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Battle of Andrinople or Adrianople (today Edirne in Turkey) on 9/08/378 (The Battle of Adrianople (9 August 378), sometimes known as the Battle of Hadrianopolis, was fought between an Eastern Roman army led by the Eastern Roman Emperor Valens and Gothic rebels (largely Thervings as well as Greutungs, Non-Gothic Alans, and various local rebels) led by Fritigern) Engraving from “Storia di Roma” by Francesco Bertolini
Battle of Andrinople or Adrianople (today Edirne in Turkey) on 9/08/378 (The Battle of Adrianople (9 August 378), sometimes known as the Battle of Hadrianopolis, was fought between an Eastern Roman army led by the Eastern Roman Emperor Valens and Gothic rebels (largely Thervings as well as Greutungs, Non-Gothic Alans, and various local rebels) led by Fritigern) Engraving from “Storia di Roma” by Francesco Bertolini

ELD4962619: Battle of Andrinople or Adrianople (today Edirne in Turkey) on 9/08/378 (The Battle of Adrianople (9 August 378), sometimes known as the Battle of Hadrianopolis, was fought between an Eastern Roman army led by the Eastern Roman Emperor Valens and Gothic rebels (largely Thervings as well as Greutungs, Non-Gothic Alans, and various local rebels) led by Fritigern) Engraving from “Storia di Roma” by Francesco Bertolini / Bridgeman Images

ID: ELD4962619

Battle of Andrinople or Adrianople (today Edirne in Turkey) on 9/08/378 (The Battle of Adrianople (9 August 378), sometimes known as the Battle of Hadrianopolis, was fought between an Eastern Roman army led by the Eastern Roman Emperor Valens and Gothic rebels (largely Thervings as well as Greutungs, Non-Gothic Alans, and various local rebels) led by Fritigern) Engraving from “Storia di Roma” by Francesco Bertolini

The breakfast in Berneval, 1898 (oil on canvas)
The breakfast in Berneval, 1898 (oil on canvas)

JLJ4657065: The breakfast in Berneval, 1898 (oil on canvas), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

ID: JLJ4657065

The breakfast in Berneval, 1898 (oil on canvas)

Renoir, Pierre Auguste (1841-1919)

First World War (1914-1918): poster, for the national loan, 1916 (engraving)
First World War (1914-1918): poster, for the national loan, 1916 (engraving)

JLJ4656774: First World War (1914-1918): poster, for the national loan, 1916 (engraving), Faivre, Jules Abel (1867-1945) / Bridgeman Images

ID: JLJ4656774

First World War (1914-1918): poster, for the national loan, 1916 (engraving)

Faivre, Jules Abel (1867-1945)

View of the museum (cabinet) of curiosities (encyclopedic museum) of the pharmacist Ferrante Imperato (1550 - 1631). Engraving from 1678. Museum of the Neapolitan apothecary Ferrante Imperato.
View of the museum (cabinet) of curiosities (encyclopedic museum) of the pharmacist Ferrante Imperato (1550 - 1631). Engraving from 1678. Museum of the Neapolitan apothecary Ferrante Imperato.

GIA4790900: View of the museum (cabinet) of curiosities (encyclopedic museum) of the pharmacist Ferrante Imperato (1550 - 1631). Engraving from 1678. Museum of the Neapolitan apothecary Ferrante Imperato., Unknown Artist, (17th century) / Bridgeman Images

ID: GIA4790900

View of the museum (cabinet) of curiosities (encyclopedic museum) of the pharmacist Ferrante Imperato (1550 - 1631). Engraving from 1678. Museum of the Neapolitan apothecary Ferrante Imperato.

Unknown Artist, (17th century)

The Frog who wants to get as big as the Beef. Fables by Jean de La Fontaine (1621-95). Illustration by François Chauveau (1613-1676). Edition of 1728.
The Frog who wants to get as big as the Beef. Fables by Jean de La Fontaine (1621-95). Illustration by François Chauveau (1613-1676). Edition of 1728.

GIA4781928: The Frog who wants to get as big as the Beef. Fables by Jean de La Fontaine (1621-95). Illustration by François Chauveau (1613-1676). Edition of 1728., Chauveau, Francois (1613-76) / Bridgeman Images

ID: GIA4781928

The Frog who wants to get as big as the Beef. Fables by Jean de La Fontaine (1621-95). Illustration by François Chauveau (1613-1676). Edition of 1728.

Chauveau, Francois (1613-76)

Portrait of Andrea Verrocchio (1435-1488) Italian painter. Colouring engraving from the painting by Lorenzo di Credi (1458-1537).
Portrait of Andrea Verrocchio (1435-1488) Italian painter. Colouring engraving from the painting by Lorenzo di Credi (1458-1537).

GIA4782108: Portrait of Andrea Verrocchio (1435-1488) Italian painter. Colouring engraving from the painting by Lorenzo di Credi (1458-1537)., Unknown Artist / Bridgeman Images

ID: GIA4782108

Portrait of Andrea Verrocchio (1435-1488) Italian painter. Colouring engraving from the painting by Lorenzo di Credi (1458-1537).

Unknown Artist

Illustration of the novel “” Madame Bovary”” by Gustave Flaubert (1821-1880). Illustration by Albert Fourie (1854-1937).
Illustration of the novel “” Madame Bovary”” by Gustave Flaubert (1821-1880). Illustration by Albert Fourie (1854-1937).

GIA4807777: Illustration of the novel “” Madame Bovary”” by Gustave Flaubert (1821-1880). Illustration by Albert Fourie (1854-1937)., Fourie, Albert-Auguste (1854-96) / Bridgeman Images

ID: GIA4807777

Illustration of the novel “” Madame Bovary”” by Gustave Flaubert (1821-1880). Illustration by Albert Fourie (1854-1937).

Fourie, Albert-Auguste (1854-96)

Gottfried Wilhelm Leibniz (1646-1716) visiting Queen Sophie Charlotte of Prussia (Sophie-Charlotte of Hannover, 1668-1705) in 1700.
Gottfried Wilhelm Leibniz (1646-1716) visiting Queen Sophie Charlotte of Prussia (Sophie-Charlotte of Hannover, 1668-1705) in 1700.

GIA4730135: Gottfried Wilhelm Leibniz (1646-1716) visiting Queen Sophie Charlotte of Prussia (Sophie-Charlotte of Hannover, 1668-1705) in 1700., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4730135

Gottfried Wilhelm Leibniz (1646-1716) visiting Queen Sophie Charlotte of Prussia (Sophie-Charlotte of Hannover, 1668-1705) in 1700.

Unknown Artist, (19th century)

Portrait of Jean Anthelme Brillat Savarin (Brillat-Savarin) (1755-1826) gastronome, French magistrate and writer (1755-1826), author of the Physiologie du gout (1826), collection of reflexions on the pleasures of the table.
Portrait of Jean Anthelme Brillat Savarin (Brillat-Savarin) (1755-1826) gastronome, French magistrate and writer (1755-1826), author of the Physiologie du gout (1826), collection of reflexions on the pleasures of the table.

GIA4806159: Portrait of Jean Anthelme Brillat Savarin (Brillat-Savarin) (1755-1826) gastronome, French magistrate and writer (1755-1826), author of the Physiologie du gout (1826), collection of reflexions on the pleasures of the table., Unknown Artist / Bridgeman Images

ID: GIA4806159

Portrait of Jean Anthelme Brillat Savarin (Brillat-Savarin) (1755-1826) gastronome, French magistrate and writer (1755-1826), author of the Physiologie du gout (1826), collection of reflexions on the pleasures of the table.

Unknown Artist

Guglielmo Marconi (1874-1937), inventor of the telegraph, with his assistant, Kemp, during the first transatlantic transmission in 1901.
Guglielmo Marconi (1874-1937), inventor of the telegraph, with his assistant, Kemp, during the first transatlantic transmission in 1901.

GIA4804487: Guglielmo Marconi (1874-1937), inventor of the telegraph, with his assistant, Kemp, during the first transatlantic transmission in 1901. / Bridgeman Images

ID: GIA4804487

Guglielmo Marconi (1874-1937), inventor of the telegraph, with his assistant, Kemp, during the first transatlantic transmission in 1901.

Jean Sebastien Bach (Johann Sebastian Bach, 1685-1750) at the harpsichord with his family - in “” Harper's weekly””.
Jean Sebastien Bach (Johann Sebastian Bach, 1685-1750) at the harpsichord with his family - in “” Harper's weekly””.

GIA4787392: Jean Sebastien Bach (Johann Sebastian Bach, 1685-1750) at the harpsichord with his family - in “” Harper's weekly””., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4787392

Jean Sebastien Bach (Johann Sebastian Bach, 1685-1750) at the harpsichord with his family - in “” Harper's weekly””.

Unknown Artist, (19th century)

The general strike in Milan: thousands of workers gathered at the Arena. Ill. d'A. Beltrame.
The general strike in Milan: thousands of workers gathered at the Arena. Ill. d'A. Beltrame.

GIA4766296: The general strike in Milan: thousands of workers gathered at the Arena. Ill. d'A. Beltrame. "La Domenica del Corriere", 1904., Beltrame, Achille (1871-1945) / Bridgeman Images

ID: GIA4766296

The general strike in Milan: thousands of workers gathered at the Arena. Ill. d'A. Beltrame. "La Domenica del Corriere", 1904.

Beltrame, Achille (1871-1945)

A scholar - on the wall, one of the first representation of a pendulum (letter “” g”). 15th century manuscript.
A scholar - on the wall, one of the first representation of a pendulum (letter “” g”). 15th century manuscript.

GIA4815313: A scholar - on the wall, one of the first representation of a pendulum (letter “” g”). 15th century manuscript., Unknown Artist, (15th century) / Bridgeman Images

ID: GIA4815313

A scholar - on the wall, one of the first representation of a pendulum (letter “” g”). 15th century manuscript.

Unknown Artist, (15th century)

Anatomy chart by Galen
Anatomy chart by Galen

BYD3892962: Anatomy chart by Galen / Bridgeman Images

ID: BYD3892962

Anatomy chart by Galen

The rabbits (Les lapins) - Fables by La Fontaine, 19th century (engraving)
The rabbits (Les lapins) - Fables by La Fontaine, 19th century (engraving)

DUV4215112: The rabbits (Les lapins) - Fables by La Fontaine, 19th century (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: DUV4215112

The rabbits (Les lapins) - Fables by La Fontaine, 19th century (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Corporal punishment in China: the accused is sentenced for a crime against the Chinese Empire, c.1801 (engraving)
Corporal punishment in China: the accused is sentenced for a crime against the Chinese Empire, c.1801 (engraving)

LSE4311340: Corporal punishment in China: the accused is sentenced for a crime against the Chinese Empire, c.1801 (engraving), Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4311340

Corporal punishment in China: the accused is sentenced for a crime against the Chinese Empire, c.1801 (engraving)

Unknown Artist, (19th century)

Ostracism in Ancient Greece: “” Aristide and the Peasant”” An illiterate peasant who does not recognize the Athenian statesman Aristide the Just (530-467 BC), strikes with ostracism, asks him to write his name for himself on a chess, 483 BC Engraving after the painting by Eugene Ernest Hillemacher (O18-1887) (Stracism during the athenian democracy: the athenian stateman Aristides (530 BC - 468 BC) is asked by an illiterate voter, who did not know him, to write upon his ostrakon (voting shard) the name of Aristides (Aristeides) engraving after Hillemacher) Engraving from “” Les grandes infortunes”” by Changer and Spont, 19th century Private collection
Ostracism in Ancient Greece: “” Aristide and the Peasant”” An illiterate peasant who does not recognize the Athenian statesman Aristide the Just (530-467 BC), strikes with ostracism, asks him to write his name for himself on a chess, 483 BC Engraving after the painting by Eugene Ernest Hillemacher (O18-1887) (Stracism during the athenian democracy: the athenian stateman Aristides (530 BC - 468 BC) is asked by an illiterate voter, who did not know him, to write upon his ostrakon (voting shard) the name of Aristides (Aristeides) engraving after Hillemacher) Engraving from “” Les grandes infortunes”” by Changer and Spont, 19th century Private collection

ELD4897814: Ostracism in Ancient Greece: “” Aristide and the Peasant”” An illiterate peasant who does not recognize the Athenian statesman Aristide the Just (530-467 BC), strikes with ostracism, asks him to write his name for himself on a chess, 483 BC Engraving after the painting by Eugene Ernest Hillemacher (O18-1887) (Stracism during the athenian democracy: the athenian stateman Aristides (530 BC - 468 BC) is asked by an illiterate voter, who did not know him, to write upon his ostrakon (voting shard) the name of Aristides (Aristeides) engraving after Hillemacher) Engraving from “” Les grandes infortunes”” by Changer and Spont, 19th century Private collection / Bridgeman Images

ID: ELD4897814

Ostracism in Ancient Greece: “” Aristide and the Peasant”” An illiterate peasant who does not recognize the Athenian statesman Aristide the Just (530-467 BC), strikes with ostracism, asks him to write his name for himself on a chess, 483 BC Engraving after the painting by Eugene Ernest Hillemacher (O18-1887) (Stracism during the athenian democracy: the athenian stateman Aristides (530 BC - 468 BC) is asked by an illiterate voter, who did not know him, to write upon his ostrakon (voting shard) the name of Aristides (Aristeides) engraving after Hillemacher) Engraving from “” Les grandes infortunes”” by Changer and Spont, 19th century Private collection

The Poplars In Giverny (France), Sunrise, 1888 (oil on canvas)
The Poplars In Giverny (France), Sunrise, 1888 (oil on canvas)

FIA5377702: The Poplars In Giverny (France), Sunrise, 1888 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: FIA5377702

The Poplars In Giverny (France), Sunrise, 1888 (oil on canvas)

Monet, Claude (1840-1926)

Autoportrait avec pipe. 1908
Autoportrait avec pipe. 1908

IBE5379480: Autoportrait avec pipe. 1908, Bonnard, Pierre (1867-1947) / Bridgeman Images

ID: IBE5379480

Autoportrait avec pipe. 1908

Bonnard, Pierre (1867-1947)

Utopiae Insulae Figura' (Map of the New Island of Utopia) from the 1516 first edition of 'Utopia' by Sir Thomas More (1478-1535) Woodcut shows the fictional island on which an ideal society was found by Raphael Hythloday.
Utopiae Insulae Figura' (Map of the New Island of Utopia) from the 1516 first edition of 'Utopia' by Sir Thomas More (1478-1535) Woodcut shows the fictional island on which an ideal society was found by Raphael Hythloday.

AFF5615728: Utopiae Insulae Figura' (Map of the New Island of Utopia) from the 1516 first edition of 'Utopia' by Sir Thomas More (1478-1535) Woodcut shows the fictional island on which an ideal society was found by Raphael Hythloday., Unknown Artist, (16th century) / Bridgeman Images

ID: AFF5615728

Utopiae Insulae Figura' (Map of the New Island of Utopia) from the 1516 first edition of 'Utopia' by Sir Thomas More (1478-1535) Woodcut shows the fictional island on which an ideal society was found by Raphael Hythloday.

Unknown Artist, (16th century)

The parting of the Red Sea (colour litho)
The parting of the Red Sea (colour litho)

LLM5226700: The parting of the Red Sea (colour litho), Fugel, Gebhard (1863-1939) / Bridgeman Images

ID: LLM5226700

The parting of the Red Sea (colour litho)

Fugel, Gebhard (1863-1939)

Portrait of Ibrahim Pasha statesman and general Egyptian (Ibrahim Pasha of Egypt (1789-1848)), 1846 (engraving)
Portrait of Ibrahim Pasha statesman and general Egyptian (Ibrahim Pasha of Egypt (1789-1848)), 1846 (engraving)

FIA5396007: Portrait of Ibrahim Pasha statesman and general Egyptian (Ibrahim Pasha of Egypt (1789-1848)), 1846 (engraving), Laporte, George Henry (1799-1873) / Bridgeman Images

ID: FIA5396007

Portrait of Ibrahim Pasha statesman and general Egyptian (Ibrahim Pasha of Egypt (1789-1848)), 1846 (engraving)

Laporte, George Henry (1799-1873)

Portrait of Amedeo Modigliani, anonymous photographer, 1918 (b/w photo)
Portrait of Amedeo Modigliani, anonymous photographer, 1918 (b/w photo)

FIA5405998: Portrait of Amedeo Modigliani, anonymous photographer, 1918 (b/w photo), Vaux, Marc (1895-1971) / Bridgeman Images

ID: FIA5405998

Portrait of Amedeo Modigliani, anonymous photographer, 1918 (b/w photo)

Vaux, Marc (1895-1971)

Archimedes (chromolitho)
Archimedes (chromolitho)

LLM2802552: Archimedes (chromolitho), American School, (19th century) / Bridgeman Images

ID: LLM2802552

Archimedes (chromolitho)

American School, (19th century)

Gerf Husein (colour litho)
Gerf Husein (colour litho)

LLM6023346: Gerf Husein (colour litho), Du Cane, Ella (1874-1943) / Bridgeman Images

ID: LLM6023346

Gerf Husein (colour litho)

Du Cane, Ella (1874-1943)

George Washington crossing the Delaware during the American War of Independence, 25 December 1776 (chromolitho)
George Washington crossing the Delaware during the American War of Independence, 25 December 1776 (chromolitho)

LLE6029901: George Washington crossing the Delaware during the American War of Independence, 25 December 1776 (chromolitho), Leutze, Emanuel Gottlieb (1816-68) (after) / Bridgeman Images

ID: LLE6029901

George Washington crossing the Delaware during the American War of Independence, 25 December 1776 (chromolitho)

Leutze, Emanuel Gottlieb (1816-68) (after)

First modern Olympic Games, Athens, 1896 (b/w photo)
First modern Olympic Games, Athens, 1896 (b/w photo)

LLM5998036: First modern Olympic Games, Athens, 1896 (b/w photo), European Photographer, (19th century) / Bridgeman Images

ID: LLM5998036

First modern Olympic Games, Athens, 1896 (b/w photo)

European Photographer, (19th century)

Portrait of Mary Torr, 1924 (oil on canvas)
Portrait of Mary Torr, 1924 (oil on canvas)

SBY6424397: Portrait of Mary Torr, 1924 (oil on canvas), Hamnett, Nina (1890-1956) / Bridgeman Images

ID: SBY6424397

Portrait of Mary Torr, 1924 (oil on canvas)

Hamnett, Nina (1890-1956)

Holbein’s Dance of Death: The King (engraving)
Holbein’s Dance of Death: The King (engraving)

LLM5221180: Holbein’s Dance of Death: The King (engraving), Holbein the Younger, Hans (1497/8-1543) (after) / Bridgeman Images

ID: LLM5221180

Holbein’s Dance of Death: The King (engraving)

Holbein the Younger, Hans (1497/8-1543) (after)

Athene, 1929 (litho)
Athene, 1929 (litho)

DGC3060290: Athene, 1929 (litho), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

ID: DGC3060290

Athene, 1929 (litho)

Wyeth, Newell Convers (1882-1945)

Catholic town in 1440 and the same town in 1840 (engraving)
Catholic town in 1440 and the same town in 1840 (engraving)

XJF3058208: Catholic town in 1440 and the same town in 1840 (engraving), Pugin, Augustus Welby (1812-52) / Bridgeman Images

ID: XJF3058208

Catholic town in 1440 and the same town in 1840 (engraving)

Pugin, Augustus Welby (1812-52)

Les Miserables, novel by Victor Hugo. 1899 (poster)
Les Miserables, novel by Victor Hugo. 1899 (poster)

CCI6437692: Les Miserables, novel by Victor Hugo. 1899 (poster), Cheret, Jules (1836-1932) / Bridgeman Images

ID: CCI6437692

Les Miserables, novel by Victor Hugo. 1899 (poster)

Cheret, Jules (1836-1932)

Blue tailed birds among the blossom from Bunrei Kacho Gafu, pub. 1885, (w/c and ink)
Blue tailed birds among the blossom from Bunrei Kacho Gafu, pub. 1885, (w/c and ink)

ILL45513: Blue tailed birds among the blossom from Bunrei Kacho Gafu, pub. 1885, (w/c and ink), Bairei, Kono (1844-95) / Bridgeman Images

ID: ILL45513

Blue tailed birds among the blossom from Bunrei Kacho Gafu, pub. 1885, (w/c and ink)

Bairei, Kono (1844-95)

Ideal Portrait of Aristotle (384-322 BC), copy of an illustration from 'Aristoteles cum Leonardi Aretini Commentariis', Venice 1516, used in a 'History of Magic', published late 19th century (woodcut)
Ideal Portrait of Aristotle (384-322 BC), copy of an illustration from 'Aristoteles cum Leonardi Aretini Commentariis', Venice 1516, used in a 'History of Magic', published late 19th century (woodcut)

STC202575: Ideal Portrait of Aristotle (384-322 BC), copy of an illustration from 'Aristoteles cum Leonardi Aretini Commentariis', Venice 1516, used in a 'History of Magic', published late 19th century (woodcut), Italian School, (16th century) (after) / Bridgeman Images

ID: STC202575

Ideal Portrait of Aristotle (384-322 BC), copy of an illustration from 'Aristoteles cum Leonardi Aretini Commentariis', Venice 1516, used in a 'History of Magic', published late 19th century (woodcut)

Italian School, (16th century) (after)

Portrait of Queen Caroline Wilhelmina of Brandenburg-Ansbach as Princess of Wales, 1720s (oil on canvas)
Portrait of Queen Caroline Wilhelmina of Brandenburg-Ansbach as Princess of Wales, 1720s (oil on canvas)

LST421576: Portrait of Queen Caroline Wilhelmina of Brandenburg-Ansbach as Princess of Wales, 1720s (oil on canvas), Seeman, Enoch (1694-1744) / Bridgeman Images

ID: LST421576

Portrait of Queen Caroline Wilhelmina of Brandenburg-Ansbach as Princess of Wales, 1720s (oil on canvas)

Seeman, Enoch (1694-1744)

The Battle between Cribb and Molineaux (coloured etching)
The Battle between Cribb and Molineaux (coloured etching)

BSA273456: The Battle between Cribb and Molineaux (coloured etching), Cruikshank, George (1792-1878) / Bridgeman Images

ID: BSA273456

The Battle between Cribb and Molineaux (coloured etching)

Cruikshank, George (1792-1878)


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