GIA4736723:
17th century pharmacy, vases, pots, mortars... Museum of Science and Technology, Milan., Unknown Artist, (17th century) / Bridgeman Images
ID: GIA4736723
17th century pharmacy, vases, pots, mortars... Museum of Science and Technology, Milan.
Unknown Artist, (17th century)
GIA4745267:
17th century bellows oven, reduced model, Milan Science and Technology Museum., Anonymous / Bridgeman Images
ID: GIA4745267
17th century bellows oven, reduced model, Milan Science and Technology Museum.
Anonymous
FAF3572657:
"Dorner Flory" bicycle with gears from 1912, Unknown Artist, (20th century) / Bridgeman Images
ID: FAF3572657
"Dorner Flory" bicycle with gears from 1912
Unknown Artist, (20th century)
GIA4700802:
Pharmacy mortar, Museum of Science and Technology, Milan., Unknown Artist / Bridgeman Images
ID: GIA4700802
Pharmacy mortar, Museum of Science and Technology, Milan.
Unknown Artist
GIA4744270:
The piles of Alessandro (Alexander) Volta. Museum of Science and Technology, Milan., Volta, Alessandro (1745-1827) / Bridgeman Images
ID: GIA4744270
The piles of Alessandro (Alexander) Volta. Museum of Science and Technology, Milan.
Volta, Alessandro (1745-1827)
FAF3572654:
Monocycle with wooden wheels from 1870, Unknown Artist, (19th century) / Bridgeman Images
ID: FAF3572654
Monocycle with wooden wheels from 1870
Unknown Artist, (19th century)
USB1155921:
Saint Sebastian, Venetian School, (16th century) / Bridgeman Images
ID: USB1155921
Saint Sebastian
Venetian School, (16th century)
USB1155920:
Saint Anthony Abbot (c.251-356), Venetian School, (16th century) / Bridgeman Images
ID: USB1155920
Saint Anthony Abbot (c.251-356)
Venetian School, (16th century)
LLM725654:
"He would delight in seeing the birds go free" (litho), English School, (20th century) / Bridgeman Images
ID: LLM725654
"He would delight in seeing the birds go free" (litho)
English School, (20th century)
XJF139872:
St. George, from the 'Liber Chronicarum' by Hartmann Schedel (1440-1514) 1493 (woodcut) (b/w photo), German School, (15th century) / Bridgeman Images
ID: XJF139872
St. George, from the 'Liber Chronicarum' by Hartmann Schedel (1440-1514) 1493 (woodcut) (b/w photo)
LLM3648362:
St Michael vanquishing Satan (colour litho), Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after) / Bridgeman Images
ID: LLM3648362
St Michael vanquishing Satan (colour litho)
Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after)
CTS449302:
Leonardo da Vinci's Last Supper (red & black chalks on paper), Soutman, Pieter Claesz (c.1593-1657) / Bridgeman Images
ID: CTS449302
Leonardo da Vinci's Last Supper (red & black chalks on paper)
Soutman, Pieter Claesz (c.1593-1657)
XIR193512:
The Dominican Order Overcoming Heresy, 1750 (oil on canvas), Bortoloni, Mattia (1695-1750) / Bridgeman Images
ID: XIR193512
The Dominican Order Overcoming Heresy, 1750 (oil on canvas)
Bortoloni, Mattia (1695-1750)
LAF490015:
Detail of Mars, surrounded by the Arts and Sciences, conquers Ignorance, 1605 (oil on canvas), Claeissins or Claeissens, Anthuenis (Antoon) (1536-1613) / Bridgeman Images
ID: LAF490015
Detail of Mars, surrounded by the Arts and Sciences, conquers Ignorance, 1605 (oil on canvas)
Claeissins or Claeissens, Anthuenis (Antoon) (1536-1613)
LIP1043596:
Motor Cycle Races and Tests at the Crystal Palace (litho), English School, (20th century) / Bridgeman Images
ID: LIP1043596
Motor Cycle Races and Tests at the Crystal Palace (litho)
English School, (20th century)
LLR734974:
Lombardy (chromolitho), European School, (19th century) / Bridgeman Images
ID: LLR734974
Lombardy (chromolitho)
European School, (19th century)
HSF6331001:
Derbyshire and Peaks 1962 / Bridgeman Images
ID: HSF6331001
Derbyshire and Peaks 1962
LLM6027812:
Vale of the Winnets, Derbyshire (engraving), Allom, Thomas (1804-72) (after) / Bridgeman Images
ID: LLM6027812
Vale of the Winnets, Derbyshire (engraving)
Allom, Thomas (1804-72) (after)
LLM6026661:
The Lion Rock in the Winnats, between Castleton and Edale (colour litho), Gardner, William Biscombe (1847-1919) / Bridgeman Images
ID: LLM6026661
The Lion Rock in the Winnats, between Castleton and Edale (colour litho)
Gardner, William Biscombe (1847-1919)
IMA464743:
Standing Bishamonten, late 12th century (wood & polychrome), Japanese School, (12th century) / Bridgeman Images
ID: IMA464743
Standing Bishamonten, late 12th century (wood & polychrome)
Japanese School, (12th century)
LLM5986688:
"Il Giocondo" - H H Asquith (engraving), Partridge, Bernard John (1861-1945) / Bridgeman Images
ID: LLM5986688
"Il Giocondo" - H H Asquith (engraving)
Partridge, Bernard John (1861-1945)
DNA3796647:
Partenope by Leonardo Vinci (photo) / Bridgeman Images
ID: DNA3796647
Partenope by Leonardo Vinci (photo)
DNA3796656:
Partenope by Leonardo Vinci (photo) / Bridgeman Images
ID: DNA3796656
Partenope by Leonardo Vinci (photo)
DNA3796632:
Partenope by Leonardo Vinci (photo) / Bridgeman Images
ID: DNA3796632
Partenope by Leonardo Vinci (photo)
DNA3796645:
Marina de Liso as Partenope (photo) / Bridgeman Images
ID: DNA3796645
Marina de Liso as Partenope (photo)
DNA3796638:
Marina de Liso as Partenope (photo) / Bridgeman Images
ID: DNA3796638
Marina de Liso as Partenope (photo)
XLE3777787:
Metastasio (born Pietro Antonio / Bridgeman Images
ID: XLE3777787
Metastasio (born Pietro Antonio
DNA3796637:
Maria Ercolano as Arsaces (photo) / Bridgeman Images
ID: DNA3796637
Maria Ercolano as Arsaces (photo)
DNA3796646:
Eufemia Tufano as Emilio (photo) / Bridgeman Images
ID: DNA3796646
Eufemia Tufano as Emilio (photo)
DNA3796651:
Maria Ercolano as Arsaces (photo) / Bridgeman Images
ID: DNA3796651
Maria Ercolano as Arsaces (photo)
DNA3796662:
Maria Ercolano as Arsaces (photo) / Bridgeman Images
ID: DNA3796662
Maria Ercolano as Arsaces (photo)
DNA3796663:
Maria Ercolano as Arsaces (photo) / Bridgeman Images
ID: DNA3796663
Maria Ercolano as Arsaces (photo)
DNA3796649:
Eufemia Tufano as Emilio (photo) / Bridgeman Images
ID: DNA3796649
Eufemia Tufano as Emilio (photo)
DNA3796633:
Maria Ercolano as Arsaces (photo) / Bridgeman Images
ID: DNA3796633
Maria Ercolano as Arsaces (photo)
DNA3796641:
Marina de Liso as Partenope (photo) / Bridgeman Images