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4388 Search Results for Da Vinci

Leonard de Vinci (1452 - 1519) (Leonardo da Vinci) showing his fresco “” The Holy Cene”” to Ludovic Sforza dit The More, Duke of Milan (Ludovico Sforza at the refectory of Santa Maria delle Gracie in Milan.
Leonard de Vinci (1452 - 1519) (Leonardo da Vinci) showing his fresco “” The Holy Cene”” to Ludovic Sforza dit The More, Duke of Milan (Ludovico Sforza at the refectory of Santa Maria delle Gracie in Milan.

XEE4191014: Leonard de Vinci (1452 - 1519) (Leonardo da Vinci) showing his fresco “” The Holy Cene”” to Ludovic Sforza dit The More, Duke of Milan (Ludovico Sforza at the refectory of Santa Maria delle Gracie in Milan., Unknown Artist, (19th century) / Bridgeman Images

Study of Leonardo da Vinci. Printing Press. Codex Atlanticus, sheet 995 recto, 1497. Model.
Study of Leonardo da Vinci. Printing Press. Codex Atlanticus, sheet 995 recto, 1497. Model.

TRK879450: Study of Leonardo da Vinci. Printing Press. Codex Atlanticus, sheet 995 recto, 1497. Model. / Bridgeman Images

The Last Supper in Milan, Second World War, 1939-45 (b/w photo)
The Last Supper in Milan, Second World War, 1939-45 (b/w photo)

UIT6188483: The Last Supper in Milan, Second World War, 1939-45 (b/w photo) / Bridgeman Images

Male Head
Male Head

MEV5048457: Male Head, Vinci, Leonardo da (1452-1519) (school of) / Bridgeman Images

Grotesque Male Head
Grotesque Male Head

MEV5048495: Grotesque Male Head, Vinci, Leonardo da (1452-1519) (school of) / Bridgeman Images

Caricature
Caricature

MEV5048550: Caricature, Vinci, Leonardo da (1452-1519) / Bridgeman Images

Two Grotesque Male Figures with Hat
Two Grotesque Male Figures with Hat

MEV5048567: Two Grotesque Male Figures with Hat, Vinci, Leonardo da (1452-1519) / Bridgeman Images

Grotesque Male and Female Heads
Grotesque Male and Female Heads

MEV5048459: Grotesque Male and Female Heads, Vinci, Leonardo da (1452-1519) (school of) / Bridgeman Images

Automatic central battery telephone. Model 27. Siemens. 1927
Automatic central battery telephone. Model 27. Siemens. 1927

TRK831762: Automatic central battery telephone. Model 27. Siemens. 1927 / Bridgeman Images

The left hand of St. Bartholomew in the Last Supper, after Leonardo da Vinci, c.1515 (red chalk with white heightening on red paper)
The left hand of St. Bartholomew in the Last Supper, after Leonardo da Vinci, c.1515 (red chalk with white heightening on red paper)

ROC396597: The left hand of St. Bartholomew in the Last Supper, after Leonardo da Vinci, c.1515 (red chalk with white heightening on red paper), Sesto, Cesare da (1477-1523) / Bridgeman Images

The Virgin of the Rocks, after Leonardo da Vinci (1452-1519), c.1611-18 (oil on panel)
The Virgin of the Rocks, after Leonardo da Vinci (1452-1519), c.1611-18 (oil on panel)

MEV5044386: The Virgin of the Rocks, after Leonardo da Vinci (1452-1519), c.1611-18 (oil on panel), Bianchi, Andrea Il Vespino (fl.1612-1640) / Bridgeman Images

Computer. MAC model. Early 80's. 20th century. National Museum of Science and Technology Leonardo Da Vinci. Milan. Italy.
Computer. MAC model. Early 80's. 20th century. National Museum of Science and Technology Leonardo Da Vinci. Milan. Italy.

TRK831758: Computer. MAC model. Early 80's. 20th century. National Museum of Science and Technology Leonardo Da Vinci. Milan. Italy. / Bridgeman Images

Grotesque Male Head
Grotesque Male Head

MEV5048470: Grotesque Male Head, Vinci, Leonardo da (1452-1519) (school of) / Bridgeman Images

Grotesque Female Head in Profile
Grotesque Female Head in Profile

MEV5048492: Grotesque Female Head in Profile, Vinci, Leonardo da (1452-1519) (school of) / Bridgeman Images

23/09/2014 Florence, Opificio delle Pietre Dure, presentation de la premiere phase de restauration de
23/09/2014 Florence, Opificio delle Pietre Dure, presentation de la premiere phase de restauration de

AGF5501914: 23/09/2014 Florence, Opificio delle Pietre Dure, presentation de la premiere phase de restauration de ""L'adoration des mages"" de Leonardo da Vinci Photo Biagianti (photo) / Bridgeman Images

Final scene of 'The Awakening of Art', a play by Julius Rodenberg (1831-1914) in homage to Ludwig van Beethoven (1770-1827) for the celebration of the centenary of his birth, 1870 (engraving) (b/w photo)
Final scene of 'The Awakening of Art', a play by Julius Rodenberg (1831-1914) in homage to Ludwig van Beethoven (1770-1827) for the celebration of the centenary of his birth, 1870 (engraving) (b/w photo)

CHT252946: Final scene of 'The Awakening of Art', a play by Julius Rodenberg (1831-1914) in homage to Ludwig van Beethoven (1770-1827) for the celebration of the centenary of his birth, 1870 (engraving) (b/w photo), Kiessling, Johann Paul Adolf (1836-1919) / Bridgeman Images

Grotesque Male Head in Profile
Grotesque Male Head in Profile

MEV5048491: Grotesque Male Head in Profile, Vinci, Leonardo da (1452-1519) (school of) / Bridgeman Images

Grotesque Male Head
Grotesque Male Head

MEV5048454: Grotesque Male Head, Vinci, Leonardo da (1452-1519) (school of) / Bridgeman Images

Grotesque Male Head with Hat
Grotesque Male Head with Hat

MEV5048456: Grotesque Male Head with Hat, Vinci, Leonardo da (1452-1519) (school of) / Bridgeman Images

Saint Jerome
Saint Jerome

MEV5048588: Saint Jerome, Vinci, Leonardo da (1452-1519) (school of) / Bridgeman Images

Study of a mobile derrick by Leonard de Vinci (Leonardo da Vinci 1452-1519), drawing of mechanical engineering, with the artist's reverse writing. Xylography in watercolour, reproduction of the Renaissance manuscript, late 15th to 16th century.
Study of a mobile derrick by Leonard de Vinci (Leonardo da Vinci 1452-1519), drawing of mechanical engineering, with the artist's reverse writing. Xylography in watercolour, reproduction of the Renaissance manuscript, late 15th to 16th century.

NWI4913856: Study of a mobile derrick by Leonard de Vinci (Leonardo da Vinci 1452-1519), drawing of mechanical engineering, with the artist's reverse writing. Xylography in watercolour, reproduction of the Renaissance manuscript, late 15th to 16th century. / Bridgeman Images

1452-1519, Leonardo Da Vinci,, italian Renaissance painter, sculptor,archi-
tect, 
1835
1452-1519, Leonardo Da Vinci,, italian Renaissance painter, sculptor,archi-
tect, 
1835

JAB5940060: 1452-1519, Leonardo Da Vinci,, italian Renaissance painter, sculptor,archi- tect, 1835 / Bridgeman Images

Fol. 53 (verso), Manuscript B, 1488-89 (pen & ink on paper)
Fol. 53 (verso), Manuscript B, 1488-89 (pen & ink on paper)

XJF311628: Fol. 53 (verso), Manuscript B, 1488-89 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Study of Leonardo da Vinci. Goldforging Hammer. Codex Atlanticus, sheet 29 recto, 1497. Model.
Study of Leonardo da Vinci. Goldforging Hammer. Codex Atlanticus, sheet 29 recto, 1497. Model.

TRK879451: Study of Leonardo da Vinci. Goldforging Hammer. Codex Atlanticus, sheet 29 recto, 1497. Model. / Bridgeman Images

23/09/2014 Florence, Opificio delle Pietre Dure, presentation de la premiere phase de restauration de
23/09/2014 Florence, Opificio delle Pietre Dure, presentation de la premiere phase de restauration de

AGF5501920: 23/09/2014 Florence, Opificio delle Pietre Dure, presentation de la premiere phase de restauration de ""L'adoration des mages"" de Leonardo da Vinci Photo Biagianti (photo) / Bridgeman Images

Elle se trotte toujours (b/w photo)
Elle se trotte toujours (b/w photo)

LLM3642979: Elle se trotte toujours (b/w photo), French Photographer, (20th century) / Bridgeman Images

Crane with central winch. Codex Atlanticus f. 105 bv. Leonardo da Vinci drawing. Model.
Crane with central winch. Codex Atlanticus f. 105 bv. Leonardo da Vinci drawing. Model.

TRK879446: Crane with central winch. Codex Atlanticus f. 105 bv. Leonardo da Vinci drawing. Model. / Bridgeman Images

Studies for a Madonna with a cat, c.1478-80 (pen and ink over black chalk on paper)
Studies for a Madonna with a cat, c.1478-80 (pen and ink over black chalk on paper)

XJF311693: Studies for a Madonna with a cat, c.1478-80 (pen and ink over black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Wooden model (model) of the “” Battiloro””, a drumhammer used to beat precious metals by Leonardo da Vinci (Leonard de Vinci) (1452-1519) Musee des Sciences et des Techniques, Milan.
Wooden model (model) of the “” Battiloro””, a drumhammer used to beat precious metals by Leonardo da Vinci (Leonard de Vinci) (1452-1519) Musee des Sciences et des Techniques, Milan.

GIA4799533: Wooden model (model) of the “” Battiloro””, a drumhammer used to beat precious metals by Leonardo da Vinci (Leonard de Vinci) (1452-1519) Musee des Sciences et des Techniques, Milan., Vinci, Leonardo da (1452-1519) (after) / Bridgeman Images

Cover of German edition of book by Sigmund Freud
Cover of German edition of book by Sigmund Freud

BOJ1777383: Cover of German edition of book by Sigmund Freud "Leonardo da Vinci and a Memory of His Childhood" leipzig and Vienne 1919 / Bridgeman Images

Wooden model (model) of hydraulic saw operated by gears and water. Made after drawing by Leonardo da Vinci (Leonard de Vinci) (1452-1519) Museum of Science and Technology, Milan.
Wooden model (model) of hydraulic saw operated by gears and water. Made after drawing by Leonardo da Vinci (Leonard de Vinci) (1452-1519) Museum of Science and Technology, Milan.

GIA4799546: Wooden model (model) of hydraulic saw operated by gears and water. Made after drawing by Leonardo da Vinci (Leonard de Vinci) (1452-1519) Museum of Science and Technology, Milan., Vinci, Leonardo da (1452-1519) (after) / Bridgeman Images

Reconstruction of da Vinci's design for an automobile (wood)
Reconstruction of da Vinci's design for an automobile (wood)

OLA235960: Reconstruction of da Vinci's design for an automobile (wood), Vinci, Leonardo da (1452-1519) (after) / Bridgeman Images

Il pittore fiorentino utilizza l'immagine di Ercole (heracles) che stringe in un mortale abbraccio Anteo, che sollevato da terra non e piu invincibile, per studiare la figura umana mentre sostiene un peso. Engraving from “” Treat of Painting”” by Leonardo da Vinci (Leonard de Vinci) (1452-1519). “” Trattato della pittura di Lionardo da Vinci,””” Milano, Societa tipografica, 1804.
Il pittore fiorentino utilizza l'immagine di Ercole (heracles) che stringe in un mortale abbraccio Anteo, che sollevato da terra non e piu invincibile, per studiare la figura umana mentre sostiene un peso. Engraving from “” Treat of Painting”” by Leonardo da Vinci (Leonard de Vinci) (1452-1519). “” Trattato della pittura di Lionardo da Vinci,””” Milano, Societa tipografica, 1804.

MAJ5032244: Il pittore fiorentino utilizza l'immagine di Ercole (heracles) che stringe in un mortale abbraccio Anteo, che sollevato da terra non e piu invincibile, per studiare la figura umana mentre sostiene un peso. Engraving from “” Treat of Painting”” by Leonardo da Vinci (Leonard de Vinci) (1452-1519). “” Trattato della pittura di Lionardo da Vinci,””” Milano, Societa tipografica, 1804. / Bridgeman Images

Leonardo da Vinci Park - Chateau du Clos Luce - Translucent canvas in the park: The Lady has l'ermine
Leonardo da Vinci Park - Chateau du Clos Luce - Translucent canvas in the park: The Lady has l'ermine

PIX4668103: Leonardo da Vinci Park - Chateau du Clos Luce - Translucent canvas in the park: The Lady has l'ermine / Bridgeman Images

Leonardo da Vinci Park - Chateau du Clos Luce - Translucent canvas in the park: The Lady has l'ermine
Leonardo da Vinci Park - Chateau du Clos Luce - Translucent canvas in the park: The Lady has l'ermine

PIX4668090: Leonardo da Vinci Park - Chateau du Clos Luce - Translucent canvas in the park: The Lady has l'ermine / Bridgeman Images

The Last Supper, 1495-97 (fresco) (post restoration) (detail of 161739)
The Last Supper, 1495-97 (fresco) (post restoration) (detail of 161739)

BAL285757: The Last Supper, 1495-97 (fresco) (post restoration) (detail of 161739), Vinci, Leonardo da (1452-1519) / Bridgeman Images


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