Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

797676 Search Results

Gallic children playing with pigs in a field. in “” France, his story told by G. Montorgueil, imagee by Job””” 1896. Private collection.
Gallic children playing with pigs in a field. in “” France, his story told by G. Montorgueil, imagee by Job””” 1896. Private collection.

XEE4137210: Gallic children playing with pigs in a field. in “” France, his story told by G. Montorgueil, imagee by Job””” 1896. Private collection., Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

Excommunication of Robert II the Pious in 998”. The King of France, son of Hugues Capet, falls in love and marries his cousin Berthe of Burgundy despite the desaprobation of Pope Gregoire V, who also excommunies him. Chromolithography of the late 19th century.
Excommunication of Robert II the Pious in 998”. The King of France, son of Hugues Capet, falls in love and marries his cousin Berthe of Burgundy despite the desaprobation of Pope Gregoire V, who also excommunies him. Chromolithography of the late 19th century.

XEE4137242: Excommunication of Robert II the Pious in 998”. The King of France, son of Hugues Capet, falls in love and marries his cousin Berthe of Burgundy despite the desaprobation of Pope Gregoire V, who also excommunies him. Chromolithography of the late 19th century., French School, (19th century) / Bridgeman Images

Mars and Venus discovered by Vulcan. 'Mars and Venus discovered by Vulcan'. Engraving from 1819 in “Lettres a Emilie sur la mythologie” by Charles Albert Demoustier (1760-1801). Private collection.
Mars and Venus discovered by Vulcan. 'Mars and Venus discovered by Vulcan'. Engraving from 1819 in “Lettres a Emilie sur la mythologie” by Charles Albert Demoustier (1760-1801). Private collection.

XEE4137294: Mars and Venus discovered by Vulcan. 'Mars and Venus discovered by Vulcan'. Engraving from 1819 in “Lettres a Emilie sur la mythologie” by Charles Albert Demoustier (1760-1801). Private collection., Anonymous / Bridgeman Images

Portrait of Esprit Victor Elisabeth Boniface de Castellane (1788-1862), french marechal. Engraving in “” Le Monde Illustré”” n°56 of 1 May 1858.
Portrait of Esprit Victor Elisabeth Boniface de Castellane (1788-1862), french marechal. Engraving in “” Le Monde Illustré”” n°56 of 1 May 1858.

XEE4137307: Portrait of Esprit Victor Elisabeth Boniface de Castellane (1788-1862), french marechal. Engraving in “” Le Monde Illustré”” n°56 of 1 May 1858., French School, (19th century) / Bridgeman Images

The birth of Venus (Birth of Venus). Engraving from 1819 in “Lettres a Emilie sur la mythologie” by Charles Albert Demoustier (1760-1801). Private collection.
The birth of Venus (Birth of Venus). Engraving from 1819 in “Lettres a Emilie sur la mythologie” by Charles Albert Demoustier (1760-1801). Private collection.

XEE4137315: The birth of Venus (Birth of Venus). Engraving from 1819 in “Lettres a Emilie sur la mythologie” by Charles Albert Demoustier (1760-1801). Private collection., Anonymous / Bridgeman Images

Psyche presented to the Celestial Court. Engraving from 1819 in “Lettres a Emilie sur la mythologie” by Charles Albert Demoustier (1760-1801). Private collection.
Psyche presented to the Celestial Court. Engraving from 1819 in “Lettres a Emilie sur la mythologie” by Charles Albert Demoustier (1760-1801). Private collection.

XEE4137350: Psyche presented to the Celestial Court. Engraving from 1819 in “Lettres a Emilie sur la mythologie” by Charles Albert Demoustier (1760-1801). Private collection., Anonymous / Bridgeman Images

Bacchus et Ariane (Bacchus and Ariadne) Engraving from 1819 in “Lettres a Emilie sur la mythologie” by Charles Albert Demoustier (1760-1801). Private collection.
Bacchus et Ariane (Bacchus and Ariadne) Engraving from 1819 in “Lettres a Emilie sur la mythologie” by Charles Albert Demoustier (1760-1801). Private collection.

XEE4137370: Bacchus et Ariane (Bacchus and Ariadne) Engraving from 1819 in “Lettres a Emilie sur la mythologie” by Charles Albert Demoustier (1760-1801). Private collection., Anonymous / Bridgeman Images

Cephale and Procris (Cephalus) couple of lovers. Engraving from 1819 in “Lettres a Emilie sur la mythologie” by Charles Albert Demoustier (1760-1801). Private collection.
Cephale and Procris (Cephalus) couple of lovers. Engraving from 1819 in “Lettres a Emilie sur la mythologie” by Charles Albert Demoustier (1760-1801). Private collection.

XEE4137372: Cephale and Procris (Cephalus) couple of lovers. Engraving from 1819 in “Lettres a Emilie sur la mythologie” by Charles Albert Demoustier (1760-1801). Private collection., Anonymous / Bridgeman Images

Pluto (Hades) takes Persephone (Proserpine) in front of his mother, Ceres (Demeter), and takes him to the kingdom of the Underworld. Pluto carries off Persephone to his kingdom, the underworld, in Greek mythology. Engraving from 1819 in “Lettres a Emilie sur la mythologie” by Charles Albert Demoustier (1760-1801). Private collection.
Pluto (Hades) takes Persephone (Proserpine) in front of his mother, Ceres (Demeter), and takes him to the kingdom of the Underworld. Pluto carries off Persephone to his kingdom, the underworld, in Greek mythology. Engraving from 1819 in “Lettres a Emilie sur la mythologie” by Charles Albert Demoustier (1760-1801). Private collection.

XEE4137399: Pluto (Hades) takes Persephone (Proserpine) in front of his mother, Ceres (Demeter), and takes him to the kingdom of the Underworld. Pluto carries off Persephone to his kingdom, the underworld, in Greek mythology. Engraving from 1819 in “Lettres a Emilie sur la mythologie” by Charles Albert Demoustier (1760-1801). Private collection., Anonymous / Bridgeman Images

Architecture: view of the facade of the Italian Theatre in London (England) in 1858. Engraving in “” Le Monde Illustré”” n°38 of January 2, 1858.
Architecture: view of the facade of the Italian Theatre in London (England) in 1858. Engraving in “” Le Monde Illustré”” n°38 of January 2, 1858.

XEE4137434: Architecture: view of the facade of the Italian Theatre in London (England) in 1858. Engraving in “” Le Monde Illustré”” n°38 of January 2, 1858., French School, (19th century) / Bridgeman Images

Christmas festival in Alsace: the Christmas Fair (of Little Jesus) in Strasbourg in 1857. Engraving in “” Le Monde Illustré”” n°38 of January 2, 1858.
Christmas festival in Alsace: the Christmas Fair (of Little Jesus) in Strasbourg in 1857. Engraving in “” Le Monde Illustré”” n°38 of January 2, 1858.

XEE4137456: Christmas festival in Alsace: the Christmas Fair (of Little Jesus) in Strasbourg in 1857. Engraving in “” Le Monde Illustré”” n°38 of January 2, 1858., French School, (19th century) / Bridgeman Images

Christmas party in Alsace: a family reunited around the Christmas tree. Engraving in “” Le Monde Illustré”” n°38 of January 2, 1858.
Christmas party in Alsace: a family reunited around the Christmas tree. Engraving in “” Le Monde Illustré”” n°38 of January 2, 1858.

XEE4137478: Christmas party in Alsace: a family reunited around the Christmas tree. Engraving in “” Le Monde Illustré”” n°38 of January 2, 1858., French School, (19th century) / Bridgeman Images

Dreyfus case: portrait of Alfred Dreyfus (1859-1935) after his degradation during the Rennes trial in 1899.
Dreyfus case: portrait of Alfred Dreyfus (1859-1935) after his degradation during the Rennes trial in 1899.

XEE4137488: Dreyfus case: portrait of Alfred Dreyfus (1859-1935) after his degradation during the Rennes trial in 1899., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Claude Alphonse Delangle (1797-1869), French magistrate and politician. Engraving by Morin in “” The Illustrous World”” n°63 of 26 June 1858.
Portrait of Claude Alphonse Delangle (1797-1869), French magistrate and politician. Engraving by Morin in “” The Illustrous World”” n°63 of 26 June 1858.

XEE4137504: Portrait of Claude Alphonse Delangle (1797-1869), French magistrate and politician. Engraving by Morin in “” The Illustrous World”” n°63 of 26 June 1858., Morin, Edmond (1824-82) / Bridgeman Images

Aluminum is used in food factories, breweries and chemical plants, 20th century (Epinal print)
Aluminum is used in food factories, breweries and chemical plants, 20th century (Epinal print)

XEE4180594: Aluminum is used in food factories, breweries and chemical plants, 20th century (Epinal print), French School, (20th century) / Bridgeman Images

Plant using aluminum to manufacture cars and knife or door handles, 20th century (Epinal print)
Plant using aluminum to manufacture cars and knife or door handles, 20th century (Epinal print)

XEE4180614: Plant using aluminum to manufacture cars and knife or door handles, 20th century (Epinal print), French School, (20th century) / Bridgeman Images

View of the large gallery of the pyramid of Kheops (Cheops, Keops, Khoufu, Khufu) in Guizeh (Guiseh, Giza, Giza), Egypt, 1873. Engraving in “” The Illustrious Universe””, 1873.
View of the large gallery of the pyramid of Kheops (Cheops, Keops, Khoufu, Khufu) in Guizeh (Guiseh, Giza, Giza), Egypt, 1873. Engraving in “” The Illustrious Universe””, 1873.

XEE4180774: View of the large gallery of the pyramid of Kheops (Cheops, Keops, Khoufu, Khufu) in Guizeh (Guiseh, Giza, Giza), Egypt, 1873. Engraving in “” The Illustrious Universe””, 1873., Unknown Artist, (19th century) / Bridgeman Images

The three genres. Woman Painter, musician and reader.
The three genres. Woman Painter, musician and reader.

XEE4180786: The three genres. Woman Painter, musician and reader., French School, (19th century) / Bridgeman Images

Zingari camp (a bohemian camp) in the suburb of Vienna in Austria in 1873.
Zingari camp (a bohemian camp) in the suburb of Vienna in Austria in 1873.

XEE4180834: Zingari camp (a bohemian camp) in the suburb of Vienna in Austria in 1873., Unknown Artist, (19th century) / Bridgeman Images

The Theatre de la porte Saint Martin (Saint-Martin) in Paris in 1873.
The Theatre de la porte Saint Martin (Saint-Martin) in Paris in 1873.

XEE4180862: The Theatre de la porte Saint Martin (Saint-Martin) in Paris in 1873., Unknown Artist, (19th century) / Bridgeman Images

The Breton celebrations of Saint Brieuc (Saint Brieuc): a Bardic ceremony.
The Breton celebrations of Saint Brieuc (Saint Brieuc): a Bardic ceremony.

XEE4180898: The Breton celebrations of Saint Brieuc (Saint Brieuc): a Bardic ceremony., Unknown Artist / Bridgeman Images

Liege World Exhibition in Belgium in 1905. Cover of the “Petity Journal” of July 1905.
Liege World Exhibition in Belgium in 1905. Cover of the “Petity Journal” of July 1905.

XEE4180907: Liege World Exhibition in Belgium in 1905. Cover of the “Petity Journal” of July 1905., Unknown Artist / Bridgeman Images

Portrait of Admiral Sir George Strong Nares (1831-1915) Royal Navy Officer and Arctic Explorer.
Portrait of Admiral Sir George Strong Nares (1831-1915) Royal Navy Officer and Arctic Explorer.

XEE4180918: Portrait of Admiral Sir George Strong Nares (1831-1915) Royal Navy Officer and Arctic Explorer., Unknown Artist, (19th century) / Bridgeman Images

Civil and military suit of the Lombards (Lombardy) in the Middle Ages. Engraving in “Beaute de l'histoire du basse empire” redige by P. J. B. N. 1814.
Civil and military suit of the Lombards (Lombardy) in the Middle Ages. Engraving in “Beaute de l'histoire du basse empire” redige by P. J. B. N. 1814.

XEE4181018: Civil and military suit of the Lombards (Lombardy) in the Middle Ages. Engraving in “Beaute de l'histoire du basse empire” redige by P. J. B. N. 1814., Unknown Artist, (19th century) / Bridgeman Images

Advertising for the opening of the general exhibition and the sale of summer season newcomers (summer collection) at the Printemps department stores in Paris. Engraving in “” L'univers illustrious””, 1876. Private collection.
Advertising for the opening of the general exhibition and the sale of summer season newcomers (summer collection) at the Printemps department stores in Paris. Engraving in “” L'univers illustrious””, 1876. Private collection.

XEE4181090: Advertising for the opening of the general exhibition and the sale of summer season newcomers (summer collection) at the Printemps department stores in Paris. Engraving in “” L'univers illustrious””, 1876. Private collection., French School, (19th century) / Bridgeman Images

Act II of the piece, Aida. Grand opera in four acts and seven paintings by Giuseppe Verdi (1813-1901) plays at the Italian theatre in Paris. Engraving in “” L'univers illustrious””, 1876. Private collection.
Act II of the piece, Aida. Grand opera in four acts and seven paintings by Giuseppe Verdi (1813-1901) plays at the Italian theatre in Paris. Engraving in “” L'univers illustrious””, 1876. Private collection.

XEE4181098: Act II of the piece, Aida. Grand opera in four acts and seven paintings by Giuseppe Verdi (1813-1901) plays at the Italian theatre in Paris. Engraving in “” L'univers illustrious””, 1876. Private collection., Anonymous / Bridgeman Images

Archeologists in Egypt: the needles (obelisks) from Cleopartre to Alexandria. Engraving in “The Illustrous Universe”, 1876. Private collection.
Archeologists in Egypt: the needles (obelisks) from Cleopartre to Alexandria. Engraving in “The Illustrous Universe”, 1876. Private collection.

XEE4181123: Archeologists in Egypt: the needles (obelisks) from Cleopartre to Alexandria. Engraving in “The Illustrous Universe”, 1876. Private collection., Anonymous / Bridgeman Images

Palais du Luxembourg in Paris: election of 30 January for the election of senators of the department of the Seine. Standing, the chair in one hand is recognized as Victor Hugo (1802-1885), politician. Engraving in “” L'univers illustrious””, 1876. Private collection.
Palais du Luxembourg in Paris: election of 30 January for the election of senators of the department of the Seine. Standing, the chair in one hand is recognized as Victor Hugo (1802-1885), politician. Engraving in “” L'univers illustrious””, 1876. Private collection.

XEE4181128: Palais du Luxembourg in Paris: election of 30 January for the election of senators of the department of the Seine. Standing, the chair in one hand is recognized as Victor Hugo (1802-1885), politician. Engraving in “” L'univers illustrious””, 1876. Private collection., French School, (19th century) / Bridgeman Images

Homere singing with his lyre in a town in Ionia. Engraving after the low relief of Mr. Hugues, grand sculpture prize of the 1875 school competition.
Homere singing with his lyre in a town in Ionia. Engraving after the low relief of Mr. Hugues, grand sculpture prize of the 1875 school competition.

XEE4181151: Homere singing with his lyre in a town in Ionia. Engraving after the low relief of Mr. Hugues, grand sculpture prize of the 1875 school competition., Unknown Artist, (19th century) / Bridgeman Images

Grahamstown Gold Mines in New Zealand (New Zealand), 1875. Engraving in “The Universe illustrious”, 1875.
Grahamstown Gold Mines in New Zealand (New Zealand), 1875. Engraving in “The Universe illustrious”, 1875.

XEE4181166: Grahamstown Gold Mines in New Zealand (New Zealand), 1875. Engraving in “The Universe illustrious”, 1875., Unknown Artist, (19th century) / Bridgeman Images

Dynasty of the Capetians: Constance of Arles (986-1032), Queen of France, with Robert II the Pious (972-1031).
Dynasty of the Capetians: Constance of Arles (986-1032), Queen of France, with Robert II the Pious (972-1031).

XEE4181241: Dynasty of the Capetians: Constance of Arles (986-1032), Queen of France, with Robert II the Pious (972-1031)., French School, (19th century) / Bridgeman Images

Great days of Poitiers (1531) under Francois I. The Grand Days are exceptional courts that ultimately adjudicate local cases. Presiding by a king's commissioner and composed of professional magistrates but foreign to the province, Francois I frequently used it. Engraving - in “” Histoire populaire de la France””, sd. circa 1885.
Great days of Poitiers (1531) under Francois I. The Grand Days are exceptional courts that ultimately adjudicate local cases. Presiding by a king's commissioner and composed of professional magistrates but foreign to the province, Francois I frequently used it. Engraving - in “” Histoire populaire de la France””, sd. circa 1885.

XEE4181311: Great days of Poitiers (1531) under Francois I. The Grand Days are exceptional courts that ultimately adjudicate local cases. Presiding by a king's commissioner and composed of professional magistrates but foreign to the province, Francois I frequently used it. Engraving - in “” Histoire populaire de la France””, sd. circa 1885., French School, (19th century) / Bridgeman Images

Illustration for the tale “La Belle et la Bete””: the merchant departing on a trip said goodbye to his three daughters and promised them a gift on his return. Engraving of Quinn imagery, circa 1890.
Illustration for the tale “La Belle et la Bete””: the merchant departing on a trip said goodbye to his three daughters and promised them a gift on his return. Engraving of Quinn imagery, circa 1890.

XEE4181350: Illustration for the tale “La Belle et la Bete””: the merchant departing on a trip said goodbye to his three daughters and promised them a gift on his return. Engraving of Quinn imagery, circa 1890., French School, (19th century) / Bridgeman Images

Philip IV the Bel (1268 - 1314), King of France gave his daughter Isabelle of France (1295-1358) in 1308 in marriage to the son of King Edward II of England (1284-1327).Engraving in “” Histoire De France En Cent Paintings by Paul Lehugeur “” 1891.
Philip IV the Bel (1268 - 1314), King of France gave his daughter Isabelle of France (1295-1358) in 1308 in marriage to the son of King Edward II of England (1284-1327).Engraving in “” Histoire De France En Cent Paintings by Paul Lehugeur “” 1891.

XEE4181377: Philip IV the Bel (1268 - 1314), King of France gave his daughter Isabelle of France (1295-1358) in 1308 in marriage to the son of King Edward II of England (1284-1327).Engraving in “” Histoire De France En Cent Paintings by Paul Lehugeur “” 1891., Unknown Artist, (19th century) / Bridgeman Images

The Lord takes possession of the Ark of the Covenant inside the Temple of King Solomon. Illustration from “The house of Jehovah”” illustrated brochure, beginning of the 20th century Private collection
The Lord takes possession of the Ark of the Covenant inside the Temple of King Solomon. Illustration from “The house of Jehovah”” illustrated brochure, beginning of the 20th century Private collection

XEE4181405: The Lord takes possession of the Ark of the Covenant inside the Temple of King Solomon. Illustration from “The house of Jehovah”” illustrated brochure, beginning of the 20th century Private collection, Unknown Artist, (20th century) / Bridgeman Images

Installation of the Ark of the Covenant containing the Tables of the Law inside the Temple of King Solomon. Illustration from “The house of Jehovah”” illustrated brochure, beginning of the 20th century Private collection
Installation of the Ark of the Covenant containing the Tables of the Law inside the Temple of King Solomon. Illustration from “The house of Jehovah”” illustrated brochure, beginning of the 20th century Private collection

XEE4181415: Installation of the Ark of the Covenant containing the Tables of the Law inside the Temple of King Solomon. Illustration from “The house of Jehovah”” illustrated brochure, beginning of the 20th century Private collection, Unknown Artist, (20th century) / Bridgeman Images


Back to top