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Capricorn (the Goat) an illustration from the 'Poeticon Astronomicon' by C.J. Hyginus, Venice, 1485 (woodcut)
Capricorn (the Goat) an illustration from the 'Poeticon Astronomicon' by C.J. Hyginus, Venice, 1485 (woodcut)

STC86221: Capricorn (the Goat) an illustration from the 'Poeticon Astronomicon' by C.J. Hyginus, Venice, 1485 (woodcut), Italian School, (15th century) / Bridgeman Images

ID: STC86221

Capricorn (the Goat) an illustration from the 'Poeticon Astronomicon' by C.J. Hyginus, Venice, 1485 (woodcut)

Italian School, (15th century)

Study of Roger Fry (1866-1934), 1918 (pen & ink on paper)
Study of Roger Fry (1866-1934), 1918 (pen & ink on paper)

NHC176524: Study of Roger Fry (1866-1934), 1918 (pen & ink on paper), Hamnett, Nina (1890-1956) / Bridgeman Images

ID: NHC176524

Study of Roger Fry (1866-1934), 1918 (pen & ink on paper)

Hamnett, Nina (1890-1956)

Gentleman in Top Hat, 1919 (oil on canvas)
Gentleman in Top Hat, 1919 (oil on canvas)

NHC176528: Gentleman in Top Hat, 1919 (oil on canvas), Hamnett, Nina (1890-1956) / Bridgeman Images

ID: NHC176528

Gentleman in Top Hat, 1919 (oil on canvas)

Hamnett, Nina (1890-1956)

Portrait of Jean-Anthelme Brillat-Savarin (1755-1826) engraved by Lambert, May 1789 (engraving)
Portrait of Jean-Anthelme Brillat-Savarin (1755-1826) engraved by Lambert, May 1789 (engraving)

XIR175124: Portrait of Jean-Anthelme Brillat-Savarin (1755-1826) engraved by Lambert, May 1789 (engraving), Allais, Louis Jean (1762-1833) (after) / Bridgeman Images

ID: XIR175124

Portrait of Jean-Anthelme Brillat-Savarin (1755-1826) engraved by Lambert, May 1789 (engraving)

Allais, Louis Jean (1762-1833) (after)

Vodyanoi, the Water Sprite, 1934 (charcoal on paper) (b/w photo)
Vodyanoi, the Water Sprite, 1934 (charcoal on paper) (b/w photo)

XIR175143: Vodyanoi, the Water Sprite, 1934 (charcoal on paper) (b/w photo), Bilibin, Ivan (1876-1942) / Bridgeman Images

ID: XIR175143

Vodyanoi, the Water Sprite, 1934 (charcoal on paper) (b/w photo)

Bilibin, Ivan (1876-1942)

Treaty of Breda, 31st July 1667, engraved by Theodor Matham (c.1606-76) (engraving) (b/w photo)
Treaty of Breda, 31st July 1667, engraved by Theodor Matham (c.1606-76) (engraving) (b/w photo)

XJF106684: Treaty of Breda, 31st July 1667, engraved by Theodor Matham (c.1606-76) (engraving) (b/w photo), Dutch School, (17th century) / Bridgeman Images

ID: XJF106684

Treaty of Breda, 31st July 1667, engraved by Theodor Matham (c.1606-76) (engraving) (b/w photo)

Dutch School, (17th century)

Nelson Boarding the 'San Josef' on 14th February 1797 after Sir John Jervis' victory off Cape St. Vincent (oil on panel)
Nelson Boarding the 'San Josef' on 14th February 1797 after Sir John Jervis' victory off Cape St. Vincent (oil on panel)

MDR106945: Nelson Boarding the 'San Josef' on 14th February 1797 after Sir John Jervis' victory off Cape St. Vincent (oil on panel), Barker, Thomas Jones (1815-82) / Bridgeman Images

ID: MDR106945

Nelson Boarding the 'San Josef' on 14th February 1797 after Sir John Jervis' victory off Cape St. Vincent (oil on panel)

Barker, Thomas Jones (1815-82)

Death of the Rohilla Chief in 1774 (engraving)
Death of the Rohilla Chief in 1774 (engraving)

XJF108281: Death of the Rohilla Chief in 1774 (engraving) , English School, (19th century) / Bridgeman Images

ID: XJF108281

Death of the Rohilla Chief in 1774 (engraving)

English School, (19th century)

Warren Hastings (1732-1818) in India in 1784 (engraving) (b&w photo)
Warren Hastings (1732-1818) in India in 1784 (engraving) (b&w photo)

XJF108283: Warren Hastings (1732-1818) in India in 1784 (engraving) (b&w photo), English School, (19th century) / Bridgeman Images

ID: XJF108283

Warren Hastings (1732-1818) in India in 1784 (engraving) (b&w photo)

English School, (19th century)

Front-view of Dancer, c.1877 (charcoal and pastel on paper)
Front-view of Dancer, c.1877 (charcoal and pastel on paper)

NUM107484: Front-view of Dancer, c.1877 (charcoal and pastel on paper), Degas, Edgar (1834-1917) / Bridgeman Images

ID: NUM107484

Front-view of Dancer, c.1877 (charcoal and pastel on paper)

Degas, Edgar (1834-1917)

Alexander Hamilton Addressing the Mob, illustration from 'King's College' by John McMullen, pub. in Harper's Magazine, 1884 (litho)
Alexander Hamilton Addressing the Mob, illustration from 'King's College' by John McMullen, pub. in Harper's Magazine, 1884 (litho)

BAL108953: Alexander Hamilton Addressing the Mob, illustration from 'King's College' by John McMullen, pub. in Harper's Magazine, 1884 (litho), Pyle, Howard (1853-1911) (after) / Bridgeman Images

ID: BAL108953

Alexander Hamilton Addressing the Mob, illustration from 'King's College' by John McMullen, pub. in Harper's Magazine, 1884 (litho)

Pyle, Howard (1853-1911) (after)

Mount Cayambe, Ecuador, from 'Le Costume Ancien et Moderne', Volume II, plate 3, by Jules Ferrario, engraved by Paolo Fumagalli, published c.1820s-30s (colour litho)
Mount Cayambe, Ecuador, from 'Le Costume Ancien et Moderne', Volume II, plate 3, by Jules Ferrario, engraved by Paolo Fumagalli, published c.1820s-30s (colour litho)

STC109008: Mount Cayambe, Ecuador, from 'Le Costume Ancien et Moderne', Volume II, plate 3, by Jules Ferrario, engraved by Paolo Fumagalli, published c.1820s-30s (colour litho), Humboldt, Friedrich Alexander, Baron von (1769-1859) (after) / Bridgeman Images

ID: STC109008

Mount Cayambe, Ecuador, from 'Le Costume Ancien et Moderne', Volume II, plate 3, by Jules Ferrario, engraved by Paolo Fumagalli, published c.1820s-30s (colour litho)

Humboldt, Friedrich Alexander, Baron von (1769-1859) (after)

Repose, 1895 (oil on canvas)
Repose, 1895 (oil on canvas)

CH203810: Repose, 1895 (oil on canvas), Alexander, John White (1856-1915) / Bridgeman Images

ID: CH203810

Repose, 1895 (oil on canvas)

Alexander, John White (1856-1915)

The Green Beach Cottage, Belport, Long Island (oil)
The Green Beach Cottage, Belport, Long Island (oil)

CH203836: The Green Beach Cottage, Belport, Long Island (oil), Glackens, William James (1870-1938) / Bridgeman Images

ID: CH203836

The Green Beach Cottage, Belport, Long Island (oil)

Glackens, William James (1870-1938)

Cafe Concert Singer (oil on canvas)
Cafe Concert Singer (oil on canvas)

BRM203396: Cafe Concert Singer (oil on canvas), Manet, Edouard (1832-83) / Bridgeman Images

ID: BRM203396

Cafe Concert Singer (oil on canvas)

Manet, Edouard (1832-83)

Ohio River near Marietta, 1855 (oil on board)
Ohio River near Marietta, 1855 (oil on board)

CH204248: Ohio River near Marietta, 1855 (oil on board), Pratt, Henry Cheever (1803-80) / Bridgeman Images

ID: CH204248

Ohio River near Marietta, 1855 (oil on board)

Pratt, Henry Cheever (1803-80)

A Merry Company, c.1557 (oil on canvas)
A Merry Company, c.1557 (oil on canvas)

LST204454: A Merry Company, c.1557 (oil on canvas), Massys or Metsys, Jan (1509-75) / Bridgeman Images

ID: LST204454

A Merry Company, c.1557 (oil on canvas)

Massys or Metsys, Jan (1509-75)

View of Fish Street Hill, Monument and St. Magnus the Martyr from Gracechurch Street, London, 1795 (hand-coloured engraving)
View of Fish Street Hill, Monument and St. Magnus the Martyr from Gracechurch Street, London, 1795 (hand-coloured engraving)

XCF306883: View of Fish Street Hill, Monument and St. Magnus the Martyr from Gracechurch Street, London, 1795 (hand-coloured engraving), Marlow, William (1740-1813) / Bridgeman Images

ID: XCF306883

View of Fish Street Hill, Monument and St. Magnus the Martyr from Gracechurch Street, London, 1795 (hand-coloured engraving)

Marlow, William (1740-1813)

Design for a church, fol. 4r (pen & ink on paper)
Design for a church, fol. 4r (pen & ink on paper)

XJF308759: Design for a church, fol. 4r (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

ID: XJF308759

Design for a church, fol. 4r (pen & ink on paper)

Vinci, Leonardo da (1452-1519)

Large Yellow Nude, 1931 (oil on canvas)
Large Yellow Nude, 1931 (oil on canvas)

AIS309199: Large Yellow Nude, 1931 (oil on canvas), Bonnard, Pierre (1867-1947) / Bridgeman Images

ID: AIS309199

Large Yellow Nude, 1931 (oil on canvas)

Bonnard, Pierre (1867-1947)

Flemish citizens, fighting on foot, defeat the well armoured and mounted French Knights at the Battle of the Golden Spurs near Courtrai in 1302, c.1900 (colour litho)
Flemish citizens, fighting on foot, defeat the well armoured and mounted French Knights at the Battle of the Golden Spurs near Courtrai in 1302, c.1900 (colour litho)

CHT307821: Flemish citizens, fighting on foot, defeat the well armoured and mounted French Knights at the Battle of the Golden Spurs near Courtrai in 1302, c.1900 (colour litho), Bombled, Louis Charles (1862-1927) / Bridgeman Images

ID: CHT307821

Flemish citizens, fighting on foot, defeat the well armoured and mounted French Knights at the Battle of the Golden Spurs near Courtrai in 1302, c.1900 (colour litho)

Bombled, Louis Charles (1862-1927)

He drank the contents as though it were a draught of wine, illustration from The Story of Greece by Mary Macgregor, 1st edition, 1913 (colour print)
He drank the contents as though it were a draught of wine, illustration from The Story of Greece by Mary Macgregor, 1st edition, 1913 (colour print)

STC306481: He drank the contents as though it were a draught of wine, illustration from The Story of Greece by Mary Macgregor, 1st edition, 1913 (colour print), Crane, Walter (1845-1915) / Bridgeman Images

ID: STC306481

He drank the contents as though it were a draught of wine, illustration from The Story of Greece by Mary Macgregor, 1st edition, 1913 (colour print)

Crane, Walter (1845-1915)

Title-page to 'Of the advancement and proficience of learning' by Francis Bacon, 1640 (engraving)
Title-page to 'Of the advancement and proficience of learning' by Francis Bacon, 1640 (engraving)

XJF377130: Title-page to 'Of the advancement and proficience of learning' by Francis Bacon, 1640 (engraving), Marshall, William (fl.1617-49) / Bridgeman Images

ID: XJF377130

Title-page to 'Of the advancement and proficience of learning' by Francis Bacon, 1640 (engraving)

Marshall, William (fl.1617-49)

The Invention of Copper Engraving, plate 20 from 'Nova Reperta' (New Discoveries) engraved by Philip Galle (1537-1612) c.1600 (engraving)
The Invention of Copper Engraving, plate 20 from 'Nova Reperta' (New Discoveries) engraved by Philip Galle (1537-1612) c.1600 (engraving)

XJF377161: The Invention of Copper Engraving, plate 20 from 'Nova Reperta' (New Discoveries) engraved by Philip Galle (1537-1612) c.1600 (engraving), Straet, Jan van der (Giovanni Stradano) (1523-1605) (after) / Bridgeman Images

ID: XJF377161

The Invention of Copper Engraving, plate 20 from 'Nova Reperta' (New Discoveries) engraved by Philip Galle (1537-1612) c.1600 (engraving)

Straet, Jan van der (Giovanni Stradano) (1523-1605) (after)

Albert Einstein on the cover of 'News Review', 16th May 1946 (print)
Albert Einstein on the cover of 'News Review', 16th May 1946 (print)

XJF377201: Albert Einstein on the cover of 'News Review', 16th May 1946 (print), English School, (20th century) / Bridgeman Images

ID: XJF377201

Albert Einstein on the cover of 'News Review', 16th May 1946 (print)

English School, (20th century)

The Tomb of Elizabeth I, 1620 (engraving)
The Tomb of Elizabeth I, 1620 (engraving)

XJF377236: The Tomb of Elizabeth I, 1620 (engraving), Dutch School, (17th century) / Bridgeman Images

ID: XJF377236

The Tomb of Elizabeth I, 1620 (engraving)

Dutch School, (17th century)

The Woodland Pool, 1909 (oil on canvas)
The Woodland Pool, 1909 (oil on canvas)

CH377859: The Woodland Pool, 1909 (oil on canvas), Moran, Thomas (1837-1926) / Bridgeman Images

ID: CH377859

The Woodland Pool, 1909 (oil on canvas)

Moran, Thomas (1837-1926)

A View of the Harbour at Genoa, 1773 (oil on canvas)
A View of the Harbour at Genoa, 1773 (oil on canvas)

CH378660: A View of the Harbour at Genoa, 1773 (oil on canvas), Vernet, Claude Joseph (1714-89) / Bridgeman Images

ID: CH378660

A View of the Harbour at Genoa, 1773 (oil on canvas)

Vernet, Claude Joseph (1714-89)

Portrait of George Canning, full length, standing wearing a black coat in an interior, with his arms folded (oil on canvas)
Portrait of George Canning, full length, standing wearing a black coat in an interior, with his arms folded (oil on canvas)

CH378390: Portrait of George Canning, full length, standing wearing a black coat in an interior, with his arms folded (oil on canvas), Lawrence, Thomas (1769-1830) (circle of) / Bridgeman Images

ID: CH378390

Portrait of George Canning, full length, standing wearing a black coat in an interior, with his arms folded (oil on canvas)

Lawrence, Thomas (1769-1830) (circle of)

Herodotus of Halicarnassus (engraving)
Herodotus of Halicarnassus (engraving)

KWE268320: Herodotus of Halicarnassus (engraving), Cook, J.W. (19th Century) / Bridgeman Images

ID: KWE268320

Herodotus of Halicarnassus (engraving)

Cook, J.W. (19th Century)

Railway Office, Liverpool, plate 8 from 'Coloured View of the Liverpool & Manchester Railway', engraved by S.G. Hughes, published by Ackermann & Co., London, 1833 (colour litho)
Railway Office, Liverpool, plate 8 from 'Coloured View of the Liverpool & Manchester Railway', engraved by S.G. Hughes, published by Ackermann & Co., London, 1833 (colour litho)

STC267569: Railway Office, Liverpool, plate 8 from 'Coloured View of the Liverpool & Manchester Railway', engraved by S.G. Hughes, published by Ackermann & Co., London, 1833 (colour litho), Bury, Thomas Talbot (1811-77) / Bridgeman Images

ID: STC267569

Railway Office, Liverpool, plate 8 from 'Coloured View of the Liverpool & Manchester Railway', engraved by S.G. Hughes, published by Ackermann & Co., London, 1833 (colour litho)

Bury, Thomas Talbot (1811-77)

'Old Sayings and Predictions verified and fulfilled, touching the young King of Scotland and his gued Subjects', published in 1651 (engraving)
'Old Sayings and Predictions verified and fulfilled, touching the young King of Scotland and his gued Subjects', published in 1651 (engraving)

XJF347918: 'Old Sayings and Predictions verified and fulfilled, touching the young King of Scotland and his gued Subjects', published in 1651 (engraving), English School, (17th century) / Bridgeman Images

ID: XJF347918

'Old Sayings and Predictions verified and fulfilled, touching the young King of Scotland and his gued Subjects', published in 1651 (engraving)

English School, (17th century)

Straw Stacks (oil on canvas)
Straw Stacks (oil on canvas)

BRM349526: Straw Stacks (oil on canvas), Seurat, Georges Pierre (1859-91) / Bridgeman Images

ID: BRM349526

Straw Stacks (oil on canvas)

Seurat, Georges Pierre (1859-91)

The Bassin Saint-Pierre at Caen (oil on canvas)
The Bassin Saint-Pierre at Caen (oil on canvas)

BRM349556: The Bassin Saint-Pierre at Caen (oil on canvas), Lepine, Stanislas Victor Edouard (1835-92) / Bridgeman Images

ID: BRM349556

The Bassin Saint-Pierre at Caen (oil on canvas)

Lepine, Stanislas Victor Edouard (1835-92)

Still Life with Teapot and Fruit (oil on canvas)
Still Life with Teapot and Fruit (oil on canvas)

BRM347389: Still Life with Teapot and Fruit (oil on canvas), Valadon, Marie Clementine (Suzanne) (1865-1938) / Bridgeman Images

ID: BRM347389

Still Life with Teapot and Fruit (oil on canvas)

Valadon, Marie Clementine (Suzanne) (1865-1938)

Gulliver describes the system of government in England to the King of Brobdingnag, c.1900 (colour litho)
Gulliver describes the system of government in England to the King of Brobdingnag, c.1900 (colour litho)

CHT349837: Gulliver describes the system of government in England to the King of Brobdingnag, c.1900 (colour litho), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

ID: CHT349837

Gulliver describes the system of government in England to the King of Brobdingnag, c.1900 (colour litho)

Job, pseudonym for Onfray de Breville, Jacques (1858-1931)


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