Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

797676 Search Results

Baloon built by French engineer Jean Marie Joseph (Jean-Marie-Joseph) Coutelle (1748-1835) for the French Revolutionary armies to spy on their enemies, 1793 - From a protective sleeve for school books, late 19th century - Aerostation: Ballon captif a hydrogene a usage militaire by Jean Marie Joseph (Jean-Marie-Joseph) Coutelle (1748-1835), 1793 - Used by the Napoleonic army to monitor enemies and lead the battle - illustration by E Letellier - Protege historical notebook, late 19th century
Baloon built by French engineer Jean Marie Joseph (Jean-Marie-Joseph) Coutelle (1748-1835) for the French Revolutionary armies to spy on their enemies, 1793 - From a protective sleeve for school books, late 19th century - Aerostation: Ballon captif a hydrogene a usage militaire by Jean Marie Joseph (Jean-Marie-Joseph) Coutelle (1748-1835), 1793 - Used by the Napoleonic army to monitor enemies and lead the battle - illustration by E Letellier - Protege historical notebook, late 19th century

XEE4150466: Baloon built by French engineer Jean Marie Joseph (Jean-Marie-Joseph) Coutelle (1748-1835) for the French Revolutionary armies to spy on their enemies, 1793 - From a protective sleeve for school books, late 19th century - Aerostation: Ballon captif a hydrogene a usage militaire by Jean Marie Joseph (Jean-Marie-Joseph) Coutelle (1748-1835), 1793 - Used by the Napoleonic army to monitor enemies and lead the battle - illustration by E Letellier - Protege historical notebook, late 19th century, Letellier, E. (19th century) / Bridgeman Images

Zouaves - From a protective sleeve for school books, late 19th century - illustration by A Demarle - Zouaves - Protect notebook, late 19th century -
Zouaves - From a protective sleeve for school books, late 19th century - illustration by A Demarle - Zouaves - Protect notebook, late 19th century -

XEE4150500: Zouaves - From a protective sleeve for school books, late 19th century - illustration by A Demarle - Zouaves - Protect notebook, late 19th century -, Demarle, Alphonse (1826-1896) / Bridgeman Images

Dragoons of the French Imperial Army, 1750 - From a protective sleeve for school books, late 19th century - Dragons de l'armee imperiale francaise, 1750 - illustration of A Demarle - Protege notebook historique, end 19th century -
Dragoons of the French Imperial Army, 1750 - From a protective sleeve for school books, late 19th century - Dragons de l'armee imperiale francaise, 1750 - illustration of A Demarle - Protege notebook historique, end 19th century -

XEE4150512: Dragoons of the French Imperial Army, 1750 - From a protective sleeve for school books, late 19th century - Dragons de l'armee imperiale francaise, 1750 - illustration of A Demarle - Protege notebook historique, end 19th century -, Demarle, Alphonse (1826-1896) / Bridgeman Images

Interior appearance of a coal mine well: ascent of the dumpster. 1861. Engraving in “” Le Monde Illustré”” n°238 of November 2, 1861.
Interior appearance of a coal mine well: ascent of the dumpster. 1861. Engraving in “” Le Monde Illustré”” n°238 of November 2, 1861.

XEE4150514: Interior appearance of a coal mine well: ascent of the dumpster. 1861. Engraving in “” Le Monde Illustré”” n°238 of November 2, 1861., French School, (19th century) / Bridgeman Images

Traffic on Place de la Concorde in Paris in 1869: horse drawn omnibus and “” chemin de fer americain”” (tramway line) - From a protective sleeve for school books, late 19th century - Tanks, cars and tramways: the American railway, the Place de Concorde de Paris in 1869, the omnibuses - illustration by E Letellier - Protege notebook historique, fin 19eme century -
Traffic on Place de la Concorde in Paris in 1869: horse drawn omnibus and “” chemin de fer americain”” (tramway line) - From a protective sleeve for school books, late 19th century - Tanks, cars and tramways: the American railway, the Place de Concorde de Paris in 1869, the omnibuses - illustration by E Letellier - Protege notebook historique, fin 19eme century -

XEE4150537: Traffic on Place de la Concorde in Paris in 1869: horse drawn omnibus and “” chemin de fer americain”” (tramway line) - From a protective sleeve for school books, late 19th century - Tanks, cars and tramways: the American railway, the Place de Concorde de Paris in 1869, the omnibuses - illustration by E Letellier - Protege notebook historique, fin 19eme century -, Letellier, E. (19th century) / Bridgeman Images

Transport tanks - The Huns of Attila (ca. 395-453) - Barbarian invasions - illustration by E Letellier - Protects historical notebook, late 19th century -
Transport tanks - The Huns of Attila (ca. 395-453) - Barbarian invasions - illustration by E Letellier - Protects historical notebook, late 19th century -

XEE4150571: Transport tanks - The Huns of Attila (ca. 395-453) - Barbarian invasions - illustration by E Letellier - Protects historical notebook, late 19th century -, Letellier, E. (19th century) / Bridgeman Images

Louis XVI (1754-93) Reading his Last Will and Testament in the Temple 1792 - Louis XVI reading his will in the tower of the Temple on 25 December 1792 - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection
Louis XVI (1754-93) Reading his Last Will and Testament in the Temple 1792 - Louis XVI reading his will in the tower of the Temple on 25 December 1792 - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection

XEE4150573: Louis XVI (1754-93) Reading his Last Will and Testament in the Temple 1792 - Louis XVI reading his will in the tower of the Temple on 25 December 1792 - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection, Anonymous / Bridgeman Images

Portrait of Alphonse de Lamartine (1790-1869) - Portrait of Alphonse de Lamartine (1791-1869), French writer and politician - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection
Portrait of Alphonse de Lamartine (1790-1869) - Portrait of Alphonse de Lamartine (1791-1869), French writer and politician - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection

XEE4150576: Portrait of Alphonse de Lamartine (1790-1869) - Portrait of Alphonse de Lamartine (1791-1869), French writer and politician - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection, Anonymous / Bridgeman Images

French colonization: First Catholic Mass Celebree in Saigon, Cochinchine, 1861. Engraving in “” Le Monde Illustré”” n°237 of October 26, 1861.
French colonization: First Catholic Mass Celebree in Saigon, Cochinchine, 1861. Engraving in “” Le Monde Illustré”” n°237 of October 26, 1861.

XEE4150578: French colonization: First Catholic Mass Celebree in Saigon, Cochinchine, 1861. Engraving in “” Le Monde Illustré”” n°237 of October 26, 1861., French School, (19th century) / Bridgeman Images

Portrait of Baron Pierre Yriex Daumesnil (1776-1832) - Portrait of Pierre Yriex (Pierre-Yrieix) Daumesnil (1776-1832), general francais - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers - 1879 - private collection
Portrait of Baron Pierre Yriex Daumesnil (1776-1832) - Portrait of Pierre Yriex (Pierre-Yrieix) Daumesnil (1776-1832), general francais - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers - 1879 - private collection

XEE4150593: Portrait of Baron Pierre Yriex Daumesnil (1776-1832) - Portrait of Pierre Yriex (Pierre-Yrieix) Daumesnil (1776-1832), general francais - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers - 1879 - private collection, French School, (19th century) / Bridgeman Images

Battle of Arcis-sur-Aube, 20-21/3/1814 - shell explodes under the horse of emperor Napoleon - Battle of Arcis-sur-Aube (Arcis sur Aube) March 20 and 21, 1814, Napoleon pushing his horse on a shell - “” in “Histoire de l'empire suite à l'histoire du consulate” by Adolphe Thiers - 1879 - private collection
Battle of Arcis-sur-Aube, 20-21/3/1814 - shell explodes under the horse of emperor Napoleon - Battle of Arcis-sur-Aube (Arcis sur Aube) March 20 and 21, 1814, Napoleon pushing his horse on a shell - “” in “Histoire de l'empire suite à l'histoire du consulate” by Adolphe Thiers - 1879 - private collection

XEE4150655: Battle of Arcis-sur-Aube, 20-21/3/1814 - shell explodes under the horse of emperor Napoleon - Battle of Arcis-sur-Aube (Arcis sur Aube) March 20 and 21, 1814, Napoleon pushing his horse on a shell - “” in “Histoire de l'empire suite à l'histoire du consulate” by Adolphe Thiers - 1879 - private collection, French School, (19th century) / Bridgeman Images

Wars of Liberation, 1813-15 - Allied conquest of Paris, 30 March 1814 - the National Guard under Marshal Moncey defends Porte Clichy - Campagne de France: “” La barriere de Clichy, defense de Paris le 30/03/1814”” Au centre le general Moncey - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers - 1879 - collection
Wars of Liberation, 1813-15 - Allied conquest of Paris, 30 March 1814 - the National Guard under Marshal Moncey defends Porte Clichy - Campagne de France: “” La barriere de Clichy, defense de Paris le 30/03/1814”” Au centre le general Moncey - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers - 1879 - collection

XEE4150656: Wars of Liberation, 1813-15 - Allied conquest of Paris, 30 March 1814 - the National Guard under Marshal Moncey defends Porte Clichy - Campagne de France: “” La barriere de Clichy, defense de Paris le 30/03/1814”” Au centre le general Moncey - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers - 1879 - collection, French School, (19th century) / Bridgeman Images

Battle of Saint-Dizier, 27 January 1814 (allied Russian troups against French guard dragoons) Battle of Saint Dizier - beautiful charge of the dragons of the guard - Battle of the guard dragons against the Russians of Landskoi - in “Histoire de l'empire suite à l'histoire du consulate”” by Adolphe Thiers - 1879 - private collection
Battle of Saint-Dizier, 27 January 1814 (allied Russian troups against French guard dragoons) Battle of Saint Dizier - beautiful charge of the dragons of the guard - Battle of the guard dragons against the Russians of Landskoi - in “Histoire de l'empire suite à l'histoire du consulate”” by Adolphe Thiers - 1879 - private collection

XEE4150659: Battle of Saint-Dizier, 27 January 1814 (allied Russian troups against French guard dragoons) Battle of Saint Dizier - beautiful charge of the dragons of the guard - Battle of the guard dragons against the Russians of Landskoi - in “Histoire de l'empire suite à l'histoire du consulate”” by Adolphe Thiers - 1879 - private collection, French School, (19th century) / Bridgeman Images

Last stay of Napoleon at the Malmaison Palace - last visit of Napoleon and Queen Hortense to La Malmaison, June 1815 - in “Histoire de l'empire en suite à l'histoire du consulate”” by Adolphe Thiers - 1879 - private collection
Last stay of Napoleon at the Malmaison Palace - last visit of Napoleon and Queen Hortense to La Malmaison, June 1815 - in “Histoire de l'empire en suite à l'histoire du consulate”” by Adolphe Thiers - 1879 - private collection

XEE4150681: Last stay of Napoleon at the Malmaison Palace - last visit of Napoleon and Queen Hortense to La Malmaison, June 1815 - in “Histoire de l'empire en suite à l'histoire du consulate”” by Adolphe Thiers - 1879 - private collection, French School, (19th century) / Bridgeman Images

Frederick William II of Prussia - Portrait of Frederic Guillaume II (Frederick William) (1744-1797), King of Prussia - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection
Frederick William II of Prussia - Portrait of Frederic Guillaume II (Frederick William) (1744-1797), King of Prussia - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection

XEE4150693: Frederick William II of Prussia - Portrait of Frederic Guillaume II (Frederick William) (1744-1797), King of Prussia - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection, Anonymous / Bridgeman Images

Jean Baptiste (Jean-Baptiste) de Nompere de Champagny (1756-1834) Duke of Cador - Jean-Baptiste de Nompere de Champagny (1756-1834), Duke of Cadore, French politician - in “Histoire de l'empire font suite à l'histoire du consulate”” by Adolphe Thiers - 1879 - private collection
Jean Baptiste (Jean-Baptiste) de Nompere de Champagny (1756-1834) Duke of Cador - Jean-Baptiste de Nompere de Champagny (1756-1834), Duke of Cadore, French politician - in “Histoire de l'empire font suite à l'histoire du consulate”” by Adolphe Thiers - 1879 - private collection

XEE4150757: Jean Baptiste (Jean-Baptiste) de Nompere de Champagny (1756-1834) Duke of Cador - Jean-Baptiste de Nompere de Champagny (1756-1834), Duke of Cadore, French politician - in “Histoire de l'empire font suite à l'histoire du consulate”” by Adolphe Thiers - 1879 - private collection, French School, (19th century) / Bridgeman Images

War of the Fifth Coalition 1809 - Treaty of Schonbrunn, October 14th, 1809, Emperor Napoleon I of France dictating the peace - Schonbrunn Conference to lay down the foundations of the peace trade between France and Austria - Napoleon with John I of Liechtenstein (Johann I Joseph, Prince of Liechtenstein) and M. de Bubna - in “History of the empire following a the history of the consulate”” by Adolphe Thiers - 1879 - private collection
War of the Fifth Coalition 1809 - Treaty of Schonbrunn, October 14th, 1809, Emperor Napoleon I of France dictating the peace - Schonbrunn Conference to lay down the foundations of the peace trade between France and Austria - Napoleon with John I of Liechtenstein (Johann I Joseph, Prince of Liechtenstein) and M. de Bubna - in “History of the empire following a the history of the consulate”” by Adolphe Thiers - 1879 - private collection

XEE4150761: War of the Fifth Coalition 1809 - Treaty of Schonbrunn, October 14th, 1809, Emperor Napoleon I of France dictating the peace - Schonbrunn Conference to lay down the foundations of the peace trade between France and Austria - Napoleon with John I of Liechtenstein (Johann I Joseph, Prince of Liechtenstein) and M. de Bubna - in “History of the empire following a the history of the consulate”” by Adolphe Thiers - 1879 - private collection, French School, (19th century) / Bridgeman Images

Joseph Fesch (1763-1839), French cardinal - engraving 1879 - Portrait of Cardinal Joseph Fesch, uncle of Napoleon Bonaparte (1763-1839) - in “Histoire de l'empire suite à l'histoire du consulate” by Adolphe Thiers - 1879 - private collection
Joseph Fesch (1763-1839), French cardinal - engraving 1879 - Portrait of Cardinal Joseph Fesch, uncle of Napoleon Bonaparte (1763-1839) - in “Histoire de l'empire suite à l'histoire du consulate” by Adolphe Thiers - 1879 - private collection

XEE4150774: Joseph Fesch (1763-1839), French cardinal - engraving 1879 - Portrait of Cardinal Joseph Fesch, uncle of Napoleon Bonaparte (1763-1839) - in “Histoire de l'empire suite à l'histoire du consulate” by Adolphe Thiers - 1879 - private collection, French School, (19th century) / Bridgeman Images

Obseques of Jean Baptiste (Giovanni Battista) Niccolini (1782-1861), 21 September 1861: funeral convoy carrying the remains of the Italian poet in the streets of Florence (Firenze), Italy. Engraving in “” Le Monde Illustré”” n°234 of October 5, 1861.
Obseques of Jean Baptiste (Giovanni Battista) Niccolini (1782-1861), 21 September 1861: funeral convoy carrying the remains of the Italian poet in the streets of Florence (Firenze), Italy. Engraving in “” Le Monde Illustré”” n°234 of October 5, 1861.

XEE4150784: Obseques of Jean Baptiste (Giovanni Battista) Niccolini (1782-1861), 21 September 1861: funeral convoy carrying the remains of the Italian poet in the streets of Florence (Firenze), Italy. Engraving in “” Le Monde Illustré”” n°234 of October 5, 1861., French School, (19th century) / Bridgeman Images

Imperiale seance in the Senate: speech by Napoleon on the constitution of the new kingdom of Italy in 1805 - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers - 1879 - private collection
Imperiale seance in the Senate: speech by Napoleon on the constitution of the new kingdom of Italy in 1805 - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers - 1879 - private collection

XEE4150805: Imperiale seance in the Senate: speech by Napoleon on the constitution of the new kingdom of Italy in 1805 - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers - 1879 - private collection, French School, (19th century) / Bridgeman Images

Meeting in Genes (Genova) in Italy of Napoleon I with Cardinal Jean Siffrein Maury (1746-1817) 1805 - in “History of the empire following the history of the consulate”” by Adolphe Thiers - 1879 - private collection
Meeting in Genes (Genova) in Italy of Napoleon I with Cardinal Jean Siffrein Maury (1746-1817) 1805 - in “History of the empire following the history of the consulate”” by Adolphe Thiers - 1879 - private collection

XEE4150816: Meeting in Genes (Genova) in Italy of Napoleon I with Cardinal Jean Siffrein Maury (1746-1817) 1805 - in “History of the empire following the history of the consulate”” by Adolphe Thiers - 1879 - private collection, French School, (19th century) / Bridgeman Images

Portrait of Louis Nicolas Davout (1770-1823) Prince of Eckmuhl, Duke of Auerstaedt and Marshal of France - Louis Nicolas (Louis-Nicolas) d'Avout, dit Davout (1770-1823), French officer and Marechal of Empire - in “Histoire de l'empire suite à l'histoire du consulate” by Adolphe Thiers - 1879 - private collection
Portrait of Louis Nicolas Davout (1770-1823) Prince of Eckmuhl, Duke of Auerstaedt and Marshal of France - Louis Nicolas (Louis-Nicolas) d'Avout, dit Davout (1770-1823), French officer and Marechal of Empire - in “Histoire de l'empire suite à l'histoire du consulate” by Adolphe Thiers - 1879 - private collection

XEE4150819: Portrait of Louis Nicolas Davout (1770-1823) Prince of Eckmuhl, Duke of Auerstaedt and Marshal of France - Louis Nicolas (Louis-Nicolas) d'Avout, dit Davout (1770-1823), French officer and Marechal of Empire - in “Histoire de l'empire suite à l'histoire du consulate” by Adolphe Thiers - 1879 - private collection, French School, (19th century) / Bridgeman Images

Adam Philippe de Custine (1740-1793) general francais before the revolutionary court in 1793 - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection
Adam Philippe de Custine (1740-1793) general francais before the revolutionary court in 1793 - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection

XEE4150850: Adam Philippe de Custine (1740-1793) general francais before the revolutionary court in 1793 - Engraving in “Histoire des Girondins” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection, Anonymous / Bridgeman Images

Physiognomy - Physiognomony - Several hands whose expression is different - “” The art of knowing men through physiognomy”” by Johann Kaspar Lavater or Gaspard Lavater (1741-1801), Swiss theologian - 1806
Physiognomy - Physiognomony - Several hands whose expression is different - “” The art of knowing men through physiognomy”” by Johann Kaspar Lavater or Gaspard Lavater (1741-1801), Swiss theologian - 1806

XEE4152617: Physiognomy - Physiognomony - Several hands whose expression is different - “” The art of knowing men through physiognomy”” by Johann Kaspar Lavater or Gaspard Lavater (1741-1801), Swiss theologian - 1806, Lavater, Jean Gaspard (1741-1801) / Bridgeman Images

Grand military mass celebrated in the plain of Labika, in Kab Elias (Syria), on October 21, 1860, in the presence of the French army. Engraving in “” Le Monde Illustré”” n°188 of 17 November 1860.
Grand military mass celebrated in the plain of Labika, in Kab Elias (Syria), on October 21, 1860, in the presence of the French army. Engraving in “” Le Monde Illustré”” n°188 of 17 November 1860.

XEE4152624: Grand military mass celebrated in the plain of Labika, in Kab Elias (Syria), on October 21, 1860, in the presence of the French army. Engraving in “” Le Monde Illustré”” n°188 of 17 November 1860., French School, (19th century) / Bridgeman Images

Minerva Slaming Discord - Minerva Terrassant la discorde - Engraving by Gerard Edelinck after Daniel Halle (1614-1675)
Minerva Slaming Discord - Minerva Terrassant la discorde - Engraving by Gerard Edelinck after Daniel Halle (1614-1675)

XEE4152636: Minerva Slaming Discord - Minerva Terrassant la discorde - Engraving by Gerard Edelinck after Daniel Halle (1614-1675), Edelinck, Gerard (1640-1707) / Bridgeman Images

Portrait of Gabriel Naude (1600-1653) English librarian and scholar - Portrait of Gabriel Naude librarian francais (1600-1653)
Portrait of Gabriel Naude (1600-1653) English librarian and scholar - Portrait of Gabriel Naude librarian francais (1600-1653)

XEE4152645: Portrait of Gabriel Naude (1600-1653) English librarian and scholar - Portrait of Gabriel Naude librarian francais (1600-1653), Unknown Artist, (19th century) / Bridgeman Images

Physiognomy - Physiognomony - Several heads of the Greek philosopher Socrates (ca. 469 BC-399 BC) (Bust of Socrates (ca 469 BC-399 BC), Athenian philosopher) engraving of 1808 in “The art of knowing men through physiognomy” by Johann Gaspar (Gaspard) Lavater (1741-1841-1801) - 1806
Physiognomy - Physiognomony - Several heads of the Greek philosopher Socrates (ca. 469 BC-399 BC) (Bust of Socrates (ca 469 BC-399 BC), Athenian philosopher) engraving of 1808 in “The art of knowing men through physiognomy” by Johann Gaspar (Gaspard) Lavater (1741-1841-1801) - 1806

XEE4152735: Physiognomy - Physiognomony - Several heads of the Greek philosopher Socrates (ca. 469 BC-399 BC) (Bust of Socrates (ca 469 BC-399 BC), Athenian philosopher) engraving of 1808 in “The art of knowing men through physiognomy” by Johann Gaspar (Gaspard) Lavater (1741-1841-1801) - 1806, Anonymous / Bridgeman Images

Silvia (The Two Gentlemen of Verone) in - “” Gallery of the Women of Shakespeare, collection of forty-five serious portraits by the early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838
Silvia (The Two Gentlemen of Verone) in - “” Gallery of the Women of Shakespeare, collection of forty-five serious portraits by the early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838

XEE4152766: Silvia (The Two Gentlemen of Verone) in - “” Gallery of the Women of Shakespeare, collection of forty-five serious portraits by the early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838, English School, (19th century) / Bridgeman Images

Anne Page (Anna Page) (The Merry Wives of Windsor) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices””” ca. 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838
Anne Page (Anna Page) (The Merry Wives of Windsor) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices””” ca. 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838

XEE4152789: Anne Page (Anna Page) (The Merry Wives of Windsor) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices””” ca. 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838, English School, (19th century) / Bridgeman Images

Olivia (“” The twelfth night) (Twelfth Night) - in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched with critical and literary notices”””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes,” circa 1838
Olivia (“” The twelfth night) (Twelfth Night) - in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched with critical and literary notices”””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes,” circa 1838

XEE4152795: Olivia (“” The twelfth night) (Twelfth Night) - in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched with critical and literary notices”””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes,” circa 1838, English School, (19th century) / Bridgeman Images

Ophelie (Ophelia) (Hamlet) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices”””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes””, circa 1838
Ophelie (Ophelia) (Hamlet) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices”””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes””, circa 1838

XEE4152804: Ophelie (Ophelia) (Hamlet) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices”””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes””, circa 1838, English School, (19th century) / Bridgeman Images

Cassandra (a prophetess) (Troilus and Cressida) (Troilus and Cressida) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838
Cassandra (a prophetess) (Troilus and Cressida) (Troilus and Cressida) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838

XEE4152879: Cassandra (a prophetess) (Troilus and Cressida) (Troilus and Cressida) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838, English School, (19th century) / Bridgeman Images

Cleopatre (Antoine et Cleopatre) (Antony and Cleopatra) in - “” Galerie des femmes de Shakespeare, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838
Cleopatre (Antoine et Cleopatre) (Antony and Cleopatra) in - “” Galerie des femmes de Shakespeare, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838

XEE4152883: Cleopatre (Antoine et Cleopatre) (Antony and Cleopatra) in - “” Galerie des femmes de Shakespeare, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838, English School, (19th century) / Bridgeman Images

Pierre de Montmaur (1576 -1650) erudit, French poet of Latin expression - engraving
Pierre de Montmaur (1576 -1650) erudit, French poet of Latin expression - engraving

XEE4152913: Pierre de Montmaur (1576 -1650) erudit, French poet of Latin expression - engraving, Unknown Artist, (19th century) / Bridgeman Images

Portrait of the french alchemist Nicolas Flamel (1330-1418) - Engraving - Portrait of english alchemist Nicolas Flamel - Engraving Private collection
Portrait of the french alchemist Nicolas Flamel (1330-1418) - Engraving - Portrait of english alchemist Nicolas Flamel - Engraving Private collection

XEE4152916: Portrait of the french alchemist Nicolas Flamel (1330-1418) - Engraving - Portrait of english alchemist Nicolas Flamel - Engraving Private collection, Unknown Artist, (19th century) / Bridgeman Images


Back to top