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The Church of La Madeleine, Paris, stereoscopic view, c.1860-70 (b/w photo)
The Church of La Madeleine, Paris, stereoscopic view, c.1860-70 (b/w photo)

CHT163014: The Church of La Madeleine, Paris, stereoscopic view, c.1860-70 (b/w photo), French School, (19th century) / Bridgeman Images

Snakes and ladders of Railways, 19th century (colour engraving)
Snakes and ladders of Railways, 19th century (colour engraving)

CHT163151: Snakes and ladders of Railways, 19th century (colour engraving), French School, (19th century) / Bridgeman Images

Jean Valjean closing Fantine's Eyes, illustration from 'Les Miserables' (1845-62) by Victor Hugo (1802-85), c. 1885 (engraving) (b/w photo)
Jean Valjean closing Fantine's Eyes, illustration from 'Les Miserables' (1845-62) by Victor Hugo (1802-85), c. 1885 (engraving) (b/w photo)

CHT163863: Jean Valjean closing Fantine's Eyes, illustration from 'Les Miserables' (1845-62) by Victor Hugo (1802-85), c. 1885 (engraving) (b/w photo), Bellenger, Albert (b. 1846) / Bridgeman Images

Gavroche and His Two Brothers in the Bastille Elephant, illustration from 'Les Miserables' (1845-62) by Victor Hugo (1802-85), c. 1885 (engraving) (b/w photo)
Gavroche and His Two Brothers in the Bastille Elephant, illustration from 'Les Miserables' (1845-62) by Victor Hugo (1802-85), c. 1885 (engraving) (b/w photo)

CHT163864: Gavroche and His Two Brothers in the Bastille Elephant, illustration from 'Les Miserables' (1845-62) by Victor Hugo (1802-85), c. 1885 (engraving) (b/w photo), Brion, Gustave (1824-77) (after) / Bridgeman Images

Theodore de Banville (1823-91), from 'La Revue Illustree, 1886 (colour engraving)
Theodore de Banville (1823-91), from 'La Revue Illustree, 1886 (colour engraving)

CHT163962: Theodore de Banville (1823-91), from 'La Revue Illustree, 1886 (colour engraving), Rochegrosse, Georges (1859-1938) (after) / Bridgeman Images

The Stag House at the Jardin d'Acclimatation, Paris, c.1900 (colour engraving)
The Stag House at the Jardin d'Acclimatation, Paris, c.1900 (colour engraving)

CHT163982: The Stag House at the Jardin d'Acclimatation, Paris, c.1900 (colour engraving), French School, (19th century) / Bridgeman Images

'What is Reaped is What One Has Sown', advertisement for Vilmorin Seeds, with an History of the Vilmorin company, 1934 (colour engraving)
'What is Reaped is What One Has Sown', advertisement for Vilmorin Seeds, with an History of the Vilmorin company, 1934 (colour engraving)

CHT163987: 'What is Reaped is What One Has Sown', advertisement for Vilmorin Seeds, with an History of the Vilmorin company, 1934 (colour engraving), French School, (20th century) / Bridgeman Images

School Gardens, Pupils Planting out, from a photo album showing Gardens for Workers at Lens, 1906 (b/w photo)
School Gardens, Pupils Planting out, from a photo album showing Gardens for Workers at Lens, 1906 (b/w photo)

CHT163991: School Gardens, Pupils Planting out, from a photo album showing Gardens for Workers at Lens, 1906 (b/w photo), French Photographer, (20th century) / Bridgeman Images

Andrex (1907-89), poster advertising Pathe records (colour engraving)
Andrex (1907-89), poster advertising Pathe records (colour engraving)

CHT164004: Andrex (1907-89), poster advertising Pathe records (colour engraving), Agostini, F. (20th century) / Bridgeman Images

'I have become terribly powerful... Sir is very proud of his uniform', cartoon for 'Vues de Paris, Esquisses morales et philosophiques' by Francois Seraphin Delpech (1778-1825) early 19th century (colour litho)
'I have become terribly powerful... Sir is very proud of his uniform', cartoon for 'Vues de Paris, Esquisses morales et philosophiques' by Francois Seraphin Delpech (1778-1825) early 19th century (colour litho)

CHT163221: 'I have become terribly powerful... Sir is very proud of his uniform', cartoon for 'Vues de Paris, Esquisses morales et philosophiques' by Francois Seraphin Delpech (1778-1825) early 19th century (colour litho), Monnier, Henri Bonaventure (1779-1877) (after) / Bridgeman Images

Robinson reading the Bible to Friday, illustration for a French edition of 'Robinson Crusoe' by Daniel Defoe (1660-1731), published by Hachette, 1930 (colour engraving)
Robinson reading the Bible to Friday, illustration for a French edition of 'Robinson Crusoe' by Daniel Defoe (1660-1731), published by Hachette, 1930 (colour engraving)

CHT163224: Robinson reading the Bible to Friday, illustration for a French edition of 'Robinson Crusoe' by Daniel Defoe (1660-1731), published by Hachette, 1930 (colour engraving), Lorioux, Felix (1872-1964) / Bridgeman Images

Mermaid advertising the 'Mennen's Borated Talcum Toilet Powder', from 'The Theatre Magazine', 1903 (colour litho)
Mermaid advertising the 'Mennen's Borated Talcum Toilet Powder', from 'The Theatre Magazine', 1903 (colour litho)

CHT163268: Mermaid advertising the 'Mennen's Borated Talcum Toilet Powder', from 'The Theatre Magazine', 1903 (colour litho), American School, (20th century) / Bridgeman Images

The Convalescent (oil on canvas)
The Convalescent (oil on canvas)

PCT164448: The Convalescent (oil on canvas), Jalabert, Jean (1815-1900) / Bridgeman Images

The Forge (litho)
The Forge (litho)

PCT164453: The Forge (litho), Lalaisse, Francois-Hippolyte (1812-84) / Bridgeman Images

The Forge (litho)
The Forge (litho)

PCT164454: The Forge (litho), Gericault, Theodore (1791-1824) (after) / Bridgeman Images

Lady Sandhurst and Elena Petrovna Blavatsky (1831-91), celebrities of spiritualist evocation (engraving) (b/w photo)
Lady Sandhurst and Elena Petrovna Blavatsky (1831-91), celebrities of spiritualist evocation (engraving) (b/w photo)

CHT164271: Lady Sandhurst and Elena Petrovna Blavatsky (1831-91), celebrities of spiritualist evocation (engraving) (b/w photo), French School, (19th century) / Bridgeman Images

Charlemagne's (742-814) work, from 'Histoire de France' by Gustave Gautherot (1880-1948), published by La Bonne Presse, 1913 (engraving) (b/w photo)
Charlemagne's (742-814) work, from 'Histoire de France' by Gustave Gautherot (1880-1948), published by La Bonne Presse, 1913 (engraving) (b/w photo)

CHT164283: Charlemagne's (742-814) work, from 'Histoire de France' by Gustave Gautherot (1880-1948), published by La Bonne Presse, 1913 (engraving) (b/w photo), Pouzaygues, Lucien Paul (20th century) / Bridgeman Images

Front cover of the magazine 'Le Theatre' depicting Jean de Reszke (1850-1925) as Siegfried in 'Siegfried' by Wagner, 11 February 1902 (b/w photo)
Front cover of the magazine 'Le Theatre' depicting Jean de Reszke (1850-1925) as Siegfried in 'Siegfried' by Wagner, 11 February 1902 (b/w photo)

CHT164105: Front cover of the magazine 'Le Theatre' depicting Jean de Reszke (1850-1925) as Siegfried in 'Siegfried' by Wagner, 11 February 1902 (b/w photo), Nadar, Paul (1856-1939) / Bridgeman Images

The Lioness, 1483 (ink & colour on paper) (detail)
The Lioness, 1483 (ink & colour on paper) (detail)

XZL146901: The Lioness, 1483 (ink & colour on paper) (detail), Chinese School, Ming Dynasty (1368-1644) / Bridgeman Images

The Three Virtues, Reason, Uprightness and Justice, urge Christina de Pisan (c.1364-1410) to write a Book of Ethics for the Instruction of Ladies, illustration from 'Science and Literature in the Middle Ages and the Renaissance', written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo)
The Three Virtues, Reason, Uprightness and Justice, urge Christina de Pisan (c.1364-1410) to write a Book of Ethics for the Instruction of Ladies, illustration from 'Science and Literature in the Middle Ages and the Renaissance', written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo)

XJF147303: The Three Virtues, Reason, Uprightness and Justice, urge Christina de Pisan (c.1364-1410) to write a Book of Ethics for the Instruction of Ladies, illustration from 'Science and Literature in the Middle Ages and the Renaissance', written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo), Huyot, Jean Georges (1863-1938) (after) / Bridgeman Images

Lat 1 f.423r Charles the Bald, King of France (823-77) enthroned, commissioned by Abbot Vivian from the monastery of St. Martin at Tours, from the First Bible of Charles the Bald, 843-51, illustration from 'Science and Literature of the Middle Ages and the Renaissance', written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo) (see also 26116)
Lat 1 f.423r Charles the Bald, King of France (823-77) enthroned, commissioned by Abbot Vivian from the monastery of St. Martin at Tours, from the First Bible of Charles the Bald, 843-51, illustration from 'Science and Literature of the Middle Ages and the Renaissance', written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo) (see also 26116)

XJF147304: Lat 1 f.423r Charles the Bald, King of France (823-77) enthroned, commissioned by Abbot Vivian from the monastery of St. Martin at Tours, from the First Bible of Charles the Bald, 843-51, illustration from 'Science and Literature of the Middle Ages and the Renaissance', written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo) (see also 26116), English School, (19th century) / Bridgeman Images

Flemish doctor haranguing the people in the open street, illustration from 'Science and Literature in the Middle Ages and the Renaissance', written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo)
Flemish doctor haranguing the people in the open street, illustration from 'Science and Literature in the Middle Ages and the Renaissance', written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo)

XJF147307: Flemish doctor haranguing the people in the open street, illustration from 'Science and Literature in the Middle Ages and the Renaissance', written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo), Flemish School, (15th century) / Bridgeman Images

Beadles of the Three Faculties of Theology, Jurisprudence and Medicine, from 'The Funeral of Charles III (1543-1608) Duke of Lorraine', illustration from 'Science and Literature in the Middle Ages and the Renaissance', written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo)
Beadles of the Three Faculties of Theology, Jurisprudence and Medicine, from 'The Funeral of Charles III (1543-1608) Duke of Lorraine', illustration from 'Science and Literature in the Middle Ages and the Renaissance', written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo)

XJF147320: Beadles of the Three Faculties of Theology, Jurisprudence and Medicine, from 'The Funeral of Charles III (1543-1608) Duke of Lorraine', illustration from 'Science and Literature in the Middle Ages and the Renaissance', written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo), English School, (19th century) / Bridgeman Images

The Royal Hospital at Chelsey, from 'Survey of London' engraved by Johannes Kip (c.1652-1722), 1730 (colour engraving)
The Royal Hospital at Chelsey, from 'Survey of London' engraved by Johannes Kip (c.1652-1722), 1730 (colour engraving)

STC137603: The Royal Hospital at Chelsey, from 'Survey of London' engraved by Johannes Kip (c.1652-1722), 1730 (colour engraving), Knyff, Leonard (1650-1721) (after) / Bridgeman Images

The Favourite of the Litter (oil on canvas)
The Favourite of the Litter (oil on canvas)

CH137847: The Favourite of the Litter (oil on canvas), Elsley, Arthur John (1861-1952) / Bridgeman Images

Portrait of Frances Walsingham, Countess of Essex from 'Memoirs of the Court of Queen Elizabeth' after a portrait by Wiliam Segar (fl.1585-d.1633), published in 1825 (w/c and gouache on paper)
Portrait of Frances Walsingham, Countess of Essex from 'Memoirs of the Court of Queen Elizabeth' after a portrait by Wiliam Segar (fl.1585-d.1633), published in 1825 (w/c and gouache on paper)

STC146169: Portrait of Frances Walsingham, Countess of Essex from 'Memoirs of the Court of Queen Elizabeth' after a portrait by Wiliam Segar (fl.1585-d.1633), published in 1825 (w/c and gouache on paper), Essex, Sarah Countess of (d.1838) / Bridgeman Images

Portrait of John Aylmer (1521-94) Bishop of London from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper)
Portrait of John Aylmer (1521-94) Bishop of London from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper)

STC146174: Portrait of John Aylmer (1521-94) Bishop of London from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper), Essex, Sarah Countess of (d.1838) / Bridgeman Images

Portrait of Hugh Latimer (b.c.1486-1555) Bishop of Worcester from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper)
Portrait of Hugh Latimer (b.c.1486-1555) Bishop of Worcester from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper)

STC146180: Portrait of Hugh Latimer (b.c.1486-1555) Bishop of Worcester from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper), Essex, Sarah Countess of (d.1838) / Bridgeman Images

Portrait of Sir Henry Lee (1530-1610) from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache) on paper
Portrait of Sir Henry Lee (1530-1610) from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache) on paper

STC146199: Portrait of Sir Henry Lee (1530-1610) from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache) on paper, Essex, Sarah Countess of (d.1838) / Bridgeman Images

A peacock, a scarlet macaw and a painted stork (photo)
A peacock, a scarlet macaw and a painted stork (photo)

BON146512: A peacock, a scarlet macaw and a painted stork (photo) / Bridgeman Images

Portrait of Anne Boleyn wrongly called Queen Mary from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper)
Portrait of Anne Boleyn wrongly called Queen Mary from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper)

STC146742: Portrait of Anne Boleyn wrongly called Queen Mary from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper), Essex, Sarah Countess of (d.1838) / Bridgeman Images

Portrait of Sir Nicholas Bacon (1509-79) from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper)
Portrait of Sir Nicholas Bacon (1509-79) from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper)

STC146745: Portrait of Sir Nicholas Bacon (1509-79) from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper), Essex, Sarah Countess of (d.1838) / Bridgeman Images

Portrait of Sir Walter Mildmay (c.1520-89) from 'Memoirs of the Court of Queen Elizabeth' after a portrait by Sir William Segar (d.1633), published in 1825 (w/c and gouache on paper)
Portrait of Sir Walter Mildmay (c.1520-89) from 'Memoirs of the Court of Queen Elizabeth' after a portrait by Sir William Segar (d.1633), published in 1825 (w/c and gouache on paper)

STC146748: Portrait of Sir Walter Mildmay (c.1520-89) from 'Memoirs of the Court of Queen Elizabeth' after a portrait by Sir William Segar (d.1633), published in 1825 (w/c and gouache on paper), Essex, Sarah Countess of (d.1838) / Bridgeman Images

The Old Man (w/c on paper)
The Old Man (w/c on paper)

FFA145887: The Old Man (w/c on paper), Nolde, Emil (1867-1956) / Bridgeman Images

Mountain Valley, c.1930-35 (w/c on blue hand-made paper)
Mountain Valley, c.1930-35 (w/c on blue hand-made paper)

FFA145892: Mountain Valley, c.1930-35 (w/c on blue hand-made paper), Nolde, Emil (1867-1956) / Bridgeman Images

Tiles decorated with children playing in a garden (glazed ceramic)
Tiles decorated with children playing in a garden (glazed ceramic)

ZEN145901: Tiles decorated with children playing in a garden (glazed ceramic), Poulbot, Francisque (1879-1946) / Bridgeman Images


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