1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

785161 Search Results

The Mice in the Council from 'Aesop's Fables', pub. by Raphael Tuck & Sons Ltd., London (book illustration)
The Mice in the Council from 'Aesop's Fables', pub. by Raphael Tuck & Sons Ltd., London (book illustration)

IL100125: The Mice in the Council from 'Aesop's Fables', pub. by Raphael Tuck & Sons Ltd., London (book illustration), Noble, John Edwin (1876-1941) / Bridgeman Images

ID: IL100125

The Mice in the Council from 'Aesop's Fables', pub. by Raphael Tuck & Sons Ltd., London (book illustration)

Noble, John Edwin (1876-1941)

A Falconer with his Goshawk, illustration from 'The Book of Falconry' (woodcut)
A Falconer with his Goshawk, illustration from 'The Book of Falconry' (woodcut)

XJF100262: A Falconer with his Goshawk, illustration from 'The Book of Falconry' (woodcut), English School, (16th century) / Bridgeman Images

ID: XJF100262

A Falconer with his Goshawk, illustration from 'The Book of Falconry' (woodcut)

English School, (16th century)

Reconciliation; Wolfhound and Bull Terrier Asleep in a Sofa (pastel on paper)
Reconciliation; Wolfhound and Bull Terrier Asleep in a Sofa (pastel on paper)

BSA101055: Reconciliation; Wolfhound and Bull Terrier Asleep in a Sofa (pastel on paper), Aldin, Cecil Charles Windsor (1870-1935) / Bridgeman Images

ID: BSA101055

Reconciliation; Wolfhound and Bull Terrier Asleep in a Sofa (pastel on paper)

Aldin, Cecil Charles Windsor (1870-1935)

The Artist's Cat Drinking, 1792 (oil on canvas)
The Artist's Cat Drinking, 1792 (oil on canvas)

BSA101143: The Artist's Cat Drinking, 1792 (oil on canvas), Morland, George (1763-1804) / Bridgeman Images

ID: BSA101143

The Artist's Cat Drinking, 1792 (oil on canvas)

Morland, George (1763-1804)

Ko-i-Staun Foot Soldiery in Summer Costume, Actively Employed among the Rocks, plate 12 from 'Scenery, Inhabitants and Costumes of Afghanistan', engraved by Robert Carrick (c.1829-1904) 1848 (litho)
Ko-i-Staun Foot Soldiery in Summer Costume, Actively Employed among the Rocks, plate 12 from 'Scenery, Inhabitants and Costumes of Afghanistan', engraved by Robert Carrick (c.1829-1904) 1848 (litho)

STC101854: Ko-i-Staun Foot Soldiery in Summer Costume, Actively Employed among the Rocks, plate 12 from 'Scenery, Inhabitants and Costumes of Afghanistan', engraved by Robert Carrick (c.1829-1904) 1848 (litho), Rattray, James (fl.1847-51) (after) / Bridgeman Images

ID: STC101854

Ko-i-Staun Foot Soldiery in Summer Costume, Actively Employed among the Rocks, plate 12 from 'Scenery, Inhabitants and Costumes of Afghanistan', engraved by Robert Carrick (c.1829-1904) 1848 (litho)

Rattray, James (fl.1847-51) (after)

Portrait of Georges Jacques Danton (1759-94) (engraving)
Portrait of Georges Jacques Danton (1759-94) (engraving)

KWE102378: Portrait of Georges Jacques Danton (1759-94) (engraving), Viollat, Eugene Joseph (d.1901) (after) / Bridgeman Images

ID: KWE102378

Portrait of Georges Jacques Danton (1759-94) (engraving)

Viollat, Eugene Joseph (d.1901) (after)

The Tower and St. Catherine's, for 'Stow's Survey of London', pub. 1754 (engraving) (see 94440 for detail)
The Tower and St. Catherine's, for 'Stow's Survey of London', pub. 1754 (engraving) (see 94440 for detail)

STC94439: The Tower and St. Catherine's, for 'Stow's Survey of London', pub. 1754 (engraving) (see 94440 for detail), English School, (18th century) / Bridgeman Images

ID: STC94439

The Tower and St. Catherine's, for 'Stow's Survey of London', pub. 1754 (engraving) (see 94440 for detail)

English School, (18th century)

Oliver Cromwell Besieges the Drogheda in 1649-50 (engraving)
Oliver Cromwell Besieges the Drogheda in 1649-50 (engraving)

XJF105466: Oliver Cromwell Besieges the Drogheda in 1649-50 (engraving), English School, (17th century) / Bridgeman Images

ID: XJF105466

Oliver Cromwell Besieges the Drogheda in 1649-50 (engraving)

English School, (17th century)

Prince Charles Edward (1720-88) and the Highlanders Entering Edinburgh after the Battle of Preston, 21st September 1745 (engraving) (see 105438)
Prince Charles Edward (1720-88) and the Highlanders Entering Edinburgh after the Battle of Preston, 21st September 1745 (engraving) (see 105438)

XJF105437: Prince Charles Edward (1720-88) and the Highlanders Entering Edinburgh after the Battle of Preston, 21st September 1745 (engraving) (see 105438), Duncan, Thomas (1807-45) (after) / Bridgeman Images

ID: XJF105437

Prince Charles Edward (1720-88) and the Highlanders Entering Edinburgh after the Battle of Preston, 21st September 1745 (engraving) (see 105438)

Duncan, Thomas (1807-45) (after)

Dedication page in 'The Holy Bible', pub. by Robert Barker, 1611 (b&w photo)
Dedication page in 'The Holy Bible', pub. by Robert Barker, 1611 (b&w photo)

XJF105497: Dedication page in 'The Holy Bible', pub. by Robert Barker, 1611 (b&w photo), English School, (17th century) / Bridgeman Images

ID: XJF105497

Dedication page in 'The Holy Bible', pub. by Robert Barker, 1611 (b&w photo)

English School, (17th century)

Frontispiece to
Frontispiece to

XJF105829: Frontispiece to "The Witch of Edmonton, a Known True Story', 1658 (engraving), English School, (17th century) / Bridgeman Images

ID: XJF105829

Frontispiece to "The Witch of Edmonton, a Known True Story', 1658 (engraving)

English School, (17th century)

Richard the Lionheart, John of Gaunt, Edward III, Joan Plantagenet and Philippa of Hainault, plate 9 from 'The History of the Nations' (aquatint)
Richard the Lionheart, John of Gaunt, Edward III, Joan Plantagenet and Philippa of Hainault, plate 9 from 'The History of the Nations' (aquatint)

STC105283: Richard the Lionheart, John of Gaunt, Edward III, Joan Plantagenet and Philippa of Hainault, plate 9 from 'The History of the Nations' (aquatint), Italian School, (19th century) / Bridgeman Images

ID: STC105283

Richard the Lionheart, John of Gaunt, Edward III, Joan Plantagenet and Philippa of Hainault, plate 9 from 'The History of the Nations' (aquatint)

Italian School, (19th century)

A Pikeman Lighting a Cannon (woodcut)
A Pikeman Lighting a Cannon (woodcut)

XJF105372: A Pikeman Lighting a Cannon (woodcut), English School, (17th century) / Bridgeman Images

ID: XJF105372

A Pikeman Lighting a Cannon (woodcut)

English School, (17th century)

Portrait of Samuel Taylor Coleridge (1772-1834) (engraving)
Portrait of Samuel Taylor Coleridge (1772-1834) (engraving)

XJF105726: Portrait of Samuel Taylor Coleridge (1772-1834) (engraving), English School, (19th century) / Bridgeman Images

ID: XJF105726

Portrait of Samuel Taylor Coleridge (1772-1834) (engraving)

English School, (19th century)

Titus, costume for 'Berenice' by Jean Racine, from Volume II of 'Research on the Costumes and Theatre of All Nations', engraved by Antoine Carre, 1802 (coloured engraving)
Titus, costume for 'Berenice' by Jean Racine, from Volume II of 'Research on the Costumes and Theatre of All Nations', engraved by Antoine Carre, 1802 (coloured engraving)

STC96520: Titus, costume for 'Berenice' by Jean Racine, from Volume II of 'Research on the Costumes and Theatre of All Nations', engraved by Antoine Carre, 1802 (coloured engraving), Chery, Philippe (1759-1838) (after) / Bridgeman Images

ID: STC96520

Titus, costume for 'Berenice' by Jean Racine, from Volume II of 'Research on the Costumes and Theatre of All Nations', engraved by Antoine Carre, 1802 (coloured engraving)

Chery, Philippe (1759-1838) (after)

Carol Singers, 1889 (oil on canvas)
Carol Singers, 1889 (oil on canvas)

GG97634: Carol Singers, 1889 (oil on canvas), Mulready, Augustus Edward (1844-c.1905) / Bridgeman Images

ID: GG97634

Carol Singers, 1889 (oil on canvas)

Mulready, Augustus Edward (1844-c.1905)

Hanover Square, engraved by Robert Pollard (1755-1838) and Francis Jukes (1747-1812) 1787 (engraving) (see also 20864)
Hanover Square, engraved by Robert Pollard (1755-1838) and Francis Jukes (1747-1812) 1787 (engraving) (see also 20864)

STC95224: Hanover Square, engraved by Robert Pollard (1755-1838) and Francis Jukes (1747-1812) 1787 (engraving) (see also 20864), Dayes, Edward (1763-1804) (after) / Bridgeman Images

ID: STC95224

Hanover Square, engraved by Robert Pollard (1755-1838) and Francis Jukes (1747-1812) 1787 (engraving) (see also 20864)

Dayes, Edward (1763-1804) (after)

A Military Encampment with Militia on Horses, Troops and a Fortified Town (oil on canvas)
A Military Encampment with Militia on Horses, Troops and a Fortified Town (oil on canvas)

PFA109314: A Military Encampment with Militia on Horses, Troops and a Fortified Town (oil on canvas), Snayers, Peeter (1592-1667) / Bridgeman Images

ID: PFA109314

A Military Encampment with Militia on Horses, Troops and a Fortified Town (oil on canvas)

Snayers, Peeter (1592-1667)

The Village Postman (oil on canvas)
The Village Postman (oil on canvas)

VFS109753: The Village Postman (oil on canvas), Millner, William Edward (1849-95) / Bridgeman Images

ID: VFS109753

The Village Postman (oil on canvas)

Millner, William Edward (1849-95)

Titlepage of 'The London News', Communicating the High Counsels of Both Parliaments in England and Scotland (woodcut) (b/w photo)
Titlepage of 'The London News', Communicating the High Counsels of Both Parliaments in England and Scotland (woodcut) (b/w photo)

XJF106662: Titlepage of 'The London News', Communicating the High Counsels of Both Parliaments in England and Scotland (woodcut) (b/w photo), English School, (17th century) / Bridgeman Images

ID: XJF106662

Titlepage of 'The London News', Communicating the High Counsels of Both Parliaments in England and Scotland (woodcut) (b/w photo)

English School, (17th century)

New England Landscape (oil on canvas)
New England Landscape (oil on canvas)

FIN108241: New England Landscape (oil on canvas), Shattuck, Aaron Draper (1832-1928) / Bridgeman Images

ID: FIN108241

New England Landscape (oil on canvas)

Shattuck, Aaron Draper (1832-1928)

The Gorge, Ronda, Spain (w/c & gouache on paper)
The Gorge, Ronda, Spain (w/c & gouache on paper)

MAA110251: The Gorge, Ronda, Spain (w/c & gouache on paper), Goodall, Edward Angelo (1819-1908) / Bridgeman Images

ID: MAA110251

The Gorge, Ronda, Spain (w/c & gouache on paper)

Goodall, Edward Angelo (1819-1908)

Voodoo Ceremony around a Holy Tree, 1963 (oil on board)
Voodoo Ceremony around a Holy Tree, 1963 (oil on board)

SW20226: Voodoo Ceremony around a Holy Tree, 1963 (oil on board), Valcin, Gerard (1927-88) / Bridgeman Images

ID: SW20226

Voodoo Ceremony around a Holy Tree, 1963 (oil on board)

Valcin, Gerard (1927-88)

Don Quixote from 'Don Quixote de la Mancha' by Cervantes (line drawing)
Don Quixote from 'Don Quixote de la Mancha' by Cervantes (line drawing)

CNC7792: Don Quixote from 'Don Quixote de la Mancha' by Cervantes (line drawing), Crane, Walter (1845-1915) / Bridgeman Images

ID: CNC7792

Don Quixote from 'Don Quixote de la Mancha' by Cervantes (line drawing)

Crane, Walter (1845-1915)

'Holding the Line', American World War II poster depicting Winston Churchill as a British Bulldog, 1942 (litho)
'Holding the Line', American World War II poster depicting Winston Churchill as a British Bulldog, 1942 (litho)

TOP115203: 'Holding the Line', American World War II poster depicting Winston Churchill as a British Bulldog, 1942 (litho), Guignon, Henri (20th century) / Bridgeman Images

ID: TOP115203

'Holding the Line', American World War II poster depicting Winston Churchill as a British Bulldog, 1942 (litho)

Guignon, Henri (20th century)

Allied Encampment, Crimea, c.1855 (b&w photo)
Allied Encampment, Crimea, c.1855 (b&w photo)

XJF115142: Allied Encampment, Crimea, c.1855 (b&w photo), Fenton, Roger (1819-69) / Bridgeman Images

ID: XJF115142

Allied Encampment, Crimea, c.1855 (b&w photo)

Fenton, Roger (1819-69)

The Battle of Jutland, 1916 (oil on canvas)
The Battle of Jutland, 1916 (oil on canvas)

TOP115234: The Battle of Jutland, 1916 (oil on canvas), Smith, Robert Henry (20th century) / Bridgeman Images

ID: TOP115234

The Battle of Jutland, 1916 (oil on canvas)

Smith, Robert Henry (20th century)

Blaise Pascal (1623-62) (engraving)
Blaise Pascal (1623-62) (engraving)

XZO116030: Blaise Pascal (1623-62) (engraving), Saint-Aubin, Augustin de (1736-1807) / Bridgeman Images

ID: XZO116030

Blaise Pascal (1623-62) (engraving)

Saint-Aubin, Augustin de (1736-1807)

A Village Street Scene in Winter, 1893 (oil on canvas)
A Village Street Scene in Winter, 1893 (oil on canvas)

BOW111858: A Village Street Scene in Winter, 1893 (oil on canvas), Leickert, Charles-Henri-Joseph (1818-1907) / Bridgeman Images

ID: BOW111858

A Village Street Scene in Winter, 1893 (oil on canvas)

Leickert, Charles-Henri-Joseph (1818-1907)

Arriving at the Party, fashion plate from 'Art, Gout, Beaute', pub. Paris, 1920's (pochoir print)
Arriving at the Party, fashion plate from 'Art, Gout, Beaute', pub. Paris, 1920's (pochoir print)

PT112217: Arriving at the Party, fashion plate from 'Art, Gout, Beaute', pub. Paris, 1920's (pochoir print), French School, (20th century) / Bridgeman Images

ID: PT112217

Arriving at the Party, fashion plate from 'Art, Gout, Beaute', pub. Paris, 1920's (pochoir print)

French School, (20th century)

Red Bull (gouache on paper)
Red Bull (gouache on paper)

NUM117979: Red Bull (gouache on paper), Marc, Franz (1880-1916) / Bridgeman Images

ID: NUM117979

Red Bull (gouache on paper)

Marc, Franz (1880-1916)

A Turkish Bazaar, 1854 (pencil & watercolour on paper)
A Turkish Bazaar, 1854 (pencil & watercolour on paper)

NUM116716: A Turkish Bazaar, 1854 (pencil & watercolour on paper), Preziosi, Amadeo (1816-82) / Bridgeman Images

ID: NUM116716

A Turkish Bazaar, 1854 (pencil & watercolour on paper)

Preziosi, Amadeo (1816-82)

Boats at Cannes, Dusk, 1924 (oil on canvas)
Boats at Cannes, Dusk, 1924 (oil on canvas)

NUM116902: Boats at Cannes, Dusk, 1924 (oil on canvas), Bonnard, Pierre (1867-1947) / Bridgeman Images

ID: NUM116902

Boats at Cannes, Dusk, 1924 (oil on canvas)

Bonnard, Pierre (1867-1947)

Title page to 'Vanity Fair, a Novel Without a Hero', with a self portrait of the artist and author, pub. 1848 (litho)
Title page to 'Vanity Fair, a Novel Without a Hero', with a self portrait of the artist and author, pub. 1848 (litho)

WTY124346: Title page to 'Vanity Fair, a Novel Without a Hero', with a self portrait of the artist and author, pub. 1848 (litho), Thackeray, William Makepeace (1811-1863) / Bridgeman Images

ID: WTY124346

Title page to 'Vanity Fair, a Novel Without a Hero', with a self portrait of the artist and author, pub. 1848 (litho)

Thackeray, William Makepeace (1811-1863)

Hermes (oil on canvas)
Hermes (oil on canvas)

PFA124440: Hermes (oil on canvas), Rooke, Thomas Matthews (1842-1942) / Bridgeman Images

ID: PFA124440

Hermes (oil on canvas)

Rooke, Thomas Matthews (1842-1942)

The Annunciation, c.1893 (oil on canvas)
The Annunciation, c.1893 (oil on canvas)

WH122074: The Annunciation, c.1893 (oil on canvas), Bunny, Rupert Charles Wolston (1864-1947) / Bridgeman Images

ID: WH122074

The Annunciation, c.1893 (oil on canvas)

Bunny, Rupert Charles Wolston (1864-1947)


Back to top