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Italian proverbs: Verita non pua star sepolta - The truth cannot remain buried. Engraving of the 19th century
Italian proverbs: Verita non pua star sepolta - The truth cannot remain buried. Engraving of the 19th century

XEE4152930: Italian proverbs: Verita non pua star sepolta - The truth cannot remain buried. Engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

Interior view of the castle of Vincennes in the 19th century - engraving of 1875
Interior view of the castle of Vincennes in the 19th century - engraving of 1875

XEE4152933: Interior view of the castle of Vincennes in the 19th century - engraving of 1875, Unknown Artist, (19th century) / Bridgeman Images

Theatre tricks - swallowing - engraving of 1875
Theatre tricks - swallowing - engraving of 1875

XEE4152935: Theatre tricks - swallowing - engraving of 1875, Unknown Artist, (19th century) / Bridgeman Images

Theatre tricks - metamorphosis - engraving of 1875
Theatre tricks - metamorphosis - engraving of 1875

XEE4152939: Theatre tricks - metamorphosis - engraving of 1875, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Jean Chapelain (1595-1674), French poet - Engraving - Jean Chapelain (1595-1674) poet et et critique litteraire francais - Engraving by Nanteuuil et grave par Peulot.
Portrait of Jean Chapelain (1595-1674), French poet - Engraving - Jean Chapelain (1595-1674) poet et et critique litteraire francais - Engraving by Nanteuuil et grave par Peulot.

XEE4152948: Portrait of Jean Chapelain (1595-1674), French poet - Engraving - Jean Chapelain (1595-1674) poet et et critique litteraire francais - Engraving by Nanteuuil et grave par Peulot., Nanteuil, Robert (1623-78) (after) / Bridgeman Images

Kabbalah - Kabbalale - Illustration from: “” Alphabeti vere naturalis Hebraici brevissima delineatio” (The Alphabet of Nature) of Franciscus Mercurius van Helmont (1618-1699) (Francois Mercure Van Helmont) - In this work, van Helmont claimed that each letter of the Hebrew alphabet (held to be the primordial language of humanity) was the representation of humanity the positions of the sound-emitting organs.
Kabbalah - Kabbalale - Illustration from: “” Alphabeti vere naturalis Hebraici brevissima delineatio” (The Alphabet of Nature) of Franciscus Mercurius van Helmont (1618-1699) (Francois Mercure Van Helmont) - In this work, van Helmont claimed that each letter of the Hebrew alphabet (held to be the primordial language of humanity) was the representation of humanity the positions of the sound-emitting organs.

XEE4152965: Kabbalah - Kabbalale - Illustration from: “” Alphabeti vere naturalis Hebraici brevissima delineatio” (The Alphabet of Nature) of Franciscus Mercurius van Helmont (1618-1699) (Francois Mercure Van Helmont) - In this work, van Helmont claimed that each letter of the Hebrew alphabet (held to be the primordial language of humanity) was the representation of humanity the positions of the sound-emitting organs., Unknown Artist, (17th century) / Bridgeman Images

Ink dealer - Flemish engraving
Ink dealer - Flemish engraving

XEE4152979: Ink dealer - Flemish engraving, Flemish School / Bridgeman Images

Portrait of Pierre d'Ailly (Petrus Aliacensis, Petrus de Alliaco) (1351-1420) French theologian, astrologer, and cardinal of the Roman Catholic Church - engraving
Portrait of Pierre d'Ailly (Petrus Aliacensis, Petrus de Alliaco) (1351-1420) French theologian, astrologer, and cardinal of the Roman Catholic Church - engraving

XEE4152992: Portrait of Pierre d'Ailly (Petrus Aliacensis, Petrus de Alliaco) (1351-1420) French theologian, astrologer, and cardinal of the Roman Catholic Church - engraving, Unknown Artist / Bridgeman Images

Apparatus to enable diver to breathe under water - A method used by the elders to cross the rivers engraving in “Utriusque cosmi maioris scilicet et minoris metaphysica, physica atque technica Historia”” (Metaphysical, physical and technical history of both worlds, namely of the big and the small) of the rosicrucian and doctor Robert Fludd Robertus de Fluctibus) (1574-1637)
Apparatus to enable diver to breathe under water - A method used by the elders to cross the rivers engraving in “Utriusque cosmi maioris scilicet et minoris metaphysica, physica atque technica Historia”” (Metaphysical, physical and technical history of both worlds, namely of the big and the small) of the rosicrucian and doctor Robert Fludd Robertus de Fluctibus) (1574-1637)

XEE4153010: Apparatus to enable diver to breathe under water - A method used by the elders to cross the rivers engraving in “Utriusque cosmi maioris scilicet et minoris metaphysica, physica atque technica Historia”” (Metaphysical, physical and technical history of both worlds, namely of the big and the small) of the rosicrucian and doctor Robert Fludd Robertus de Fluctibus) (1574-1637), Unknown Artist, (17th century) / Bridgeman Images

Eve tempted by the serpent - Eve tentee par le serpent - “” Holy History”” circa 1890 - colour engraving by Henri Grobet
Eve tempted by the serpent - Eve tentee par le serpent - “” Holy History”” circa 1890 - colour engraving by Henri Grobet

XEE4153022: Eve tempted by the serpent - Eve tentee par le serpent - “” Holy History”” circa 1890 - colour engraving by Henri Grobet, Grobet, Henri (active c.1890) / Bridgeman Images

Breton wrestlers engraving in “” Voyage dans le Finistere ou État de ce departement en 1794 et 1795”” by Jacques Cambry (1749-1807)
Breton wrestlers engraving in “” Voyage dans le Finistere ou État de ce departement en 1794 et 1795”” by Jacques Cambry (1749-1807)

XEE4153024: Breton wrestlers engraving in “” Voyage dans le Finistere ou État de ce departement en 1794 et 1795”” by Jacques Cambry (1749-1807), Unknown artist, (18th century) / Bridgeman Images

Moses striking the rock in Horeb - Moise sur le mont Horeb - “” Histoire sainte”” circa 1890 - colour engraving by Henri Grobet
Moses striking the rock in Horeb - Moise sur le mont Horeb - “” Histoire sainte”” circa 1890 - colour engraving by Henri Grobet

XEE4153043: Moses striking the rock in Horeb - Moise sur le mont Horeb - “” Histoire sainte”” circa 1890 - colour engraving by Henri Grobet, Grobet, Henri (active c.1890) / Bridgeman Images

The Finding of Moses - Moise saves the waters - “” Histoire sainte”” circa 1890 - colour engraving by Henri Grobet
The Finding of Moses - Moise saves the waters - “” Histoire sainte”” circa 1890 - colour engraving by Henri Grobet

XEE4153060: The Finding of Moses - Moise saves the waters - “” Histoire sainte”” circa 1890 - colour engraving by Henri Grobet, Grobet, Henri (active c.1890) / Bridgeman Images

The Three Magi (We Three Kings) - Magi following the star of the Shepherd - “” Holy History”” circa 1890 - colour engraving by Henri Grobet
The Three Magi (We Three Kings) - Magi following the star of the Shepherd - “” Holy History”” circa 1890 - colour engraving by Henri Grobet

XEE4153061: The Three Magi (We Three Kings) - Magi following the star of the Shepherd - “” Holy History”” circa 1890 - colour engraving by Henri Grobet, Grobet, Henri (active c.1890) / Bridgeman Images

The Entry of Christ into Jerusalem - Entrree of Christ in Jerusalem - “Holy History” circa 1890 - engraved in color by Henri Grobet
The Entry of Christ into Jerusalem - Entrree of Christ in Jerusalem - “Holy History” circa 1890 - engraved in color by Henri Grobet

XEE4153089: The Entry of Christ into Jerusalem - Entrree of Christ in Jerusalem - “Holy History” circa 1890 - engraved in color by Henri Grobet, Grobet, Henri (active c.1890) / Bridgeman Images

Transformations of Paris: projected plan of the Opera Garnier, 1860 (engraving)
Transformations of Paris: projected plan of the Opera Garnier, 1860 (engraving)

XEE4153102: Transformations of Paris: projected plan of the Opera Garnier, 1860 (engraving), French School, (19th century) / Bridgeman Images

Christ Healing the Blind Man of Jericho - Guerison of a Blind - Miracle of Jesus Christ accompanies apoters that gives sight to a blind man - “Holy History” circa 1890 - colour engraving by Henri Grobet
Christ Healing the Blind Man of Jericho - Guerison of a Blind - Miracle of Jesus Christ accompanies apoters that gives sight to a blind man - “Holy History” circa 1890 - colour engraving by Henri Grobet

XEE4153127: Christ Healing the Blind Man of Jericho - Guerison of a Blind - Miracle of Jesus Christ accompanies apoters that gives sight to a blind man - “Holy History” circa 1890 - colour engraving by Henri Grobet, Grobet, Henri (active c.1890) / Bridgeman Images

God creating the world - La création de la terre - “” Histoire sainte”” circa 1890 - engraved in color by Henri Grobet
God creating the world - La création de la terre - “” Histoire sainte”” circa 1890 - engraved in color by Henri Grobet

XEE4153162: God creating the world - La création de la terre - “” Histoire sainte”” circa 1890 - engraved in color by Henri Grobet, Grobet, Henri (active c.1890) / Bridgeman Images

Freemasonry - Costume of a Freemason for his reception into the grade of Master - Franc Maconnerie: Outfit de franc macon (Apron) Engraving from 1879 in “Histoire des societes secretes, politiques et religieuses” by Pierre Zaccone (1817-1895)
Freemasonry - Costume of a Freemason for his reception into the grade of Master - Franc Maconnerie: Outfit de franc macon (Apron) Engraving from 1879 in “Histoire des societes secretes, politiques et religieuses” by Pierre Zaccone (1817-1895)

XEE4153181: Freemasonry - Costume of a Freemason for his reception into the grade of Master - Franc Maconnerie: Outfit de franc macon (Apron) Engraving from 1879 in “Histoire des societes secretes, politiques et religieuses” by Pierre Zaccone (1817-1895), Unknown Artist, (19th century) / Bridgeman Images

Farandole danced in the arena of Arles (Bouches du Rhone, 13) on the occasion of the visit of Napoleon III and the emperor Eugenie de Montijo. Engraving in “” Le Monde Illustré”” n°180 of 22 September 1860.
Farandole danced in the arena of Arles (Bouches du Rhone, 13) on the occasion of the visit of Napoleon III and the emperor Eugenie de Montijo. Engraving in “” Le Monde Illustré”” n°180 of 22 September 1860.

XEE4153288: Farandole danced in the arena of Arles (Bouches du Rhone, 13) on the occasion of the visit of Napoleon III and the emperor Eugenie de Montijo. Engraving in “” Le Monde Illustré”” n°180 of 22 September 1860., French School, (19th century) / Bridgeman Images

Portrait of Simon Sechter (1788 - 1867), composer, theorist, music teacher and conductor - Portrait of Simon Sechter music theorist, teacher, organist, conductor and Austrian composer. 19th century engraving
Portrait of Simon Sechter (1788 - 1867), composer, theorist, music teacher and conductor - Portrait of Simon Sechter music theorist, teacher, organist, conductor and Austrian composer. 19th century engraving

XEE4153311: Portrait of Simon Sechter (1788 - 1867), composer, theorist, music teacher and conductor - Portrait of Simon Sechter music theorist, teacher, organist, conductor and Austrian composer. 19th century engraving, Unknown Artist, (19th century) / Bridgeman Images

Cold Blood of Napoleon learning of the unfortunate battle of Dennewitz (Germany) on September 8, 1813 - in “” History of the empire following the history of the consulate”” by Adolphe Thiers -1879 - private collection
Cold Blood of Napoleon learning of the unfortunate battle of Dennewitz (Germany) on September 8, 1813 - in “” History of the empire following the history of the consulate”” by Adolphe Thiers -1879 - private collection

XEE4150969: Cold Blood of Napoleon learning of the unfortunate battle of Dennewitz (Germany) on September 8, 1813 - in “” History of the empire following the history of the consulate”” by Adolphe Thiers -1879 - private collection, French School, (19th century) / Bridgeman Images

Airship invented by Henri Giffard in 1852 and Navigable airship invented by Dupuy de Lome in the 1872 - From a protective sleeve for school books, late 19th century - Airship by Henry Giffard (1825 - 1882) 1852 et le ballon haubanne by Henri Dupuy de Lome (1816-1885) en 1872 - illustration by E. Letellier - Protege 19Historique notebook, fin th century -
Airship invented by Henri Giffard in 1852 and Navigable airship invented by Dupuy de Lome in the 1872 - From a protective sleeve for school books, late 19th century - Airship by Henry Giffard (1825 - 1882) 1852 et le ballon haubanne by Henri Dupuy de Lome (1816-1885) en 1872 - illustration by E. Letellier - Protege 19Historique notebook, fin th century -

XEE4150972: Airship invented by Henri Giffard in 1852 and Navigable airship invented by Dupuy de Lome in the 1872 - From a protective sleeve for school books, late 19th century - Airship by Henry Giffard (1825 - 1882) 1852 et le ballon haubanne by Henri Dupuy de Lome (1816-1885) en 1872 - illustration by E. Letellier - Protege 19Historique notebook, fin th century -, Letellier, E. (19th century) / Bridgeman Images

Marion Delorme (or Marie de Lon, Lady of Lorme, 1611-1650) and Edward Somerset, Marquis of Worcester (1601-1667) in 1641 they would have seen Solomon de Caux (Solomon de Caus) (1576-1626) at the hospital in Bicetre in the courtyard of the fools, behind the bars - Engraving in “” Sciences put at the graving of all - popular physics and chemistry”” by Alexis Clerc - Late 19th century. Private collection.
Marion Delorme (or Marie de Lon, Lady of Lorme, 1611-1650) and Edward Somerset, Marquis of Worcester (1601-1667) in 1641 they would have seen Solomon de Caux (Solomon de Caus) (1576-1626) at the hospital in Bicetre in the courtyard of the fools, behind the bars - Engraving in “” Sciences put at the graving of all - popular physics and chemistry”” by Alexis Clerc - Late 19th century. Private collection.

XEE4150994: Marion Delorme (or Marie de Lon, Lady of Lorme, 1611-1650) and Edward Somerset, Marquis of Worcester (1601-1667) in 1641 they would have seen Solomon de Caux (Solomon de Caus) (1576-1626) at the hospital in Bicetre in the courtyard of the fools, behind the bars - Engraving in “” Sciences put at the graving of all - popular physics and chemistry”” by Alexis Clerc - Late 19th century. Private collection., French School, (19th century) / Bridgeman Images

Portrait of Selim III (1761-1808), Ottoman Emperor. Selim III was Sultan from 1789-1807 - Le sultan Selim III (1761-1808) - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers -1879 - collection privee
Portrait of Selim III (1761-1808), Ottoman Emperor. Selim III was Sultan from 1789-1807 - Le sultan Selim III (1761-1808) - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers -1879 - collection privee

XEE4151021: Portrait of Selim III (1761-1808), Ottoman Emperor. Selim III was Sultan from 1789-1807 - Le sultan Selim III (1761-1808) - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers -1879 - collection privee, French School, (19th century) / Bridgeman Images

First empire: the charge of Jean Baptiste Bessieres (1768-1813), Duke of Istria”” - Jean-Baptiste Bessieres, 1st Duke of Istria charging - in “Histoire de l'empire suite à l'histoire du consulate”” by Adolphe Thiers - 1879 - private collection
First empire: the charge of Jean Baptiste Bessieres (1768-1813), Duke of Istria”” - Jean-Baptiste Bessieres, 1st Duke of Istria charging - in “Histoire de l'empire suite à l'histoire du consulate”” by Adolphe Thiers - 1879 - private collection

XEE4151023: First empire: the charge of Jean Baptiste Bessieres (1768-1813), Duke of Istria”” - Jean-Baptiste Bessieres, 1st Duke of Istria charging - in “Histoire de l'empire suite à l'histoire du consulate”” by Adolphe Thiers - 1879 - private collection, French School, (19th century) / Bridgeman Images

NAPOLEON Bonaparte, 1769-1821 Emperor of France, presenting his son the King of Rome (Napoleon II) to the National Guard Napoleon presents his son, the King of Rome (Napoleon II, the Aiglon) to the National Guard - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers -1879 - private collection
NAPOLEON Bonaparte, 1769-1821 Emperor of France, presenting his son the King of Rome (Napoleon II) to the National Guard Napoleon presents his son, the King of Rome (Napoleon II, the Aiglon) to the National Guard - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers -1879 - private collection

XEE4151039: NAPOLEON Bonaparte, 1769-1821 Emperor of France, presenting his son the King of Rome (Napoleon II) to the National Guard Napoleon presents his son, the King of Rome (Napoleon II, the Aiglon) to the National Guard - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers -1879 - private collection, French School, (19th century) / Bridgeman Images

Bacubirito meteorite (Meteroito de Bacubirito) found in 1863 in Mexico - La meteorite de Bacubirito - engraving in “La-Nature”” de 1902
Bacubirito meteorite (Meteroito de Bacubirito) found in 1863 in Mexico - La meteorite de Bacubirito - engraving in “La-Nature”” de 1902

XEE4151076: Bacubirito meteorite (Meteroito de Bacubirito) found in 1863 in Mexico - La meteorite de Bacubirito - engraving in “La-Nature”” de 1902, Unknown Artist, (20th century) / Bridgeman Images

Theatrical representation: Act II, last scene of “Les Dances nationles de la France” by Lambert Thiboust (1826-1867), Alfred Delacour (1815-1883) and Clairville (1811-1879). Paris, Theatre des Varietes, 1861. Engraving in “” Le Monde Illustré”” n°230 of 7 September 1861.
Theatrical representation: Act II, last scene of “Les Dances nationles de la France” by Lambert Thiboust (1826-1867), Alfred Delacour (1815-1883) and Clairville (1811-1879). Paris, Theatre des Varietes, 1861. Engraving in “” Le Monde Illustré”” n°230 of 7 September 1861.

XEE4151128: Theatrical representation: Act II, last scene of “Les Dances nationles de la France” by Lambert Thiboust (1826-1867), Alfred Delacour (1815-1883) and Clairville (1811-1879). Paris, Theatre des Varietes, 1861. Engraving in “” Le Monde Illustré”” n°230 of 7 September 1861., French School, (19th century) / Bridgeman Images

CAPTIVITY OF CHAMACUS - Caratacus (Caratacos, Caratacus) in captivity with his family addresses the Roman Emperor Claudius (Claude I) (10 BC-54 AD) - Engraving in “L'Histoire d'Angleterre, depuis les temps plus recules” by Francois Guizot 1877
CAPTIVITY OF CHAMACUS - Caratacus (Caratacos, Caratacus) in captivity with his family addresses the Roman Emperor Claudius (Claude I) (10 BC-54 AD) - Engraving in “L'Histoire d'Angleterre, depuis les temps plus recules” by Francois Guizot 1877

XEE4151141: CAPTIVITY OF CHAMACUS - Caratacus (Caratacos, Caratacus) in captivity with his family addresses the Roman Emperor Claudius (Claude I) (10 BC-54 AD) - Engraving in “L'Histoire d'Angleterre, depuis les temps plus recules” by Francois Guizot 1877, Unknown Artist, (19th century) / Bridgeman Images

Defeat of Charles I at Naseby, 1645 - Battle of Naseby - Charles I in action (with Lord Carnewarth - in full armour) - First English Civil War (1642-1645): Battle of Naseby, 14 June 1645, Episode of the First English Revolution (1641-1649) - Lord Carnewarth with Charles I - engraving in “The History of England, since the most times case” by Francois Guizot 1877.
Defeat of Charles I at Naseby, 1645 - Battle of Naseby - Charles I in action (with Lord Carnewarth - in full armour) - First English Civil War (1642-1645): Battle of Naseby, 14 June 1645, Episode of the First English Revolution (1641-1649) - Lord Carnewarth with Charles I - engraving in “The History of England, since the most times case” by Francois Guizot 1877.

XEE4151146: Defeat of Charles I at Naseby, 1645 - Battle of Naseby - Charles I in action (with Lord Carnewarth - in full armour) - First English Civil War (1642-1645): Battle of Naseby, 14 June 1645, Episode of the First English Revolution (1641-1649) - Lord Carnewarth with Charles I - engraving in “The History of England, since the most times case” by Francois Guizot 1877., Unknown Artist, (19th century) / Bridgeman Images

Translation Of The Ash From Voltaire To The Panthoen July 11, 1791 - Engraving in “Histoire des Girondins”” by Alphonse de Lamartine (1790-1869) 1865-1866. Private Collection
Translation Of The Ash From Voltaire To The Panthoen July 11, 1791 - Engraving in “Histoire des Girondins”” by Alphonse de Lamartine (1790-1869) 1865-1866. Private Collection

XEE4151175: Translation Of The Ash From Voltaire To The Panthoen July 11, 1791 - Engraving in “Histoire des Girondins”” by Alphonse de Lamartine (1790-1869) 1865-1866. Private Collection, Anonymous / Bridgeman Images

Portrait of Jacques-Antoine Dulaure (Jacques Antoine) (1755-1835) French archeologist and historian - Engraving in “The physical, civil and moral history of Paris: from the first historical times to the present day” by Jacques Antoine Dulaure. 1853
Portrait of Jacques-Antoine Dulaure (Jacques Antoine) (1755-1835) French archeologist and historian - Engraving in “The physical, civil and moral history of Paris: from the first historical times to the present day” by Jacques Antoine Dulaure. 1853

XEE4151191: Portrait of Jacques-Antoine Dulaure (Jacques Antoine) (1755-1835) French archeologist and historian - Engraving in “The physical, civil and moral history of Paris: from the first historical times to the present day” by Jacques Antoine Dulaure. 1853, French School, (19th century) / Bridgeman Images

Visit of the Catacombs of Paris in the 19th century - Engraving in “” Physical, civil and moral history of Paris: from the earliest historical times to the present day” by Jacques Antoine Dulaure, 1853
Visit of the Catacombs of Paris in the 19th century - Engraving in “” Physical, civil and moral history of Paris: from the earliest historical times to the present day” by Jacques Antoine Dulaure, 1853

XEE4151194: Visit of the Catacombs of Paris in the 19th century - Engraving in “” Physical, civil and moral history of Paris: from the earliest historical times to the present day” by Jacques Antoine Dulaure, 1853, French School, (19th century) / Bridgeman Images

The last interview of Marie Mancini (1639-1715) with Louis XIV (1638-1715) before his departure from the court to Brouage on 22 June 1659, the exile organized by Cardinal Mazarin to keep him away from the king - Illustration takes from the “Viscount of Bragelonne”, novel by Alexandre Dumas published in “The Bons Romans” of 02/08/1861
The last interview of Marie Mancini (1639-1715) with Louis XIV (1638-1715) before his departure from the court to Brouage on 22 June 1659, the exile organized by Cardinal Mazarin to keep him away from the king - Illustration takes from the “Viscount of Bragelonne”, novel by Alexandre Dumas published in “The Bons Romans” of 02/08/1861

XEE4151224: The last interview of Marie Mancini (1639-1715) with Louis XIV (1638-1715) before his departure from the court to Brouage on 22 June 1659, the exile organized by Cardinal Mazarin to keep him away from the king - Illustration takes from the “Viscount of Bragelonne”, novel by Alexandre Dumas published in “The Bons Romans” of 02/08/1861, Unknown Artist, (19th century) / Bridgeman Images

Le Vieux Paris - le Grand Chatelet - Engraving in “” Physical, civil and moral history of Paris: from the earliest historical times to the present day” by Jacques Antoine Dulaure, 1853
Le Vieux Paris - le Grand Chatelet - Engraving in “” Physical, civil and moral history of Paris: from the earliest historical times to the present day” by Jacques Antoine Dulaure, 1853

XEE4151244: Le Vieux Paris - le Grand Chatelet - Engraving in “” Physical, civil and moral history of Paris: from the earliest historical times to the present day” by Jacques Antoine Dulaure, 1853, French School, (19th century) / Bridgeman Images


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