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The Quack Doctor's Surgery (oil on canvas)
The Quack Doctor's Surgery (oil on canvas)

RAF228121: The Quack Doctor's Surgery (oil on canvas), Rombouts, Adriaen (c.1640-67) / Bridgeman Images

ID: RAF228121

The Quack Doctor's Surgery (oil on canvas)

Rombouts, Adriaen (c.1640-67)

Lord William Thomson Kelvin (1824-1907) (litho)
Lord William Thomson Kelvin (1824-1907) (litho)

KWE229723: Lord William Thomson Kelvin (1824-1907) (litho), English School, (19th century) / Bridgeman Images

ID: KWE229723

Lord William Thomson Kelvin (1824-1907) (litho)

English School, (19th century)

Amputation (woodcut)
Amputation (woodcut)

KWE229730: Amputation (woodcut), English School, (16th century) (after) / Bridgeman Images

ID: KWE229730

Amputation (woodcut)

English School, (16th century) (after)

View of the Thames, 1893 (oil on canvas)
View of the Thames, 1893 (oil on canvas)

XIR229966: View of the Thames, 1893 (oil on canvas), Luce, Maximilien (1858-1941) / Bridgeman Images

ID: XIR229966

View of the Thames, 1893 (oil on canvas)

Luce, Maximilien (1858-1941)

Frontispiece to Volume 1 of the `Description of Egypt`, engraved by Girardet and Sellier, and published under the orders of Napoleon, 1822 (aquatint)
Frontispiece to Volume 1 of the `Description of Egypt`, engraved by Girardet and Sellier, and published under the orders of Napoleon, 1822 (aquatint)

STC88807: Frontispiece to Volume 1 of the `Description of Egypt`, engraved by Girardet and Sellier, and published under the orders of Napoleon, 1822 (aquatint), Cecile (19th century) (after) / Bridgeman Images

ID: STC88807

Frontispiece to Volume 1 of the `Description of Egypt`, engraved by Girardet and Sellier, and published under the orders of Napoleon, 1822 (aquatint)

Cecile (19th century) (after)

The Battle of Dogger Bank, 1781 (oil on canvas)
The Battle of Dogger Bank, 1781 (oil on canvas)

OJ86945: The Battle of Dogger Bank, 1781 (oil on canvas), Luny, Thomas (1759-1837) / Bridgeman Images

ID: OJ86945

The Battle of Dogger Bank, 1781 (oil on canvas)

Luny, Thomas (1759-1837)

The Grand Tetons, Wyoming (oil on paper laid down on board)
The Grand Tetons, Wyoming (oil on paper laid down on board)

CH89235: The Grand Tetons, Wyoming (oil on paper laid down on board), Bierstadt, Albert (1830-1902) / Bridgeman Images

ID: CH89235

The Grand Tetons, Wyoming (oil on paper laid down on board)

Bierstadt, Albert (1830-1902)

Portrait said to be Susan, Lady Grey
Portrait said to be Susan, Lady Grey

PFA89401: Portrait said to be Susan, Lady Grey, Peake, Robert, the Elder (c.1551-1619) / Bridgeman Images

ID: PFA89401

Portrait said to be Susan, Lady Grey

Peake, Robert, the Elder (c.1551-1619)

A Young Boy Peeling an Apple
A Young Boy Peeling an Apple

PFA89411: A Young Boy Peeling an Apple, Caravaggio, Michelangelo (1571-1610) (studio of) / Bridgeman Images

ID: PFA89411

A Young Boy Peeling an Apple

Caravaggio, Michelangelo (1571-1610) (studio of)

T30878 Elegant Company Dining Beneath a Red Canopy
T30878 Elegant Company Dining Beneath a Red Canopy

PFA89434: T30878 Elegant Company Dining Beneath a Red Canopy, Janssens, Hieronymus (1624-93) (circle of) / Bridgeman Images

ID: PFA89434

T30878 Elegant Company Dining Beneath a Red Canopy

Janssens, Hieronymus (1624-93) (circle of)

Eli Questioning Samuel Regarding the Vision, from a bible printed by Edward Gover, 1870's (litho)
Eli Questioning Samuel Regarding the Vision, from a bible printed by Edward Gover, 1870's (litho)

STC87916: Eli Questioning Samuel Regarding the Vision, from a bible printed by Edward Gover, 1870's (litho), Bendixen, Siegfried Detler (1786-1864) / Bridgeman Images

ID: STC87916

Eli Questioning Samuel Regarding the Vision, from a bible printed by Edward Gover, 1870's (litho)

Bendixen, Siegfried Detler (1786-1864)

Poster advertising 'Quinquina' by Dubonnet (colour litho)
Poster advertising 'Quinquina' by Dubonnet (colour litho)

SNG130236: Poster advertising 'Quinquina' by Dubonnet (colour litho), Cheret, Jules (1836-1932) / Bridgeman Images

ID: SNG130236

Poster advertising 'Quinquina' by Dubonnet (colour litho)

Cheret, Jules (1836-1932)

Darning the Sock, 1882 (oil on canvas)
Darning the Sock, 1882 (oil on canvas)

BOU202953: Darning the Sock, 1882 (oil on canvas), Hedley, Ralph (1848-1913) / Bridgeman Images

ID: BOU202953

Darning the Sock, 1882 (oil on canvas)

Hedley, Ralph (1848-1913)

Study of a Child, c.1850 (oil on card)
Study of a Child, c.1850 (oil on card)

BOU202973: Study of a Child, c.1850 (oil on card), English School, (19th century) / Bridgeman Images

ID: BOU202973

Study of a Child, c.1850 (oil on card)

English School, (19th century)

On Waterloo Bridge, London (w/c on panel)
On Waterloo Bridge, London (w/c on panel)

BOU203012: On Waterloo Bridge, London (w/c on panel), Mulready, Augustus Edward (1844-c.1905) / Bridgeman Images

ID: BOU203012

On Waterloo Bridge, London (w/c on panel)

Mulready, Augustus Edward (1844-c.1905)

A Jewish Woman of Gibraltar, from 'Sketches of Spain', engraved by Charles Joseph Hullmandel (1789-1850), published 1836 (colour litho)
A Jewish Woman of Gibraltar, from 'Sketches of Spain', engraved by Charles Joseph Hullmandel (1789-1850), published 1836 (colour litho)

STC201995: A Jewish Woman of Gibraltar, from 'Sketches of Spain', engraved by Charles Joseph Hullmandel (1789-1850), published 1836 (colour litho), Lewis, John Frederick (1805-76) (after) / Bridgeman Images

ID: STC201995

A Jewish Woman of Gibraltar, from 'Sketches of Spain', engraved by Charles Joseph Hullmandel (1789-1850), published 1836 (colour litho)

Lewis, John Frederick (1805-76) (after)

The Mountains of Ararat, or The Manner how the Whole Earth was Peopled by Noah and his Descendants after the Flood, engraved for the 'Universal Magazine', London, 1749 (engraving)
The Mountains of Ararat, or The Manner how the Whole Earth was Peopled by Noah and his Descendants after the Flood, engraved for the 'Universal Magazine', London, 1749 (engraving)

KWE200159: The Mountains of Ararat, or The Manner how the Whole Earth was Peopled by Noah and his Descendants after the Flood, engraved for the 'Universal Magazine', London, 1749 (engraving), English School, (18th century) / Bridgeman Images

ID: KWE200159

The Mountains of Ararat, or The Manner how the Whole Earth was Peopled by Noah and his Descendants after the Flood, engraved for the 'Universal Magazine', London, 1749 (engraving)

English School, (18th century)

The Honeymoon (oil on board)
The Honeymoon (oil on board)

MAA201305: The Honeymoon (oil on board), Stone, Marcus (1840-1921) / Bridgeman Images

ID: MAA201305

The Honeymoon (oil on board)

Stone, Marcus (1840-1921)

'And the little pig built a house of bricks', illustration from 'The Three Little Pigs', published 1930s (colour litho)
'And the little pig built a house of bricks', illustration from 'The Three Little Pigs', published 1930s (colour litho)

IL202168: 'And the little pig built a house of bricks', illustration from 'The Three Little Pigs', published 1930s (colour litho), Adams, Frank (1871-1944) / Bridgeman Images

ID: IL202168

'And the little pig built a house of bricks', illustration from 'The Three Little Pigs', published 1930s (colour litho)

Adams, Frank (1871-1944)

From a Cornish Window, 1928
From a Cornish Window, 1928

CK88514: From a Cornish Window, 1928, Wood, Christopher (1901-30) / Bridgeman Images

ID: CK88514

From a Cornish Window, 1928

Wood, Christopher (1901-30)

Yacht Race at Portscato, Cornwall, 1928 (painted on the reverse of 88535)
Yacht Race at Portscato, Cornwall, 1928 (painted on the reverse of 88535)

CK88536: Yacht Race at Portscato, Cornwall, 1928 (painted on the reverse of 88535), Wood, Christopher (1901-30) / Bridgeman Images

ID: CK88536

Yacht Race at Portscato, Cornwall, 1928 (painted on the reverse of 88535)

Wood, Christopher (1901-30)

Elizabeth I, plate 12 from 'The History of the Nations' (aquatint)
Elizabeth I, plate 12 from 'The History of the Nations' (aquatint)

STC105284: Elizabeth I, plate 12 from 'The History of the Nations' (aquatint), Italian School, (19th century) / Bridgeman Images

ID: STC105284

Elizabeth I, plate 12 from 'The History of the Nations' (aquatint)

Italian School, (19th century)

Chatham Barracks, a Military Punishment called the 'Triangle' and Congreve Rockets, plate 17 from 'The History of the Nations' (aquatint)
Chatham Barracks, a Military Punishment called the 'Triangle' and Congreve Rockets, plate 17 from 'The History of the Nations' (aquatint)

STC105288: Chatham Barracks, a Military Punishment called the 'Triangle' and Congreve Rockets, plate 17 from 'The History of the Nations' (aquatint), Italian School, (19th century) / Bridgeman Images

ID: STC105288

Chatham Barracks, a Military Punishment called the 'Triangle' and Congreve Rockets, plate 17 from 'The History of the Nations' (aquatint)

Italian School, (19th century)

In Such Attire did 800 Irishmen (or Lunatics) Arrive in Stettin (engraving)
In Such Attire did 800 Irishmen (or Lunatics) Arrive in Stettin (engraving)

XJF105453: In Such Attire did 800 Irishmen (or Lunatics) Arrive in Stettin (engraving), Koler, Georg (17th century) / Bridgeman Images

ID: XJF105453

In Such Attire did 800 Irishmen (or Lunatics) Arrive in Stettin (engraving)

Koler, Georg (17th century)

Representation of the figures exhibited and paraded through the streets of Philadelphia on Saturday 30th September 1780 (engraving) (b&w photo)
Representation of the figures exhibited and paraded through the streets of Philadelphia on Saturday 30th September 1780 (engraving) (b&w photo)

XJF105016: Representation of the figures exhibited and paraded through the streets of Philadelphia on Saturday 30th September 1780 (engraving) (b&w photo), American School, (18th century) / Bridgeman Images

ID: XJF105016

Representation of the figures exhibited and paraded through the streets of Philadelphia on Saturday 30th September 1780 (engraving) (b&w photo)

American School, (18th century)

Sir Walter Raleigh (1554-1618) (engraving)
Sir Walter Raleigh (1554-1618) (engraving)

KWE177793: Sir Walter Raleigh (1554-1618) (engraving), English School, (19th century) / Bridgeman Images

ID: KWE177793

Sir Walter Raleigh (1554-1618) (engraving)

English School, (19th century)

A Chicken, Cockscomb and Chrysanthemum, handscroll inscribed with a poem (ink and colour on paper)
A Chicken, Cockscomb and Chrysanthemum, handscroll inscribed with a poem (ink and colour on paper)

CH105923: A Chicken, Cockscomb and Chrysanthemum, handscroll inscribed with a poem (ink and colour on paper), Li Shan (1686-c.1756) / Bridgeman Images

ID: CH105923

A Chicken, Cockscomb and Chrysanthemum, handscroll inscribed with a poem (ink and colour on paper)

Li Shan (1686-c.1756)

Streptocarpus, c.1790 (w/c on paper)
Streptocarpus, c.1790 (w/c on paper)

MAL106462: Streptocarpus, c.1790 (w/c on paper), German School, (18th century) / Bridgeman Images

ID: MAL106462

Streptocarpus, c.1790 (w/c on paper)

German School, (18th century)

The Cotillon, from 'Daily Life Upstairs', 1902 (lithograph) (b/w photo)
The Cotillon, from 'Daily Life Upstairs', 1902 (lithograph) (b/w photo)

XJF106616: The Cotillon, from 'Daily Life Upstairs', 1902 (lithograph) (b/w photo), Bacon, John Henry Frederick (1868-1914) / Bridgeman Images

ID: XJF106616

The Cotillon, from 'Daily Life Upstairs', 1902 (lithograph) (b/w photo)

Bacon, John Henry Frederick (1868-1914)

Map of North America, published by T. Stackhouse, 1783
Map of North America, published by T. Stackhouse, 1783

XZL151839: Map of North America, published by T. Stackhouse, 1783, English School, (18th century) / Bridgeman Images

ID: XZL151839

Map of North America, published by T. Stackhouse, 1783

English School, (18th century)

Willow wallpaper design, 1874
Willow wallpaper design, 1874

WMA152644: Willow wallpaper design, 1874, Morris, William (1834-96) / Bridgeman Images

ID: WMA152644

Willow wallpaper design, 1874

Morris, William (1834-96)

Poppyheads (oil on canvas)
Poppyheads (oil on canvas)

HAI151259: Poppyheads (oil on canvas), Hains, Eric (1913-2005) / Bridgeman Images

ID: HAI151259

Poppyheads (oil on canvas)

Hains, Eric (1913-2005)

The Battle of Marston Moor, 2nd July 1644 (oil on canvas) (b/w photo)
The Battle of Marston Moor, 2nd July 1644 (oil on canvas) (b/w photo)

XJF153355: The Battle of Marston Moor, 2nd July 1644 (oil on canvas) (b/w photo), English School, (18th century) / Bridgeman Images

ID: XJF153355

The Battle of Marston Moor, 2nd July 1644 (oil on canvas) (b/w photo)

English School, (18th century)

A striking view of Richmond, a portrait of the boxer, 1810 (etching)
A striking view of Richmond, a portrait of the boxer, 1810 (etching)

MGS225681: A striking view of Richmond, a portrait of the boxer, 1810 (etching), Dighton, Richard (1795-1880) / Bridgeman Images

ID: MGS225681

A striking view of Richmond, a portrait of the boxer, 1810 (etching)

Dighton, Richard (1795-1880)

King Henry VIII (1491-1547) from the frontispiece to the Great Bible said to have been designed by Hans Holbein (1497/8-1543) illustration from 'The Complete View of the Dress and Habits of the People of England' Volume II published 1799 (coloured engraving)
King Henry VIII (1491-1547) from the frontispiece to the Great Bible said to have been designed by Hans Holbein (1497/8-1543) illustration from 'The Complete View of the Dress and Habits of the People of England' Volume II published 1799 (coloured engraving)

STC225706: King Henry VIII (1491-1547) from the frontispiece to the Great Bible said to have been designed by Hans Holbein (1497/8-1543) illustration from 'The Complete View of the Dress and Habits of the People of England' Volume II published 1799 (coloured engraving), English School, (18th century) / Bridgeman Images

ID: STC225706

King Henry VIII (1491-1547) from the frontispiece to the Great Bible said to have been designed by Hans Holbein (1497/8-1543) illustration from 'The Complete View of the Dress and Habits of the People of England' Volume II published 1799 (coloured engraving)

English School, (18th century)

The Roza at Mehmoodabad in Guzerat, or the Tomb of Vizier of Sultan Mehmood, from Volume II of 'Scenery, Costumes and Architecture of India', etched by John Willis (fl.1826-52) and engraved by Charles Bentley (1806-54) pub. by Smith, Elder and Company, 1830 (aquatint)
The Roza at Mehmoodabad in Guzerat, or the Tomb of Vizier of Sultan Mehmood, from Volume II of 'Scenery, Costumes and Architecture of India', etched by John Willis (fl.1826-52) and engraved by Charles Bentley (1806-54) pub. by Smith, Elder and Company, 1830 (aquatint)

STC86060: The Roza at Mehmoodabad in Guzerat, or the Tomb of Vizier of Sultan Mehmood, from Volume II of 'Scenery, Costumes and Architecture of India', etched by John Willis (fl.1826-52) and engraved by Charles Bentley (1806-54) pub. by Smith, Elder and Company, 1830 (aquatint), Grindlay, Robert Melville (1786-1877) (after) / Bridgeman Images

ID: STC86060

The Roza at Mehmoodabad in Guzerat, or the Tomb of Vizier of Sultan Mehmood, from Volume II of 'Scenery, Costumes and Architecture of India', etched by John Willis (fl.1826-52) and engraved by Charles Bentley (1806-54) pub. by Smith, Elder and Company, 1830 (aquatint)

Grindlay, Robert Melville (1786-1877) (after)


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