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The Evening Prayer for Muslims, drawing by Alfred Couverchel (1824-1867), to illustrate Commander V.Colomieu's journey to the Algerian Sahara in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
The Evening Prayer for Muslims, drawing by Alfred Couverchel (1824-1867), to illustrate Commander V.Colomieu's journey to the Algerian Sahara in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325109: The Evening Prayer for Muslims, drawing by Alfred Couverchel (1824-1867), to illustrate Commander V.Colomieu's journey to the Algerian Sahara in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Couverchel, Alfred (1824-1867) / Bridgeman Images

ID: LSE4325109

The Evening Prayer for Muslims, drawing by Alfred Couverchel (1824-1867), to illustrate Commander V.Colomieu's journey to the Algerian Sahara in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

Couverchel, Alfred (1824-1867)

Hostel courtyard in Chiang Ping Cheou. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Hostel courtyard in Chiang Ping Cheou. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325193: Hostel courtyard in Chiang Ping Cheou. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4325193

Hostel courtyard in Chiang Ping Cheou. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Bayard, Emile Antoine (1837-91)

The azulejos thieves (hand painted murals), in the Alhambra of Granada (built in 1238, enlarged in 1333-1354). A sketch made by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The azulejos thieves (hand painted murals), in the Alhambra of Granada (built in 1238, enlarged in 1333-1354). A sketch made by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325218: The azulejos thieves (hand painted murals), in the Alhambra of Granada (built in 1238, enlarged in 1333-1354). A sketch made by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

ID: LSE4325218

The azulejos thieves (hand painted murals), in the Alhambra of Granada (built in 1238, enlarged in 1333-1354). A sketch made by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Dore, Gustave (1832-83)

Un foyer d'auberge à Saint Cernin, engraving to illustrate a voyage to the volcanoes of central France in 1864, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
Un foyer d'auberge à Saint Cernin, engraving to illustrate a voyage to the volcanoes of central France in 1864, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325684: Un foyer d'auberge à Saint Cernin, engraving to illustrate a voyage to the volcanoes of central France in 1864, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4325684

Un foyer d'auberge à Saint Cernin, engraving to illustrate a voyage to the volcanoes of central France in 1864, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

Unknown Artist, (19th century)

Near the cataracts of the Rovuma (Mozambique), the fishing activities of the fish. Engravure to illustrate Dr. Livingstone's first voyages to Southern Africa from 1840 to 1856, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
Near the cataracts of the Rovuma (Mozambique), the fishing activities of the fish. Engravure to illustrate Dr. Livingstone's first voyages to Southern Africa from 1840 to 1856, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325735: Near the cataracts of the Rovuma (Mozambique), the fishing activities of the fish. Engravure to illustrate Dr. Livingstone's first voyages to Southern Africa from 1840 to 1856, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4325735

Near the cataracts of the Rovuma (Mozambique), the fishing activities of the fish. Engravure to illustrate Dr. Livingstone's first voyages to Southern Africa from 1840 to 1856, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

Unknown Artist, (19th century)

Cauda-yoli (cauda yoli), the annual Turcoman religious feast, to pray for God's protection for the family and the betail, organized by a family, which for the occasion can sacrifice about fifteen sheep, and to which the whole community is invited. Engraving to illustrate the story of Henri de Blocqueville “14 mois de captivite chez les turcomans”” between 1860 and 1861, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
Cauda-yoli (cauda yoli), the annual Turcoman religious feast, to pray for God's protection for the family and the betail, organized by a family, which for the occasion can sacrifice about fifteen sheep, and to which the whole community is invited. Engraving to illustrate the story of Henri de Blocqueville “14 mois de captivite chez les turcomans”” between 1860 and 1861, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325773: Cauda-yoli (cauda yoli), the annual Turcoman religious feast, to pray for God's protection for the family and the betail, organized by a family, which for the occasion can sacrifice about fifteen sheep, and to which the whole community is invited. Engraving to illustrate the story of Henri de Blocqueville “14 mois de captivite chez les turcomans”” between 1860 and 1861, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4325773

Cauda-yoli (cauda yoli), the annual Turcoman religious feast, to pray for God's protection for the family and the betail, organized by a family, which for the occasion can sacrifice about fifteen sheep, and to which the whole community is invited. Engraving to illustrate the story of Henri de Blocqueville “14 mois de captivite chez les turcomans”” between 1860 and 1861, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

Unknown Artist, (19th century)

Transport of a leaf and a flower of nymphea from Lake Nuna (perou), specimen reserve at P.Marcoy herbarium. Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
Transport of a leaf and a flower of nymphea from Lake Nuna (perou), specimen reserve at P.Marcoy herbarium. Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325598: Transport of a leaf and a flower of nymphea from Lake Nuna (perou), specimen reserve at P.Marcoy herbarium. Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325598

Transport of a leaf and a flower of nymphea from Lake Nuna (perou), specimen reserve at P.Marcoy herbarium. Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

Riou, Edouard (1833-1900)

Reassembly of empty wagons during the excavations of 1864 at Pompei, drawing by Emile Bayard (1837-1891), to illustrate Marc Monnier's text (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Reassembly of empty wagons during the excavations of 1864 at Pompei, drawing by Emile Bayard (1837-1891), to illustrate Marc Monnier's text (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325298: Reassembly of empty wagons during the excavations of 1864 at Pompei, drawing by Emile Bayard (1837-1891), to illustrate Marc Monnier's text (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4325298

Reassembly of empty wagons during the excavations of 1864 at Pompei, drawing by Emile Bayard (1837-1891), to illustrate Marc Monnier's text (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Bayard, Emile Antoine (1837-91)

The nap of the carriers of the port of Alicante, sketch made on the lively of Gustave Dore (1832-1883), to illustrate his journey to Spain, in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The nap of the carriers of the port of Alicante, sketch made on the lively of Gustave Dore (1832-1883), to illustrate his journey to Spain, in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325314: The nap of the carriers of the port of Alicante, sketch made on the lively of Gustave Dore (1832-1883), to illustrate his journey to Spain, in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

ID: LSE4325314

The nap of the carriers of the port of Alicante, sketch made on the lively of Gustave Dore (1832-1883), to illustrate his journey to Spain, in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Dore, Gustave (1832-83)

View of a cafe in La Marsa (Tunis), drawing by A.de Bar, to illustrate a trip to Tunis, in 1859, by Amable Crapelet. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
View of a cafe in La Marsa (Tunis), drawing by A.de Bar, to illustrate a trip to Tunis, in 1859, by Amable Crapelet. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325399: View of a cafe in La Marsa (Tunis), drawing by A.de Bar, to illustrate a trip to Tunis, in 1859, by Amable Crapelet. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Bar, Alexandre de (1821-1901) (after) / Bridgeman Images

ID: LSE4325399

View of a cafe in La Marsa (Tunis), drawing by A.de Bar, to illustrate a trip to Tunis, in 1859, by Amable Crapelet. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

Bar, Alexandre de (1821-1901) (after)

The celebration of the Christmas feast in Sarayacu (Peru), the Christmas queen carries the child Jesus in a basket, and accompanied by two following, she presents the child to all the houses of the village, drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The celebration of the Christmas feast in Sarayacu (Peru), the Christmas queen carries the child Jesus in a basket, and accompanied by two following, she presents the child to all the houses of the village, drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325438: The celebration of the Christmas feast in Sarayacu (Peru), the Christmas queen carries the child Jesus in a basket, and accompanied by two following, she presents the child to all the houses of the village, drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325438

The celebration of the Christmas feast in Sarayacu (Peru), the Christmas queen carries the child Jesus in a basket, and accompanied by two following, she presents the child to all the houses of the village, drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

Riou, Edouard (1833-1900)

Inside a Turkish tent (Turkmena, Iraq), home to a family, with a barhchi (musician, storyteller) accompanied by the dutare to sing or recite poetry, these artists are very caught. Engraving to illustrate the story of Henri de Blocqueville “14 mois de captivite chez les turcomans”” between 1860 and 1861, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
Inside a Turkish tent (Turkmena, Iraq), home to a family, with a barhchi (musician, storyteller) accompanied by the dutare to sing or recite poetry, these artists are very caught. Engraving to illustrate the story of Henri de Blocqueville “14 mois de captivite chez les turcomans”” between 1860 and 1861, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325787: Inside a Turkish tent (Turkmena, Iraq), home to a family, with a barhchi (musician, storyteller) accompanied by the dutare to sing or recite poetry, these artists are very caught. Engraving to illustrate the story of Henri de Blocqueville “14 mois de captivite chez les turcomans”” between 1860 and 1861, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4325787

Inside a Turkish tent (Turkmena, Iraq), home to a family, with a barhchi (musician, storyteller) accompanied by the dutare to sing or recite poetry, these artists are very caught. Engraving to illustrate the story of Henri de Blocqueville “14 mois de captivite chez les turcomans”” between 1860 and 1861, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

Unknown Artist, (19th century)

An air ferry, path above the valles, a kind of string basket is suspended from a rope, for the transport of men and materials, its displacement is done by the strength of the arms, pulling the suspension rope. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
An air ferry, path above the valles, a kind of string basket is suspended from a rope, for the transport of men and materials, its displacement is done by the strength of the arms, pulling the suspension rope. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325834: An air ferry, path above the valles, a kind of string basket is suspended from a rope, for the transport of men and materials, its displacement is done by the strength of the arms, pulling the suspension rope. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4325834

An air ferry, path above the valles, a kind of string basket is suspended from a rope, for the transport of men and materials, its displacement is done by the strength of the arms, pulling the suspension rope. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

Unknown Artist, (19th century)

Actors and dancers of the Mikado court in stage costume. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
Actors and dancers of the Mikado court in stage costume. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325879: Actors and dancers of the Mikado court in stage costume. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4325879

Actors and dancers of the Mikado court in stage costume. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

French School, (19th century)

The bedroom of the Christian mission of San Jose (Peru), which welcomes the author during his journey. Engravure to illustrate the voyage from the Ocean Pacific to L'Ocean Atlantique, through South America, in 1848-1860 by Paul Marcoy, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
The bedroom of the Christian mission of San Jose (Peru), which welcomes the author during his journey. Engravure to illustrate the voyage from the Ocean Pacific to L'Ocean Atlantique, through South America, in 1848-1860 by Paul Marcoy, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325929: The bedroom of the Christian mission of San Jose (Peru), which welcomes the author during his journey. Engravure to illustrate the voyage from the Ocean Pacific to L'Ocean Atlantique, through South America, in 1848-1860 by Paul Marcoy, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4325929

The bedroom of the Christian mission of San Jose (Peru), which welcomes the author during his journey. Engravure to illustrate the voyage from the Ocean Pacific to L'Ocean Atlantique, through South America, in 1848-1860 by Paul Marcoy, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

Unknown Artist, (19th century)

Rice cultivation: last step, with the help of the flower and mill, the rice grains are separated from their stem and husk, then carefully stored in boxes of braided straw. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
Rice cultivation: last step, with the help of the flower and mill, the rice grains are separated from their stem and husk, then carefully stored in boxes of braided straw. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325850: Rice cultivation: last step, with the help of the flower and mill, the rice grains are separated from their stem and husk, then carefully stored in boxes of braided straw. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4325850

Rice cultivation: last step, with the help of the flower and mill, the rice grains are separated from their stem and husk, then carefully stored in boxes of braided straw. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

Unknown Artist, (19th century)

Letter R: Race Horse in
Letter R: Race Horse in

DUV4215813: Letter R: Race Horse in "Alphabet of Horses and Dogs", 1887 (chromolithograph) / Bridgeman Images

ID: DUV4215813

Letter R: Race Horse in "Alphabet of Horses and Dogs", 1887 (chromolithograph)

Grece - Alphabet des armoiries et pavillons (Coat of Arms Flags) c.1880 (lithograph)
Grece - Alphabet des armoiries et pavillons (Coat of Arms Flags) c.1880 (lithograph)

DUV4216044: Grece - Alphabet des armoiries et pavillons (Coat of Arms Flags) c.1880 (lithograph), French School, (19th century) / Bridgeman Images

ID: DUV4216044

Grece - Alphabet des armoiries et pavillons (Coat of Arms Flags) c.1880 (lithograph)

French School, (19th century)

Bresil - Brazil - Alphabet des armoiries et pavillons vers 1880 (Coat of Arms Flags)
Bresil - Brazil - Alphabet des armoiries et pavillons vers 1880 (Coat of Arms Flags)

DUV4216090: Bresil - Brazil - Alphabet des armoiries et pavillons vers 1880 (Coat of Arms Flags), French School, (19th century) / Bridgeman Images

ID: DUV4216090

Bresil - Brazil - Alphabet des armoiries et pavillons vers 1880 (Coat of Arms Flags)

French School, (19th century)

Guatemala - Alphabet des armoiries et pavillons (Coat of Arms Flags) c.1880 (lithograph)
Guatemala - Alphabet des armoiries et pavillons (Coat of Arms Flags) c.1880 (lithograph)

DUV4216040: Guatemala - Alphabet des armoiries et pavillons (Coat of Arms Flags) c.1880 (lithograph), French School, (19th century) / Bridgeman Images

ID: DUV4216040

Guatemala - Alphabet des armoiries et pavillons (Coat of Arms Flags) c.1880 (lithograph)

French School, (19th century)

Etats Unis - Alphabet des armoiries et pavillons (Coat of Arms Flags) c.1880 (lithograph)
Etats Unis - Alphabet des armoiries et pavillons (Coat of Arms Flags) c.1880 (lithograph)

DUV4216060: Etats Unis - Alphabet des armoiries et pavillons (Coat of Arms Flags) c.1880 (lithograph), French School, (19th century) / Bridgeman Images

ID: DUV4216060

Etats Unis - Alphabet des armoiries et pavillons (Coat of Arms Flags) c.1880 (lithograph)

French School, (19th century)

Angleterre - England - Alphabet des armoiries et pavillons vers 1880 (Coat of Arms Flags)
Angleterre - England - Alphabet des armoiries et pavillons vers 1880 (Coat of Arms Flags)

DUV4216105: Angleterre - England - Alphabet des armoiries et pavillons vers 1880 (Coat of Arms Flags), French School, (19th century) / Bridgeman Images

ID: DUV4216105

Angleterre - England - Alphabet des armoiries et pavillons vers 1880 (Coat of Arms Flags)

French School, (19th century)

Letter X: The unknown. Mr. Marinier's artistic alphabet, late 19th century (chromolithograph)
Letter X: The unknown. Mr. Marinier's artistic alphabet, late 19th century (chromolithograph)

DUV4216755: Letter X: The unknown. Mr. Marinier's artistic alphabet, late 19th century (chromolithograph) / Bridgeman Images

ID: DUV4216755

Letter X: The unknown. Mr. Marinier's artistic alphabet, late 19th century (chromolithograph)

Letter C: Hello, Mr. Marinier's artistic alphabet, late 19th century (chromolithograph)
Letter C: Hello, Mr. Marinier's artistic alphabet, late 19th century (chromolithograph)

DUV4216814: Letter C: Hello, Mr. Marinier's artistic alphabet, late 19th century (chromolithograph) / Bridgeman Images

ID: DUV4216814

Letter C: Hello, Mr. Marinier's artistic alphabet, late 19th century (chromolithograph)

Pirate. Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection
Pirate. Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection

DUV4211924: Pirate. Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection, French School, (19th century) / Bridgeman Images

ID: DUV4211924

Pirate. Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection

French School, (19th century)

Book title page
Book title page

DUV4212067: Book title page "Alphabet of good examples"”. Jules Levy, editor. Illustrations by Henri Boulanger, a.k.a. Henri Gray . Texts by Mrs. P. Boulanger. Engraving and printing by Ch. Gillot, 79 rue Madame, Paris. Around 1890. Find in each image the illustrious words. 62 pages. Dim: 18,5x16,2cm, Gray, Henri (Boulanger) (1858-1924) / Bridgeman Images

ID: DUV4212067

Book title page "Alphabet of good examples"”. Jules Levy, editor. Illustrations by Henri Boulanger, a.k.a. Henri Gray . Texts by Mrs. P. Boulanger. Engraving and printing by Ch. Gillot, 79 rue Madame, Paris. Around 1890. Find in each image the illustrious words. 62 pages. Dim: 18,5x16,2cm

Gray, Henri (Boulanger) (1858-1924)

Voila ce qu'il vient de paraitre. Chat et oiseau vendant le present livre pour six sous. Vignettes illustrees par JJ Granville . Gravure signee Andrew, Best et Leloir dans le prologue intitule
Voila ce qu'il vient de paraitre. Chat et oiseau vendant le present livre pour six sous. Vignettes illustrees par JJ Granville . Gravure signee Andrew, Best et Leloir dans le prologue intitule

DUV4212140: Voila ce qu'il vient de paraitre. Chat et oiseau vendant le present livre pour six sous. Vignettes illustrees par JJ Granville . Gravure signee Andrew, Best et Leloir dans le prologue intitule "Resume parlementaire" ecrit par PJ Stahl in "Scenes de la vie privee et publique des animaux". Paris, J. Hetzel et Paulin, 1842. Etudes de moeurs contemporaines publiees sous la direction de P.-J. Stahl, Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: DUV4212140

Voila ce qu'il vient de paraitre. Chat et oiseau vendant le present livre pour six sous. Vignettes illustrees par JJ Granville . Gravure signee Andrew, Best et Leloir dans le prologue intitule "Resume parlementaire" ecrit par PJ Stahl in "Scenes de la vie privee et publique des animaux". Paris, J. Hetzel et Paulin, 1842. Etudes de moeurs contemporaines publiees sous la direction de P.-J. Stahl

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Watchmaker. Engraving in
Watchmaker. Engraving in

DUV4211629: Watchmaker. Engraving in "Alphabet des metiers"”. In Lille, at Castiaux , Bookseller. Imprimerie de Blocquel . Plate no. 528. First half of the 19th century. Dim: 43,5x26,5cm, French School, (19th century) / Bridgeman Images

ID: DUV4211629

Watchmaker. Engraving in "Alphabet des metiers"”. In Lille, at Castiaux , Bookseller. Imprimerie de Blocquel . Plate no. 528. First half of the 19th century. Dim: 43,5x26,5cm

French School, (19th century)

Tourlourou. Engraving in
Tourlourou. Engraving in

DUV4211746: Tourlourou. Engraving in "Caricatures-Singeries". Imp. lith. Pellerin et Cie a Epinal, patented suppliers of S.M. L'Imperatrice. Second half of the 19th century. Plate n.158. Dim: 41,5x27,5 cm, French School, (19th century) / Bridgeman Images

ID: DUV4211746

Tourlourou. Engraving in "Caricatures-Singeries". Imp. lith. Pellerin et Cie a Epinal, patented suppliers of S.M. L'Imperatrice. Second half of the 19th century. Plate n.158. Dim: 41,5x27,5 cm

French School, (19th century)

Chinese. Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection
Chinese. Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection

DUV4211804: Chinese. Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection, French School, (19th century) / Bridgeman Images

ID: DUV4211804

Chinese. Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection

French School, (19th century)

The Esmeralda dancing with her goat (illustration of Victor Hugo's novel “Notre Dame de Paris” published in 1831). Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection
The Esmeralda dancing with her goat (illustration of Victor Hugo's novel “Notre Dame de Paris” published in 1831). Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection

DUV4211832: The Esmeralda dancing with her goat (illustration of Victor Hugo's novel “Notre Dame de Paris” published in 1831). Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection, French School, (19th century) / Bridgeman Images

ID: DUV4211832

The Esmeralda dancing with her goat (illustration of Victor Hugo's novel “Notre Dame de Paris” published in 1831). Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection

French School, (19th century)

Guillaume Tel (legendary character, heros of Switzerland's independence). Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection
Guillaume Tel (legendary character, heros of Switzerland's independence). Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection

DUV4211859: Guillaume Tel (legendary character, heros of Switzerland's independence). Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection, French School, (19th century) / Bridgeman Images

ID: DUV4211859

Guillaume Tel (legendary character, heros of Switzerland's independence). Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection

French School, (19th century)

Swiss peasant. Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection
Swiss peasant. Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection

DUV4211915: Swiss peasant. Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection, French School, (19th century) / Bridgeman Images

ID: DUV4211915

Swiss peasant. Engraving in “” Characters and Costumes vary””. New Epinal Imaging. Imp. lith. Pinot et Sagaire, booksellers publishing at Epinal. Plate Ná411. Stencilled lithographs. Around 1850. Dim: 41 x 28 cm. Private Collection

French School, (19th century)

Cover of the book
Cover of the book

DUV4211975: Cover of the book "Alphabet of good examples"”. Jules Levy, editor. Illustrations by Henri Boulanger, a.k.a. Henri Gray . Texts by Mrs. P. Boulanger. Engraving and printing by Ch. Gillot, 79 rue Madame, Paris. Around 1890. Find in each image the illustrious words. 62 pages. Dim: 18,5x16,2cm, Gray, Henri (Boulanger) (1858-1924) / Bridgeman Images

ID: DUV4211975

Cover of the book "Alphabet of good examples"”. Jules Levy, editor. Illustrations by Henri Boulanger, a.k.a. Henri Gray . Texts by Mrs. P. Boulanger. Engraving and printing by Ch. Gillot, 79 rue Madame, Paris. Around 1890. Find in each image the illustrious words. 62 pages. Dim: 18,5x16,2cm

Gray, Henri (Boulanger) (1858-1924)

Illustration for
Illustration for

DUV4212016: Illustration for "Alphabet of good examples", c.1890 (engraving), Gray, Henri (Boulanger) (1858-1924) / Bridgeman Images

ID: DUV4212016

Illustration for "Alphabet of good examples", c.1890 (engraving)

Gray, Henri (Boulanger) (1858-1924)

Illustration for
Illustration for

DUV4212055: Illustration for "Alphabet of good examples", c.1890 (engraving), Gray, Henri (Boulanger) (1858-1924) / Bridgeman Images

ID: DUV4212055

Illustration for "Alphabet of good examples", c.1890 (engraving)

Gray, Henri (Boulanger) (1858-1924)


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