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Portrait of Franz Liszt (1811-1886), Hungarian composer, pianist and conductor (Franz Liszt, Hungarian composer, pianist and conductor) engraving in “” Popular Music””” illustrious weekly newspaper - 1882
Portrait of Franz Liszt (1811-1886), Hungarian composer, pianist and conductor (Franz Liszt, Hungarian composer, pianist and conductor) engraving in “” Popular Music””” illustrious weekly newspaper - 1882

XEE4151799: Portrait of Franz Liszt (1811-1886), Hungarian composer, pianist and conductor (Franz Liszt, Hungarian composer, pianist and conductor) engraving in “” Popular Music””” illustrious weekly newspaper - 1882, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151799

Portrait of Franz Liszt (1811-1886), Hungarian composer, pianist and conductor (Franz Liszt, Hungarian composer, pianist and conductor) engraving in “” Popular Music””” illustrious weekly newspaper - 1882

Unknown Artist, (19th century)

Portrait of Charles Joseph Eugene de Mazenod (1782-1861), eveque of Marseille. Portrait of Engraving in “” The Illustrous World”” n°216 of June 1, 1861.
Portrait of Charles Joseph Eugene de Mazenod (1782-1861), eveque of Marseille. Portrait of Engraving in “” The Illustrous World”” n°216 of June 1, 1861.

XEE4151827: Portrait of Charles Joseph Eugene de Mazenod (1782-1861), eveque of Marseille. Portrait of Engraving in “” The Illustrous World”” n°216 of June 1, 1861., French School, (19th century) / Bridgeman Images

ID: XEE4151827

Portrait of Charles Joseph Eugene de Mazenod (1782-1861), eveque of Marseille. Portrait of Engraving in “” The Illustrous World”” n°216 of June 1, 1861.

French School, (19th century)

The prison of Saint John the Baptist - decor of the 3rd act of “Herodiade”, opera in four acts and seven paintings by Jules Massenet, on a libretto by Paul Milliet and Henri Gremont - engraving in “La musique populaire”” illustrated weekly newspaper - 1882
The prison of Saint John the Baptist - decor of the 3rd act of “Herodiade”, opera in four acts and seven paintings by Jules Massenet, on a libretto by Paul Milliet and Henri Gremont - engraving in “La musique populaire”” illustrated weekly newspaper - 1882

XEE4151855: The prison of Saint John the Baptist - decor of the 3rd act of “Herodiade”, opera in four acts and seven paintings by Jules Massenet, on a libretto by Paul Milliet and Henri Gremont - engraving in “La musique populaire”” illustrated weekly newspaper - 1882, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151855

The prison of Saint John the Baptist - decor of the 3rd act of “Herodiade”, opera in four acts and seven paintings by Jules Massenet, on a libretto by Paul Milliet and Henri Gremont - engraving in “La musique populaire”” illustrated weekly newspaper - 1882

Unknown Artist, (19th century)

L'église Saint Gervais Saint Protais (Saint-Gervais-Saint-Protais) (facade of Clement II Metezeau) Paris (4th arr) Engraving in “” Histoire physique, civile et morale de Paris: depuis les premiers temps historiques à nos jours” by Jacques Antoine Dulaure, 1853
L'église Saint Gervais Saint Protais (Saint-Gervais-Saint-Protais) (facade of Clement II Metezeau) Paris (4th arr) Engraving in “” Histoire physique, civile et morale de Paris: depuis les premiers temps historiques à nos jours” by Jacques Antoine Dulaure, 1853

XEE4151266: L'église Saint Gervais Saint Protais (Saint-Gervais-Saint-Protais) (facade of Clement II Metezeau) Paris (4th arr) Engraving in “” Histoire physique, civile et morale de Paris: depuis les premiers temps historiques à nos jours” by Jacques Antoine Dulaure, 1853, French School, (19th century) / Bridgeman Images

ID: XEE4151266

L'église Saint Gervais Saint Protais (Saint-Gervais-Saint-Protais) (facade of Clement II Metezeau) Paris (4th arr) Engraving in “” Histoire physique, civile et morale de Paris: depuis les premiers temps historiques à nos jours” by Jacques Antoine Dulaure, 1853

French School, (19th century)

Clodion, The Hairy Retreats Across the Bridge after his Defeat by Aetius, 1825 (engraving)
Clodion, The Hairy Retreats Across the Bridge after his Defeat by Aetius, 1825 (engraving)

XEE4151284: Clodion, The Hairy Retreats Across the Bridge after his Defeat by Aetius, 1825 (engraving), Tardieu, Ambroise (1788-1841) / Bridgeman Images

ID: XEE4151284

Clodion, The Hairy Retreats Across the Bridge after his Defeat by Aetius, 1825 (engraving)

Tardieu, Ambroise (1788-1841)

Charles VIII enters Rome in 1494 to be declared Emperor of the Orient, 1825 (engraving)
Charles VIII enters Rome in 1494 to be declared Emperor of the Orient, 1825 (engraving)

XEE4151294: Charles VIII enters Rome in 1494 to be declared Emperor of the Orient, 1825 (engraving), Tardieu, Ambroise (1788-1841) / Bridgeman Images

ID: XEE4151294

Charles VIII enters Rome in 1494 to be declared Emperor of the Orient, 1825 (engraving)

Tardieu, Ambroise (1788-1841)

Joseph Claude Anthelme Recamier (1774-1852), French surgeon - engraving in “La Sante Universelle - Guide Medical des Familles”” 1852
Joseph Claude Anthelme Recamier (1774-1852), French surgeon - engraving in “La Sante Universelle - Guide Medical des Familles”” 1852

XEE4151319: Joseph Claude Anthelme Recamier (1774-1852), French surgeon - engraving in “La Sante Universelle - Guide Medical des Familles”” 1852, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151319

Joseph Claude Anthelme Recamier (1774-1852), French surgeon - engraving in “La Sante Universelle - Guide Medical des Familles”” 1852

Unknown Artist, (19th century)

Passage of the Pyrenees by the Moors - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Passage of the Pyrenees by the Moors - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151369: Passage of the Pyrenees by the Moors - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151369

Passage of the Pyrenees by the Moors - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

Unknown Artist, (19th century)

Astolphe makes homicide women flee - 1851 engraving from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Astolphe makes homicide women flee - 1851 engraving from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151467: Astolphe makes homicide women flee - 1851 engraving from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151467

Astolphe makes homicide women flee - 1851 engraving from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

Unknown Artist, (19th century)

Leon (Leone) delivre Roger (Ruggero, Ruggiero) - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Leon (Leone) delivre Roger (Ruggero, Ruggiero) - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151531: Leon (Leone) delivre Roger (Ruggero, Ruggiero) - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151531

Leon (Leone) delivre Roger (Ruggero, Ruggiero) - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

Unknown Artist, (19th century)

The new bridge in Paris in 1950 - anonymous painting
The new bridge in Paris in 1950 - anonymous painting

XEE4150468: The new bridge in Paris in 1950 - anonymous painting, Anonymous / Bridgeman Images

ID: XEE4150468

The new bridge in Paris in 1950 - anonymous painting

Anonymous

Accident medicine - on the most effective relief to be given to the drowned people, 1852 (engraving)
Accident medicine - on the most effective relief to be given to the drowned people, 1852 (engraving)

XEE4151311: Accident medicine - on the most effective relief to be given to the drowned people, 1852 (engraving), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151311

Accident medicine - on the most effective relief to be given to the drowned people, 1852 (engraving)

Unknown Artist, (19th century)

The art of losing weight and getting overweight: one man walks while another is transported in a carriage - engraving in “La Sante Universelle - Guide Medical des Familles”” 1852
The art of losing weight and getting overweight: one man walks while another is transported in a carriage - engraving in “La Sante Universelle - Guide Medical des Familles”” 1852

XEE4151337: The art of losing weight and getting overweight: one man walks while another is transported in a carriage - engraving in “La Sante Universelle - Guide Medical des Familles”” 1852, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151337

The art of losing weight and getting overweight: one man walks while another is transported in a carriage - engraving in “La Sante Universelle - Guide Medical des Familles”” 1852

Unknown Artist, (19th century)

Ruggiero on the island of Alcina, - 1851 engraving from the poem Orlando furioso (1516) by Ludovico Ariosto, - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Ruggiero on the island of Alcina, - 1851 engraving from the poem Orlando furioso (1516) by Ludovico Ariosto, - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151381: Ruggiero on the island of Alcina, - 1851 engraving from the poem Orlando furioso (1516) by Ludovico Ariosto, - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151381

Ruggiero on the island of Alcina, - 1851 engraving from the poem Orlando furioso (1516) by Ludovico Ariosto, - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

Unknown Artist, (19th century)

Meeting of Marphise (Marfisa), Astolphe (Astolfo) and Sansonnet (Sansonetto) - engraving of 1851 from “” Roland furieux” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Meeting of Marphise (Marfisa), Astolphe (Astolfo) and Sansonnet (Sansonetto) - engraving of 1851 from “” Roland furieux” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151460: Meeting of Marphise (Marfisa), Astolphe (Astolfo) and Sansonnet (Sansonetto) - engraving of 1851 from “” Roland furieux” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151460

Meeting of Marphise (Marfisa), Astolphe (Astolfo) and Sansonnet (Sansonetto) - engraving of 1851 from “” Roland furieux” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

Unknown Artist, (19th century)

Doralice and Isabelle want to separate Mandricard and Zerbin - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Doralice and Isabelle want to separate Mandricard and Zerbin - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151484: Doralice and Isabelle want to separate Mandricard and Zerbin - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151484

Doralice and Isabelle want to separate Mandricard and Zerbin - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

Unknown Artist, (19th century)

Chateau de Marganor - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Chateau de Marganor - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151521: Chateau de Marganor - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151521

Chateau de Marganor - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

Unknown Artist, (19th century)

First World War (1914-1918): French soldiers beside German projectiles nicknamed “coal buckets
First World War (1914-1918): French soldiers beside German projectiles nicknamed “coal buckets

XEE4151551: First World War (1914-1918): French soldiers beside German projectiles nicknamed “coal buckets" tombs in a trench, 1916 (photo), Unknown photographer, (20th century) / Bridgeman Images

ID: XEE4151551

First World War (1914-1918): French soldiers beside German projectiles nicknamed “coal buckets" tombs in a trench, 1916 (photo)

Unknown photographer, (20th century)

First World War (1914-1918): the flag of a French regiment brought to the battlefield of Verdun is protected by the guard, 196 (photo)
First World War (1914-1918): the flag of a French regiment brought to the battlefield of Verdun is protected by the guard, 196 (photo)

XEE4151565: First World War (1914-1918): the flag of a French regiment brought to the battlefield of Verdun is protected by the guard, 196 (photo), Unknown photographer, (20th century) / Bridgeman Images

ID: XEE4151565

First World War (1914-1918): the flag of a French regiment brought to the battlefield of Verdun is protected by the guard, 196 (photo)

Unknown photographer, (20th century)

Portrait of Charles Garnier, 1882 (engraving)
Portrait of Charles Garnier, 1882 (engraving)

XEE4151658: Portrait of Charles Garnier, 1882 (engraving), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151658

Portrait of Charles Garnier, 1882 (engraving)

Unknown Artist, (19th century)

Portrait of Marie Pelissier, French opera singer - engraving after the painting Hubert Drouais, 1882 (engraving)
Portrait of Marie Pelissier, French opera singer - engraving after the painting Hubert Drouais, 1882 (engraving)

XEE4151754: Portrait of Marie Pelissier, French opera singer - engraving after the painting Hubert Drouais, 1882 (engraving), Drouais, Francois-Hubert (1727-75) / Bridgeman Images

ID: XEE4151754

Portrait of Marie Pelissier, French opera singer - engraving after the painting Hubert Drouais, 1882 (engraving)

Drouais, Francois-Hubert (1727-75)

Portrait of George Frederick Handel (Georg Friedrich Handel, 1685-1759) German composer - engraving in “” The popular music””” illustrated weekly newspaper - 1882
Portrait of George Frederick Handel (Georg Friedrich Handel, 1685-1759) German composer - engraving in “” The popular music””” illustrated weekly newspaper - 1882

XEE4151818: Portrait of George Frederick Handel (Georg Friedrich Handel, 1685-1759) German composer - engraving in “” The popular music””” illustrated weekly newspaper - 1882, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151818

Portrait of George Frederick Handel (Georg Friedrich Handel, 1685-1759) German composer - engraving in “” The popular music””” illustrated weekly newspaper - 1882

Unknown Artist, (19th century)

Portrait of EMMERICH JOSEPH, Duke of DALBERG French-German statesman (1773-1833) - Portrait of Emmerich Joseph Duke of Dalberg (1773-1833) German diplomat, and French politician - in “Histoire de l'empire suite à l'histoire du consulate” by Adolphe Thiers - 1879 - private collection
Portrait of EMMERICH JOSEPH, Duke of DALBERG French-German statesman (1773-1833) - Portrait of Emmerich Joseph Duke of Dalberg (1773-1833) German diplomat, and French politician - in “Histoire de l'empire suite à l'histoire du consulate” by Adolphe Thiers - 1879 - private collection

XEE4150706: Portrait of EMMERICH JOSEPH, Duke of DALBERG French-German statesman (1773-1833) - Portrait of Emmerich Joseph Duke of Dalberg (1773-1833) German diplomat, and French politician - in “Histoire de l'empire suite à l'histoire du consulate” by Adolphe Thiers - 1879 - private collection, French School, (19th century) / Bridgeman Images

ID: XEE4150706

Portrait of EMMERICH JOSEPH, Duke of DALBERG French-German statesman (1773-1833) - Portrait of Emmerich Joseph Duke of Dalberg (1773-1833) German diplomat, and French politician - in “Histoire de l'empire suite à l'histoire du consulate” by Adolphe Thiers - 1879 - private collection

French School, (19th century)

Jean-Lambert Tallian French revolutionary and journalist, on 23 September 1793, 1865-66 (engraving)
Jean-Lambert Tallian French revolutionary and journalist, on 23 September 1793, 1865-66 (engraving)

XEE4150739: Jean-Lambert Tallian French revolutionary and journalist, on 23 September 1793, 1865-66 (engraving), French School, (19th century) / Bridgeman Images

ID: XEE4150739

Jean-Lambert Tallian French revolutionary and journalist, on 23 September 1793, 1865-66 (engraving)

French School, (19th century)

French custom: songs and dances of peasants around the last buckwheat sheaf of the crop. Conde sur Noireau, Calvados (14), 1861. Engraving in “” Le Monde Illustré”” n°234 of October 5, 1861.
French custom: songs and dances of peasants around the last buckwheat sheaf of the crop. Conde sur Noireau, Calvados (14), 1861. Engraving in “” Le Monde Illustré”” n°234 of October 5, 1861.

XEE4150750: French custom: songs and dances of peasants around the last buckwheat sheaf of the crop. Conde sur Noireau, Calvados (14), 1861. Engraving in “” Le Monde Illustré”” n°234 of October 5, 1861., French School, (19th century) / Bridgeman Images

ID: XEE4150750

French custom: songs and dances of peasants around the last buckwheat sheaf of the crop. Conde sur Noireau, Calvados (14), 1861. Engraving in “” Le Monde Illustré”” n°234 of October 5, 1861.

French School, (19th century)

NAPOLEON Bonaparte (1769-1821), Emperor of France, granting Madame de Polignac the grace of her husband's life (Jules Armand (Jules-Armand), Prince de Polignac, 1780-1847) imprisoned (1804-1814) for his part in the conspiracy of Georges Cadoudal) - Grace madame accordee by her Majesty Napoleon Bonaparte a about Polignac for Armand Polignac son mari - in “” Histoire of the empire following the history of the consulate”” by Adolphe Thiers - 1879 - private collection
NAPOLEON Bonaparte (1769-1821), Emperor of France, granting Madame de Polignac the grace of her husband's life (Jules Armand (Jules-Armand), Prince de Polignac, 1780-1847) imprisoned (1804-1814) for his part in the conspiracy of Georges Cadoudal) - Grace madame accordee by her Majesty Napoleon Bonaparte a about Polignac for Armand Polignac son mari - in “” Histoire of the empire following the history of the consulate”” by Adolphe Thiers - 1879 - private collection

XEE4150801: NAPOLEON Bonaparte (1769-1821), Emperor of France, granting Madame de Polignac the grace of her husband's life (Jules Armand (Jules-Armand), Prince de Polignac, 1780-1847) imprisoned (1804-1814) for his part in the conspiracy of Georges Cadoudal) - Grace madame accordee by her Majesty Napoleon Bonaparte a about Polignac for Armand Polignac son mari - in “” Histoire of the empire following the history of the consulate”” by Adolphe Thiers - 1879 - private collection, French School, (19th century) / Bridgeman Images

ID: XEE4150801

NAPOLEON Bonaparte (1769-1821), Emperor of France, granting Madame de Polignac the grace of her husband's life (Jules Armand (Jules-Armand), Prince de Polignac, 1780-1847) imprisoned (1804-1814) for his part in the conspiracy of Georges Cadoudal) - Grace madame accordee by her Majesty Napoleon Bonaparte a about Polignac for Armand Polignac son mari - in “” Histoire of the empire following the history of the consulate”” by Adolphe Thiers - 1879 - private collection

French School, (19th century)

Portrait of Philippe Guillery french thief, 1863 (engraving)
Portrait of Philippe Guillery french thief, 1863 (engraving)

XEE4150859: Portrait of Philippe Guillery french thief, 1863 (engraving), Anonymous / Bridgeman Images

ID: XEE4150859

Portrait of Philippe Guillery french thief, 1863 (engraving)

Anonymous

Portrait of Henri Coeffier de Ruze d'Effiat Marquis of Cinq-Mars, 1863 (engraving)
Portrait of Henri Coeffier de Ruze d'Effiat Marquis of Cinq-Mars, 1863 (engraving)

XEE4150889: Portrait of Henri Coeffier de Ruze d'Effiat Marquis of Cinq-Mars, 1863 (engraving), Anonymous / Bridgeman Images

ID: XEE4150889

Portrait of Henri Coeffier de Ruze d'Effiat Marquis of Cinq-Mars, 1863 (engraving)

Anonymous

Chlothar III or Clotaire III, King of the Franks from the house of the Merovingians, 1821 (engraving)
Chlothar III or Clotaire III, King of the Franks from the house of the Merovingians, 1821 (engraving)

XEE4153482: Chlothar III or Clotaire III, King of the Franks from the house of the Merovingians, 1821 (engraving), Anonymous / Bridgeman Images

ID: XEE4153482

Chlothar III or Clotaire III, King of the Franks from the house of the Merovingians, 1821 (engraving)

Anonymous

Telemaque being in the Champs Elisees is recognized by Arcesius - engraving of 1798 after Monnet in “Les Aventures de Telemaque, fils d'Ulysse” (The adventures of Telemachus) by Francois de Salignac de La Mothe-Fenelon dit Fenelon -
Telemaque being in the Champs Elisees is recognized by Arcesius - engraving of 1798 after Monnet in “Les Aventures de Telemaque, fils d'Ulysse” (The adventures of Telemachus) by Francois de Salignac de La Mothe-Fenelon dit Fenelon -

XEE4154230: Telemaque being in the Champs Elisees is recognized by Arcesius - engraving of 1798 after Monnet in “Les Aventures de Telemaque, fils d'Ulysse” (The adventures of Telemachus) by Francois de Salignac de La Mothe-Fenelon dit Fenelon -, French School, (18th century) / Bridgeman Images

ID: XEE4154230

Telemaque being in the Champs Elisees is recognized by Arcesius - engraving of 1798 after Monnet in “Les Aventures de Telemaque, fils d'Ulysse” (The adventures of Telemachus) by Francois de Salignac de La Mothe-Fenelon dit Fenelon -

French School, (18th century)

Portrait of Clovis III, King of the Francs from 691 to 695, 1821 (engraving)
Portrait of Clovis III, King of the Francs from 691 to 695, 1821 (engraving)

XEE4153478: Portrait of Clovis III, King of the Francs from 691 to 695, 1821 (engraving), Anonymous / Bridgeman Images

ID: XEE4153478

Portrait of Clovis III, King of the Francs from 691 to 695, 1821 (engraving)

Anonymous

Cartoon of Colonel Theodore Jung, 1880 (engraving)
Cartoon of Colonel Theodore Jung, 1880 (engraving)

XEE4154488: Cartoon of Colonel Theodore Jung, 1880 (engraving), Gill, Andre (1840-85) / Bridgeman Images

ID: XEE4154488

Cartoon of Colonel Theodore Jung, 1880 (engraving)

Gill, Andre (1840-85)

Cartoon of Charles Lepere 1823-1885, 1880 (engraving)
Cartoon of Charles Lepere 1823-1885, 1880 (engraving)

XEE4154501: Cartoon of Charles Lepere 1823-1885, 1880 (engraving), Gill, Andre (1840-85) / Bridgeman Images

ID: XEE4154501

Cartoon of Charles Lepere 1823-1885, 1880 (engraving)

Gill, Andre (1840-85)

Cartoon of Lucien Delabrousse, 1880 (engraving)
Cartoon of Lucien Delabrousse, 1880 (engraving)

XEE4154564: Cartoon of Lucien Delabrousse, 1880 (engraving), Demare, Henri (1846-88) / Bridgeman Images

ID: XEE4154564

Cartoon of Lucien Delabrousse, 1880 (engraving)

Demare, Henri (1846-88)

Maison Assyrienne - (Assyrian House, Universal Exhibition, Paris, 1889) engraving of 1889 in “Histoire de habitation humaine à l'Exposition Universelle de 1889, by Mr Charles GARNIER - Librairie centrale des beaux-arts Paris 1889
Maison Assyrienne - (Assyrian House, Universal Exhibition, Paris, 1889) engraving of 1889 in “Histoire de habitation humaine à l'Exposition Universelle de 1889, by Mr Charles GARNIER - Librairie centrale des beaux-arts Paris 1889

XEE4154049: Maison Assyrienne - (Assyrian House, Universal Exhibition, Paris, 1889) engraving of 1889 in “Histoire de habitation humaine à l'Exposition Universelle de 1889, by Mr Charles GARNIER - Librairie centrale des beaux-arts Paris 1889, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4154049

Maison Assyrienne - (Assyrian House, Universal Exhibition, Paris, 1889) engraving of 1889 in “Histoire de habitation humaine à l'Exposition Universelle de 1889, by Mr Charles GARNIER - Librairie centrale des beaux-arts Paris 1889

Unknown Artist, (19th century)

Maison Scandinavian (Scandinavian House) - engraving of 1889 in “Histoire de habitation humaine à l'Exposition Universelle de 1889, by Mr Charles GARNIER - Librairie centrale des beaux-arts Paris 1889
Maison Scandinavian (Scandinavian House) - engraving of 1889 in “Histoire de habitation humaine à l'Exposition Universelle de 1889, by Mr Charles GARNIER - Librairie centrale des beaux-arts Paris 1889

XEE4154069: Maison Scandinavian (Scandinavian House) - engraving of 1889 in “Histoire de habitation humaine à l'Exposition Universelle de 1889, by Mr Charles GARNIER - Librairie centrale des beaux-arts Paris 1889, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4154069

Maison Scandinavian (Scandinavian House) - engraving of 1889 in “Histoire de habitation humaine à l'Exposition Universelle de 1889, by Mr Charles GARNIER - Librairie centrale des beaux-arts Paris 1889

Unknown Artist, (19th century)


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