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Portrait of Alexandre Dumas Fils (1824-95) engraved by Gregoire and Deneux (litho)
Portrait of Alexandre Dumas Fils (1824-95) engraved by Gregoire and Deneux (litho)

XJF128041: Portrait of Alexandre Dumas Fils (1824-95) engraved by Gregoire and Deneux (litho), French School, (19th century) / Bridgeman Images

ID: XJF128041

Portrait of Alexandre Dumas Fils (1824-95) engraved by Gregoire and Deneux (litho)

French School, (19th century)

Window at Marseilles, 1927 (oil on canvas)
Window at Marseilles, 1927 (oil on canvas)

WH120382: Window at Marseilles, 1927 (oil on canvas), Wood, Christopher (1901-30) / Bridgeman Images

ID: WH120382

Window at Marseilles, 1927 (oil on canvas)

Wood, Christopher (1901-30)

A 'Lament' in the Desert, 1925 (oil on canvas)
A 'Lament' in the Desert, 1925 (oil on canvas)

GOR120598: A 'Lament' in the Desert, 1925 (oil on canvas), Butler, Lady (Elizabeth Southerden Thompson) (1846-1933) / Bridgeman Images

ID: GOR120598

A 'Lament' in the Desert, 1925 (oil on canvas)

Butler, Lady (Elizabeth Southerden Thompson) (1846-1933)

Map of Marseilles, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), c.1572 (colour engraving)
Map of Marseilles, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), c.1572 (colour engraving)

STC121036: Map of Marseilles, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), c.1572 (colour engraving), Hoefnagel, Joris (1542-1600) (after) / Bridgeman Images

ID: STC121036

Map of Marseilles, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), c.1572 (colour engraving)

Hoefnagel, Joris (1542-1600) (after)

The Virgin and Child with Saints (woodcut)
The Virgin and Child with Saints (woodcut)

XAM120996: The Virgin and Child with Saints (woodcut), Dürer or Duerer, Albrecht (1471-1528) / Bridgeman Images

ID: XAM120996

The Virgin and Child with Saints (woodcut)

Dürer or Duerer, Albrecht (1471-1528)

Sketch for 'The Supper', 1887
Sketch for 'The Supper', 1887

NUM116404: Sketch for 'The Supper', 1887, Toulouse-Lautrec, Henri de (1864-1901) / Bridgeman Images

ID: NUM116404

Sketch for 'The Supper', 1887

Toulouse-Lautrec, Henri de (1864-1901)

The Thinker, 1880 (bronze) (see also 158431)
The Thinker, 1880 (bronze) (see also 158431)

NUM116461: The Thinker, 1880 (bronze) (see also 158431), Rodin, Auguste (1840-1917) / Bridgeman Images

ID: NUM116461

The Thinker, 1880 (bronze) (see also 158431)

Rodin, Auguste (1840-1917)

Ball in honour of the birth of the Archduke Pietro Leopoldo of Austria, at the Ducal Theatre of Milan on 28 May 1747 (colour engraving)
Ball in honour of the birth of the Archduke Pietro Leopoldo of Austria, at the Ducal Theatre of Milan on 28 May 1747 (colour engraving)

NUM116585: Ball in honour of the birth of the Archduke Pietro Leopoldo of Austria, at the Ducal Theatre of Milan on 28 May 1747 (colour engraving), Italian School, (18th century) / Bridgeman Images

ID: NUM116585

Ball in honour of the birth of the Archduke Pietro Leopoldo of Austria, at the Ducal Theatre of Milan on 28 May 1747 (colour engraving)

Italian School, (18th century)

Clodion, The Hairy (c.428-47) Retreats Across the Bridge after his Defeat by Aetius, from 'Histoire de France' by Colart, published c.1840 (engraving)
Clodion, The Hairy (c.428-47) Retreats Across the Bridge after his Defeat by Aetius, from 'Histoire de France' by Colart, published c.1840 (engraving)

KWE177700: Clodion, The Hairy (c.428-47) Retreats Across the Bridge after his Defeat by Aetius, from 'Histoire de France' by Colart, published c.1840 (engraving), French School, (19th century) / Bridgeman Images

ID: KWE177700

Clodion, The Hairy (c.428-47) Retreats Across the Bridge after his Defeat by Aetius, from 'Histoire de France' by Colart, published c.1840 (engraving)

French School, (19th century)

Louis II (848-79) the Stammerer receives an oath of allegiance from a noble, from 'Histoire de France' by Colart, published c.1840 (engraving)
Louis II (848-79) the Stammerer receives an oath of allegiance from a noble, from 'Histoire de France' by Colart, published c.1840 (engraving)

KWE177721: Louis II (848-79) the Stammerer receives an oath of allegiance from a noble, from 'Histoire de France' by Colart, published c.1840 (engraving), French School, (19th century) / Bridgeman Images

ID: KWE177721

Louis II (848-79) the Stammerer receives an oath of allegiance from a noble, from 'Histoire de France' by Colart, published c.1840 (engraving)

French School, (19th century)

'Holmes pulled out his Watch', illustration from 'The Greek Interpreter' by Arthur Conan Doyle (1859-1930), published in 'Strand Magazine', September 1893 (engraving) (b/w photo)
'Holmes pulled out his Watch', illustration from 'The Greek Interpreter' by Arthur Conan Doyle (1859-1930), published in 'Strand Magazine', September 1893 (engraving) (b/w photo)

STC176439: 'Holmes pulled out his Watch', illustration from 'The Greek Interpreter' by Arthur Conan Doyle (1859-1930), published in 'Strand Magazine', September 1893 (engraving) (b/w photo), Paget, Sidney (1860-1908) / Bridgeman Images

ID: STC176439

'Holmes pulled out his Watch', illustration from 'The Greek Interpreter' by Arthur Conan Doyle (1859-1930), published in 'Strand Magazine', September 1893 (engraving) (b/w photo)

Paget, Sidney (1860-1908)

Panel from the Raphael Loggia at the Vatican, from 'Delle Loggie di Rafaele nel Vaticano', engraved by Giovanni Volpato (1735-1803), 1776, published c.1776-77 (hand coloured engraving)
Panel from the Raphael Loggia at the Vatican, from 'Delle Loggie di Rafaele nel Vaticano', engraved by Giovanni Volpato (1735-1803), 1776, published c.1776-77 (hand coloured engraving)

STC176472: Panel from the Raphael Loggia at the Vatican, from 'Delle Loggie di Rafaele nel Vaticano', engraved by Giovanni Volpato (1735-1803), 1776, published c.1776-77 (hand coloured engraving), Taurinensis, Ludovicus Tesio (18th century) (after) / Bridgeman Images

ID: STC176472

Panel from the Raphael Loggia at the Vatican, from 'Delle Loggie di Rafaele nel Vaticano', engraved by Giovanni Volpato (1735-1803), 1776, published c.1776-77 (hand coloured engraving)

Taurinensis, Ludovicus Tesio (18th century) (after)

Appeal of Marshal Philippe Petain (1856-1951) 1941 (coloured engraving)
Appeal of Marshal Philippe Petain (1856-1951) 1941 (coloured engraving)

XIR180480: Appeal of Marshal Philippe Petain (1856-1951) 1941 (coloured engraving), French School, (20th century) / Bridgeman Images

ID: XIR180480

Appeal of Marshal Philippe Petain (1856-1951) 1941 (coloured engraving)

French School, (20th century)

An Ice House, from Ackermann's 'Repository of Arts', published 1817 (colour litho)
An Ice House, from Ackermann's 'Repository of Arts', published 1817 (colour litho)

STC181199: An Ice House, from Ackermann's 'Repository of Arts', published 1817 (colour litho), Papworth, John Buonarotti (1775-1847) / Bridgeman Images

ID: STC181199

An Ice House, from Ackermann's 'Repository of Arts', published 1817 (colour litho)

Papworth, John Buonarotti (1775-1847)

Portrait of James Hamilton (1517-1575) 2nd Earl of Arran, from 'Lodge's British Portraits', 1823 (engraving)
Portrait of James Hamilton (1517-1575) 2nd Earl of Arran, from 'Lodge's British Portraits', 1823 (engraving)

KWE180254: Portrait of James Hamilton (1517-1575) 2nd Earl of Arran, from 'Lodge's British Portraits', 1823 (engraving), English School, (19th century) / Bridgeman Images

ID: KWE180254

Portrait of James Hamilton (1517-1575) 2nd Earl of Arran, from 'Lodge's British Portraits', 1823 (engraving)

English School, (19th century)

The Tears of St. Peter (oil on canvas)
The Tears of St. Peter (oil on canvas)

XIR180620: The Tears of St. Peter (oil on canvas), Tour, Georges de la (1593-1652) (studio of) / Bridgeman Images

ID: XIR180620

The Tears of St. Peter (oil on canvas)

Tour, Georges de la (1593-1652) (studio of)

Portrait of Mathilde Blind, 1889 (pastel on paper)
Portrait of Mathilde Blind, 1889 (pastel on paper)

MOU443738: Portrait of Mathilde Blind, 1889 (pastel on paper), Rathbone, Harold Steward (1858-1929) / Bridgeman Images

ID: MOU443738

Portrait of Mathilde Blind, 1889 (pastel on paper)

Rathbone, Harold Steward (1858-1929)

The Sea Shore, Arcachon, 1871 (oil on canvas)
The Sea Shore, Arcachon, 1871 (oil on canvas)

NUM445558: The Sea Shore, Arcachon, 1871 (oil on canvas), Manet, Edouard (1832-83) / Bridgeman Images

ID: NUM445558

The Sea Shore, Arcachon, 1871 (oil on canvas)

Manet, Edouard (1832-83)

Friesland Farm under Red Cloud, c.1920 (colour litho)
Friesland Farm under Red Cloud, c.1920 (colour litho)

STC444523: Friesland Farm under Red Cloud, c.1920 (colour litho), Nolde, Emil (1867-1956) / Bridgeman Images

ID: STC444523

Friesland Farm under Red Cloud, c.1920 (colour litho)

Nolde, Emil (1867-1956)

Queen Victoria Holding King Edward VIII at his Christening on July 16th, 1894 (b/w photo)
Queen Victoria Holding King Edward VIII at his Christening on July 16th, 1894 (b/w photo)

STC444586: Queen Victoria Holding King Edward VIII at his Christening on July 16th, 1894 (b/w photo), English Photographer, (19th century) / Bridgeman Images

ID: STC444586

Queen Victoria Holding King Edward VIII at his Christening on July 16th, 1894 (b/w photo)

English Photographer, (19th century)

Brig on the Rhone, Bernese Alps, Switzerland, from 'Voyage Pittoresque de Geneve a Milan', 1819 (colour litho)
Brig on the Rhone, Bernese Alps, Switzerland, from 'Voyage Pittoresque de Geneve a Milan', 1819 (colour litho)

STC444716: Brig on the Rhone, Bernese Alps, Switzerland, from 'Voyage Pittoresque de Geneve a Milan', 1819 (colour litho), Swiss School, (19th Century) / Bridgeman Images

ID: STC444716

Brig on the Rhone, Bernese Alps, Switzerland, from 'Voyage Pittoresque de Geneve a Milan', 1819 (colour litho)

Swiss School, (19th Century)

Initials, 1960 (collage on paper)
Initials, 1960 (collage on paper)

EEA443502: Initials, 1960 (collage on paper), Agar, Eileen (1899-1991) / Bridgeman Images

ID: EEA443502

Initials, 1960 (collage on paper)

Agar, Eileen (1899-1991)

The Theatre Royal, Drury Lane, engraved by Patrick Begbie, 1776 (engraving)
The Theatre Royal, Drury Lane, engraved by Patrick Begbie, 1776 (engraving)

XJF441910: The Theatre Royal, Drury Lane, engraved by Patrick Begbie, 1776 (engraving), Adam, Robert (1728-92) (after) / Bridgeman Images

ID: XJF441910

The Theatre Royal, Drury Lane, engraved by Patrick Begbie, 1776 (engraving)

Adam, Robert (1728-92) (after)

Taumaranui - King Country, 1885 (b/w photo)
Taumaranui - King Country, 1885 (b/w photo)

JHL493460: Taumaranui - King Country, 1885 (b/w photo), Burton Brothers Studio (fl.1867-98) / Bridgeman Images

ID: JHL493460

Taumaranui - King Country, 1885 (b/w photo)

Burton Brothers Studio (fl.1867-98)

Shanghai Barrow Taxi, c.1870s (b/w photo)
Shanghai Barrow Taxi, c.1870s (b/w photo)

JHL498640: Shanghai Barrow Taxi, c.1870s (b/w photo), Saunders, William (1832-1892) / Bridgeman Images

ID: JHL498640

Shanghai Barrow Taxi, c.1870s (b/w photo)

Saunders, William (1832-1892)

The Prince Imperial, watched by his parents, the Emperor and Empress, shows his skill in cycling on a Michaux velocipede in the Tuileries Gardens, Paris, 1869 (engraving)
The Prince Imperial, watched by his parents, the Emperor and Empress, shows his skill in cycling on a Michaux velocipede in the Tuileries Gardens, Paris, 1869 (engraving)

KDC498862: The Prince Imperial, watched by his parents, the Emperor and Empress, shows his skill in cycling on a Michaux velocipede in the Tuileries Gardens, Paris, 1869 (engraving), French School, (19th century) / Bridgeman Images

ID: KDC498862

The Prince Imperial, watched by his parents, the Emperor and Empress, shows his skill in cycling on a Michaux velocipede in the Tuileries Gardens, Paris, 1869 (engraving)

French School, (19th century)

Plate from the 'Carceri d'invenzione' series, 1761 (etching)
Plate from the 'Carceri d'invenzione' series, 1761 (etching)

XJF497204: Plate from the 'Carceri d'invenzione' series, 1761 (etching), Piranesi, Giovanni Battista (1720-78) / Bridgeman Images

ID: XJF497204

Plate from the 'Carceri d'invenzione' series, 1761 (etching)

Piranesi, Giovanni Battista (1720-78)

Pin and Needle Maker, reproduction of a woodcut by Jost Amman (1539-91) from 'Le Moyen Age et La Renaissance' by Paul Lacroix (1806-84) published 1847 (litho)
Pin and Needle Maker, reproduction of a woodcut by Jost Amman (1539-91) from 'Le Moyen Age et La Renaissance' by Paul Lacroix (1806-84) published 1847 (litho)

KWE260640: Pin and Needle Maker, reproduction of a woodcut by Jost Amman (1539-91) from 'Le Moyen Age et La Renaissance' by Paul Lacroix (1806-84) published 1847 (litho), French School, (19th century) / Bridgeman Images

ID: KWE260640

Pin and Needle Maker, reproduction of a woodcut by Jost Amman (1539-91) from 'Le Moyen Age et La Renaissance' by Paul Lacroix (1806-84) published 1847 (litho)

French School, (19th century)

Seated Arab (watercolour on paper)
Seated Arab (watercolour on paper)

XIR260598: Seated Arab (watercolour on paper), Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images

ID: XIR260598

Seated Arab (watercolour on paper)

Delacroix, Ferdinand Victor Eugene (1798-1863)

Narcissi in a Grey Pot (oil on panel)
Narcissi in a Grey Pot (oil on panel)

MHW256655: Narcissi in a Grey Pot (oil on panel), Nicholson, Winifred (1893-1981) / Bridgeman Images

ID: MHW256655

Narcissi in a Grey Pot (oil on panel)

Nicholson, Winifred (1893-1981)

Sketch of the coast of Espanola, drawn by Columbus on the first voyage, from the original in the possession of the Duque de Berwick y de Alba, 1492 (ink on paper)
Sketch of the coast of Espanola, drawn by Columbus on the first voyage, from the original in the possession of the Duque de Berwick y de Alba, 1492 (ink on paper)

XJF306019: Sketch of the coast of Espanola, drawn by Columbus on the first voyage, from the original in the possession of the Duque de Berwick y de Alba, 1492 (ink on paper), Columbus, Christopher (1451-1506) (attr.to) / Bridgeman Images

ID: XJF306019

Sketch of the coast of Espanola, drawn by Columbus on the first voyage, from the original in the possession of the Duque de Berwick y de Alba, 1492 (ink on paper)

Columbus, Christopher (1451-1506) (attr.to)

Advertisement for Chocolat Poulain Papier Orange, printed by Vercasson, Paris, c.1910 (colour litho)
Advertisement for Chocolat Poulain Papier Orange, printed by Vercasson, Paris, c.1910 (colour litho)

SIT306471: Advertisement for Chocolat Poulain Papier Orange, printed by Vercasson, Paris, c.1910 (colour litho), Cappiello, Leonetto (1875-1942) / Bridgeman Images

ID: SIT306471

Advertisement for Chocolat Poulain Papier Orange, printed by Vercasson, Paris, c.1910 (colour litho)

Cappiello, Leonetto (1875-1942)

Mark Twain, from 'The Year 1910: a Record of Notable Achievements and Events', 1910 (litho)
Mark Twain, from 'The Year 1910: a Record of Notable Achievements and Events', 1910 (litho)

STC306862: Mark Twain, from 'The Year 1910: a Record of Notable Achievements and Events', 1910 (litho), Histed, Ernest Walter (1896-1947) / Bridgeman Images

ID: STC306862

Mark Twain, from 'The Year 1910: a Record of Notable Achievements and Events', 1910 (litho)

Histed, Ernest Walter (1896-1947)

John of England, from 'Crabb's Historical Dictionary', published 1825 (litho)
John of England, from 'Crabb's Historical Dictionary', published 1825 (litho)

KWE310262: John of England, from 'Crabb's Historical Dictionary', published 1825 (litho), English School, (19th century) / Bridgeman Images

ID: KWE310262

John of England, from 'Crabb's Historical Dictionary', published 1825 (litho)

English School, (19th century)

Effigies of Knights Templars (engraving)
Effigies of Knights Templars (engraving)

XJF311232: Effigies of Knights Templars (engraving), English School / Bridgeman Images

ID: XJF311232

Effigies of Knights Templars (engraving)

English School

Portrait of a Lady (oil on canvas)
Portrait of a Lady (oil on canvas)

MOU311507: Portrait of a Lady (oil on canvas), Home, Robert (1752-1834) / Bridgeman Images

ID: MOU311507

Portrait of a Lady (oil on canvas)

Home, Robert (1752-1834)


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