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1104718 Search Results

Finance of the Liberation, published by Devambez, Paris (colour litho)
Finance of the Liberation, published by Devambez, Paris (colour litho)

SIT289976: Finance of the Liberation, published by Devambez, Paris (colour litho), Faivre, Jules Abel (1867-1945) / Bridgeman Images

King Henry IV
King Henry IV

LAL295007: King Henry IV, English School, (20th century) / Bridgeman Images

Monte Carlo Rally
Monte Carlo Rally

LAL295083: Monte Carlo Rally, English School, (20th century) / Bridgeman Images

Space Cadets in Action
Space Cadets in Action

LAL295085: Space Cadets in Action, English School, (20th century) / Bridgeman Images

The Red Devils
The Red Devils

LAL295093: The Red Devils, English School, (20th century) / Bridgeman Images

Blue Bird
Blue Bird

LAL295094: Blue Bird, English School, (20th century) / Bridgeman Images

Harold Hare
Harold Hare

LAL295180: Harold Hare, McNeill, Hugh (1910-79) / Bridgeman Images

Her Son (pastel and ink on paper)
Her Son (pastel and ink on paper)

STV190055: Her Son (pastel and ink on paper), Taylor, Stevie / Bridgeman Images

Children's Hospital, from 'London: A Pilgrimage' by William Blanchard Jerrold (1826-84), engraved by Alphonse Jean Baptiste Vien (b.1814) published 1872 (engraving) (b/w photo)
Children's Hospital, from 'London: A Pilgrimage' by William Blanchard Jerrold (1826-84), engraved by Alphonse Jean Baptiste Vien (b.1814) published 1872 (engraving) (b/w photo)

STC190083: Children's Hospital, from 'London: A Pilgrimage' by William Blanchard Jerrold (1826-84), engraved by Alphonse Jean Baptiste Vien (b.1814) published 1872 (engraving) (b/w photo), Dore, Gustave (1832-83) (after) / Bridgeman Images

Part of South Australia, from a Series of World Maps published by John Tallis & Co, New York & London, 1850s (engraving)
Part of South Australia, from a Series of World Maps published by John Tallis & Co, New York & London, 1850s (engraving)

STC190604: Part of South Australia, from a Series of World Maps published by John Tallis & Co, New York & London, 1850s (engraving), Rapkin, John (fl.1839-77) / Bridgeman Images

A Scene in the Channel, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)
A Scene in the Channel, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)

STC190612: A Scene in the Channel, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Qui Hi in the Bombay Tavern, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)
Qui Hi in the Bombay Tavern, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)

STC190616: Qui Hi in the Bombay Tavern, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Kadi Pere-au-pet under the dome, illustration for 'The Arabian Nights', 1895 (colour engraving)
Kadi Pere-au-pet under the dome, illustration for 'The Arabian Nights', 1895 (colour engraving)

PER190819: Kadi Pere-au-pet under the dome, illustration for 'The Arabian Nights', 1895 (colour engraving), French School, (19th century) / Bridgeman Images

The Princess falling asleep, illustration for 'Sleeping Beauty' by Charles Perrault (1628-1703) (colour engraving)
The Princess falling asleep, illustration for 'Sleeping Beauty' by Charles Perrault (1628-1703) (colour engraving)

PER190836: The Princess falling asleep, illustration for 'Sleeping Beauty' by Charles Perrault (1628-1703) (colour engraving), Crane, Walter (1845-1915) / Bridgeman Images

The Squirrel, the dog and the fox, from 'Fables' by Jean de La Fontaine (1621-95) (colour engraving)
The Squirrel, the dog and the fox, from 'Fables' by Jean de La Fontaine (1621-95) (colour engraving)

PER190860: The Squirrel, the dog and the fox, from 'Fables' by Jean de La Fontaine (1621-95) (colour engraving), Rabier, Benjamin (1869-1939) / Bridgeman Images

The Hare and the Tortoise, from 'Fables' by Jean de La Fontaine (1621-95) (colour engraving)
The Hare and the Tortoise, from 'Fables' by Jean de La Fontaine (1621-95) (colour engraving)

PER190880: The Hare and the Tortoise, from 'Fables' by Jean de La Fontaine (1621-95) (colour engraving), Gelibert, Gaston (1850-1931) / Bridgeman Images

The Crow and the Fox, from 'Fables' by Jean de La Fontaine (1621-95) (colour engraving)
The Crow and the Fox, from 'Fables' by Jean de La Fontaine (1621-95) (colour engraving)

PER190882: The Crow and the Fox, from 'Fables' by Jean de La Fontaine (1621-95) (colour engraving), Gelibert, Gaston (1850-1931) / Bridgeman Images

Illustrations for 'Fables' by Jean de La Fontaine (1621-95) imagerie Gangel and P. Didion in Metz (colour engraving)
Illustrations for 'Fables' by Jean de La Fontaine (1621-95) imagerie Gangel and P. Didion in Metz (colour engraving)

PER190889: Illustrations for 'Fables' by Jean de La Fontaine (1621-95) imagerie Gangel and P. Didion in Metz (colour engraving), French School, (19th century) / Bridgeman Images

Illustration for The Milkmaid and the Milk Can, from 'Fables' by Jean de La Fontaine (1621-95) (engraving)
Illustration for The Milkmaid and the Milk Can, from 'Fables' by Jean de La Fontaine (1621-95) (engraving)

PER190893: Illustration for The Milkmaid and the Milk Can, from 'Fables' by Jean de La Fontaine (1621-95) (engraving), Dore, Gustave (1832-83) (after) / Bridgeman Images

Poster advertising Edmond Jacquelin (1875-1928) on cycle 'La Francaise', 1900 (colour litho)
Poster advertising Edmond Jacquelin (1875-1928) on cycle 'La Francaise', 1900 (colour litho)

PER190902: Poster advertising Edmond Jacquelin (1875-1928) on cycle 'La Francaise', 1900 (colour litho), Burty (late 19th-early 20th century) / Bridgeman Images

Rule XVII: Any loose impediments may be removed from the putting-green, from 'Rules of Golf', published c.1905 (colour litho)
Rule XVII: Any loose impediments may be removed from the putting-green, from 'Rules of Golf', published c.1905 (colour litho)

PER190944: Rule XVII: Any loose impediments may be removed from the putting-green, from 'Rules of Golf', published c.1905 (colour litho), Crombie, Charles (fl.1910) / Bridgeman Images

The Banks of the Isere, 27th September 1863 (w/c on paper)
The Banks of the Isere, 27th September 1863 (w/c on paper)

BRM191068: The Banks of the Isere, 27th September 1863 (w/c on paper), Jongkind, Johan-Barthold (1819-91) / Bridgeman Images

Barbon from the Railway Line - Autumn, 1956  (oil on hardboard)
Barbon from the Railway Line - Autumn, 1956  (oil on hardboard)

SHH191559: Barbon from the Railway Line - Autumn, 1956 (oil on hardboard), Harris, Stephen (1913-80) / Bridgeman Images

The Lord of Burleigh, illustration for 'Children's Stories from Tennyson' by Nora Chesson (colour litho)
The Lord of Burleigh, illustration for 'Children's Stories from Tennyson' by Nora Chesson (colour litho)

IL191584: The Lord of Burleigh, illustration for 'Children's Stories from Tennyson' by Nora Chesson (colour litho), Copping, Harold (1863-1932) / Bridgeman Images

Queen Guinevere Welcomes Enid, illustration for 'Children's Stories from Tennyson' by Nora Chesson (colour litho)
Queen Guinevere Welcomes Enid, illustration for 'Children's Stories from Tennyson' by Nora Chesson (colour litho)

IL191589: Queen Guinevere Welcomes Enid, illustration for 'Children's Stories from Tennyson' by Nora Chesson (colour litho), Bacon, John Henry Frederick (1868-1914) / Bridgeman Images

Citizens contributing their assignats to equip a young man for war (gouache on card)
Citizens contributing their assignats to equip a young man for war (gouache on card)

XIR192449: Citizens contributing their assignats to equip a young man for war (gouache on card), Lesueur Brothers, (18th century) / Bridgeman Images

The Eddystone Lighthouse, engraved by Hendrick Hulsbergh, 1713 (engraving) (see also 40669)
The Eddystone Lighthouse, engraved by Hendrick Hulsbergh, 1713 (engraving) (see also 40669)

STC192756: The Eddystone Lighthouse, engraved by Hendrick Hulsbergh, 1713 (engraving) (see also 40669), Sailmaker, Isaac (1633-1721) (after) / Bridgeman Images

Windsor Castle, engraved by Johannes Kip (c.1652-1722) (engraving)
Windsor Castle, engraved by Johannes Kip (c.1652-1722) (engraving)

STC192760: Windsor Castle, engraved by Johannes Kip (c.1652-1722) (engraving), Knyff, Leonard (1650-1721) (after) / Bridgeman Images

Ponce de Balagner at the Bab-Azoun Gate, from a volume commemorating the French Expeditionary Force which captured Algiers in 1830, engraved by Eugene Charles Francois Guerard (1821-66) (litho)
Ponce de Balagner at the Bab-Azoun Gate, from a volume commemorating the French Expeditionary Force which captured Algiers in 1830, engraved by Eugene Charles Francois Guerard (1821-66) (litho)

STC192792: Ponce de Balagner at the Bab-Azoun Gate, from a volume commemorating the French Expeditionary Force which captured Algiers in 1830, engraved by Eugene Charles Francois Guerard (1821-66) (litho), Raffet, Denis Auguste Marie (1804-60) (after) / Bridgeman Images

The Grey Drawing Room, Tangiers (oil on canvas)
The Grey Drawing Room, Tangiers (oil on canvas)

GG193032: The Grey Drawing Room, Tangiers (oil on canvas), Lavery, John (1856-1941) / Bridgeman Images

William Henry Harrison (litho)
William Henry Harrison (litho)

KWE193071: William Henry Harrison (litho), American School, (19th century) / Bridgeman Images

Rule VI: A ball must not be pushed, scraped nor spooned, from 'Rules of Golf', published c.1905 (colour litho)
Rule VI: A ball must not be pushed, scraped nor spooned, from 'Rules of Golf', published c.1905 (colour litho)

STC193220: Rule VI: A ball must not be pushed, scraped nor spooned, from 'Rules of Golf', published c.1905 (colour litho), Crombie, Charles (fl.1910) / Bridgeman Images

Rule XII (V): The player shall be entitled to find his ball..., from 'Rules of Golf', published c.1905 (colour litho)
Rule XII (V): The player shall be entitled to find his ball..., from 'Rules of Golf', published c.1905 (colour litho)

STC193224: Rule XII (V): The player shall be entitled to find his ball..., from 'Rules of Golf', published c.1905 (colour litho), Crombie, Charles (fl.1910) / Bridgeman Images

Rule XIII: Worm casts may be removed...without penalty..., from 'Rules of Golf', published c.1905 (colour litho)
Rule XIII: Worm casts may be removed...without penalty..., from 'Rules of Golf', published c.1905 (colour litho)

STC193225: Rule XIII: Worm casts may be removed...without penalty..., from 'Rules of Golf', published c.1905 (colour litho), Crombie, Charles (fl.1910) / Bridgeman Images

Salome with the Head of John the Baptist, from 'L'Estampe Moderne', published Paris 1897-99 (colour litho)
Salome with the Head of John the Baptist, from 'L'Estampe Moderne', published Paris 1897-99 (colour litho)

STC193277: Salome with the Head of John the Baptist, from 'L'Estampe Moderne', published Paris 1897-99 (colour litho), Merson, Luc-Oliver (1846-1920) / Bridgeman Images

The Bristol Channel from the Welsh Coast, 1895 (oil on canvas)
The Bristol Channel from the Welsh Coast, 1895 (oil on canvas)

REA193382: The Bristol Channel from the Welsh Coast, 1895 (oil on canvas), Brett, John (1831-1902) / Bridgeman Images


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