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Portrait of Leopold II (1797 - 1870), Grand Duke of Tuscany. Engraving in “” Le Monde Illustré”” n°108 of 7 May 1859.
Portrait of Leopold II (1797 - 1870), Grand Duke of Tuscany. Engraving in “” Le Monde Illustré”” n°108 of 7 May 1859.

XEE4141151: Portrait of Leopold II (1797 - 1870), Grand Duke of Tuscany. Engraving in “” Le Monde Illustré”” n°108 of 7 May 1859., French School, (19th century) / Bridgeman Images

Carnival of Mardi Gras, France, 8 March 1859: descent to Paris of the masquerade of Sevres. Engraving in “” Le Monde Illustré”” n°100 of 19 March 1859.
Carnival of Mardi Gras, France, 8 March 1859: descent to Paris of the masquerade of Sevres. Engraving in “” Le Monde Illustré”” n°100 of 19 March 1859.

XEE4141201: Carnival of Mardi Gras, France, 8 March 1859: descent to Paris of the masquerade of Sevres. Engraving in “” Le Monde Illustré”” n°100 of 19 March 1859., French School, (19th century) / Bridgeman Images

The Albert I Garden and the Promenade des Anglais in Nice in 1950.
The Albert I Garden and the Promenade des Anglais in Nice in 1950.

XEE4141217: The Albert I Garden and the Promenade des Anglais in Nice in 1950., Unknown Artist, (20th century) / Bridgeman Images

The waterfall of the castle in Nice in 1950.
The waterfall of the castle in Nice in 1950.

XEE4141229: The waterfall of the castle in Nice in 1950., Unknown Artist, (20th century) / Bridgeman Images

18th century architecture: interior view of the Theatre Royal (Teatro Regio) in Turin (Italy) during a gala show on January 23, 1859. Engraving in “” Le Monde Illustré”” n°95 of 5 February 1859.
18th century architecture: interior view of the Theatre Royal (Teatro Regio) in Turin (Italy) during a gala show on January 23, 1859. Engraving in “” Le Monde Illustré”” n°95 of 5 February 1859.

XEE4141244: 18th century architecture: interior view of the Theatre Royal (Teatro Regio) in Turin (Italy) during a gala show on January 23, 1859. Engraving in “” Le Monde Illustré”” n°95 of 5 February 1859., French School, (19th century) / Bridgeman Images

Fish farming: artificial laying. Chromolithography from the end of the 19th century
Fish farming: artificial laying. Chromolithography from the end of the 19th century

XEE4141249: Fish farming: artificial laying. Chromolithography from the end of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

Manufacture of porcelain: turning. Chromolithography of the end of the 19th century
Manufacture of porcelain: turning. Chromolithography of the end of the 19th century

XEE4141255: Manufacture of porcelain: turning. Chromolithography of the end of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

Paper production in the 19th century in France. Chromolithography of the end of the 19th century
Paper production in the 19th century in France. Chromolithography of the end of the 19th century

XEE4141275: Paper production in the 19th century in France. Chromolithography of the end of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

Manufacture of fireworks. Chromolithography of the end of the 19th century
Manufacture of fireworks. Chromolithography of the end of the 19th century

XEE4141284: Manufacture of fireworks. Chromolithography of the end of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

Coin making, gold blades. Chromolithography of the end of the 19th century
Coin making, gold blades. Chromolithography of the end of the 19th century

XEE4141287: Coin making, gold blades. Chromolithography of the end of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Count Ferencz Gyulai (1797-1868), feld lieutenant general commanding the Austrian troops in the Lombard provinces. Engraving in “” Le Monde Illustré”” n°107 of April 30, 1859.
Portrait of Count Ferencz Gyulai (1797-1868), feld lieutenant general commanding the Austrian troops in the Lombard provinces. Engraving in “” Le Monde Illustré”” n°107 of April 30, 1859.

XEE4141288: Portrait of Count Ferencz Gyulai (1797-1868), feld lieutenant general commanding the Austrian troops in the Lombard provinces. Engraving in “” Le Monde Illustré”” n°107 of April 30, 1859., French School, (19th century) / Bridgeman Images

Wool industry: washing. Chromolithography of the end of the 19th century
Wool industry: washing. Chromolithography of the end of the 19th century

XEE4141307: Wool industry: washing. Chromolithography of the end of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

Physiological effects of electricite: experience of Abbe Jean Antoine (Jean-Antoine) Nollet (1700-1770) and Charles Francois Du Fay (Dufay?) (1698-1739) in 1745 on the conductibilite of the human body. Anonymous illustration from 1925. Private collection.
Physiological effects of electricite: experience of Abbe Jean Antoine (Jean-Antoine) Nollet (1700-1770) and Charles Francois Du Fay (Dufay?) (1698-1739) in 1745 on the conductibilite of the human body. Anonymous illustration from 1925. Private collection.

XEE4140801: Physiological effects of electricite: experience of Abbe Jean Antoine (Jean-Antoine) Nollet (1700-1770) and Charles Francois Du Fay (Dufay?) (1698-1739) in 1745 on the conductibilite of the human body. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

Physiological effects of electricite: electric fish. Anonymous illustration from 1925. Private collection.
Physiological effects of electricite: electric fish. Anonymous illustration from 1925. Private collection.

XEE4140805: Physiological effects of electricite: electric fish. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

Terrestrial magnetism: declination compa. Anonymous illustration of 1925. Private collection.
Terrestrial magnetism: declination compa. Anonymous illustration of 1925. Private collection.

XEE4140826: Terrestrial magnetism: declination compa. Anonymous illustration of 1925. Private collection., Anonymous / Bridgeman Images

Terrestrial magnetism: Magnetic map showing isoclins and isogones. Anonymous illustration from 1925. Private collection.
Terrestrial magnetism: Magnetic map showing isoclins and isogones. Anonymous illustration from 1925. Private collection.

XEE4140841: Terrestrial magnetism: Magnetic map showing isoclins and isogones. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

Benediction by Pope Pius IX (1792-1878) of the altar of the pulpit of the Church of St. Peter in Rome, after restoration. Altar built between 1656 and 1658 by Gianlorenzo Bernini (Bernini, 1598-1680). Rome, Italy, 1859. Engraving in “” Le Monde Illustré”” n°99 of 5 March 1859.
Benediction by Pope Pius IX (1792-1878) of the altar of the pulpit of the Church of St. Peter in Rome, after restoration. Altar built between 1656 and 1658 by Gianlorenzo Bernini (Bernini, 1598-1680). Rome, Italy, 1859. Engraving in “” Le Monde Illustré”” n°99 of 5 March 1859.

XEE4140918: Benediction by Pope Pius IX (1792-1878) of the altar of the pulpit of the Church of St. Peter in Rome, after restoration. Altar built between 1656 and 1658 by Gianlorenzo Bernini (Bernini, 1598-1680). Rome, Italy, 1859. Engraving in “” Le Monde Illustré”” n°99 of 5 March 1859., French School, (19th century) / Bridgeman Images

The hour: the middle sun. Anonymous illustration of 1925. Private collection.
The hour: the middle sun. Anonymous illustration of 1925. Private collection.

XEE4140934: The hour: the middle sun. Anonymous illustration of 1925. Private collection., Anonymous / Bridgeman Images

Time: first watches of the 15th century. Anonymous illustration of 1925. Private collection.
Time: first watches of the 15th century. Anonymous illustration of 1925. Private collection.

XEE4140946: Time: first watches of the 15th century. Anonymous illustration of 1925. Private collection., Anonymous / Bridgeman Images

The atoms: John Dalton's Law (1766-1844). Anonymous illustration of 1925. Private collection.
The atoms: John Dalton's Law (1766-1844). Anonymous illustration of 1925. Private collection.

XEE4140956: The atoms: John Dalton's Law (1766-1844). Anonymous illustration of 1925. Private collection., Anonymous / Bridgeman Images

Thermal radiation: incandescent. Anonymous illustration of 1925. Private collection.
Thermal radiation: incandescent. Anonymous illustration of 1925. Private collection.

XEE4140964: Thermal radiation: incandescent. Anonymous illustration of 1925. Private collection., Anonymous / Bridgeman Images

Ultraviolet rays: to avoid scars caused by smallpox, patients should be treated in rooms or enter only red light, free of ultra violet rays. Anonymous illustration from 1925. Private collection.
Ultraviolet rays: to avoid scars caused by smallpox, patients should be treated in rooms or enter only red light, free of ultra violet rays. Anonymous illustration from 1925. Private collection.

XEE4140970: Ultraviolet rays: to avoid scars caused by smallpox, patients should be treated in rooms or enter only red light, free of ultra violet rays. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

Phosphorescence: the wiles. In Cuba, we light up with a bright insect, the wireworm, which we place in a cage. Anonymous illustration from 1925. Private collection.
Phosphorescence: the wiles. In Cuba, we light up with a bright insect, the wireworm, which we place in a cage. Anonymous illustration from 1925. Private collection.

XEE4140988: Phosphorescence: the wiles. In Cuba, we light up with a bright insect, the wireworm, which we place in a cage. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

View of the arms room of the Palace of Turin (Italy) during the visit of King Victor Emmanuel II (Vittorio Emanuele) (Victor-Emmanuel) (1820-1878) and Prince Napoleon (1822-1891), 1859. Engraving in “” Le Monde Illustré”” n°95 of 5 February 1859.
View of the arms room of the Palace of Turin (Italy) during the visit of King Victor Emmanuel II (Vittorio Emanuele) (Victor-Emmanuel) (1820-1878) and Prince Napoleon (1822-1891), 1859. Engraving in “” Le Monde Illustré”” n°95 of 5 February 1859.

XEE4141002: View of the arms room of the Palace of Turin (Italy) during the visit of King Victor Emmanuel II (Vittorio Emanuele) (Victor-Emmanuel) (1820-1878) and Prince Napoleon (1822-1891), 1859. Engraving in “” Le Monde Illustré”” n°95 of 5 February 1859., French School, (19th century) / Bridgeman Images

New gas properties: argon is used to fill a half watt bulb. Anonymous illustration from 1925. Private collection.
New gas properties: argon is used to fill a half watt bulb. Anonymous illustration from 1925. Private collection.

XEE4141009: New gas properties: argon is used to fill a half watt bulb. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

New gas properties: mercury lamp. Anonymous illustration of 1925. Private collection.
New gas properties: mercury lamp. Anonymous illustration of 1925. Private collection.

XEE4141010: New gas properties: mercury lamp. Anonymous illustration of 1925. Private collection., Anonymous / Bridgeman Images

Radium: extraction of emanation. Anonymous illustration of 1925. Private collection.
Radium: extraction of emanation. Anonymous illustration of 1925. Private collection.

XEE4141014: Radium: extraction of emanation. Anonymous illustration of 1925. Private collection., Anonymous / Bridgeman Images

Catholic feast - Saint Anthony: blessing of horses in the square of the Church of Saint Mary Maggiore (Santa Maria Maggiore), Rome, Italy, January 1859. In front of the church, a granite column topped by a cross (1595) commemorating the conversion of Henry IV. Engraving in “” Le Monde Illustré”” n°98 of 26 February 1859.
Catholic feast - Saint Anthony: blessing of horses in the square of the Church of Saint Mary Maggiore (Santa Maria Maggiore), Rome, Italy, January 1859. In front of the church, a granite column topped by a cross (1595) commemorating the conversion of Henry IV. Engraving in “” Le Monde Illustré”” n°98 of 26 February 1859.

XEE4141026: Catholic feast - Saint Anthony: blessing of horses in the square of the Church of Saint Mary Maggiore (Santa Maria Maggiore), Rome, Italy, January 1859. In front of the church, a granite column topped by a cross (1595) commemorating the conversion of Henry IV. Engraving in “” Le Monde Illustré”” n°98 of 26 February 1859., French School, (19th century) / Bridgeman Images

Atom and Science: Hydrogen Atom. Anonymous illustration from 1925. Private collection.
Atom and Science: Hydrogen Atom. Anonymous illustration from 1925. Private collection.

XEE4141030: Atom and Science: Hydrogen Atom. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

Atom and Science: Helium Atom. Anonymous illustration from 1925. Private collection.
Atom and Science: Helium Atom. Anonymous illustration from 1925. Private collection.

XEE4141031: Atom and Science: Helium Atom. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

Manufacture of knives, moulding workshop. Chromolithography of the end of the 19th century
Manufacture of knives, moulding workshop. Chromolithography of the end of the 19th century

XEE4141311: Manufacture of knives, moulding workshop. Chromolithography of the end of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Jean-Georges Reber (Jean Georges) (1731-1816) french industrialist In “” Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui ont ont acquis des droits à la reconaissance des hommes” published and propages by Societe Montyon et Franklin in 1833. Private collection.
Portrait of Jean-Georges Reber (Jean Georges) (1731-1816) french industrialist In “” Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui ont ont acquis des droits à la reconaissance des hommes” published and propages by Societe Montyon et Franklin in 1833. Private collection.

XEE4141384: Portrait of Jean-Georges Reber (Jean Georges) (1731-1816) french industrialist In “” Portraits et histoire des hommes utile: hommes et femmes de tous pays et de tous conditions, qui ont ont acquis des droits à la reconaissance des hommes” published and propages by Societe Montyon et Franklin in 1833. Private collection., Anonymous / Bridgeman Images

Internal view of the diamond cutting of Messrs. Gaensly and Bernard near the barrier of Maine in 1859, during the visit of Napoleon III (1808-1873) and the Impress Eugenie (Eugenie de Montijo, 1826-1920). Engraving by Bourdelin in “” The Illustrous World”” n°100 of 13 March 1859.
Internal view of the diamond cutting of Messrs. Gaensly and Bernard near the barrier of Maine in 1859, during the visit of Napoleon III (1808-1873) and the Impress Eugenie (Eugenie de Montijo, 1826-1920). Engraving by Bourdelin in “” The Illustrous World”” n°100 of 13 March 1859.

XEE4141486: Internal view of the diamond cutting of Messrs. Gaensly and Bernard near the barrier of Maine in 1859, during the visit of Napoleon III (1808-1873) and the Impress Eugenie (Eugenie de Montijo, 1826-1920). Engraving by Bourdelin in “” The Illustrous World”” n°100 of 13 March 1859., Bourdelin, Emile (fl.1890) / Bridgeman Images

Portrait of Jean de La Bruyere (Labruyere) (1645-1696)
Portrait of Jean de La Bruyere (Labruyere) (1645-1696)

XEE4141504: Portrait of Jean de La Bruyere (Labruyere) (1645-1696), French School, (19th century) / Bridgeman Images

Your head is guilty if your heart is not guilty, Madame de Lanclos told her daughter Anne “” Ninon”” of the Enclos (or Ninon de Lenclos or Ninon de Lanclos, 1620-1705) Engraving of the 19th century in “” Confessions of Ninon de Lenclos” by Eugene Moret.
Your head is guilty if your heart is not guilty, Madame de Lanclos told her daughter Anne “” Ninon”” of the Enclos (or Ninon de Lenclos or Ninon de Lanclos, 1620-1705) Engraving of the 19th century in “” Confessions of Ninon de Lenclos” by Eugene Moret.

XEE4141548: Your head is guilty if your heart is not guilty, Madame de Lanclos told her daughter Anne “” Ninon”” of the Enclos (or Ninon de Lenclos or Ninon de Lanclos, 1620-1705) Engraving of the 19th century in “” Confessions of Ninon de Lenclos” by Eugene Moret., French School, (19th century) / Bridgeman Images

The Calvary of Lourdes (Way of the Cross): Veme Station - Simon de Cyrene helps Jesus carry his Cross.
The Calvary of Lourdes (Way of the Cross): Veme Station - Simon de Cyrene helps Jesus carry his Cross.

XEE4141579: The Calvary of Lourdes (Way of the Cross): Veme Station - Simon de Cyrene helps Jesus carry his Cross., Unknown Artist, (20th century) / Bridgeman Images


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