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Breaking of the Boulevard, Course Lafayette, Lyons (engraving)
Breaking of the Boulevard, Course Lafayette, Lyons (engraving)

LIP1097589: Breaking of the Boulevard, Course Lafayette, Lyons (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1097589

Breaking of the Boulevard, Course Lafayette, Lyons (engraving)

English School, (19th century)

Luis de Camoes, Portuguese poet, and a scene from his poem The Lusiads, depicting Vasco da Gama being received by the king of Malindi (chromolitho)
Luis de Camoes, Portuguese poet, and a scene from his poem The Lusiads, depicting Vasco da Gama being received by the king of Malindi (chromolitho)

LLM1093928: Luis de Camoes, Portuguese poet, and a scene from his poem The Lusiads, depicting Vasco da Gama being received by the king of Malindi (chromolitho), French School, (19th century) / Bridgeman Images

ID: LLM1093928

Luis de Camoes, Portuguese poet, and a scene from his poem The Lusiads, depicting Vasco da Gama being received by the king of Malindi (chromolitho)

French School, (19th century)

Newton investigating Light (engraving)
Newton investigating Light (engraving)

LIP1099578: Newton investigating Light (engraving), Houston, John Adam P. (1812-84) / Bridgeman Images

ID: LIP1099578

Newton investigating Light (engraving)

Houston, John Adam P. (1812-84)

Cherokee Chiefs from Carolina, c.1730 (engraving)
Cherokee Chiefs from Carolina, c.1730 (engraving)

XJF1121354: Cherokee Chiefs from Carolina, c.1730 (engraving), English School, (18th century) / Bridgeman Images

ID: XJF1121354

Cherokee Chiefs from Carolina, c.1730 (engraving)

English School, (18th century)

Young woman reading a love letter by a fountain, c.1925 (screenprint)
Young woman reading a love letter by a fountain, c.1925 (screenprint)

GRC1126306: Young woman reading a love letter by a fountain, c.1925 (screenprint), Williams, Wilton (fl.1920s) / Bridgeman Images

ID: GRC1126306

Young woman reading a love letter by a fountain, c.1925 (screenprint)

Williams, Wilton (fl.1920s)

Snow White's Stepmother Looking into Magic Mirror, 1937 (litho)
Snow White's Stepmother Looking into Magic Mirror, 1937 (litho)

GRC1126344: Snow White's Stepmother Looking into Magic Mirror, 1937 (litho), Unknown Artist, (20th century) / Bridgeman Images

ID: GRC1126344

Snow White's Stepmother Looking into Magic Mirror, 1937 (litho)

Unknown Artist, (20th century)

Enigma cipher machine with three rotors viewed from above (photo)
Enigma cipher machine with three rotors viewed from above (photo)

DGC696841: Enigma cipher machine with three rotors viewed from above (photo), European School, (20th century) / Bridgeman Images

ID: DGC696841

Enigma cipher machine with three rotors viewed from above (photo)

European School, (20th century)

The English Lakes (colour litho)
The English Lakes (colour litho)

CH701286: The English Lakes (colour litho), Buckle, Claude (1905-73) / Bridgeman Images

ID: CH701286

The English Lakes (colour litho)

Buckle, Claude (1905-73)

Ancient Rome: Eruption of Vesuvius, 79 AD, 1866 (coloured engraving)
Ancient Rome: Eruption of Vesuvius, 79 AD, 1866 (coloured engraving)

XEE702508: Ancient Rome: Eruption of Vesuvius, 79 AD, 1866 (coloured engraving), Leutemann, Heinrich (1824-1905) / Bridgeman Images

ID: XEE702508

Ancient Rome: Eruption of Vesuvius, 79 AD, 1866 (coloured engraving)

Leutemann, Heinrich (1824-1905)

Ancient Rome: A triumphal procession in roman forum, 1866 (coloured engraving)
Ancient Rome: A triumphal procession in roman forum, 1866 (coloured engraving)

XEE702512: Ancient Rome: A triumphal procession in roman forum, 1866 (coloured engraving), Leutemann, Heinrich (1824-1905) / Bridgeman Images

ID: XEE702512

Ancient Rome: A triumphal procession in roman forum, 1866 (coloured engraving)

Leutemann, Heinrich (1824-1905)

Mustafa Kemal, later Ataturk, 1914-18 (litho)
Mustafa Kemal, later Ataturk, 1914-18 (litho)

PNP701937: Mustafa Kemal, later Ataturk, 1914-18 (litho) / Bridgeman Images

ID: PNP701937

Mustafa Kemal, later Ataturk, 1914-18 (litho)

Tea-time at the Hermitage Hotel, Le Touquet (colour litho)
Tea-time at the Hermitage Hotel, Le Touquet (colour litho)

LLP728319: Tea-time at the Hermitage Hotel, Le Touquet (colour litho), Vincent, Rene (1871-1936) / Bridgeman Images

ID: LLP728319

Tea-time at the Hermitage Hotel, Le Touquet (colour litho)

Vincent, Rene (1871-1936)

Oxford illustrated (engraving)
Oxford illustrated (engraving)

LLP728857: Oxford illustrated (engraving), English School, (19th century) / Bridgeman Images

ID: LLP728857

Oxford illustrated (engraving)

English School, (19th century)

Oscar Wilde, c.1882 (albumen print)
Oscar Wilde, c.1882 (albumen print)

XOS702772: Oscar Wilde, c.1882 (albumen print), Sarony, Napoleon (1821-96) / Bridgeman Images

ID: XOS702772

Oscar Wilde, c.1882 (albumen print)

Sarony, Napoleon (1821-96)

The British Dreadnought Warspite (colour litho)
The British Dreadnought Warspite (colour litho)

LLM672322: The British Dreadnought Warspite (colour litho), Davis, George Horace (1881-1963) (after) / Bridgeman Images

ID: LLM672322

The British Dreadnought Warspite (colour litho)

Davis, George Horace (1881-1963) (after)

Photo Ak Kaiser Karl I of Austria with Zita and many children (b/w photo)
Photo Ak Kaiser Karl I of Austria with Zita and many children (b/w photo)

ARV705770: Photo Ak Kaiser Karl I of Austria with Zita and many children (b/w photo), German Photographer / Bridgeman Images

ID: ARV705770

Photo Ak Kaiser Karl I of Austria with Zita and many children (b/w photo)

German Photographer

Ehud, holding dagger with which he will kill the Moabite King Eglon (gouache on paper)
Ehud, holding dagger with which he will kill the Moabite King Eglon (gouache on paper)

LAL723909: Ehud, holding dagger with which he will kill the Moabite King Eglon (gouache on paper), Corke, Philip (20th Century) / Bridgeman Images

ID: LAL723909

Ehud, holding dagger with which he will kill the Moabite King Eglon (gouache on paper)

Corke, Philip (20th Century)

Cover of 'Umbra Vitae' by Georg Heym, published 1924 (woodcut)
Cover of 'Umbra Vitae' by Georg Heym, published 1924 (woodcut)

STC708856: Cover of 'Umbra Vitae' by Georg Heym, published 1924 (woodcut), Kirchner, Ernst Ludwig (1880-1938) / Bridgeman Images

ID: STC708856

Cover of 'Umbra Vitae' by Georg Heym, published 1924 (woodcut)

Kirchner, Ernst Ludwig (1880-1938)

The Port of Marseille, 1901 (oil on canvas)
The Port of Marseille, 1901 (oil on canvas)

XIR694863: The Port of Marseille, 1901 (oil on canvas), Vallotton, Felix Edouard (1865-1925) / Bridgeman Images

ID: XIR694863

The Port of Marseille, 1901 (oil on canvas)

Vallotton, Felix Edouard (1865-1925)

Illustration from 'Divina Proportione' by Luca Pacioli (c.1445-1517), originally pub. Venice, 1509 (litho)
Illustration from 'Divina Proportione' by Luca Pacioli (c.1445-1517), originally pub. Venice, 1509 (litho)

STC740362: Illustration from 'Divina Proportione' by Luca Pacioli (c.1445-1517), originally pub. Venice, 1509 (litho), Vinci, Leonardo da (1452-1519) (attr.to) / Bridgeman Images

ID: STC740362

Illustration from 'Divina Proportione' by Luca Pacioli (c.1445-1517), originally pub. Venice, 1509 (litho)

Vinci, Leonardo da (1452-1519) (attr.to)

Purgatorio, Canto 15 : Dante's vision of the stoning of Stephen (saint Etienne), illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)
Purgatorio, Canto 15 : Dante's vision of the stoning of Stephen (saint Etienne), illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

GIA745653: Purgatorio, Canto 15 : Dante's vision of the stoning of Stephen (saint Etienne), illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: GIA745653

Purgatorio, Canto 15 : Dante's vision of the stoning of Stephen (saint Etienne), illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

Dore, Gustave (1832-83)

Inferno, Canto 34 : The poets emerge from hell, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)
Inferno, Canto 34 : The poets emerge from hell, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

GIA745682: Inferno, Canto 34 : The poets emerge from hell, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: GIA745682

Inferno, Canto 34 : The poets emerge from hell, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

Dore, Gustave (1832-83)

Federico Garcia Lorca with Salvador Dali, c.1925 (b/w photo)
Federico Garcia Lorca with Salvador Dali, c.1925 (b/w photo)

PVD778658: Federico Garcia Lorca with Salvador Dali, c.1925 (b/w photo) / Bridgeman Images

ID: PVD778658

Federico Garcia Lorca with Salvador Dali, c.1925 (b/w photo)

The Mermaid, 1892 (oil on canvas)
The Mermaid, 1892 (oil on canvas)

CH778666: The Mermaid, 1892 (oil on canvas), Waterhouse, John William (1849-1917) / Bridgeman Images

ID: CH778666

The Mermaid, 1892 (oil on canvas)

Waterhouse, John William (1849-1917)

Examples of Coniferae from 'Kunstformen der Natur', 1899 (colour litho)
Examples of Coniferae from 'Kunstformen der Natur', 1899 (colour litho)

DGC746692: Examples of Coniferae from 'Kunstformen der Natur', 1899 (colour litho), Haeckel, Ernst (1824-1919) (after) / Bridgeman Images

ID: DGC746692

Examples of Coniferae from 'Kunstformen der Natur', 1899 (colour litho)

Haeckel, Ernst (1824-1919) (after)

Orestes I, 1928 (w/c on paper)
Orestes I, 1928 (w/c on paper)

STC740248: Orestes I, 1928 (w/c on paper), Hungarian School, (20th century) / Bridgeman Images

ID: STC740248

Orestes I, 1928 (w/c on paper)

Hungarian School, (20th century)

José Raúl Capablanca y Graupera, 1915 (b/w photo)
José Raúl Capablanca y Graupera, 1915 (b/w photo)

SED876853: José Raúl Capablanca y Graupera, 1915 (b/w photo), American Photographer, (20th century) / Bridgeman Images

ID: SED876853

José Raúl Capablanca y Graupera, 1915 (b/w photo)

American Photographer, (20th century)

Napoleon, 1895 (lithograph printed in colours on wove paper)
Napoleon, 1895 (lithograph printed in colours on wove paper)

CH828021: Napoleon, 1895 (lithograph printed in colours on wove paper), Toulouse-Lautrec, Henri de (1864-1901) / Bridgeman Images

ID: CH828021

Napoleon, 1895 (lithograph printed in colours on wove paper)

Toulouse-Lautrec, Henri de (1864-1901)

Edward Smith Stanley, 12th Earl of Derby (1752-1834), 1785 (mezzotint)
Edward Smith Stanley, 12th Earl of Derby (1752-1834), 1785 (mezzotint)

XJF909281: Edward Smith Stanley, 12th Earl of Derby (1752-1834), 1785 (mezzotint), Gainsborough, Thomas (1727-88) (after) / Bridgeman Images

ID: XJF909281

Edward Smith Stanley, 12th Earl of Derby (1752-1834), 1785 (mezzotint)

Gainsborough, Thomas (1727-88) (after)

Romans offering sacrifices to the Gods
Romans offering sacrifices to the Gods

IL908768: Romans offering sacrifices to the Gods, Weatherstone, A.C. (fl.1888-1929) / Bridgeman Images

ID: IL908768

Romans offering sacrifices to the Gods

Weatherstone, A.C. (fl.1888-1929)

Icarus, c.1930 (bronze & marble)
Icarus, c.1930 (bronze & marble)

CH940320: Icarus, c.1930 (bronze & marble), Ouline, A. (fl.1920s-1940s) / Bridgeman Images

ID: CH940320

Icarus, c.1930 (bronze & marble)

Ouline, A. (fl.1920s-1940s)

Towards Mull from Choc Ard Anraidh, Iona, c.1928 (oil on canvas)
Towards Mull from Choc Ard Anraidh, Iona, c.1928 (oil on canvas)

CH938567: Towards Mull from Choc Ard Anraidh, Iona, c.1928 (oil on canvas), Cadell, Francis Campbell Boileau (1883-1937) / Bridgeman Images

ID: CH938567

Towards Mull from Choc Ard Anraidh, Iona, c.1928 (oil on canvas)

Cadell, Francis Campbell Boileau (1883-1937)

Faberge scent bottle, 1908-17 (gold & smoky quartz)
Faberge scent bottle, 1908-17 (gold & smoky quartz)

CH938569: Faberge scent bottle, 1908-17 (gold & smoky quartz), Wigstrom, Henrik (1862-1923) / Bridgeman Images

ID: CH938569

Faberge scent bottle, 1908-17 (gold & smoky quartz)

Wigstrom, Henrik (1862-1923)

Astronomer observing the sky with a telescope - from: Johannes Hevelius (1611-1687), Selenographia, sive Lunae descriptio (Selenography, or A Description of The Moon), 1647 - Johannes Hevelius or Johann Hewelke or Hewel (in German) or Jan Heweliusz (in Polish), the founder of the lunar topography, 1611-1687), observe the firmament with a telescope
Astronomer observing the sky with a telescope - from: Johannes Hevelius (1611-1687), Selenographia, sive Lunae descriptio (Selenography, or A Description of The Moon), 1647 - Johannes Hevelius or Johann Hewelke or Hewel (in German) or Jan Heweliusz (in Polish), the founder of the lunar topography, 1611-1687), observe the firmament with a telescope

XEE4151197: Astronomer observing the sky with a telescope - from: Johannes Hevelius (1611-1687), Selenographia, sive Lunae descriptio (Selenography, or A Description of The Moon), 1647 - Johannes Hevelius or Johann Hewelke or Hewel (in German) or Jan Heweliusz (in Polish), the founder of the lunar topography, 1611-1687), observe the firmament with a telescope, Unknown Artist, (17th century) / Bridgeman Images

ID: XEE4151197

Astronomer observing the sky with a telescope - from: Johannes Hevelius (1611-1687), Selenographia, sive Lunae descriptio (Selenography, or A Description of The Moon), 1647 - Johannes Hevelius or Johann Hewelke or Hewel (in German) or Jan Heweliusz (in Polish), the founder of the lunar topography, 1611-1687), observe the firmament with a telescope

Unknown Artist, (17th century)

A portrait of Tsar Nicholas II, Alexandra and their five children czarevich Alexis, Grand Duchesses Anastasia, Mary, Tatiana and Olga - Family portrait of Tsar Nicholas II (1868-1918) of Russia surrounded from left to right: Grand Duchess Tatiana Nikolaievna of Russia (Tatiana Nikolaievna Romanova) (1897-1918), Mary, (Maria Nikolaevna of Russia) (Maria Nikolaievna Romanova) (1899-1918), Grand Duke Tsarevich Alexei (Alexis) Nicolaevich Romanov (1904-1918) in the arms of the Impress Alexandra Feodorovna (Alexandra Fyodorovna Romanova, Alexandra Fiodorovna Romanova, Victoria Alix Helene Louise Beatrice of Hesse and Rhine of Hesse and Rhine, Alix of Hesse Darmstadt (Alix by Hesse Darmstadt) (1872-1918), Anastasia Nikolaevna by Russia (Anastasia Nikolaievna Romanova) (1901-1918), and Olga Nikolaevna of Russia (Olga Nikolaievna Romanova) (1895-1918) - cover of “” The Illustree Cross”” of 1905
A portrait of Tsar Nicholas II, Alexandra and their five children czarevich Alexis, Grand Duchesses Anastasia, Mary, Tatiana and Olga - Family portrait of Tsar Nicholas II (1868-1918) of Russia surrounded from left to right: Grand Duchess Tatiana Nikolaievna of Russia (Tatiana Nikolaievna Romanova) (1897-1918), Mary, (Maria Nikolaevna of Russia) (Maria Nikolaievna Romanova) (1899-1918), Grand Duke Tsarevich Alexei (Alexis) Nicolaevich Romanov (1904-1918) in the arms of the Impress Alexandra Feodorovna (Alexandra Fyodorovna Romanova, Alexandra Fiodorovna Romanova, Victoria Alix Helene Louise Beatrice of Hesse and Rhine of Hesse and Rhine, Alix of Hesse Darmstadt (Alix by Hesse Darmstadt) (1872-1918), Anastasia Nikolaevna by Russia (Anastasia Nikolaievna Romanova) (1901-1918), and Olga Nikolaevna of Russia (Olga Nikolaievna Romanova) (1895-1918) - cover of “” The Illustree Cross”” of 1905

XEE4154393: A portrait of Tsar Nicholas II, Alexandra and their five children czarevich Alexis, Grand Duchesses Anastasia, Mary, Tatiana and Olga - Family portrait of Tsar Nicholas II (1868-1918) of Russia surrounded from left to right: Grand Duchess Tatiana Nikolaievna of Russia (Tatiana Nikolaievna Romanova) (1897-1918), Mary, (Maria Nikolaevna of Russia) (Maria Nikolaievna Romanova) (1899-1918), Grand Duke Tsarevich Alexei (Alexis) Nicolaevich Romanov (1904-1918) in the arms of the Impress Alexandra Feodorovna (Alexandra Fyodorovna Romanova, Alexandra Fiodorovna Romanova, Victoria Alix Helene Louise Beatrice of Hesse and Rhine of Hesse and Rhine, Alix of Hesse Darmstadt (Alix by Hesse Darmstadt) (1872-1918), Anastasia Nikolaevna by Russia (Anastasia Nikolaievna Romanova) (1901-1918), and Olga Nikolaevna of Russia (Olga Nikolaievna Romanova) (1895-1918) - cover of “” The Illustree Cross”” of 1905, Anonymous / Bridgeman Images

ID: XEE4154393

A portrait of Tsar Nicholas II, Alexandra and their five children czarevich Alexis, Grand Duchesses Anastasia, Mary, Tatiana and Olga - Family portrait of Tsar Nicholas II (1868-1918) of Russia surrounded from left to right: Grand Duchess Tatiana Nikolaievna of Russia (Tatiana Nikolaievna Romanova) (1897-1918), Mary, (Maria Nikolaevna of Russia) (Maria Nikolaievna Romanova) (1899-1918), Grand Duke Tsarevich Alexei (Alexis) Nicolaevich Romanov (1904-1918) in the arms of the Impress Alexandra Feodorovna (Alexandra Fyodorovna Romanova, Alexandra Fiodorovna Romanova, Victoria Alix Helene Louise Beatrice of Hesse and Rhine of Hesse and Rhine, Alix of Hesse Darmstadt (Alix by Hesse Darmstadt) (1872-1918), Anastasia Nikolaevna by Russia (Anastasia Nikolaievna Romanova) (1901-1918), and Olga Nikolaevna of Russia (Olga Nikolaievna Romanova) (1895-1918) - cover of “” The Illustree Cross”” of 1905

Anonymous

Interview between Jean-Paul (Jean Paul) Marat (1743-1793), Maximilien de Robespierre (1758-1794) and Georges Jacques Danton (1759-1794) on 28 June 1793 in a Parisian cafe on Rue du Paon. Engraving in “” Histoire nationale illustree de la France””. 19th century.
Interview between Jean-Paul (Jean Paul) Marat (1743-1793), Maximilien de Robespierre (1758-1794) and Georges Jacques Danton (1759-1794) on 28 June 1793 in a Parisian cafe on Rue du Paon. Engraving in “” Histoire nationale illustree de la France””. 19th century.

XEE4144278: Interview between Jean-Paul (Jean Paul) Marat (1743-1793), Maximilien de Robespierre (1758-1794) and Georges Jacques Danton (1759-1794) on 28 June 1793 in a Parisian cafe on Rue du Paon. Engraving in “” Histoire nationale illustree de la France””. 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144278

Interview between Jean-Paul (Jean Paul) Marat (1743-1793), Maximilien de Robespierre (1758-1794) and Georges Jacques Danton (1759-1794) on 28 June 1793 in a Parisian cafe on Rue du Paon. Engraving in “” Histoire nationale illustree de la France””. 19th century.

Unknown Artist, (19th century)


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