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Portrait of Charles (Carl) XV (1826-1872), King of Sweden and Norway. Engraving in “” le Monde Illustrous”” n°119 of 23 July 1859.
Portrait of Charles (Carl) XV (1826-1872), King of Sweden and Norway. Engraving in “” le Monde Illustrous”” n°119 of 23 July 1859.

XEE4143586: Portrait of Charles (Carl) XV (1826-1872), King of Sweden and Norway. Engraving in “” le Monde Illustrous”” n°119 of 23 July 1859., French School, (19th century) / Bridgeman Images

ID: XEE4143586

Portrait of Charles (Carl) XV (1826-1872), King of Sweden and Norway. Engraving in “” le Monde Illustrous”” n°119 of 23 July 1859.

French School, (19th century)

Manufacture of metal feathers: sharpening workshop in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Manufacture of metal feathers: sharpening workshop in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143595: Manufacture of metal feathers: sharpening workshop in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143595

Manufacture of metal feathers: sharpening workshop in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

Unknown Artist, (19th century)

Galvanic gilding: scraper-boessage of gold jewels with a scraper-boesse. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Galvanic gilding: scraper-boessage of gold jewels with a scraper-boesse. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143605: Galvanic gilding: scraper-boessage of gold jewels with a scraper-boesse. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143605

Galvanic gilding: scraper-boessage of gold jewels with a scraper-boesse. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

Unknown Artist, (19th century)

A Kabyle jeweler in Algeria in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
A Kabyle jeweler in Algeria in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143618: A Kabyle jeweler in Algeria in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143618

A Kabyle jeweler in Algeria in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

Unknown Artist, (19th century)

Galvanic goldsmith: preparation of molds. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Galvanic goldsmith: preparation of molds. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143622: Galvanic goldsmith: preparation of molds. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143622

Galvanic goldsmith: preparation of molds. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

Unknown Artist, (19th century)

The mosaic: mosaic workshop. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
The mosaic: mosaic workshop. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143718: The mosaic: mosaic workshop. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143718

The mosaic: mosaic workshop. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

Unknown Artist, (19th century)

Famous diamonds: Banker Vanlerberghe showing a fake Regent at the beginning of the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Famous diamonds: Banker Vanlerberghe showing a fake Regent at the beginning of the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143721: Famous diamonds: Banker Vanlerberghe showing a fake Regent at the beginning of the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143721

Famous diamonds: Banker Vanlerberghe showing a fake Regent at the beginning of the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

Unknown Artist, (19th century)

The art of lapidary: washing diamonds in Brazil in “” Les arts et métiers illustrés” by Adolphe BITARD in 1885 (engraving)
The art of lapidary: washing diamonds in Brazil in “” Les arts et métiers illustrés” by Adolphe BITARD in 1885 (engraving)

XEE4143736: The art of lapidary: washing diamonds in Brazil in “” Les arts et métiers illustrés” by Adolphe BITARD in 1885 (engraving), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143736

The art of lapidary: washing diamonds in Brazil in “” Les arts et métiers illustrés” by Adolphe BITARD in 1885 (engraving)

Unknown Artist, (19th century)

The art of glass: glass workers manufacturing glass according to the French method. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
The art of glass: glass workers manufacturing glass according to the French method. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143738: The art of glass: glass workers manufacturing glass according to the French method. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143738

The art of glass: glass workers manufacturing glass according to the French method. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

Unknown Artist, (19th century)

Pottery: Pierre Joseph Macquer (1718-1784) presenting at the Academy the first hard porcelain made in France by the Sevres factory in 1769. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Pottery: Pierre Joseph Macquer (1718-1784) presenting at the Academy the first hard porcelain made in France by the Sevres factory in 1769. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143742: Pottery: Pierre Joseph Macquer (1718-1784) presenting at the Academy the first hard porcelain made in France by the Sevres factory in 1769. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143742

Pottery: Pierre Joseph Macquer (1718-1784) presenting at the Academy the first hard porcelain made in France by the Sevres factory in 1769. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

Unknown Artist, (19th century)

Fireman of Paris: rescue scene during the fire of Boulevard Saint-Martin. Engraving in “” Le petit Parisien”” from 1891. Private collection.
Fireman of Paris: rescue scene during the fire of Boulevard Saint-Martin. Engraving in “” Le petit Parisien”” from 1891. Private collection.

XEE4143793: Fireman of Paris: rescue scene during the fire of Boulevard Saint-Martin. Engraving in “” Le petit Parisien”” from 1891. Private collection., Anonymous / Bridgeman Images

ID: XEE4143793

Fireman of Paris: rescue scene during the fire of Boulevard Saint-Martin. Engraving in “” Le petit Parisien”” from 1891. Private collection.

Anonymous

In front of the ruin: Tale of Ma'ruf (Maruf) the saver “” The thousand and one nights” (the 1001 nights or Le mille e una notte, Arabian Nights), Chromolithography of the end of the 19th century.
In front of the ruin: Tale of Ma'ruf (Maruf) the saver “” The thousand and one nights” (the 1001 nights or Le mille e una notte, Arabian Nights), Chromolithography of the end of the 19th century.

XEE4143796: In front of the ruin: Tale of Ma'ruf (Maruf) the saver “” The thousand and one nights” (the 1001 nights or Le mille e una notte, Arabian Nights), Chromolithography of the end of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143796

In front of the ruin: Tale of Ma'ruf (Maruf) the saver “” The thousand and one nights” (the 1001 nights or Le mille e una notte, Arabian Nights), Chromolithography of the end of the 19th century.

Unknown Artist, (19th century)

Maruf before the King: Tale of Ma'ruf (Maruf) the saver “” The thousand and one nights” (1001 nights or Le mille e una notte, Arabian Nights), Chromolithography of the end of the 19th century.
Maruf before the King: Tale of Ma'ruf (Maruf) the saver “” The thousand and one nights” (1001 nights or Le mille e una notte, Arabian Nights), Chromolithography of the end of the 19th century.

XEE4143803: Maruf before the King: Tale of Ma'ruf (Maruf) the saver “” The thousand and one nights” (1001 nights or Le mille e una notte, Arabian Nights), Chromolithography of the end of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143803

Maruf before the King: Tale of Ma'ruf (Maruf) the saver “” The thousand and one nights” (1001 nights or Le mille e una notte, Arabian Nights), Chromolithography of the end of the 19th century.

Unknown Artist, (19th century)

The terrible boar. Chinese tale. Chromolithography from the end of the 19th century.
The terrible boar. Chinese tale. Chromolithography from the end of the 19th century.

XEE4143815: The terrible boar. Chinese tale. Chromolithography from the end of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143815

The terrible boar. Chinese tale. Chromolithography from the end of the 19th century.

Unknown Artist, (19th century)

The terrible boar. Chinese tale. Chromolithography from the end of the 19th century.
The terrible boar. Chinese tale. Chromolithography from the end of the 19th century.

XEE4143817: The terrible boar. Chinese tale. Chromolithography from the end of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143817

The terrible boar. Chinese tale. Chromolithography from the end of the 19th century.

Unknown Artist, (19th century)

The terrible boar. Chinese tale. Chromolithography from the end of the 19th century.
The terrible boar. Chinese tale. Chromolithography from the end of the 19th century.

XEE4143836: The terrible boar. Chinese tale. Chromolithography from the end of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143836

The terrible boar. Chinese tale. Chromolithography from the end of the 19th century.

Unknown Artist, (19th century)

The king and the Indian. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century.
The king and the Indian. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century.

XEE4143847: The king and the Indian. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143847

The king and the Indian. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century.

Unknown Artist, (19th century)

Portrait of Katharine O'Shea then Katharine Parnell (1846-1921), English aristocrat. Engraving in “” Le petit Parisien”” from 1891. Private collection.
Portrait of Katharine O'Shea then Katharine Parnell (1846-1921), English aristocrat. Engraving in “” Le petit Parisien”” from 1891. Private collection.

XEE4143849: Portrait of Katharine O'Shea then Katharine Parnell (1846-1921), English aristocrat. Engraving in “” Le petit Parisien”” from 1891. Private collection., Anonymous / Bridgeman Images

ID: XEE4143849

Portrait of Katharine O'Shea then Katharine Parnell (1846-1921), English aristocrat. Engraving in “” Le petit Parisien”” from 1891. Private collection.

Anonymous

The Indian revolt in the United States: a fight between Sioux Indians and American troops. Engraving in “” Le petit Parisien”” from 1891. Private collection.
The Indian revolt in the United States: a fight between Sioux Indians and American troops. Engraving in “” Le petit Parisien”” from 1891. Private collection.

XEE4143873: The Indian revolt in the United States: a fight between Sioux Indians and American troops. Engraving in “” Le petit Parisien”” from 1891. Private collection., Anonymous / Bridgeman Images

ID: XEE4143873

The Indian revolt in the United States: a fight between Sioux Indians and American troops. Engraving in “” Le petit Parisien”” from 1891. Private collection.

Anonymous

King Lebuschi welcomes Henri Depelchin (1822-1900), Jesuit missionary and first superior of the Upper Zambeze mission in Africa. Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.
King Lebuschi welcomes Henri Depelchin (1822-1900), Jesuit missionary and first superior of the Upper Zambeze mission in Africa. Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.

XEE4143887: King Lebuschi welcomes Henri Depelchin (1822-1900), Jesuit missionary and first superior of the Upper Zambeze mission in Africa. Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection., Anonymous / Bridgeman Images

ID: XEE4143887

King Lebuschi welcomes Henri Depelchin (1822-1900), Jesuit missionary and first superior of the Upper Zambeze mission in Africa. Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.

Anonymous

The explorer Pierre Savorgnan of Brazza (1852-1905) and a group of indigenous people from the Apostolic Vicariate of the Two Guineas (Two Guineas) in Gabon. Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.
The explorer Pierre Savorgnan of Brazza (1852-1905) and a group of indigenous people from the Apostolic Vicariate of the Two Guineas (Two Guineas) in Gabon. Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.

XEE4143889: The explorer Pierre Savorgnan of Brazza (1852-1905) and a group of indigenous people from the Apostolic Vicariate of the Two Guineas (Two Guineas) in Gabon. Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection., Anonymous / Bridgeman Images

ID: XEE4143889

The explorer Pierre Savorgnan of Brazza (1852-1905) and a group of indigenous people from the Apostolic Vicariate of the Two Guineas (Two Guineas) in Gabon. Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.

Anonymous

Portrait of Henri Depelchin (1822-1900), Jesuit missionary, first superior of the mission of Upper Zambeze (Upper Zambeze) in Africa. Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.
Portrait of Henri Depelchin (1822-1900), Jesuit missionary, first superior of the mission of Upper Zambeze (Upper Zambeze) in Africa. Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.

XEE4143890: Portrait of Henri Depelchin (1822-1900), Jesuit missionary, first superior of the mission of Upper Zambeze (Upper Zambeze) in Africa. Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection., Anonymous / Bridgeman Images

ID: XEE4143890

Portrait of Henri Depelchin (1822-1900), Jesuit missionary, first superior of the mission of Upper Zambeze (Upper Zambeze) in Africa. Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.

Anonymous

Exterior view of the Cathedral of Port of Spain (Port of Spain) in Trinidad (Trinidad and Tobago, Trinidad and Tobago). Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.
Exterior view of the Cathedral of Port of Spain (Port of Spain) in Trinidad (Trinidad and Tobago, Trinidad and Tobago). Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.

XEE4143905: Exterior view of the Cathedral of Port of Spain (Port of Spain) in Trinidad (Trinidad and Tobago, Trinidad and Tobago). Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection., Anonymous / Bridgeman Images

ID: XEE4143905

Exterior view of the Cathedral of Port of Spain (Port of Spain) in Trinidad (Trinidad and Tobago, Trinidad and Tobago). Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.

Anonymous

Portrait of Felicita Vestvali (1824-1880), Polish singer, in the role of Romeo in the first act of “Romeo and Juliet” at the Paris Opera, 1859. Engraving in “” Le Monde Illustré”” n°127 of 17 September 1859.
Portrait of Felicita Vestvali (1824-1880), Polish singer, in the role of Romeo in the first act of “Romeo and Juliet” at the Paris Opera, 1859. Engraving in “” Le Monde Illustré”” n°127 of 17 September 1859.

XEE4143922: Portrait of Felicita Vestvali (1824-1880), Polish singer, in the role of Romeo in the first act of “Romeo and Juliet” at the Paris Opera, 1859. Engraving in “” Le Monde Illustré”” n°127 of 17 September 1859., French School, (19th century) / Bridgeman Images

ID: XEE4143922

Portrait of Felicita Vestvali (1824-1880), Polish singer, in the role of Romeo in the first act of “Romeo and Juliet” at the Paris Opera, 1859. Engraving in “” Le Monde Illustré”” n°127 of 17 September 1859.

French School, (19th century)

Philip II (Philip Augustus, 1165-1223), King Capetian, proposes to give his crown to his soldiers if they are able to keep it one day before the Battle of Bouvines, but all prefer to keep their king. In winning this battle, Philip II aneantiated a coalition formed against him in 1214 by John, Otton IV and the Count of Flanders. Anonymous illustration in “” Collection des souverains et chefs d'état de la France””. 20th century. Private collection.
Philip II (Philip Augustus, 1165-1223), King Capetian, proposes to give his crown to his soldiers if they are able to keep it one day before the Battle of Bouvines, but all prefer to keep their king. In winning this battle, Philip II aneantiated a coalition formed against him in 1214 by John, Otton IV and the Count of Flanders. Anonymous illustration in “” Collection des souverains et chefs d'état de la France””. 20th century. Private collection.

XEE4142213: Philip II (Philip Augustus, 1165-1223), King Capetian, proposes to give his crown to his soldiers if they are able to keep it one day before the Battle of Bouvines, but all prefer to keep their king. In winning this battle, Philip II aneantiated a coalition formed against him in 1214 by John, Otton IV and the Count of Flanders. Anonymous illustration in “” Collection des souverains et chefs d'état de la France””. 20th century. Private collection., Anonymous / Bridgeman Images

ID: XEE4142213

Philip II (Philip Augustus, 1165-1223), King Capetian, proposes to give his crown to his soldiers if they are able to keep it one day before the Battle of Bouvines, but all prefer to keep their king. In winning this battle, Philip II aneantiated a coalition formed against him in 1214 by John, Otton IV and the Count of Flanders. Anonymous illustration in “” Collection des souverains et chefs d'état de la France””. 20th century. Private collection.

Anonymous

Bed of justice to judge Charles-le-Bad (Charles the bad) (Charles de Navarre, 1332-1387) Anonymous illustration in “” Collection des souverains et chefs d'état de France””. 20th century. Private collection.
Bed of justice to judge Charles-le-Bad (Charles the bad) (Charles de Navarre, 1332-1387) Anonymous illustration in “” Collection des souverains et chefs d'état de France””. 20th century. Private collection.

XEE4142215: Bed of justice to judge Charles-le-Bad (Charles the bad) (Charles de Navarre, 1332-1387) Anonymous illustration in “” Collection des souverains et chefs d'état de France””. 20th century. Private collection., Anonymous / Bridgeman Images

ID: XEE4142215

Bed of justice to judge Charles-le-Bad (Charles the bad) (Charles de Navarre, 1332-1387) Anonymous illustration in “” Collection des souverains et chefs d'état de France””. 20th century. Private collection.

Anonymous

Saint Francois-de-Sales (Saint Francois de Sales) (1567-1622), eveque of Geneva on a pastoral visit. Engraving from 1846 in “” Lives of the saints””. Private collection.
Saint Francois-de-Sales (Saint Francois de Sales) (1567-1622), eveque of Geneva on a pastoral visit. Engraving from 1846 in “” Lives of the saints””. Private collection.

XEE4142264: Saint Francois-de-Sales (Saint Francois de Sales) (1567-1622), eveque of Geneva on a pastoral visit. Engraving from 1846 in “” Lives of the saints””. Private collection., Anonymous / Bridgeman Images

ID: XEE4142264

Saint Francois-de-Sales (Saint Francois de Sales) (1567-1622), eveque of Geneva on a pastoral visit. Engraving from 1846 in “” Lives of the saints””. Private collection.

Anonymous

Edward the Confessor (one of the last Anglo-Saxon kings of England) - St. Edward the Confessor (1004-1066) giving new laws to his people. Engraving from 1846 in “” Lives of the saints””. Private collection.
Edward the Confessor (one of the last Anglo-Saxon kings of England) - St. Edward the Confessor (1004-1066) giving new laws to his people. Engraving from 1846 in “” Lives of the saints””. Private collection.

XEE4142272: Edward the Confessor (one of the last Anglo-Saxon kings of England) - St. Edward the Confessor (1004-1066) giving new laws to his people. Engraving from 1846 in “” Lives of the saints””. Private collection., Anonymous / Bridgeman Images

ID: XEE4142272

Edward the Confessor (one of the last Anglo-Saxon kings of England) - St. Edward the Confessor (1004-1066) giving new laws to his people. Engraving from 1846 in “” Lives of the saints””. Private collection.

Anonymous

Portrait of Annette Essipoff [Anna Essipova], Russian pianist [1851-1914].
Portrait of Annette Essipoff [Anna Essipova], Russian pianist [1851-1914].

XEE4142290: Portrait of Annette Essipoff [Anna Essipova], Russian pianist [1851-1914]., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4142290

Portrait of Annette Essipoff [Anna Essipova], Russian pianist [1851-1914].

Unknown Artist, (19th century)

Saint Dunstan (ca. 909-988), eveque of Canterbury, benedictine and reformer of monastic life in England, announcing his impending death to the people. Engraving from 1846 in “” Lives of the saints””. Private collection.
Saint Dunstan (ca. 909-988), eveque of Canterbury, benedictine and reformer of monastic life in England, announcing his impending death to the people. Engraving from 1846 in “” Lives of the saints””. Private collection.

XEE4142299: Saint Dunstan (ca. 909-988), eveque of Canterbury, benedictine and reformer of monastic life in England, announcing his impending death to the people. Engraving from 1846 in “” Lives of the saints””. Private collection., Anonymous / Bridgeman Images

ID: XEE4142299

Saint Dunstan (ca. 909-988), eveque of Canterbury, benedictine and reformer of monastic life in England, announcing his impending death to the people. Engraving from 1846 in “” Lives of the saints””. Private collection.

Anonymous

Sainte Genevieve distributed food to the people during the siege of Paris by the army of the Huns of Attila in 451 (barbarian invasions). Engraving from 1846 in “” Lives of the saints””. Private collection.
Sainte Genevieve distributed food to the people during the siege of Paris by the army of the Huns of Attila in 451 (barbarian invasions). Engraving from 1846 in “” Lives of the saints””. Private collection.

XEE4142313: Sainte Genevieve distributed food to the people during the siege of Paris by the army of the Huns of Attila in 451 (barbarian invasions). Engraving from 1846 in “” Lives of the saints””. Private collection., Anonymous / Bridgeman Images

ID: XEE4142313

Sainte Genevieve distributed food to the people during the siege of Paris by the army of the Huns of Attila in 451 (barbarian invasions). Engraving from 1846 in “” Lives of the saints””. Private collection.

Anonymous

Portrait of Henrik (Henri) Johan Ibsen (1828-1906), Norwegian playwright.
Portrait of Henrik (Henri) Johan Ibsen (1828-1906), Norwegian playwright.

XEE4142320: Portrait of Henrik (Henri) Johan Ibsen (1828-1906), Norwegian playwright., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4142320

Portrait of Henrik (Henri) Johan Ibsen (1828-1906), Norwegian playwright.

Unknown Artist, (19th century)

Jean-Paul (Jean Paul) Marat (1743-1793) with Maximilian by Robespierre (1758-1794). Engraving from 1866 in “Histoire de la Revolution francaise”” by Adolphe Thiers. Private collection.
Jean-Paul (Jean Paul) Marat (1743-1793) with Maximilian by Robespierre (1758-1794). Engraving from 1866 in “Histoire de la Revolution francaise”” by Adolphe Thiers. Private collection.

XEE4142339: Jean-Paul (Jean Paul) Marat (1743-1793) with Maximilian by Robespierre (1758-1794). Engraving from 1866 in “Histoire de la Revolution francaise”” by Adolphe Thiers. Private collection., Anonymous / Bridgeman Images

ID: XEE4142339

Jean-Paul (Jean Paul) Marat (1743-1793) with Maximilian by Robespierre (1758-1794). Engraving from 1866 in “Histoire de la Revolution francaise”” by Adolphe Thiers. Private collection.

Anonymous

Charles Francois du Perier dit Dumouriez (1739-1823), French general with Queen Marie Antoinette (1755-1793). Engraving from 1866 in “Histoire de la Revolution francaise”” by Adolphe Thiers. Private collection.
Charles Francois du Perier dit Dumouriez (1739-1823), French general with Queen Marie Antoinette (1755-1793). Engraving from 1866 in “Histoire de la Revolution francaise”” by Adolphe Thiers. Private collection.

XEE4142345: Charles Francois du Perier dit Dumouriez (1739-1823), French general with Queen Marie Antoinette (1755-1793). Engraving from 1866 in “Histoire de la Revolution francaise”” by Adolphe Thiers. Private collection., Anonymous / Bridgeman Images

ID: XEE4142345

Charles Francois du Perier dit Dumouriez (1739-1823), French general with Queen Marie Antoinette (1755-1793). Engraving from 1866 in “Histoire de la Revolution francaise”” by Adolphe Thiers. Private collection.

Anonymous

Chamonix, (Mont Blanc) (Mont-Blanc) Haute-Savoie (Haute Savoie), Rhone-Alpes (Rhone Alpes), France. Around 1930.
Chamonix, (Mont Blanc) (Mont-Blanc) Haute-Savoie (Haute Savoie), Rhone-Alpes (Rhone Alpes), France. Around 1930.

XEE4142358: Chamonix, (Mont Blanc) (Mont-Blanc) Haute-Savoie (Haute Savoie), Rhone-Alpes (Rhone Alpes), France. Around 1930., Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4142358

Chamonix, (Mont Blanc) (Mont-Blanc) Haute-Savoie (Haute Savoie), Rhone-Alpes (Rhone Alpes), France. Around 1930.

Unknown Artist, (20th century)

L'Arve in Chamonix, (Mont Blanc) (Mont-Blanc) Haute-Savoie (Haute Savoie), Rhone-Alpes (Rhone Alpes), France. Around 1930.
L'Arve in Chamonix, (Mont Blanc) (Mont-Blanc) Haute-Savoie (Haute Savoie), Rhone-Alpes (Rhone Alpes), France. Around 1930.

XEE4142370: L'Arve in Chamonix, (Mont Blanc) (Mont-Blanc) Haute-Savoie (Haute Savoie), Rhone-Alpes (Rhone Alpes), France. Around 1930., Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4142370

L'Arve in Chamonix, (Mont Blanc) (Mont-Blanc) Haute-Savoie (Haute Savoie), Rhone-Alpes (Rhone Alpes), France. Around 1930.

Unknown Artist, (20th century)


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