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Market Street, Manchester, c.1910 (b/w photo)
Market Street, Manchester, c.1910 (b/w photo)

XJF323002: Market Street, Manchester, c.1910 (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: XJF323002

Market Street, Manchester, c.1910 (b/w photo)

English Photographer, (20th century)

The Empress Josephine reveals the prophesy made to her by Marie Anne Adelaide Le Normand at the time of her divorce from Napoleon I in 1809, 1821 (litho)
The Empress Josephine reveals the prophesy made to her by Marie Anne Adelaide Le Normand at the time of her divorce from Napoleon I in 1809, 1821 (litho)

XJF323073: The Empress Josephine reveals the prophesy made to her by Marie Anne Adelaide Le Normand at the time of her divorce from Napoleon I in 1809, 1821 (litho), Ribault, Julie (b.1789) / Bridgeman Images

ID: XJF323073

The Empress Josephine reveals the prophesy made to her by Marie Anne Adelaide Le Normand at the time of her divorce from Napoleon I in 1809, 1821 (litho)

Ribault, Julie (b.1789)

Marble end paper (paper)
Marble end paper (paper)

STC312691: Marble end paper (paper), Kilburn, William (1745-1818) / Bridgeman Images

ID: STC312691

Marble end paper (paper)

Kilburn, William (1745-1818)

Apotheosis of Handel, 1787 (engraving)
Apotheosis of Handel, 1787 (engraving)

XJF331714: Apotheosis of Handel, 1787 (engraving), Rebecca, Biagio (1735-1808) (after) / Bridgeman Images

ID: XJF331714

Apotheosis of Handel, 1787 (engraving)

Rebecca, Biagio (1735-1808) (after)

A View of Mount Calvary with the Crucifixion, 1652 (oil on canvas)
A View of Mount Calvary with the Crucifixion, 1652 (oil on canvas)

JVH307918: A View of Mount Calvary with the Crucifixion, 1652 (oil on canvas), Wouwermans or Wouwerman, Philips (1619-68) / Bridgeman Images

ID: JVH307918

A View of Mount Calvary with the Crucifixion, 1652 (oil on canvas)

Wouwermans or Wouwerman, Philips (1619-68)

Robert Louis Stevenson (b/w photo)
Robert Louis Stevenson (b/w photo)

SWG349445: Robert Louis Stevenson (b/w photo), English Photographer, (19th century) / Bridgeman Images

ID: SWG349445

Robert Louis Stevenson (b/w photo)

English Photographer, (19th century)

Rooftops in Rome, 1824 (oil on canvas)
Rooftops in Rome, 1824 (oil on canvas)

BRM349848: Rooftops in Rome, 1824 (oil on canvas), Sarazin de Belmont, Louise Josephine (1790-1870) / Bridgeman Images

ID: BRM349848

Rooftops in Rome, 1824 (oil on canvas)

Sarazin de Belmont, Louise Josephine (1790-1870)

The Belvedere Court in the Vatican Rome (engraving)
The Belvedere Court in the Vatican Rome (engraving)

XJF354200: The Belvedere Court in the Vatican Rome (engraving), Vertue, George (1684-1756) / Bridgeman Images

ID: XJF354200

The Belvedere Court in the Vatican Rome (engraving)

Vertue, George (1684-1756)

The Munch Pebble (Jurassic limestone)
The Munch Pebble (Jurassic limestone)

PNH354562: The Munch Pebble (Jurassic limestone), Lapis, E. Mari (19th century) / Bridgeman Images

ID: PNH354562

The Munch Pebble (Jurassic limestone)

Lapis, E. Mari (19th century)

Felbrigg Hall, Norfolk, 1818 (pencil & grey wash on paper)
Felbrigg Hall, Norfolk, 1818 (pencil & grey wash on paper)

AGN356118: Felbrigg Hall, Norfolk, 1818 (pencil & grey wash on paper), Cotman, John Sell (1782-1842) / Bridgeman Images

ID: AGN356118

Felbrigg Hall, Norfolk, 1818 (pencil & grey wash on paper)

Cotman, John Sell (1782-1842)

Chariot of the Sun, 1909 (w/c on paper)
Chariot of the Sun, 1909 (w/c on paper)

PNH351927: Chariot of the Sun, 1909 (w/c on paper), Dollman, John Charles (1851-1934) / Bridgeman Images

ID: PNH351927

Chariot of the Sun, 1909 (w/c on paper)

Dollman, John Charles (1851-1934)

Orientale (oil on canvas)
Orientale (oil on canvas)

PNH352486: Orientale (oil on canvas), Fantin-Latour, Ignace Henri Jean (1836-1904) / Bridgeman Images

ID: PNH352486

Orientale (oil on canvas)

Fantin-Latour, Ignace Henri Jean (1836-1904)

Henry Fielding, 1825 (engraving)
Henry Fielding, 1825 (engraving)

KWE441317: Henry Fielding, 1825 (engraving), English School, (19th century) / Bridgeman Images

ID: KWE441317

Henry Fielding, 1825 (engraving)

English School, (19th century)

The Angels in the Planet Mercury, illustration from 'The Dore Gallery', published c.1890 (digitally enhanced image)
The Angels in the Planet Mercury, illustration from 'The Dore Gallery', published c.1890 (digitally enhanced image)

LLM438662: The Angels in the Planet Mercury, illustration from 'The Dore Gallery', published c.1890 (digitally enhanced image), Dore, Gustave (1832-83) / Bridgeman Images

ID: LLM438662

The Angels in the Planet Mercury, illustration from 'The Dore Gallery', published c.1890 (digitally enhanced image)

Dore, Gustave (1832-83)

The Parable of the Pharisee and the Publican, c.1910 (colour litho)
The Parable of the Pharisee and the Publican, c.1910 (colour litho)

KWE441411: The Parable of the Pharisee and the Publican, c.1910 (colour litho), Adams, Frank (1871-1944) / Bridgeman Images

ID: KWE441411

The Parable of the Pharisee and the Publican, c.1910 (colour litho)

Adams, Frank (1871-1944)

Captain Ruminavi presents Francisco Pizarro and Diego de Almagro with two women (woodcut)
Captain Ruminavi presents Francisco Pizarro and Diego de Almagro with two women (woodcut)

XJF425621: Captain Ruminavi presents Francisco Pizarro and Diego de Almagro with two women (woodcut), Poma de Ayala, Felipe Huaman (1526-1613) / Bridgeman Images

ID: XJF425621

Captain Ruminavi presents Francisco Pizarro and Diego de Almagro with two women (woodcut)

Poma de Ayala, Felipe Huaman (1526-1613)

a Campchurch Unicorn, illustration from 'La Cosmographie universelle' by Andre Thevet, 1575 (woodcut)
a Campchurch Unicorn, illustration from 'La Cosmographie universelle' by Andre Thevet, 1575 (woodcut)

XJF497295: a Campchurch Unicorn, illustration from 'La Cosmographie universelle' by Andre Thevet, 1575 (woodcut), French School, (16th century) / Bridgeman Images

ID: XJF497295

a Campchurch Unicorn, illustration from 'La Cosmographie universelle' by Andre Thevet, 1575 (woodcut)

French School, (16th century)

Factory of Abraham van Wylick, Amsterdam Silk Industry, from 'Geschiedenis van Nederland', publ. 1936 (litho)
Factory of Abraham van Wylick, Amsterdam Silk Industry, from 'Geschiedenis van Nederland', publ. 1936 (litho)

KWE468202: Factory of Abraham van Wylick, Amsterdam Silk Industry, from 'Geschiedenis van Nederland', publ. 1936 (litho), Dutch School, (20th century) / Bridgeman Images

ID: KWE468202

Factory of Abraham van Wylick, Amsterdam Silk Industry, from 'Geschiedenis van Nederland', publ. 1936 (litho)

Dutch School, (20th century)

The Straits of Dover, engraved by William Miller, 1827 (engraving)
The Straits of Dover, engraved by William Miller, 1827 (engraving)

XJF477668: The Straits of Dover, engraved by William Miller, 1827 (engraving), Turner, Joseph Mallord William (1775-1851) (after) / Bridgeman Images

ID: XJF477668

The Straits of Dover, engraved by William Miller, 1827 (engraving)

Turner, Joseph Mallord William (1775-1851) (after)

Entrance of the French Army into Berlin
Entrance of the French Army into Berlin

LLM461324: Entrance of the French Army into Berlin, Myrbach-Rheinfeld, Felicien baron de (b.1853) (after) / Bridgeman Images

ID: LLM461324

Entrance of the French Army into Berlin

Myrbach-Rheinfeld, Felicien baron de (b.1853) (after)

The Sower Sowing the Seed
The Sower Sowing the Seed

LLM459738: The Sower Sowing the Seed, English School, (19th century) / Bridgeman Images

ID: LLM459738

The Sower Sowing the Seed

English School, (19th century)

Enchanted Castle (w/c and gouache on paper)
Enchanted Castle (w/c and gouache on paper)

AGN125678: Enchanted Castle (w/c and gouache on paper), Palmer, Samuel (1805-81) / Bridgeman Images

ID: AGN125678

Enchanted Castle (w/c and gouache on paper)

Palmer, Samuel (1805-81)

A View of Verona, 1848 (oil on canvas)
A View of Verona, 1848 (oil on canvas)

PFA124498: A View of Verona, 1848 (oil on canvas), Stanfield, George Clarkson (1828-78) / Bridgeman Images

ID: PFA124498

A View of Verona, 1848 (oil on canvas)

Stanfield, George Clarkson (1828-78)

Seascape, c.1896 (oil on board)
Seascape, c.1896 (oil on board)

CK125788: Seascape, c.1896 (oil on board), O'Conor, Roderic (1860-1940) / Bridgeman Images

ID: CK125788

Seascape, c.1896 (oil on board)

O'Conor, Roderic (1860-1940)

The Staircase in Fyvie Castle (w/c on paper)
The Staircase in Fyvie Castle (w/c on paper)

MFI125222: The Staircase in Fyvie Castle (w/c on paper), Giles, James (1801-70) / Bridgeman Images

ID: MFI125222

The Staircase in Fyvie Castle (w/c on paper)

Giles, James (1801-70)

'Music when soft voices die, vibrates in the memory' (Shelley)
'Music when soft voices die, vibrates in the memory' (Shelley)

MAL71927: 'Music when soft voices die, vibrates in the memory' (Shelley), Orchardson, William Quiller (1832-1910) / Bridgeman Images

ID: MAL71927

'Music when soft voices die, vibrates in the memory' (Shelley)

Orchardson, William Quiller (1832-1910)

Plan of the Monastery of El Escorial, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), c.1572 (coloured engraving)
Plan of the Monastery of El Escorial, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), c.1572 (coloured engraving)

STC121049: Plan of the Monastery of El Escorial, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), c.1572 (coloured engraving), Hoefnagel, Joris (1542-1600) (after) / Bridgeman Images

ID: STC121049

Plan of the Monastery of El Escorial, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), c.1572 (coloured engraving)

Hoefnagel, Joris (1542-1600) (after)

Map of Calais, Malta, Rhodes, and Famagusta, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), c.1572 (coloured engraving)
Map of Calais, Malta, Rhodes, and Famagusta, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), c.1572 (coloured engraving)

STC121058: Map of Calais, Malta, Rhodes, and Famagusta, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), c.1572 (coloured engraving), Hoefnagel, Joris (1542-1600) (after) / Bridgeman Images

ID: STC121058

Map of Calais, Malta, Rhodes, and Famagusta, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), c.1572 (coloured engraving)

Hoefnagel, Joris (1542-1600) (after)

Circe (bronze)
Circe (bronze)

WH122066: Circe (bronze), Mackennal, Edgar Bertram (1863-1931) / Bridgeman Images

ID: WH122066

Circe (bronze)

Mackennal, Edgar Bertram (1863-1931)

Margaret Cavendish, Duchess of Newcastle (1624-74) (engraving)
Margaret Cavendish, Duchess of Newcastle (1624-74) (engraving)

XJF123096: Margaret Cavendish, Duchess of Newcastle (1624-74) (engraving), English School, (17th century) / Bridgeman Images

ID: XJF123096

Margaret Cavendish, Duchess of Newcastle (1624-74) (engraving)

English School, (17th century)

A Purse Snatcher in the Stocks, illustration from an Elizabethan ballad (woodcut) (b/w photo)
A Purse Snatcher in the Stocks, illustration from an Elizabethan ballad (woodcut) (b/w photo)

XJF129859: A Purse Snatcher in the Stocks, illustration from an Elizabethan ballad (woodcut) (b/w photo), English School, (16th century) / Bridgeman Images

ID: XJF129859

A Purse Snatcher in the Stocks, illustration from an Elizabethan ballad (woodcut) (b/w photo)

English School, (16th century)

Cairo looking West, from
Cairo looking West, from

STC67194: Cairo looking West, from "Egypt and Nubia", Vol.3 (litho), Roberts, David (1796-1864) / Bridgeman Images

ID: STC67194

Cairo looking West, from "Egypt and Nubia", Vol.3 (litho)

Roberts, David (1796-1864)

Semele is Consumed by Jupiter's Fire, 1731 (engraving)
Semele is Consumed by Jupiter's Fire, 1731 (engraving)

STC134136: Semele is Consumed by Jupiter's Fire, 1731 (engraving), Picart, Bernard (1673-1733) / Bridgeman Images

ID: STC134136

Semele is Consumed by Jupiter's Fire, 1731 (engraving)

Picart, Bernard (1673-1733)

Lycaon Metamorphosed into a Wolf, 1731 (engraving)
Lycaon Metamorphosed into a Wolf, 1731 (engraving)

STC134210: Lycaon Metamorphosed into a Wolf, 1731 (engraving), Picart, Bernard (1673-1733) / Bridgeman Images

ID: STC134210

Lycaon Metamorphosed into a Wolf, 1731 (engraving)

Picart, Bernard (1673-1733)

Portrait of Louis VIII, Called 'Le Lion', King of France (1187-1226), engraved by Madame de Cernel, 1790 (coloured engraving)
Portrait of Louis VIII, Called 'Le Lion', King of France (1187-1226), engraved by Madame de Cernel, 1790 (coloured engraving)

STC134685: Portrait of Louis VIII, Called 'Le Lion', King of France (1187-1226), engraved by Madame de Cernel, 1790 (coloured engraving), Sergent-Marceau, Antoine Louis Francois (1751-1847) (after) / Bridgeman Images

ID: STC134685

Portrait of Louis VIII, Called 'Le Lion', King of France (1187-1226), engraved by Madame de Cernel, 1790 (coloured engraving)

Sergent-Marceau, Antoine Louis Francois (1751-1847) (after)

'Come Out of That', Mr Gladstone Returns from the Country, and Finds his Seat Occupied, from 'St. Stephen's Review Presentation Cartoon', 7 August 1886 (colour litho)
'Come Out of That', Mr Gladstone Returns from the Country, and Finds his Seat Occupied, from 'St. Stephen's Review Presentation Cartoon', 7 August 1886 (colour litho)

XCF136722: 'Come Out of That', Mr Gladstone Returns from the Country, and Finds his Seat Occupied, from 'St. Stephen's Review Presentation Cartoon', 7 August 1886 (colour litho), Merry, Tom (c.1852-1902) / Bridgeman Images

ID: XCF136722

'Come Out of That', Mr Gladstone Returns from the Country, and Finds his Seat Occupied, from 'St. Stephen's Review Presentation Cartoon', 7 August 1886 (colour litho)

Merry, Tom (c.1852-1902)


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