberto Valturio, printed by Christian Wechel, Paris, 1532

Siege platform with scissor lift, woodcut from De re military, by Roberto Valturio, printed by Christian Wechel, Paris, 1532
Siege platform with scissor lift, woodcut from De re military, by Roberto Valturio, printed by Christian Wechel, Paris, 1532

DGA3938545: Siege platform with scissor lift, woodcut from De re military, by Roberto Valturio, printed by Christian Wechel, Paris, 1532 / Bridgeman Images

ID: DGA3938545

Siege platform with scissor lift, woodcut from De re military, by Roberto Valturio, printed by Christian Wechel, Paris, 1532

Ravelin, copperplate engraving from Diffesa et Offesa Delle Piazze, by Pietro Paolo Floriani, published by Giuliano Carboni, Macerata, 1630
Ravelin, copperplate engraving from Diffesa et Offesa Delle Piazze, by Pietro Paolo Floriani, published by Giuliano Carboni, Macerata, 1630

DGA3938904: Ravelin, copperplate engraving from Diffesa et Offesa Delle Piazze, by Pietro Paolo Floriani, published by Giuliano Carboni, Macerata, 1630 / Bridgeman Images

ID: DGA3938904

Ravelin, copperplate engraving from Diffesa et Offesa Delle Piazze, by Pietro Paolo Floriani, published by Giuliano Carboni, Macerata, 1630

Water-powered water-raising machine, copperplate engraving from Theatrum Machinarum Novum, Plate 129, by Georg Andreas Boeckler, Coloniae Agrippinae (Cologne), 1662
Water-powered water-raising machine, copperplate engraving from Theatrum Machinarum Novum, Plate 129, by Georg Andreas Boeckler, Coloniae Agrippinae (Cologne), 1662

DGA3938755: Water-powered water-raising machine, copperplate engraving from Theatrum Machinarum Novum, Plate 129, by Georg Andreas Boeckler, Coloniae Agrippinae (Cologne), 1662 / Bridgeman Images

ID: DGA3938755

Water-powered water-raising machine, copperplate engraving from Theatrum Machinarum Novum, Plate 129, by Georg Andreas Boeckler, Coloniae Agrippinae (Cologne), 1662

Canalization works, copperplate engraving from Diffesa et Offesa Delle Piazze, by Pietro Paolo Floriani, published by Giuliano Carboni, Macerata, 1630
Canalization works, copperplate engraving from Diffesa et Offesa Delle Piazze, by Pietro Paolo Floriani, published by Giuliano Carboni, Macerata, 1630

DGA3938936: Canalization works, copperplate engraving from Diffesa et Offesa Delle Piazze, by Pietro Paolo Floriani, published by Giuliano Carboni, Macerata, 1630 / Bridgeman Images

ID: DGA3938936

Canalization works, copperplate engraving from Diffesa et Offesa Delle Piazze, by Pietro Paolo Floriani, published by Giuliano Carboni, Macerata, 1630

Siege engine, woodcut from De re militari libri quatuor (Epitoma rei militaris), by Publius Flavius Vegetius Renatus, printed by Christian Wechel, Paris, 1535
Siege engine, woodcut from De re militari libri quatuor (Epitoma rei militaris), by Publius Flavius Vegetius Renatus, printed by Christian Wechel, Paris, 1535

DGA3939620: Siege engine, woodcut from De re militari libri quatuor (Epitoma rei militaris), by Publius Flavius Vegetius Renatus, printed by Christian Wechel, Paris, 1535 / Bridgeman Images

ID: DGA3939620

Siege engine, woodcut from De re militari libri quatuor (Epitoma rei militaris), by Publius Flavius Vegetius Renatus, printed by Christian Wechel, Paris, 1535

Scissor siege ladder, woodcut from De re militari libri quatuor (Epitoma rei militaris), by Publius Flavius Vegetius Renatus, printed by Christian Wechel, Paris, 1535
Scissor siege ladder, woodcut from De re militari libri quatuor (Epitoma rei militaris), by Publius Flavius Vegetius Renatus, printed by Christian Wechel, Paris, 1535

DGA3939656: Scissor siege ladder, woodcut from De re militari libri quatuor (Epitoma rei militaris), by Publius Flavius Vegetius Renatus, printed by Christian Wechel, Paris, 1535 / Bridgeman Images

ID: DGA3939656

Scissor siege ladder, woodcut from De re militari libri quatuor (Epitoma rei militaris), by Publius Flavius Vegetius Renatus, printed by Christian Wechel, Paris, 1535

Bridge, woodcut from De re militari libri quatuor (Epitoma rei militaris), by Publius Flavius Vegetius Renatus, printed by Christian Wechel, Paris, 1535
Bridge, woodcut from De re militari libri quatuor (Epitoma rei militaris), by Publius Flavius Vegetius Renatus, printed by Christian Wechel, Paris, 1535

DGA3939616: Bridge, woodcut from De re militari libri quatuor (Epitoma rei militaris), by Publius Flavius Vegetius Renatus, printed by Christian Wechel, Paris, 1535 / Bridgeman Images

ID: DGA3939616

Bridge, woodcut from De re militari libri quatuor (Epitoma rei militaris), by Publius Flavius Vegetius Renatus, printed by Christian Wechel, Paris, 1535

Ramsden quadrant, used for observations of large planets, of Sun and Moon
Ramsden quadrant, used for observations of large planets, of Sun and Moon

DGA2581696: Ramsden quadrant, used for observations of large planets, of Sun and Moon / Bridgeman Images

ID: DGA2581696

Ramsden quadrant, used for observations of large planets, of Sun and Moon

Sections of quays with breakwaters, built for French Mediterranean ports (Naples, Palermo, Livorno, Genoa, Ancona, Santa Venere, Nisida), engraving from Nouvelles annales de la construction, 1867
Sections of quays with breakwaters, built for French Mediterranean ports (Naples, Palermo, Livorno, Genoa, Ancona, Santa Venere, Nisida), engraving from Nouvelles annales de la construction, 1867

DGA3938213: Sections of quays with breakwaters, built for French Mediterranean ports (Naples, Palermo, Livorno, Genoa, Ancona, Santa Venere, Nisida), engraving from Nouvelles annales de la construction, 1867 / Bridgeman Images

ID: DGA3938213

Sections of quays with breakwaters, built for French Mediterranean ports (Naples, Palermo, Livorno, Genoa, Ancona, Santa Venere, Nisida), engraving from Nouvelles annales de la construction, 1867

Silver refining oven, engraving from De Re Metallica (On the Nature of Metals), by Georg Agricola, published in Basel in 1561
Silver refining oven, engraving from De Re Metallica (On the Nature of Metals), by Georg Agricola, published in Basel in 1561

DGA3939928: Silver refining oven, engraving from De Re Metallica (On the Nature of Metals), by Georg Agricola, published in Basel in 1561 / Bridgeman Images

ID: DGA3939928

Silver refining oven, engraving from De Re Metallica (On the Nature of Metals), by Georg Agricola, published in Basel in 1561

Pits for bismuth fusion, engraving from De Re Metallica (On the Nature of Metals), by Georg Agricola, published in Basel in 1561
Pits for bismuth fusion, engraving from De Re Metallica (On the Nature of Metals), by Georg Agricola, published in Basel in 1561

DGA3939909: Pits for bismuth fusion, engraving from De Re Metallica (On the Nature of Metals), by Georg Agricola, published in Basel in 1561 / Bridgeman Images

ID: DGA3939909

Pits for bismuth fusion, engraving from De Re Metallica (On the Nature of Metals), by Georg Agricola, published in Basel in 1561

Pileated Francolin (Francolinus pileatus), illustration from Teatro universale, Raccolta enciclopedica e scenografica, No 340, January 9, 1841
Pileated Francolin (Francolinus pileatus), illustration from Teatro universale, Raccolta enciclopedica e scenografica, No 340, January 9, 1841

DGA3954002: Pileated Francolin (Francolinus pileatus), illustration from Teatro universale, Raccolta enciclopedica e scenografica, No 340, January 9, 1841 / Bridgeman Images

ID: DGA3954002

Pileated Francolin (Francolinus pileatus), illustration from Teatro universale, Raccolta enciclopedica e scenografica, No 340, January 9, 1841


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