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A Lady Wearing a Burgundy Dress, c.1740 (enamel)
A Lady Wearing a Burgundy Dress, c.1740 (enamel)

MOU5615594: A Lady Wearing a Burgundy Dress, c.1740 (enamel), Rouquet, André (1701-58) / Bridgeman Images

ID: MOU5615594

A Lady Wearing a Burgundy Dress, c.1740 (enamel)

Rouquet, André (1701-58)

Man in a square surrounded by symbols of the eye, snake, seven section staff and shield. Engraving from Heinrich Cornelius Agrippa von Nettesheim (1486-1535) 'De occulta philosophia libri tres' (Three Books of Occult Philosophy) published in 1533.
Man in a square surrounded by symbols of the eye, snake, seven section staff and shield. Engraving from Heinrich Cornelius Agrippa von Nettesheim (1486-1535) 'De occulta philosophia libri tres' (Three Books of Occult Philosophy) published in 1533.

AFF5615721: Man in a square surrounded by symbols of the eye, snake, seven section staff and shield. Engraving from Heinrich Cornelius Agrippa von Nettesheim (1486-1535) 'De occulta philosophia libri tres' (Three Books of Occult Philosophy) published in 1533., Nettesheim, Heinrich Cornelius Agrippa von (1486-1535) / Bridgeman Images

ID: AFF5615721

Man in a square surrounded by symbols of the eye, snake, seven section staff and shield. Engraving from Heinrich Cornelius Agrippa von Nettesheim (1486-1535) 'De occulta philosophia libri tres' (Three Books of Occult Philosophy) published in 1533.

Nettesheim, Heinrich Cornelius Agrippa von (1486-1535)

Illuminated
Illuminated

AFF5615731: Illuminated "O" from the 1518 Basel third edition of 'Utopia' by Sir Thomas More (1478-1535) first published in 1516. Woodcut by Hans Holbein the Younger (c.1497-1543) showing putti fighting., Holbein the Younger, Hans (1497/8-1543) / Bridgeman Images

ID: AFF5615731

Illuminated "O" from the 1518 Basel third edition of 'Utopia' by Sir Thomas More (1478-1535) first published in 1516. Woodcut by Hans Holbein the Younger (c.1497-1543) showing putti fighting.

Holbein the Younger, Hans (1497/8-1543)

The New York World's Fair in 1939' poster by Nembhard N. Culin (1908-1990) published in 1937 showing an aerial view of the Trylon and Perisphere which formed the center piece of the International Exposition that took place from 30 April 1939 until 31 October 1940 in Flushing Meadows in New York City.
The New York World's Fair in 1939' poster by Nembhard N. Culin (1908-1990) published in 1937 showing an aerial view of the Trylon and Perisphere which formed the center piece of the International Exposition that took place from 30 April 1939 until 31 October 1940 in Flushing Meadows in New York City.

AFF5615772: The New York World's Fair in 1939' poster by Nembhard N. Culin (1908-1990) published in 1937 showing an aerial view of the Trylon and Perisphere which formed the center piece of the International Exposition that took place from 30 April 1939 until 31 October 1940 in Flushing Meadows in New York City., Culin, Nembhard N. (1908-90) / Bridgeman Images

ID: AFF5615772

The New York World's Fair in 1939' poster by Nembhard N. Culin (1908-1990) published in 1937 showing an aerial view of the Trylon and Perisphere which formed the center piece of the International Exposition that took place from 30 April 1939 until 31 October 1940 in Flushing Meadows in New York City.

Culin, Nembhard N. (1908-90)

AFF5615786: "Poor man! Where art thou now? Thy day is night." from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) Christian enters the Valley of the Shadow of Death and travels into the mouth of Hell., Unknown Artist, (17th century) / Bridgeman Images

ID: AFF5615786

"Poor man! Where art thou now? Thy day is night." from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) Christian enters the Valley of the Shadow of Death and travels into the mouth of Hell.

Unknown Artist, (17th century)

AFF5615799: "The Gospel Sprinkler" from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) Illustration by Byam Shaw (1872-1919) showing the Gospel Sprinkler in the Interpreter's house dampening down the dust of original sin., Shaw, John Byam Liston (1872-1919) / Bridgeman Images

ID: AFF5615799

"The Gospel Sprinkler" from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) Illustration by Byam Shaw (1872-1919) showing the Gospel Sprinkler in the Interpreter's house dampening down the dust of original sin.

Shaw, John Byam Liston (1872-1919)

AFF5615836: "The Slough of Depond" from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) illustration by William Strang (1859-1921) Christian prays and reads the bible as he struggles under the weight of his sins., Strang, William (1859-1921) / Bridgeman Images

ID: AFF5615836

"The Slough of Depond" from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) illustration by William Strang (1859-1921) Christian prays and reads the bible as he struggles under the weight of his sins.

Strang, William (1859-1921)

Adam and Eve Entertain Raphael from 'Paradise Lost' by John Milton (1608-1674) a series of 12 illustrations etched by William Strang (1859-1921)
Adam and Eve Entertain Raphael from 'Paradise Lost' by John Milton (1608-1674) a series of 12 illustrations etched by William Strang (1859-1921)

AFF5615849: Adam and Eve Entertain Raphael from 'Paradise Lost' by John Milton (1608-1674) a series of 12 illustrations etched by William Strang (1859-1921), Strang, William (1859-1921) / Bridgeman Images

ID: AFF5615849

Adam and Eve Entertain Raphael from 'Paradise Lost' by John Milton (1608-1674) a series of 12 illustrations etched by William Strang (1859-1921)

Strang, William (1859-1921)

The Creation of the World from 'Paradise Lost' by John Milton (1608-1674) a series of 12 illustrations etched by William Strang (1859-1921)
The Creation of the World from 'Paradise Lost' by John Milton (1608-1674) a series of 12 illustrations etched by William Strang (1859-1921)

AFF5615862: The Creation of the World from 'Paradise Lost' by John Milton (1608-1674) a series of 12 illustrations etched by William Strang (1859-1921), Strang, William (1859-1921) / Bridgeman Images

ID: AFF5615862

The Creation of the World from 'Paradise Lost' by John Milton (1608-1674) a series of 12 illustrations etched by William Strang (1859-1921)

Strang, William (1859-1921)

KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)
KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)

DUV5633005: KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph), Unknown Artist, (19th century) / Bridgeman Images

ID: DUV5633005

KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)

Unknown Artist, (19th century)

The Priests Conveyed To Judgment, 1922 (watercolour, gouache on paper)
The Priests Conveyed To Judgment, 1922 (watercolour, gouache on paper)

FIA5633277: The Priests Conveyed To Judgment, 1922 (watercolour, gouache on paper), Vladimirov, Ivan Alexeyevich (1869-1947) / Bridgeman Images

ID: FIA5633277

The Priests Conveyed To Judgment, 1922 (watercolour, gouache on paper)

Vladimirov, Ivan Alexeyevich (1869-1947)

Boleslaw I of Poland Sticks Frontier Pole in Elbe and Saale Rivers (engraving)
Boleslaw I of Poland Sticks Frontier Pole in Elbe and Saale Rivers (engraving)

FIA5633579: Boleslaw I of Poland Sticks Frontier Pole in Elbe and Saale Rivers (engraving), Smuglewicz, Franciszek (1745-1807) / Bridgeman Images

ID: FIA5633579

Boleslaw I of Poland Sticks Frontier Pole in Elbe and Saale Rivers (engraving)

Smuglewicz, Franciszek (1745-1807)

Casimir I The Restorer Meeting The Emperor Henry III (engraving)
Casimir I The Restorer Meeting The Emperor Henry III (engraving)

FIA5633603: Casimir I The Restorer Meeting The Emperor Henry III (engraving), Smuglewicz, Franciszek (1745-1807) / Bridgeman Images

ID: FIA5633603

Casimir I The Restorer Meeting The Emperor Henry III (engraving)

Smuglewicz, Franciszek (1745-1807)

Portrait of General Baron Georg (Grigory Vladimirovich) von Rosen (1782-1841) by Vendramini, Francesco, 1813 (lithograph)
Portrait of General Baron Georg (Grigory Vladimirovich) von Rosen (1782-1841) by Vendramini, Francesco, 1813 (lithograph)

FIA5633607: Portrait of General Baron Georg (Grigory Vladimirovich) von Rosen (1782-1841) by Vendramini, Francesco, 1813 (lithograph), Vendramini, Francesco (1780-1856) / Bridgeman Images

ID: FIA5633607

Portrait of General Baron Georg (Grigory Vladimirovich) von Rosen (1782-1841) by Vendramini, Francesco, 1813 (lithograph)

Vendramini, Francesco (1780-1856)

General Count Iosif Vladimirovich Romeyko-Gurko (1828-1901) by Matyushin, Ivan Ivanovich, 1878 (woodcut)
General Count Iosif Vladimirovich Romeyko-Gurko (1828-1901) by Matyushin, Ivan Ivanovich, 1878 (woodcut)

FIA5633624: General Count Iosif Vladimirovich Romeyko-Gurko (1828-1901) by Matyushin, Ivan Ivanovich, 1878 (woodcut), Matyushin, Ivan Ivanovich (1846-?) / Bridgeman Images

ID: FIA5633624

General Count Iosif Vladimirovich Romeyko-Gurko (1828-1901) by Matyushin, Ivan Ivanovich, 1878 (woodcut)

Matyushin, Ivan Ivanovich (1846-?)

Scene from the film Strike by Sergei Eisenstein, 1925 (photo)
Scene from the film Strike by Sergei Eisenstein, 1925 (photo)

FIA5634701: Scene from the film Strike by Sergei Eisenstein, 1925 (photo), Eisenstein, Sergei (1898-1948) / Bridgeman Images

ID: FIA5634701

Scene from the film Strike by Sergei Eisenstein, 1925 (photo)

Eisenstein, Sergei (1898-1948)

Jewish type; study of faces and figures, 1931 (drawing)
Jewish type; study of faces and figures, 1931 (drawing)

PCT5635407: Jewish type; study of faces and figures, 1931 (drawing), Brangwyn, Frank (1867-1956) / Bridgeman Images

ID: PCT5635407

Jewish type; study of faces and figures, 1931 (drawing)

Brangwyn, Frank (1867-1956)

Scene From The Film
Scene From The Film

FIA5634515: Scene From The Film "!Que Viva Mexico!" By Sergei Eisenstein, 1931-32 (photo), Eisenstein, Sergei (1898-1948) / Bridgeman Images

ID: FIA5634515

Scene From The Film "!Que Viva Mexico!" By Sergei Eisenstein, 1931-32 (photo)

Eisenstein, Sergei (1898-1948)

Scene From The Film
Scene From The Film

FIA5634498: Scene From The Film "Bezhin Meadow" By Sergei Eisenstein, 1937 (photo), Eisenstein, Sergei (1898-1948) / Bridgeman Images

ID: FIA5634498

Scene From The Film "Bezhin Meadow" By Sergei Eisenstein, 1937 (photo)

Eisenstein, Sergei (1898-1948)

Scene From The Film
Scene From The Film

FIA5634516: Scene From The Film "!Que Viva Mexico!" By Sergei Eisenstein, 1931-32 (photo), Eisenstein, Sergei (1898-1948) / Bridgeman Images

ID: FIA5634516

Scene From The Film "!Que Viva Mexico!" By Sergei Eisenstein, 1931-32 (photo)

Eisenstein, Sergei (1898-1948)

Scene From The Film
Scene From The Film

FIA5634583: Scene From The Film "October: Ten Days That Shook The World" By Sergei Eisenstein, 1927-28 (photo), Eisenstein, Sergei (1898-1948) / Bridgeman Images

ID: FIA5634583

Scene From The Film "October: Ten Days That Shook The World" By Sergei Eisenstein, 1927-28 (photo)

Eisenstein, Sergei (1898-1948)

KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)
KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)

DUV5632995: KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph), Unknown Artist, (19th century) / Bridgeman Images

ID: DUV5632995

KALEIDOSCOPE Progressive twenty-five letter alphabet. Maison Martinet, Paris, n. d. c. 1855. illustration by A. Godard, Paris (lithograph)

Unknown Artist, (19th century)

Cover of the book
Cover of the book

FIA5633106: Cover of the book "Two Tramways" by Osip Mandelstam by Ender, Boris Vladimirovich , 1925 (lithograph), Ender, Boris Vladimirovich (1893-1960) / Bridgeman Images

ID: FIA5633106

Cover of the book "Two Tramways" by Osip Mandelstam by Ender, Boris Vladimirovich , 1925 (lithograph)

Ender, Boris Vladimirovich (1893-1960)

Scene From The Film
Scene From The Film

FIA5634499: Scene From The Film "Bezhin Meadow" By Sergei Eisenstein, 1937 (photo), Eisenstein, Sergei (1898-1948) / Bridgeman Images

ID: FIA5634499

Scene From The Film "Bezhin Meadow" By Sergei Eisenstein, 1937 (photo)

Eisenstein, Sergei (1898-1948)

Scene From The Film
Scene From The Film

FIA5634563: Scene From The Film "Alexander Nevsky" By Sergei Eisenstein, 1938 (photo), Eisenstein, Sergei (1898-1948) / Bridgeman Images

ID: FIA5634563

Scene From The Film "Alexander Nevsky" By Sergei Eisenstein, 1938 (photo)

Eisenstein, Sergei (1898-1948)

Summer's Day, 1888 (oil on canvas)
Summer's Day, 1888 (oil on canvas)

OVR5648415: Summer's Day, 1888 (oil on canvas), Stenersen, Gudmund (1863-1934) / Bridgeman Images

ID: OVR5648415

Summer's Day, 1888 (oil on canvas)

Stenersen, Gudmund (1863-1934)

Robert Bloomfield, 1798 (enamel on metal)
Robert Bloomfield, 1798 (enamel on metal)

MOU5615139: Robert Bloomfield, 1798 (enamel on metal), Bone, Henry (1755-1834) / Bridgeman Images

ID: MOU5615139

Robert Bloomfield, 1798 (enamel on metal)

Bone, Henry (1755-1834)

The features seemed to melt and alter' from the 'Strange Case of Dr Jekyll and Mr Hyde' by Robert Louis Stevenson (1850-1894) Illustration by S.G. Hulme Beamam (1887-1932) for a 1930 edition.See more information below.
The features seemed to melt and alter' from the 'Strange Case of Dr Jekyll and Mr Hyde' by Robert Louis Stevenson (1850-1894) Illustration by S.G. Hulme Beamam (1887-1932) for a 1930 edition.See more information below.

AFF5615709: The features seemed to melt and alter' from the 'Strange Case of Dr Jekyll and Mr Hyde' by Robert Louis Stevenson (1850-1894) Illustration by S.G. Hulme Beamam (1887-1932) for a 1930 edition.See more information below., Beamam, S. G. Hulme (1887-1932) / Bridgeman Images

ID: AFF5615709

The features seemed to melt and alter' from the 'Strange Case of Dr Jekyll and Mr Hyde' by Robert Louis Stevenson (1850-1894) Illustration by S.G. Hulme Beamam (1887-1932) for a 1930 edition.See more information below.

Beamam, S. G. Hulme (1887-1932)

Plate 6 Tubuletta Tubulariae from 'Kunstformen der Natur' (Art Forms in Nature) illustrated by Ernst Haeckel (1834-1919)
Plate 6 Tubuletta Tubulariae from 'Kunstformen der Natur' (Art Forms in Nature) illustrated by Ernst Haeckel (1834-1919)

AFF5615751: Plate 6 Tubuletta Tubulariae from 'Kunstformen der Natur' (Art Forms in Nature) illustrated by Ernst Haeckel (1834-1919), Haeckel, Ernst (1834-1919) / Bridgeman Images

ID: AFF5615751

Plate 6 Tubuletta Tubulariae from 'Kunstformen der Natur' (Art Forms in Nature) illustrated by Ernst Haeckel (1834-1919)

Haeckel, Ernst (1834-1919)

Title page from 'The Pilgrim's Progress' by John Bunyan (1628-1688) designed by Frank C. Papé (1878-1972) and published by J. M. Dent in 1910.
Title page from 'The Pilgrim's Progress' by John Bunyan (1628-1688) designed by Frank C. Papé (1878-1972) and published by J. M. Dent in 1910.

AFF5615778: Title page from 'The Pilgrim's Progress' by John Bunyan (1628-1688) designed by Frank C. Papé (1878-1972) and published by J. M. Dent in 1910., Pape, Frank (1878-1972) / Bridgeman Images

ID: AFF5615778

Title page from 'The Pilgrim's Progress' by John Bunyan (1628-1688) designed by Frank C. Papé (1878-1972) and published by J. M. Dent in 1910.

Pape, Frank (1878-1972)

AFF5615792: "Now, now look how the holy Pilgrims ride, Clouds are their Chariots, Angels are their Guide" from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) Christian and Hopeful ascend to the Celestial City helped by angels., Unknown Artist, (17th century) / Bridgeman Images

ID: AFF5615792

"Now, now look how the holy Pilgrims ride, Clouds are their Chariots, Angels are their Guide" from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) Christian and Hopeful ascend to the Celestial City helped by angels.

Unknown Artist, (17th century)

AFF5615790: "The Pilgrims now, to gratify the Flesh" from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) Christian and Hopeful fall asleep and are captured by the Giant of Despair and placed in the dungeon at the Doubting Castle., Unknown Artist, (17th century) / Bridgeman Images

ID: AFF5615790

"The Pilgrims now, to gratify the Flesh" from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) Christian and Hopeful fall asleep and are captured by the Giant of Despair and placed in the dungeon at the Doubting Castle.

Unknown Artist, (17th century)

AFF5615808: "The Jury" from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) Illustration by Byam Shaw (1872-1919) showing the corrupt jury at Faithful's trial in Vanity., Shaw, John Byam Liston (1872-1919) / Bridgeman Images

ID: AFF5615808

"The Jury" from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) Illustration by Byam Shaw (1872-1919) showing the corrupt jury at Faithful's trial in Vanity.

Shaw, John Byam Liston (1872-1919)

John Bunyan (1872-1919) author of 'The Pilgrim's Progress From This World, To That Which Is To Come', illustration by Byam Shaw (1872-1919)
John Bunyan (1872-1919) author of 'The Pilgrim's Progress From This World, To That Which Is To Come', illustration by Byam Shaw (1872-1919)

AFF5615826: John Bunyan (1872-1919) author of 'The Pilgrim's Progress From This World, To That Which Is To Come', illustration by Byam Shaw (1872-1919), Shaw, John Byam Liston (1872-1919) / Bridgeman Images

ID: AFF5615826

John Bunyan (1872-1919) author of 'The Pilgrim's Progress From This World, To That Which Is To Come', illustration by Byam Shaw (1872-1919)

Shaw, John Byam Liston (1872-1919)

Evangelist points the way' from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) illustration by Thomas Dalziel (1823-1906) Evangelist showing Christian the way.
Evangelist points the way' from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) illustration by Thomas Dalziel (1823-1906) Evangelist showing Christian the way.

AFF5615828: Evangelist points the way' from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) illustration by Thomas Dalziel (1823-1906) Evangelist showing Christian the way., Dalziel Brothers (1815-1905) / Bridgeman Images

ID: AFF5615828

Evangelist points the way' from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) illustration by Thomas Dalziel (1823-1906) Evangelist showing Christian the way.

Dalziel Brothers (1815-1905)

AFF5615838: "Christian fights Apollyon" from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) illustration by William Strang (1859-1921) Christian fights Apollyon in the Valley of Humiliation., Strang, William (1859-1921) / Bridgeman Images

ID: AFF5615838

"Christian fights Apollyon" from 'The Pilgrim's Progress From This World, To That Which Is To Come' by John Bunyan (1628-1688) illustration by William Strang (1859-1921) Christian fights Apollyon in the Valley of Humiliation.

Strang, William (1859-1921)


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