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John Bunyan (1872-1919) author of 'The Pilgrim's Progress From This World, To That Which Is To Come', illustration by William Strang (1859-1921)
John Bunyan (1872-1919) author of 'The Pilgrim's Progress From This World, To That Which Is To Come', illustration by William Strang (1859-1921)

AFF5615847: John Bunyan (1872-1919) author of 'The Pilgrim's Progress From This World, To That Which Is To Come', illustration by William Strang (1859-1921), Strang, William (1859-1921) / Bridgeman Images

ID: AFF5615847

John Bunyan (1872-1919) author of 'The Pilgrim's Progress From This World, To That Which Is To Come', illustration by William Strang (1859-1921)

Strang, William (1859-1921)

He gave a kind of cry and whipped upstairs' from the 'Strange Case of Dr Jekyll and Mr Hyde' by Robert Louis Stevenson (1850-1894) illustrated by Charles Raymond Macauley (1871-1934)
He gave a kind of cry and whipped upstairs' from the 'Strange Case of Dr Jekyll and Mr Hyde' by Robert Louis Stevenson (1850-1894) illustrated by Charles Raymond Macauley (1871-1934)

AFF5615868: He gave a kind of cry and whipped upstairs' from the 'Strange Case of Dr Jekyll and Mr Hyde' by Robert Louis Stevenson (1850-1894) illustrated by Charles Raymond Macauley (1871-1934), Macauley, Charles Raymond (1871-1934) / Bridgeman Images

ID: AFF5615868

He gave a kind of cry and whipped upstairs' from the 'Strange Case of Dr Jekyll and Mr Hyde' by Robert Louis Stevenson (1850-1894) illustrated by Charles Raymond Macauley (1871-1934)

Macauley, Charles Raymond (1871-1934)

XEE5617941: "Looping the loop", a bike on the deatch circle, c.1925 (chromo), French School, (20th century) / Bridgeman Images

ID: XEE5617941

"Looping the loop", a bike on the deatch circle, c.1925 (chromo)

French School, (20th century)

Plate 15 Zonaria Fucoideae from 'Kunstformen der Natur' (Art Forms in Nature) illustrated by Ernst Haeckel (1834-1919)
Plate 15 Zonaria Fucoideae from 'Kunstformen der Natur' (Art Forms in Nature) illustrated by Ernst Haeckel (1834-1919)

AFF5615760: Plate 15 Zonaria Fucoideae from 'Kunstformen der Natur' (Art Forms in Nature) illustrated by Ernst Haeckel (1834-1919), Haeckel, Ernst (1834-1919) / Bridgeman Images

ID: AFF5615760

Plate 15 Zonaria Fucoideae from 'Kunstformen der Natur' (Art Forms in Nature) illustrated by Ernst Haeckel (1834-1919)

Haeckel, Ernst (1834-1919)

AFF5615810: "Lot's wife" from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) Illustration by Byam Shaw (1872-1919), Christian and Hopeful find a statue of salt by the side of the highway.', Shaw, John Byam Liston (1872-1919) / Bridgeman Images

ID: AFF5615810

"Lot's wife" from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) Illustration by Byam Shaw (1872-1919), Christian and Hopeful find a statue of salt by the side of the highway.'

Shaw, John Byam Liston (1872-1919)

Portrait of Sarah Churchill, Duchess of Marlborough, c.1722 (enamel on metal)
Portrait of Sarah Churchill, Duchess of Marlborough, c.1722 (enamel on metal)

MOU5615588: Portrait of Sarah Churchill, Duchess of Marlborough, c.1722 (enamel on metal), Zincke, Christian Friedrich (1685-1767) / Bridgeman Images

ID: MOU5615588

Portrait of Sarah Churchill, Duchess of Marlborough, c.1722 (enamel on metal)

Zincke, Christian Friedrich (1685-1767)

L & Co Ship 1726 logo used by Longmans Green and Company (now 'Longmans') as its publisher's or printer's device from around 1880. The ship was chosen as the company's founder Thomas Longman purchased an existing publishing house and began operating out of a shop called 'The Ship' in Paternoster Road in 1726.
L & Co Ship 1726 logo used by Longmans Green and Company (now 'Longmans') as its publisher's or printer's device from around 1880. The ship was chosen as the company's founder Thomas Longman purchased an existing publishing house and began operating out of a shop called 'The Ship' in Paternoster Road in 1726.

AFF5615712: L & Co Ship 1726 logo used by Longmans Green and Company (now 'Longmans') as its publisher's or printer's device from around 1880. The ship was chosen as the company's founder Thomas Longman purchased an existing publishing house and began operating out of a shop called 'The Ship' in Paternoster Road in 1726., English School, (19th century) / Bridgeman Images

ID: AFF5615712

L & Co Ship 1726 logo used by Longmans Green and Company (now 'Longmans') as its publisher's or printer's device from around 1880. The ship was chosen as the company's founder Thomas Longman purchased an existing publishing house and began operating out of a shop called 'The Ship' in Paternoster Road in 1726.

English School, (19th century)

Plate 26 Carmaris Trachomedusae from 'Kunstformen der Natur' (Art Forms in Nature) illustrated by Ernst Haeckel (1834-1919)
Plate 26 Carmaris Trachomedusae from 'Kunstformen der Natur' (Art Forms in Nature) illustrated by Ernst Haeckel (1834-1919)

AFF5615743: Plate 26 Carmaris Trachomedusae from 'Kunstformen der Natur' (Art Forms in Nature) illustrated by Ernst Haeckel (1834-1919), Haeckel, Ernst (1834-1919) / Bridgeman Images

ID: AFF5615743

Plate 26 Carmaris Trachomedusae from 'Kunstformen der Natur' (Art Forms in Nature) illustrated by Ernst Haeckel (1834-1919)

Haeckel, Ernst (1834-1919)

AFF5615784: "Difficulty is behind, Fear is before" from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) Christian passes between the lions as Watchful the porter looks on from Palace Beautiful., Unknown Artist, (17th century) / Bridgeman Images

ID: AFF5615784

"Difficulty is behind, Fear is before" from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) Christian passes between the lions as Watchful the porter looks on from Palace Beautiful.

Unknown Artist, (17th century)

AFF5615780: "Christian no sooner leaves the World but meets Evangelist" from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688), Unknown Artist, (17th century) / Bridgeman Images

ID: AFF5615780

"Christian no sooner leaves the World but meets Evangelist" from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688)

Unknown Artist, (17th century)

AFF5615805: "Faithful helps Christian up after his fall" from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) Illustration by Byam Shaw (1872-1919) showing Christian being helped to his feet by a fellow pilgrim, Faithful., Shaw, John Byam Liston (1872-1919) / Bridgeman Images

ID: AFF5615805

"Faithful helps Christian up after his fall" from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) Illustration by Byam Shaw (1872-1919) showing Christian being helped to his feet by a fellow pilgrim, Faithful.

Shaw, John Byam Liston (1872-1919)

AFF5615806: "Faithful struck down by Moses" from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) Illustration by Byam Shaw (1872-1919) showing Faithful beaten by an unmerciful Moses, teaching him that the Law offers no help and that the flesh is weak., Shaw, John Byam Liston (1872-1919) / Bridgeman Images

ID: AFF5615806

"Faithful struck down by Moses" from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) Illustration by Byam Shaw (1872-1919) showing Faithful beaten by an unmerciful Moses, teaching him that the Law offers no help and that the flesh is weak.

Shaw, John Byam Liston (1872-1919)

AFF5615835: "Christian is troubled" frontispiece from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) illustration by William Strang (1859-1921) Christian struggles under the weight of his sins and his guilt in the Slough of Despond., Strang, William (1859-1921) / Bridgeman Images

ID: AFF5615835

"Christian is troubled" frontispiece from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) illustration by William Strang (1859-1921) Christian struggles under the weight of his sins and his guilt in the Slough of Despond.

Strang, William (1859-1921)

Happy State of Adam and Eve from 'Paradise Lost' by John Milton (1608-1674) a series of 12 illustrations etched by William Strang (1859-1921)
Happy State of Adam and Eve from 'Paradise Lost' by John Milton (1608-1674) a series of 12 illustrations etched by William Strang (1859-1921)

AFF5615853: Happy State of Adam and Eve from 'Paradise Lost' by John Milton (1608-1674) a series of 12 illustrations etched by William Strang (1859-1921), Strang, William (1859-1921) / Bridgeman Images

ID: AFF5615853

Happy State of Adam and Eve from 'Paradise Lost' by John Milton (1608-1674) a series of 12 illustrations etched by William Strang (1859-1921)

Strang, William (1859-1921)

There stood Henry Jekyll' from the 'Strange Case of Dr Jekyll and Mr Hyde' by Robert Louis Stevenson (1850-1894) illustrated by Charles Raymond Macauley (1871-1934)
There stood Henry Jekyll' from the 'Strange Case of Dr Jekyll and Mr Hyde' by Robert Louis Stevenson (1850-1894) illustrated by Charles Raymond Macauley (1871-1934)

AFF5615871: There stood Henry Jekyll' from the 'Strange Case of Dr Jekyll and Mr Hyde' by Robert Louis Stevenson (1850-1894) illustrated by Charles Raymond Macauley (1871-1934), Macauley, Charles Raymond (1871-1934) / Bridgeman Images

ID: AFF5615871

There stood Henry Jekyll' from the 'Strange Case of Dr Jekyll and Mr Hyde' by Robert Louis Stevenson (1850-1894) illustrated by Charles Raymond Macauley (1871-1934)

Macauley, Charles Raymond (1871-1934)

The Door' frontispiece from the 'Strange Case of Dr Jekyll and Mr Hyde' by Robert Louis Stevenson (1850-1894) illustrated by Charles Raymond Macauley (1871-1934)
The Door' frontispiece from the 'Strange Case of Dr Jekyll and Mr Hyde' by Robert Louis Stevenson (1850-1894) illustrated by Charles Raymond Macauley (1871-1934)

AFF5615863: The Door' frontispiece from the 'Strange Case of Dr Jekyll and Mr Hyde' by Robert Louis Stevenson (1850-1894) illustrated by Charles Raymond Macauley (1871-1934), Macauley, Charles Raymond (1871-1934) / Bridgeman Images

ID: AFF5615863

The Door' frontispiece from the 'Strange Case of Dr Jekyll and Mr Hyde' by Robert Louis Stevenson (1850-1894) illustrated by Charles Raymond Macauley (1871-1934)

Macauley, Charles Raymond (1871-1934)

Portrait of Countess Sofia Vladimirovna Panina (1774-1844), 1797 (oil on ivory)
Portrait of Countess Sofia Vladimirovna Panina (1774-1844), 1797 (oil on ivory)

FIA5633654: Portrait of Countess Sofia Vladimirovna Panina (1774-1844), 1797 (oil on ivory), La Celle, Charles Joseph de (1758-1837) / Bridgeman Images

ID: FIA5633654

Portrait of Countess Sofia Vladimirovna Panina (1774-1844), 1797 (oil on ivory)

La Celle, Charles Joseph de (1758-1837)

Scene From The Film
Scene From The Film

FIA5634428: Scene From The Film "Ivan The Terrible" By Sergei Eisenstein, 1945-58 (photo), Eisenstein, Sergei (1898-1948) / Bridgeman Images

ID: FIA5634428

Scene From The Film "Ivan The Terrible" By Sergei Eisenstein, 1945-58 (photo)

Eisenstein, Sergei (1898-1948)

Scene From The Film
Scene From The Film

FIA5634445: Scene From The Film "Ivan The Terrible" By Sergei Eisenstein, 1945-58 (photo), Eisenstein, Sergei (1898-1948) / Bridgeman Images

ID: FIA5634445

Scene From The Film "Ivan The Terrible" By Sergei Eisenstein, 1945-58 (photo)

Eisenstein, Sergei (1898-1948)

KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)
KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)

DUV5632874: KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph), Unknown Artist, (19th century) / Bridgeman Images

ID: DUV5632874

KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)

Unknown Artist, (19th century)

KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)
KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)

DUV5632962: KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph), Unknown Artist, (19th century) / Bridgeman Images

ID: DUV5632962

KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)

Unknown Artist, (19th century)

KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)
KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)

DUV5632910: KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph), Unknown Artist, (19th century) / Bridgeman Images

ID: DUV5632910

KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)

Unknown Artist, (19th century)

KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)
KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)

DUV5632899: KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph), Unknown Artist, (19th century) / Bridgeman Images

ID: DUV5632899

KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)

Unknown Artist, (19th century)

KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)
KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)

DUV5632994: KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph), Unknown Artist, (19th century) / Bridgeman Images

ID: DUV5632994

KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)

Unknown Artist, (19th century)

KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)
KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)

DUV5632982: KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph), Unknown Artist, (19th century) / Bridgeman Images

ID: DUV5632982

KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)

Unknown Artist, (19th century)

Group of Bolsheviks, 1918-1923 (oil on wood)
Group of Bolsheviks, 1918-1923 (oil on wood)

FIA5633178: Group of Bolsheviks, 1918-1923 (oil on wood), Vladimirov, Ivan Alexeyevich (1869-1947) / Bridgeman Images

ID: FIA5633178

Group of Bolsheviks, 1918-1923 (oil on wood)

Vladimirov, Ivan Alexeyevich (1869-1947)

Requisition of cattle for the Red Army in a village near Luga, 1920 (watercolour)
Requisition of cattle for the Red Army in a village near Luga, 1920 (watercolour)

FIA5633320: Requisition of cattle for the Red Army in a village near Luga, 1920 (watercolour), Vladimirov, Ivan Alexeyevich (1869-1947) / Bridgeman Images

ID: FIA5633320

Requisition of cattle for the Red Army in a village near Luga, 1920 (watercolour)

Vladimirov, Ivan Alexeyevich (1869-1947)

KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)
KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)

DUV5632890: KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph), Unknown Artist, (19th century) / Bridgeman Images

ID: DUV5632890

KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)

Unknown Artist, (19th century)

KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)
KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)

DUV5632935: KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph), Unknown Artist, (19th century) / Bridgeman Images

ID: DUV5632935

KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)

Unknown Artist, (19th century)

Religious Holy Day (oil on canvas)
Religious Holy Day (oil on canvas)

FIA5633083: Religious Holy Day (oil on canvas), Issupov, Alexei Vladimirovich (1889-1957) / Bridgeman Images

ID: FIA5633083

Religious Holy Day (oil on canvas)

Issupov, Alexei Vladimirovich (1889-1957)

The Destruction of Pagan Gods (engraving)
The Destruction of Pagan Gods (engraving)

FIA5633546: The Destruction of Pagan Gods (engraving), Smuglewicz, Franciszek (1745-1807) / Bridgeman Images

ID: FIA5633546

The Destruction of Pagan Gods (engraving)

Smuglewicz, Franciszek (1745-1807)

Birch Trees (oil on canvas)
Birch Trees (oil on canvas)

OVR5642818: Birch Trees (oil on canvas), Astrup, Nikolai (1880-1928) / Bridgeman Images

ID: OVR5642818

Birch Trees (oil on canvas)

Astrup, Nikolai (1880-1928)

Thomas Chippendale at work, c.1934 (litho)
Thomas Chippendale at work, c.1934 (litho)

LLM5916505: Thomas Chippendale at work, c.1934 (litho), English School, (20th century) / Bridgeman Images

ID: LLM5916505

Thomas Chippendale at work, c.1934 (litho)

English School, (20th century)

Sailing Boats (oil on canvas)
Sailing Boats (oil on canvas)

OVR5917550: Sailing Boats (oil on canvas), Sohlberg, Harald Oscar (1869-1935) / Bridgeman Images

ID: OVR5917550

Sailing Boats (oil on canvas)

Sohlberg, Harald Oscar (1869-1935)

Spring Evening in Vestre Aker, 1911 (oil on canvas)
Spring Evening in Vestre Aker, 1911 (oil on canvas)

OVR5917535: Spring Evening in Vestre Aker, 1911 (oil on canvas), Sohlberg, Harald Oscar (1869-1935) / Bridgeman Images

ID: OVR5917535

Spring Evening in Vestre Aker, 1911 (oil on canvas)

Sohlberg, Harald Oscar (1869-1935)

The Column of St.Mark's in Venice, 1887 (oil on canvas)
The Column of St.Mark's in Venice, 1887 (oil on canvas)

XCS5914747: The Column of St.Mark's in Venice, 1887 (oil on canvas), Pollentine, Alfred (1836-90) / Bridgeman Images

ID: XCS5914747

The Column of St.Mark's in Venice, 1887 (oil on canvas)

Pollentine, Alfred (1836-90)


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