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Poster advertising the show 'Miss Olwing and her Rabbits' (colour litho)
Poster advertising the show 'Miss Olwing and her Rabbits' (colour litho)

PER205959: Poster advertising the show 'Miss Olwing and her Rabbits' (colour litho), Marc (19th-20th century) / Bridgeman Images

ID: PER205959

Poster advertising the show 'Miss Olwing and her Rabbits' (colour litho)

Marc (19th-20th century)

Poster advertising Durel toothpaste (colour litho)
Poster advertising Durel toothpaste (colour litho)

PER205977: Poster advertising Durel toothpaste (colour litho), Duzolle (fl.1890s) / Bridgeman Images

ID: PER205977

Poster advertising Durel toothpaste (colour litho)

Duzolle (fl.1890s)

Poster advertising Gillette razors (colour litho)
Poster advertising Gillette razors (colour litho)

PER205980: Poster advertising Gillette razors (colour litho), Italian School, (20th century) / Bridgeman Images

ID: PER205980

Poster advertising Gillette razors (colour litho)

Italian School, (20th century)

Study design for a new town, 1914 (colour litho)
Study design for a new town, 1914 (colour litho)

CHT218676: Study design for a new town, 1914 (colour litho), Sant'Elia, Antonio (1888-1916) / Bridgeman Images

ID: CHT218676

Study design for a new town, 1914 (colour litho)

Sant'Elia, Antonio (1888-1916)

Skeletons, illustration from 'Complainte de l'Oubli et des Morts' (pen & ink on paper) (b/w photo)
Skeletons, illustration from 'Complainte de l'Oubli et des Morts' (pen & ink on paper) (b/w photo)

XIR217866: Skeletons, illustration from 'Complainte de l'Oubli et des Morts' (pen & ink on paper) (b/w photo), Laforgue, Jules (1860-87) / Bridgeman Images

ID: XIR217866

Skeletons, illustration from 'Complainte de l'Oubli et des Morts' (pen & ink on paper) (b/w photo)

Laforgue, Jules (1860-87)

Scene ii Act IV from 'Cymbeline' by William Shakespeare (1564-1616) (oil on canvas)
Scene ii Act IV from 'Cymbeline' by William Shakespeare (1564-1616) (oil on canvas)

AGN218436: Scene ii Act IV from 'Cymbeline' by William Shakespeare (1564-1616) (oil on canvas), Singleton, Henry (1766-1839) / Bridgeman Images

ID: AGN218436

Scene ii Act IV from 'Cymbeline' by William Shakespeare (1564-1616) (oil on canvas)

Singleton, Henry (1766-1839)

The King and Queen of Siam, illustration from 'Le Petit Journal', 10th June 1893 (coloured engraving)
The King and Queen of Siam, illustration from 'Le Petit Journal', 10th June 1893 (coloured engraving)

XIR217554: The King and Queen of Siam, illustration from 'Le Petit Journal', 10th June 1893 (coloured engraving), Meyer, Henri (1841-99) / Bridgeman Images

ID: XIR217554

The King and Queen of Siam, illustration from 'Le Petit Journal', 10th June 1893 (coloured engraving)

Meyer, Henri (1841-99)

Imereth: frescoes from the Gelati Monastery, plate 8 from 'Le Caucase pittoresque, dessine apres nature' with text by Count Ernest Stackelberg, published 1847 (colour litho)
Imereth: frescoes from the Gelati Monastery, plate 8 from 'Le Caucase pittoresque, dessine apres nature' with text by Count Ernest Stackelberg, published 1847 (colour litho)

STC217040: Imereth: frescoes from the Gelati Monastery, plate 8 from 'Le Caucase pittoresque, dessine apres nature' with text by Count Ernest Stackelberg, published 1847 (colour litho), Gagarin, Grigori Grigorevich (1810-93) / Bridgeman Images

ID: STC217040

Imereth: frescoes from the Gelati Monastery, plate 8 from 'Le Caucase pittoresque, dessine apres nature' with text by Count Ernest Stackelberg, published 1847 (colour litho)

Gagarin, Grigori Grigorevich (1810-93)

Cutting out of the Hermione from the Harbour of Porto Cavallo, October 25th 1799, from 'The Naval Achievements of Great Britain' by James Jenkins, engraved by Thomas Sutherland (b.c.1785) published 1816 (hand-coloured aquatint)
Cutting out of the Hermione from the Harbour of Porto Cavallo, October 25th 1799, from 'The Naval Achievements of Great Britain' by James Jenkins, engraved by Thomas Sutherland (b.c.1785) published 1816 (hand-coloured aquatint)

STC217058: Cutting out of the Hermione from the Harbour of Porto Cavallo, October 25th 1799, from 'The Naval Achievements of Great Britain' by James Jenkins, engraved by Thomas Sutherland (b.c.1785) published 1816 (hand-coloured aquatint), Whitcombe, Thomas (c.1752-1824) (after) / Bridgeman Images

ID: STC217058

Cutting out of the Hermione from the Harbour of Porto Cavallo, October 25th 1799, from 'The Naval Achievements of Great Britain' by James Jenkins, engraved by Thomas Sutherland (b.c.1785) published 1816 (hand-coloured aquatint)

Whitcombe, Thomas (c.1752-1824) (after)

A Country Girl, 1885 (oil on canvas)
A Country Girl, 1885 (oil on canvas)

BOU217127: A Country Girl, 1885 (oil on canvas), Fechner, Hans (1860-1931) / Bridgeman Images

ID: BOU217127

A Country Girl, 1885 (oil on canvas)

Fechner, Hans (1860-1931)

Volterra, Church and Bell Tower, 1834 (oil on canvas)
Volterra, Church and Bell Tower, 1834 (oil on canvas)

LEF218804: Volterra, Church and Bell Tower, 1834 (oil on canvas), Corot, Jean Baptiste Camille (1796-1875) / Bridgeman Images

ID: LEF218804

Volterra, Church and Bell Tower, 1834 (oil on canvas)

Corot, Jean Baptiste Camille (1796-1875)

St. Patrick showing the people of Ireland the Four Gospels, from 'The Trias Thaumaturga, or Three Wonder-Working Saints of Ireland', by Mary Cusack (1829-99) published c.1890s (litho) (later colouration)
St. Patrick showing the people of Ireland the Four Gospels, from 'The Trias Thaumaturga, or Three Wonder-Working Saints of Ireland', by Mary Cusack (1829-99) published c.1890s (litho) (later colouration)

STC232087: St. Patrick showing the people of Ireland the Four Gospels, from 'The Trias Thaumaturga, or Three Wonder-Working Saints of Ireland', by Mary Cusack (1829-99) published c.1890s (litho) (later colouration), Irish School, (19th century) / Bridgeman Images

ID: STC232087

St. Patrick showing the people of Ireland the Four Gospels, from 'The Trias Thaumaturga, or Three Wonder-Working Saints of Ireland', by Mary Cusack (1829-99) published c.1890s (litho) (later colouration)

Irish School, (19th century)

Caricature of Honore de Balzac (1799-1850) (colour litho)
Caricature of Honore de Balzac (1799-1850) (colour litho)

CHT231196: Caricature of Honore de Balzac (1799-1850) (colour litho), Granville (fl.1830) (after) / Bridgeman Images

ID: CHT231196

Caricature of Honore de Balzac (1799-1850) (colour litho)

Granville (fl.1830) (after)

David and the Ark (gouache on paper)
David and the Ark (gouache on paper)

LAL269720: David and the Ark (gouache on paper), Uptton, Clive (1911-2006) / Bridgeman Images

ID: LAL269720

David and the Ark (gouache on paper)

Uptton, Clive (1911-2006)

Pushkar ghats, Rajasthan (oil on canvas)
Pushkar ghats, Rajasthan (oil on canvas)

ANA269464: Pushkar ghats, Rajasthan (oil on canvas), Macara, Andrew / Bridgeman Images

ID: ANA269464

Pushkar ghats, Rajasthan (oil on canvas)

Macara, Andrew

The New Dutch Reformed Church, built on the corner of Nassau and Liberty streets, New York City, in 1731 (coloured engraving)
The New Dutch Reformed Church, built on the corner of Nassau and Liberty streets, New York City, in 1731 (coloured engraving)

PNP268199: The New Dutch Reformed Church, built on the corner of Nassau and Liberty streets, New York City, in 1731 (coloured engraving), American School, (18th century) / Bridgeman Images

ID: PNP268199

The New Dutch Reformed Church, built on the corner of Nassau and Liberty streets, New York City, in 1731 (coloured engraving)

American School, (18th century)

The Venerable Bede (engraving)
The Venerable Bede (engraving)

KWE268313: The Venerable Bede (engraving), Cook, J.W. (19th Century) / Bridgeman Images

ID: KWE268313

The Venerable Bede (engraving)

Cook, J.W. (19th Century)

With God's love we can help and pray for those we carry in our hearts, 2000 (oil on board)
With God's love we can help and pray for those we carry in our hearts, 2000 (oil on board)

WNG268484: With God's love we can help and pray for those we carry in our hearts, 2000 (oil on board), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG268484

With God's love we can help and pray for those we carry in our hearts, 2000 (oil on board)

Wang, Elizabeth (1942-2016)

'It's War!', front page of the 'Los Angeles Times', 8th December, 1941 (litho)
'It's War!', front page of the 'Los Angeles Times', 8th December, 1941 (litho)

PNP272502: 'It's War!', front page of the 'Los Angeles Times', 8th December, 1941 (litho), American School, (20th century) / Bridgeman Images

ID: PNP272502

'It's War!', front page of the 'Los Angeles Times', 8th December, 1941 (litho)

American School, (20th century)

Lopez Compounding to Poison the Queen (engraving) (b/w photo)
Lopez Compounding to Poison the Queen (engraving) (b/w photo)

XJF271609: Lopez Compounding to Poison the Queen (engraving) (b/w photo), English School, (16th century) / Bridgeman Images

ID: XJF271609

Lopez Compounding to Poison the Queen (engraving) (b/w photo)

English School, (16th century)

Entrance to Westminster Hall, 1807 (w/c on paper)
Entrance to Westminster Hall, 1807 (w/c on paper)

XCF271639: Entrance to Westminster Hall, 1807 (w/c on paper), Coney, John (1786-1833) / Bridgeman Images

ID: XCF271639

Entrance to Westminster Hall, 1807 (w/c on paper)

Coney, John (1786-1833)

Wild boar, probably from Gaul, 1st-2nd century AD (bronze) (see also 270503)
Wild boar, probably from Gaul, 1st-2nd century AD (bronze) (see also 270503)

HSC270502: Wild boar, probably from Gaul, 1st-2nd century AD (bronze) (see also 270503), Roman / Bridgeman Images

ID: HSC270502

Wild boar, probably from Gaul, 1st-2nd century AD (bronze) (see also 270503)

Roman

Sir Edward Grey, Viscount Grey of Falloden, illustration from 'King Edward and his Times' by Andre Maurois, published in 1933 (print)
Sir Edward Grey, Viscount Grey of Falloden, illustration from 'King Edward and his Times' by Andre Maurois, published in 1933 (print)

KWE270851: Sir Edward Grey, Viscount Grey of Falloden, illustration from 'King Edward and his Times' by Andre Maurois, published in 1933 (print), English School, (20th century) / Bridgeman Images

ID: KWE270851

Sir Edward Grey, Viscount Grey of Falloden, illustration from 'King Edward and his Times' by Andre Maurois, published in 1933 (print)

English School, (20th century)

Union soldier of Berdan's sharpshooters (b/w photo)
Union soldier of Berdan's sharpshooters (b/w photo)

PNP270220: Union soldier of Berdan's sharpshooters (b/w photo), American Photographer, (19th century) / Bridgeman Images

ID: PNP270220

Union soldier of Berdan's sharpshooters (b/w photo)

American Photographer, (19th century)

Amulet in the form of a Falcon (electrum)
Amulet in the form of a Falcon (electrum)

HSC270364: Amulet in the form of a Falcon (electrum), Egyptian, Middle Kingdom (2040-1640 BC) / Bridgeman Images

ID: HSC270364

Amulet in the form of a Falcon (electrum)

Egyptian, Middle Kingdom (2040-1640 BC)

The Torture of Madame de la Motte, engraved by Meyer-Heine, from 'Histoire de la Revolution Francaise' by Louis Blanc (1811-82) (engraving)
The Torture of Madame de la Motte, engraved by Meyer-Heine, from 'Histoire de la Revolution Francaise' by Louis Blanc (1811-82) (engraving)

KWE271200: The Torture of Madame de la Motte, engraved by Meyer-Heine, from 'Histoire de la Revolution Francaise' by Louis Blanc (1811-82) (engraving), Charlerie, H. de la (19th century) (after) / Bridgeman Images

ID: KWE271200

The Torture of Madame de la Motte, engraved by Meyer-Heine, from 'Histoire de la Revolution Francaise' by Louis Blanc (1811-82) (engraving)

Charlerie, H. de la (19th century) (after)

Evans the Death & Mr Waldo dream their own dreams, 2005 (acrylic on panel)
Evans the Death & Mr Waldo dream their own dreams, 2005 (acrylic on panel)

TOD254504: Evans the Death & Mr Waldo dream their own dreams, 2005 (acrylic on panel), Todd, Tony / Bridgeman Images

ID: TOD254504

Evans the Death & Mr Waldo dream their own dreams, 2005 (acrylic on panel)

Todd, Tony

Abraham Lincoln (1809-65) 1864 (b/w photo)
Abraham Lincoln (1809-65) 1864 (b/w photo)

PNP257039: Abraham Lincoln (1809-65) 1864 (b/w photo), Brady, Mathew (1823-96) / Bridgeman Images

ID: PNP257039

Abraham Lincoln (1809-65) 1864 (b/w photo)

Brady, Mathew (1823-96)

Ruined Country, Vimy, from British Artists at the Front, Continuation of The Western Front, Part Three, Paul Nash, 1918 (colour litho)
Ruined Country, Vimy, from British Artists at the Front, Continuation of The Western Front, Part Three, Paul Nash, 1918 (colour litho)

STC255947: Ruined Country, Vimy, from British Artists at the Front, Continuation of The Western Front, Part Three, Paul Nash, 1918 (colour litho), Nash, Paul (1889-1946) / Bridgeman Images

ID: STC255947

Ruined Country, Vimy, from British Artists at the Front, Continuation of The Western Front, Part Three, Paul Nash, 1918 (colour litho)

Nash, Paul (1889-1946)

A Group of Soldiers, from British Artists at the Front, Continuation of The Western Front, 1918 (colour litho)
A Group of Soldiers, from British Artists at the Front, Continuation of The Western Front, 1918 (colour litho)

STC255982: A Group of Soldiers, from British Artists at the Front, Continuation of The Western Front, 1918 (colour litho), Nevinson, Christopher Richard Wynne (1889-1946) / Bridgeman Images

ID: STC255982

A Group of Soldiers, from British Artists at the Front, Continuation of The Western Front, 1918 (colour litho)

Nevinson, Christopher Richard Wynne (1889-1946)

Capt. Oates and two of the ponies on the Terra Nova, from 'Scott's Last Expedition' (b/w photo)
Capt. Oates and two of the ponies on the Terra Nova, from 'Scott's Last Expedition' (b/w photo)

STC255085: Capt. Oates and two of the ponies on the Terra Nova, from 'Scott's Last Expedition' (b/w photo), Ponting, Herbert (1870-1935) / Bridgeman Images

ID: STC255085

Capt. Oates and two of the ponies on the Terra Nova, from 'Scott's Last Expedition' (b/w photo)

Ponting, Herbert (1870-1935)

The Royal Wells, Cheltenham or Spasmodic affections from Spa Waters, from 'The English Spy', by Charles Molloy Westmacott (1788-1868) published London, 1825 (colour litho)
The Royal Wells, Cheltenham or Spasmodic affections from Spa Waters, from 'The English Spy', by Charles Molloy Westmacott (1788-1868) published London, 1825 (colour litho)

STC255129: The Royal Wells, Cheltenham or Spasmodic affections from Spa Waters, from 'The English Spy', by Charles Molloy Westmacott (1788-1868) published London, 1825 (colour litho), Cruikshank, Isaac Robert (1789-1856) / Bridgeman Images

ID: STC255129

The Royal Wells, Cheltenham or Spasmodic affections from Spa Waters, from 'The English Spy', by Charles Molloy Westmacott (1788-1868) published London, 1825 (colour litho)

Cruikshank, Isaac Robert (1789-1856)

Turkish Street Scene (w/c on paper)
Turkish Street Scene (w/c on paper)

STC255145: Turkish Street Scene (w/c on paper), Preziosi, Amadeo (1816-82) / Bridgeman Images

ID: STC255145

Turkish Street Scene (w/c on paper)

Preziosi, Amadeo (1816-82)

John Quincy Adams (1767-1848) 1847 (daguerreotype)
John Quincy Adams (1767-1848) 1847 (daguerreotype)

PNP256547: John Quincy Adams (1767-1848) 1847 (daguerreotype), American Photographer, (19th century) / Bridgeman Images

ID: PNP256547

John Quincy Adams (1767-1848) 1847 (daguerreotype)

American Photographer, (19th century)

The Hikers, 1950 (oil on canvas)
The Hikers, 1950 (oil on canvas)

MHW256663: The Hikers, 1950 (oil on canvas), Bourne, John Frye (1912-91) / Bridgeman Images

ID: MHW256663

The Hikers, 1950 (oil on canvas)

Bourne, John Frye (1912-91)

Typical London Street Scene in Roman Times (gouache on paper)
Typical London Street Scene in Roman Times (gouache on paper)

LAL264637: Typical London Street Scene in Roman Times (gouache on paper), Nicolle, Pat (Patrick) (1907-95) / Bridgeman Images

ID: LAL264637

Typical London Street Scene in Roman Times (gouache on paper)

Nicolle, Pat (Patrick) (1907-95)


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