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Portrait of Ingonde (Ingundis) (6th century) Queen of the Franks, wife of King Clotaire I, late 19th century (print)
Portrait of Ingonde (Ingundis) (6th century) Queen of the Franks, wife of King Clotaire I, late 19th century (print)

XEE4179963: Portrait of Ingonde (Ingundis) (6th century) Queen of the Franks, wife of King Clotaire I, late 19th century (print), French School, (19th century) / Bridgeman Images

Portrait of Queen Nantilde (ca. 610-642).
Portrait of Queen Nantilde (ca. 610-642).

XEE4180027: Portrait of Queen Nantilde (ca. 610-642)., French School, (19th century) / Bridgeman Images

Portrait of Saint Clotilde, Queen of the Francs (v. 475-545), wife of Clovis I.
Portrait of Saint Clotilde, Queen of the Francs (v. 475-545), wife of Clovis I.

XEE4180063: Portrait of Saint Clotilde, Queen of the Francs (v. 475-545), wife of Clovis I., French School, (19th century) / Bridgeman Images

Academie Francaise: reception of Henri d'Orleans, Duke of Aumale April 3, 1873, 173 (engraving)
Academie Francaise: reception of Henri d'Orleans, Duke of Aumale April 3, 1873, 173 (engraving)

XEE4180741: Academie Francaise: reception of Henri d'Orleans, Duke of Aumale April 3, 1873, 173 (engraving), Unknown Artist, (19th century) / Bridgeman Images

View of the entrance to the pyramid of Kheops (Cheops, Keops, Khoufu, Khufu) in Guizeh (Guiseh, Giza, Giza), Egypt, 1873. Engraving in “” The Illustrious Universe””, 1873.
View of the entrance to the pyramid of Kheops (Cheops, Keops, Khoufu, Khufu) in Guizeh (Guiseh, Giza, Giza), Egypt, 1873. Engraving in “” The Illustrious Universe””, 1873.

XEE4180776: View of the entrance to the pyramid of Kheops (Cheops, Keops, Khoufu, Khufu) in Guizeh (Guiseh, Giza, Giza), Egypt, 1873. Engraving in “” The Illustrious Universe””, 1873., Unknown Artist, (19th century) / Bridgeman Images

Ovation made to Adolphe Thiers (1797-1877), president of the French Republic by the population of Belfort in 1873.
Ovation made to Adolphe Thiers (1797-1877), president of the French Republic by the population of Belfort in 1873.

XEE4180847: Ovation made to Adolphe Thiers (1797-1877), president of the French Republic by the population of Belfort in 1873., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Jean-Baptiste Firmin Marbeau (Jean Baptiste), French jurisconsult and philanthropist, (1798-1875) founder of the institution of creches in France.
Portrait of Jean-Baptiste Firmin Marbeau (Jean Baptiste), French jurisconsult and philanthropist, (1798-1875) founder of the institution of creches in France.

XEE4180924: Portrait of Jean-Baptiste Firmin Marbeau (Jean Baptiste), French jurisconsult and philanthropist, (1798-1875) founder of the institution of creches in France., Unknown Artist, (19th century) / Bridgeman Images

The playwright Moliere (Jean Baptiste (Jean-Baptiste) Poquelin, 1622 - 1673) with his tailor. Engraving from 1873.
The playwright Moliere (Jean Baptiste (Jean-Baptiste) Poquelin, 1622 - 1673) with his tailor. Engraving from 1873.

XEE4180735: The playwright Moliere (Jean Baptiste (Jean-Baptiste) Poquelin, 1622 - 1673) with his tailor. Engraving from 1873., Unknown Artist, (19th century) / Bridgeman Images

Representation of a comic opera: Louis XIV in “” Le roi a dit”” after a libretto by Edmond Gondinet (1829-1888) and a music by Leo Delibes (1836-1891). Paris, Theatre de l'Opera Comique, 1873. Engraving in “” The Illustrious Universe””, 1873.
Representation of a comic opera: Louis XIV in “” Le roi a dit”” after a libretto by Edmond Gondinet (1829-1888) and a music by Leo Delibes (1836-1891). Paris, Theatre de l'Opera Comique, 1873. Engraving in “” The Illustrious Universe””, 1873.

XEE4180766: Representation of a comic opera: Louis XIV in “” Le roi a dit”” after a libretto by Edmond Gondinet (1829-1888) and a music by Leo Delibes (1836-1891). Paris, Theatre de l'Opera Comique, 1873. Engraving in “” The Illustrious Universe””, 1873., Unknown Artist, (19th century) / Bridgeman Images

Party in Sceaux Park in 1873.
Party in Sceaux Park in 1873.

XEE4180817: Party in Sceaux Park in 1873., Unknown Artist, (19th century) / Bridgeman Images

Christmas Mass at Midnight at the church of the Madeleine in Paris in 1873.
Christmas Mass at Midnight at the church of the Madeleine in Paris in 1873.

XEE4180869: Christmas Mass at Midnight at the church of the Madeleine in Paris in 1873., Unknown Artist, (19th century) / Bridgeman Images

Childeric II, king of the Francs from 670 to 673 had the eveque Saint Leger (616-675) locked in the Abbey of Luxeuil.
Childeric II, king of the Francs from 670 to 673 had the eveque Saint Leger (616-675) locked in the Abbey of Luxeuil.

XEE4180955: Childeric II, king of the Francs from 670 to 673 had the eveque Saint Leger (616-675) locked in the Abbey of Luxeuil., Unknown Artist, (19th century) / Bridgeman Images

Carolingian Dynasty: Portrait of Charles II the Bald (823-877), King of the Franks from 840 to 877, late 19th century (print)
Carolingian Dynasty: Portrait of Charles II the Bald (823-877), King of the Franks from 840 to 877, late 19th century (print)

XEE4180230: Carolingian Dynasty: Portrait of Charles II the Bald (823-877), King of the Franks from 840 to 877, late 19th century (print), French School, (19th century) / Bridgeman Images

Carolingian Dynasty: Portrait of Edwige of Wessex (Edgiva, Otgiva, Ogive, c. 903-951) Queen of the Franks, wife of Charles III called the Simple (879-929), late 19th century (print)
Carolingian Dynasty: Portrait of Edwige of Wessex (Edgiva, Otgiva, Ogive, c. 903-951) Queen of the Franks, wife of Charles III called the Simple (879-929), late 19th century (print)

XEE4180268: Carolingian Dynasty: Portrait of Edwige of Wessex (Edgiva, Otgiva, Ogive, c. 903-951) Queen of the Franks, wife of Charles III called the Simple (879-929), late 19th century (print), French School, (19th century) / Bridgeman Images

Merovingian Dynasty: Portrait of Charles Martel (c. 688-741) mayor of the palace from 737 to 741, late 19th century (print)
Merovingian Dynasty: Portrait of Charles Martel (c. 688-741) mayor of the palace from 737 to 741, late 19th century (print)

XEE4180334: Merovingian Dynasty: Portrait of Charles Martel (c. 688-741) mayor of the palace from 737 to 741, late 19th century (print), French School, (19th century) / Bridgeman Images

Prince Boemond, who had pretended to be dead to protect himself from Emperor Alexis, reappeared and declared to the population “” Let your master know that Boemond is resurrected and that he will soon notice”. 12th century. Engraving in “Beaute de l'histoire du basse empire” redige by P. J. B. N. 1814.
Prince Boemond, who had pretended to be dead to protect himself from Emperor Alexis, reappeared and declared to the population “” Let your master know that Boemond is resurrected and that he will soon notice”. 12th century. Engraving in “Beaute de l'histoire du basse empire” redige by P. J. B. N. 1814.

XEE4181041: Prince Boemond, who had pretended to be dead to protect himself from Emperor Alexis, reappeared and declared to the population “” Let your master know that Boemond is resurrected and that he will soon notice”. 12th century. Engraving in “Beaute de l'histoire du basse empire” redige by P. J. B. N. 1814., Unknown Artist, (19th century) / Bridgeman Images

View of the theatre hall of the Odeon, newly restored. Paris, 1875. Engraving in “The Universe illustrious”, 1875.
View of the theatre hall of the Odeon, newly restored. Paris, 1875. Engraving in “The Universe illustrious”, 1875.

XEE4181211: View of the theatre hall of the Odeon, newly restored. Paris, 1875. Engraving in “The Universe illustrious”, 1875., French School, (19th century) / Bridgeman Images

View of the city of Zanzibar in Africa. On the left, the French consulate. On the right, the sultan's palace and the arsenal. Engraving in “The Universe illustrious”, 1875.
View of the city of Zanzibar in Africa. On the left, the French consulate. On the right, the sultan's palace and the arsenal. Engraving in “The Universe illustrious”, 1875.

XEE4181140: View of the city of Zanzibar in Africa. On the left, the French consulate. On the right, the sultan's palace and the arsenal. Engraving in “The Universe illustrious”, 1875., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Greenlandic (Eskimo) of Godhaven (Lievly port) on Disco Island, 1875. Engraving in “The Universe illustrious”, 1875.
Portrait of Greenlandic (Eskimo) of Godhaven (Lievly port) on Disco Island, 1875. Engraving in “The Universe illustrious”, 1875.

XEE4181194: Portrait of Greenlandic (Eskimo) of Godhaven (Lievly port) on Disco Island, 1875. Engraving in “The Universe illustrious”, 1875., Unknown Artist, (19th century) / Bridgeman Images

Illustration for the tale of the brothers Grimm “Hansel and Gretel””: Hansel and Gretel returned to their homes, gave their parents the jewels they had had. Chromolithography of the late 19th century.
Illustration for the tale of the brothers Grimm “Hansel and Gretel””: Hansel and Gretel returned to their homes, gave their parents the jewels they had had. Chromolithography of the late 19th century.

XEE4181269: Illustration for the tale of the brothers Grimm “Hansel and Gretel””: Hansel and Gretel returned to their homes, gave their parents the jewels they had had. Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Carolingian dynasty: Portrait of Adélaïde d'Anjou also known as Adélaïde du Gevaudan or Blanche d'Anjou, late 19th century (print)
Carolingian dynasty: Portrait of Adélaïde d'Anjou also known as Adélaïde du Gevaudan or Blanche d'Anjou, late 19th century (print)

XEE4180408: Carolingian dynasty: Portrait of Adélaïde d'Anjou also known as Adélaïde du Gevaudan or Blanche d'Anjou, late 19th century (print), French School, (19th century) / Bridgeman Images

Valois Dynasty: Portrait of Anne de Bretagne (1477-1514), Queen of France, wife of Charles VIII (1470-1498), late 19th century (print)
Valois Dynasty: Portrait of Anne de Bretagne (1477-1514), Queen of France, wife of Charles VIII (1470-1498), late 19th century (print)

XEE4180532: Valois Dynasty: Portrait of Anne de Bretagne (1477-1514), Queen of France, wife of Charles VIII (1470-1498), late 19th century (print), French School, (19th century) / Bridgeman Images

History of Aluminium, 20th century
History of Aluminium, 20th century

XEE4180605: History of Aluminium, 20th century / Bridgeman Images

Hundred Years War: Treats Bretigny on 8 May 1360, at the castle of Bretigny (near Chartres), between the plenipotentiaries of King Edward III of England and those of Charles, son of King John II of France.
Hundred Years War: Treats Bretigny on 8 May 1360, at the castle of Bretigny (near Chartres), between the plenipotentiaries of King Edward III of England and those of Charles, son of King John II of France.

XEE4181340: Hundred Years War: Treats Bretigny on 8 May 1360, at the castle of Bretigny (near Chartres), between the plenipotentiaries of King Edward III of England and those of Charles, son of King John II of France., Unknown Artist, (19th century) / Bridgeman Images

Illustration for the tale Beauty and the Beast, c.1890 (engraving)
Illustration for the tale Beauty and the Beast, c.1890 (engraving)

XEE4181357: Illustration for the tale Beauty and the Beast, c.1890 (engraving), French School, (19th century) / Bridgeman Images

Amateur concert in an artist's studio, 1873 (engraving)
Amateur concert in an artist's studio, 1873 (engraving)

XEE4180757: Amateur concert in an artist's studio, 1873 (engraving), Moreau, Adrien (1843-1906) (after) / Bridgeman Images

Nasir Al-Din (Nasser al Din) (1831-1896) Shah of Persia visiting Paris. solemn reception at the roundabout of the triumph arch of the star.
Nasir Al-Din (Nasser al Din) (1831-1896) Shah of Persia visiting Paris. solemn reception at the roundabout of the triumph arch of the star.

XEE4180813: Nasir Al-Din (Nasser al Din) (1831-1896) Shah of Persia visiting Paris. solemn reception at the roundabout of the triumph arch of the star., Unknown Artist, (19th century) / Bridgeman Images

Reception of the King of Italy Vittorio Emanuele II (Victor Emmanuel) (Victor Emmanuel) (1820-1878) by the Emperor of Austria Francois Joseph I (Francois-Joseph) (1830-1916) in Vienna in 1873. Engraving in “” The Illustrious Universe””, 1873.
Reception of the King of Italy Vittorio Emanuele II (Victor Emmanuel) (Victor Emmanuel) (1820-1878) by the Emperor of Austria Francois Joseph I (Francois-Joseph) (1830-1916) in Vienna in 1873. Engraving in “” The Illustrious Universe””, 1873.

XEE4180853: Reception of the King of Italy Vittorio Emanuele II (Victor Emmanuel) (Victor Emmanuel) (1820-1878) by the Emperor of Austria Francois Joseph I (Francois-Joseph) (1830-1916) in Vienna in 1873. Engraving in “” The Illustrious Universe””, 1873., Unknown Artist, (19th century) / Bridgeman Images

The great flooding of Toulouse on June 23, 1875, seen from the neighborhoods invaded by the Garonne.
The great flooding of Toulouse on June 23, 1875, seen from the neighborhoods invaded by the Garonne.

XEE4180927: The great flooding of Toulouse on June 23, 1875, seen from the neighborhoods invaded by the Garonne., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Albert I Grimaldi (Albert Honore Charles) (1848-1922), Prince of Monaco (1889-1922) in “The Illustrious World”, September 21, 1889.
Portrait of Albert I Grimaldi (Albert Honore Charles) (1848-1922), Prince of Monaco (1889-1922) in “The Illustrious World”, September 21, 1889.

XEE4180968: Portrait of Albert I Grimaldi (Albert Honore Charles) (1848-1922), Prince of Monaco (1889-1922) in “The Illustrious World”, September 21, 1889., Unknown Artist, (19th century) / Bridgeman Images

Georges Clemenceau writing his memoirs, shortly before his death, 1929 (print)
Georges Clemenceau writing his memoirs, shortly before his death, 1929 (print)

XEE4183367: Georges Clemenceau writing his memoirs, shortly before his death, 1929 (print), French School, (20th century) / Bridgeman Images

Vienna, Austria: view of the castle of Laxenburg (castle of Laxenburgh in Vienna). in “” The world illustrates 168 views”” Undated (end of 19th century)
Vienna, Austria: view of the castle of Laxenburg (castle of Laxenburgh in Vienna). in “” The world illustrates 168 views”” Undated (end of 19th century)

XEE4184243: Vienna, Austria: view of the castle of Laxenburg (castle of Laxenburgh in Vienna). in “” The world illustrates 168 views”” Undated (end of 19th century), Unknown Artist, (19th century) / Bridgeman Images

Chicago, United States: view from the corner of Prairie Avenue and 22nd Street. in “” The world illustrates 168 views”” Undated (late 19th century)
Chicago, United States: view from the corner of Prairie Avenue and 22nd Street. in “” The world illustrates 168 views”” Undated (late 19th century)

XEE4184272: Chicago, United States: view from the corner of Prairie Avenue and 22nd Street. in “” The world illustrates 168 views”” Undated (late 19th century), Unknown Artist, (19th century) / Bridgeman Images

Ostend (Ostend), Belgium: view of the east baths and harbor (harbour, harbor). in “” The world illustrates 168 views”” Undated (end of 19th century)
Ostend (Ostend), Belgium: view of the east baths and harbor (harbour, harbor). in “” The world illustrates 168 views”” Undated (end of 19th century)

XEE4184203: Ostend (Ostend), Belgium: view of the east baths and harbor (harbour, harbor). in “” The world illustrates 168 views”” Undated (end of 19th century), Unknown Artist, (19th century) / Bridgeman Images

Dresden (Dresden), Germany: view of the Belvedere. in “” The world illustrates 168 views”” Undated (late 19th century)
Dresden (Dresden), Germany: view of the Belvedere. in “” The world illustrates 168 views”” Undated (late 19th century)

XEE4184256: Dresden (Dresden), Germany: view of the Belvedere. in “” The world illustrates 168 views”” Undated (late 19th century), Unknown Artist, (19th century) / Bridgeman Images

Glasgow, Scotland: view of the Broomielaw Bridge. in “” The world illustrates 168 views”” Undated (late 19th century)
Glasgow, Scotland: view of the Broomielaw Bridge. in “” The world illustrates 168 views”” Undated (late 19th century)

XEE4184304: Glasgow, Scotland: view of the Broomielaw Bridge. in “” The world illustrates 168 views”” Undated (late 19th century), Unknown Artist, (19th century) / Bridgeman Images


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